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Dissertations / Theses on the topic 'Sebastian Themes'

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Published: 10 December 2022

Last updated: 28 January 2023

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1

Allard, Sébastien. "Formation de composés organiques iodés catalysée par les oxydes de manganèse." Poitiers, 2008. http://theses.edel.univ-poitiers.fr/theses/2008/Allard-Sebastien/2008-Allard-Sebastien-These.pdf.

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L'objectif de ces travaux a été d'étudier la formation de composés organiques iodés lorsque des eaux contenant des matières organiques naturelles et des ions iodure sont en contact d'oxydes de manganèse (MnO2). Les oxydes de manganèse sont largement présents dans l'environnement et sont utilisés en production d'eaux de consommation comme matériau catalytique pour l'élimination du manganèse dissous. Les travaux ont été réalisés avec un oxyde de manganèse naturel et avec de la birnessite (dMnO2) synthétisée au laboratoire. Une étude cinétique a montré que les ions iodure sont oxydés en iode I2 comme espèce intermédiaire puis en ions iodate IO3- pour des pH < 7,5. L'iode et les ions iodate sont adsorbés sur les oxydes. L'iode réagit par substitution électrophile avec les matières organiques naturelles pour former des composés organiques iodés. Des composés spécifiques tels que l'iodométhane, l'iodoforme et l'acide iodoacétique ont été identifiés. L'iodoforme, formé par la réaction haloforme, est le composé majoritaire. Les oxydes de manganèse joueraient également le rôle de catalyseur en polarisant la molécule d'iode. Les composés organiques iodés possèdent une toxicité plus importante que leurs analogues chlorés et bromés et peuvent induire des problèmes organoleptiques dans les eaux traitées
Manganese dioxides (MnO2) are present in the environment and are used in water treatment for the catalytic removal of manganese. This study shows that manganese dioxide acts as a catalyst in the iodination of natural organic matter. Natural Mn product and synthetic birnessite were used. Iodide ion is oxidised to iodate ion by synthetic birnessite. Molecular iodine was analysed as reactive intermediate species in the oxidation of iodide ion into iodate ion for pH < 7. 5. Iodate ion and iodine are adsorbed on manganese oxide. In presence of natural organic matter (NOM) and iodide ion, it was shown that birnessite (dMnO2) can initiate the formation of organic iodine like iodoform, iodomethane and iodoacetic acid. Iodoform, a toxic and taste and odour compound, was the main identified iodinated organic compounds. It was postulated that manganese dioxide can promote the halogenation of organic matter at acidic pH by oxidizing iodide ion to iodine but also by polarising the elemental iodine molecule. Formation of toxic and taste and odour compounds is then expected when iodide containing natural source waters are in contact with manganese dioxide in environment and during treatment of Mn containing waters

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2

Horna, Sébastien. "Reconstruction géométrique et topologique de complexes architecturaux 3D à partir de plans numériques 2D." Poitiers, 2008. http://theses.edel.univ-poitiers.fr/theses/2008/Horna-Sebastien/2008-Horna-Sebastien-These.pdf.

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L’intérieur des bâtiments est souvent modélisé en 3D pour diverses applications de modélisation ou de simulation. Par exemple, plusieurs méthodes permettent d’étudier l’éclairage, les transferts de chaleur, la propagation d’ondes. Ces applications nécessitent dans la plupart des cas une représentation volumique de l’environnement avec des relations d’adjacence et d’incidence entre les éléments. Malheureusement, les données correspondant au bâtiment sont en général seulement disponibles en 2D et les besoins des applications 3D varient d’une utilisation à l’autre. Pour résoudre ce problème, nous proposons une description formelle d’un ensemble de contraintes de cohérence dédiées à la modélisation d’intérieur de bâtiments. Dans cette thèse nous montrons comment cette représentation est utilisée pour : (i) reconstruire un modèle 3D à partir de plans d’architecte numériques 2D ; (ii) détecter automatiquement les incohérences géométriques, topologiques et sémantiques ; (iii) développer des opérations automatiques et semi-automatiques pour corriger les plans 2D. Toutes les contraintes de cohérence sont définies en 2D et 3D et reposent sur le modèle topologique des cartes généralisées. Ces opérations sont utilisées pour éditer les scènes 2D et 3D afin d’affiner ou de modifier les modèles. Enfin, nous expliquons comment ce modèle est utilisé pour une application de visualisation par lancé de rayons
Virtual architectural (indoor) scenes are often modelled in 3D for various types of simulation systems. For instance, some authors propose methods dedicated to lighting, heat transfer, acoustic or radio wave propagation simulations. These methods rely in most cases on a volumetric representation of the environment, with adjacency and incidence relationships. Unfortunately, many buildings data are only given by 2D plans and the 3D needs varies from one application to another. To solve these problems, we propose a formal representation of consistency constraints dedicated to building interiors and associated with a topological model. We show that such a representation can be used for : (i) reconstructing a 3D model from 2D architectural plans ; (ii) detecting automatically geometrical, topological and semantical inconsistencies ; (iii) designing automatic and semi-automatic operations to correct and enrich a 2D plan. All our constraints are homogeneously defined in 2D and 3D, implemented with generalized maps and used in modeling operations. We explain how this model can be successfully used with various ray-tracing methods

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3

Miellet, Sébastien Samson Séverine. "Médiation phonologique, accès lexical et contrôle oculomoteur en lecture." Lille : A.N.R.T, 2004. http://www.univ-lille3.fr/theses/millet-sebastien/html/these.html.

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4

Waters, Melville. "The Lutheran orthodoxy of J.S. Bach's Clavierübung III /." Title page, table of contents and abstract only, 1988. http://web4.library.adelaide.edu.au/theses/09MUM/09mumw331.pdf.

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5

Watson, Marva J. "The Historical Figures of the Birthday Cantatas of Johann Sebastian Bach." OpenSIUC, 2010. https://opensiuc.lib.siu.edu/theses/157.

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Johann Sebastian Bach is credited with writing over 300 cantatas. Sacred cantatas comprise most of that repertory, but there are just under forty known secular cantatas composed by Bach. About half of these secular cantatas were written to celebrate a person’s birthday. This thesis will attempt to provide a view of the life of the historical figures for which the birthday cantatas were written, reflections of the personality of the individual in the cantata, Bach’s relationship to the recipient, and political or social connotations associated with the work. From a study of the individuals connected with the musical work, a more thorough understanding of the time period in which Bach lived and worked may be gained. This in turn will provide a more complete understanding of Bach’s birthday cantatas. This thesis will not address recipients of name day cantatas nor will it address recipients of birthday cantatas that were not fully preserved. These are the historical figures and works that will be examined: Duke Christian of Saxe-Weißenfels, including references to Dukes Wilhelm Ernst and Ernst August of Saxe-Weimar, Was mir behagt, ist nur die muntre Jagd, BWV 208; Prince Leopold of Anhalt-Köthen, Durchlauchtster Leopold, BWV 173a; Crown Prince Friedrich Christian of Saxony, Laßt uns sorgen, laßt uns wachen, BWV 213; Maria Joseph, Archduchess of Austria, Electress of Saxony, Queen of Poland, Tönet, ihr Pauken! Erschallet, Trompeten, BWV 214; and Augustus III, Elector of Saxony, King of Poland Schleicht, spielende Wellen, BWV 206.

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6

Themel, Sebastian [Verfasser], Orlando [Gutachter] Guntinas-Lichius, Andreas Gutachter] Müller, and Claus [Gutachter] [Wittekindt. "Diagnostik der Stimmlippenlähmung in der Praxis : eine Umfrage in europäischen HNO-Kliniken / Sebastian Themel ; Gutachter: Orlando Guntinas-Lichius, Andreas Müller, Claus Wittekindt." Jena : Friedrich-Schiller-Universität Jena, 2018. http://d-nb.info/1205885293/34.

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7

Theiss, Sebastian [Verfasser], Klaus [Akademischer Betreuer] [Gutachter] Kabitzsch, and Birgit [Gutachter] Vogel-Heuser. "Echtzeitfähige Softwareagenten zur Realisierung cyber-physischer Produktionssysteme / Sebastian Theiss ; Gutachter: Klaus Kabitzsch, Birgit Vogel-Heuser ; Betreuer: Klaus Kabitzsch." Dresden : Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2016. http://d-nb.info/1119362997/34.

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8

Collomb, Anne-Laure Pérez Marie-Félicie Natale Mauro. "La peinture sur pierre en Italie 1530-1630." Lyon : Université Lumière Lyon 2, 2006. http://theses.univ-lyon2.fr/sdx/theses/lyon2/2006/collomb_al.

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9

Duell, Trevor. "The Use of the Trumpet in Early Seventeenth Century Spanish Music Dramas: A Comparative Analysis of Selected Works by Sebastián Durón, Joaquín Martínez de la Roca, and Alessandro Scarlatti." Thesis, University of North Texas, 2016. https://digital.library.unt.edu/ark:/67531/metadc955023/.

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The purpose of this project is to conduct and analysis of the role and symbolism of the trumpet in two early eighteenth century Spanish music dramas: La Guerra de los Gigantes by Sebastian Duron and Los Desagravios de Troya by Joaquin Martinez de la Roca.

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10

Chang, Chul Woong. "A Guide to Suitable Bass Solo Vocal Repertoire by J. S. Bach for Collegiate Baritone." Thesis, University of North Texas, 2017. https://digital.library.unt.edu/ark:/67531/metadc1011800/.

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In the Baroque period, the baritone voice was not yet well-defined, but many composers wrote vocal pieces with a range appropriate for the modern baritone voice. Composers used the general categories of soprano, alto, tenor, and bass for solo voice in their compositions. Johann Sebastian Bach (1685-1750) was no different from other Baroque composers in writing solo works to be performed by one of the four main voice types. The various ranges and tessituras of J. S. Bach's vocal works for bass solo voice are not limited to being sung by low basses, but may also be sung by more medium ranged baritones. The purpose of this research is to guide collegiate voice teachers and their baritone students in selecting appropriate repertoire from the works of Bach on the basis of each students' level of development and to categorize four groups of bass solos by Bach for collegiate baritone students: beginning level for freshmen, intermediate level for sophomores, advanced level for juniors and seniors, and pre-professional level for seniors and graduate students. This research was prepared in conjunction with a DMA lecture-recital of eight bass solos for collegiate baritone voice, selected from the study; two vocal works for each proficiency level.

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11

BEY, EVELYNE HENNEQUIN JACQUES. "LA FONCTION DES ARTS DANS LE TABLEAU DE PARIS DE LOUIS-SEBASTIEN MERCIER /." [S.l.] : [s.n.], 1997. ftp://ftp.scd.univ-metz.fr/pub/Theses/1997/Bey.Evelyne.LMZ9721_1.pdf.

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12

Ryder, Cheryl E. "The effect of beach renourishment on sea turtle nesting and hatching success at Sebastian Inlet State Recreation Area, East-Central Florida." Thesis, This resource online, 1993. http://scholar.lib.vt.edu/theses/available/etd-09192009-040558/.

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13

Rong, Xing. "A Comparative Study of Polyphonic Techniques in Chang-Lei Zhu's Ballade for Solo Piano." Thesis, University of North Texas, 2019. https://digital.library.unt.edu/ark:/67531/metadc1538807/.

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In Chinese contemporary piano music, large-scale piano compositions featuring innovative polyphonic musical languages are rarely found. Chang-Lei Zhu's Ballade for Solo Piano represents his development of contrapuntal techniques passed on from J. S. Bach and Dmitri Shostakovich in their polyphonic works for solo keyboard or piano. This study focuses on an analysis of Zhu's Ballade as an idiosyncratic composition that makes a significant contribution to the Chinese contemporary piano music repertory. Comparative analysis is made of Zhu's Ballade and J.S. Bach's Well-Tempered Clavier Books 1 and 2, as well as Dmitri Shostakovich's 24 Preludes and Fugues for Solo Piano, Op. 87. Zhu, a living Chinese composer born in 1976, uniquely writes the twenty variations of his Ballade based on the opening theme, a single melody in ten subphrases. This research lays out the close relationship of the opening theme with twenty variations in the Ballade. This study also illustrates how Zhu is an innovative voice in Chinese contemporary piano music literature. This comparative study constitutes the first scholarly study of Zhu's Ballade. Chapter 1 is an introduction to my comparative study. In chapter 2, comparisons on selected excerpts are conducted between Zhu's Ballade and J.S. Bach's WTC, Books 1 and 2, as well as Dmitri Shostakovich's Op. 87. Taking into consideration the pedagogical function of the Ballade, this study includes how the work can be used in Zhu's Ballade in piano pedagogy as an addition in chapter 3.

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14

Jilek, Dwight. "Sven-David Sandström's Matthäuspassion: Examining J.S. Bach's Influence and Sandström's Compositional Language, Use of Symbolism, and Religious and Spiritual Motivations." Thesis, University of North Texas, 2016. https://digital.library.unt.edu/ark:/67531/metadc862768/.

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Beginning with his High Mass written in 1994, popular Swedish composer Sven-David Sandström modeled multiple compositions after famous canonical works using the same texts and/or instrumentation. Sandström wants to be compared to the greatest, specifically in how a twenty-first century composer responds to a text set , in the case of J.S. Bach's , over 250 years ago. His setting of Matthäuspassion (MP), which uses the same libretto as J.S. Bach, is his most extensive non-operatic work, one he considers his most significant, and likely his last work based on a preexisting model. This study 1) examines the influence of J.S. Bach's MP on Sandström's setting in the use of characters and chorales, 2) illustrates Sandström's compositional language in MP based on recent studies on his choral music, 3) describes his use of musical symbolism, and 4) discusses his religious and spiritual motivations behind the work, as well as his preferred uses in performance.

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15

Nicholas, Jeffrey Francis. "Masks." Bowling Green State University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1459629154.

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16

Sinnecker, Sebastian [Verfasser]. "Quantenchemische Studien zu ausgewählten Themen der Biochemie / vorgelegt von Sebastian Sinnecker." 2001. http://d-nb.info/961897988/34.

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17

Streller, Friedbert. "Neoklassizismus oder verordneter Traditionsbezug?: Schostakowitschs Adaption Bachscher Themen und Formen." 2004. https://ul.qucosa.de/id/qucosa%3A15793.

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18

Roberts, David Scott Mathes James. "Toward a methodology for the analysis of fugue An examination of selected Bach organ works /." Diss., 2004. http://etd.lib.fsu.edu/theses/available/etd-04032004-105820/.

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Dissertation (Ph.D.) -- Florida State University, 2004.
Advisor: James Mathes, Florida State University, School of Music. Title and description from dissertation home page (viewed 10-6-04). Document formatted into pages; contains 117 pages. Includes biographical sketch. Includes bibliographical references.

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19

Thelen, Sebastian [Verfasser]. "Visualization and interaction metaphors for large high-resolution displays / von Sebastian Thelen." 2011. http://d-nb.info/1010696173/34.

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20

Thees, Sebastian [Verfasser]. "Simultane Erfassung cerebraler Aktivität mittels Dipol-Quellenlokalisation und funktioneller MRT am Beispiel einer somatosensorischen Kategorisierungsaufgabe / von Sebastian Thees." 2004. http://d-nb.info/973086874/34.

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21

Knobel, Bradley James Bach Johann Sebastian Jones Evan Allan. "Bach cello suites with piano accompaniment and nineteenth-century Bach discovery A stemmatic study of sources /." Diss., 2006. http://etd.lib.fsu.edu/theses/available/etd-04052006-171445/.

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Treatise (D.M.A.) Florida State University, 2006.
Advisor: Evan Jones, Florida State University, College of Music. Title and description from dissertation home page (viewed 7-3-07). Document formatted into pages; contains 361 pages. Includes biographical sketch. Includes bibliographical references.

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22

Quinteros, Carmen Veronica. "Creativity, order and discipline." 2004. http://www.library.unsw.edu.au/~thesis/adt-NUN/public/adt-NUN20050520.111836/index.html.

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23

Waters, Melville. "The Lutheran orthodoxy of J.S. Bach's Clavierübung III." 1988. http://web4.library.adelaide.edu.au/theses/09MUM/09mumw331.pdf.

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24

Shaw, Rayford Wesley. "A Structural analysis and visual abstraction of the pictorial in the Aeneid, I-VI." Thesis, 2000. http://hdl.handle.net/10500/16021.

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The pictorial elements of the first six books of the Aeneid can be evidenced through an examination of its structural components. With commentaries on such literary devices as parallels and antipodes, interwoven themes, cyclic patterns, and strategic placement of words in the text, three genres of painting are treated individually in Chapter 1 to illustrate the poet's consistency of design and to prove him a craftsman of the visual arts. In the first division, "Cinematic progression," attention is directed to the language which conveys movement and frequentative action, with special emphasis placed on specific passages whose verbal components possess sculptural or third-dimensional traits and contribute to the "spiral" and "circle" motifs, the appropriate visual agents for animation. Depiction of mythological subjects comprises the second division entitled "Cameos and snapshots." Three selections, dubbed monstra, are explicated with such cross references as to illustrate the poet's use of epithets which he distributes passim to elicit verbal echoes of other passages. The final division, "The Vergilian landscape," addresses two major themes, antithetical in nature, the martial and the pastoral. Their sequential juxtaposition in the text renders a marked contrast in mood which is manifested pictorially in the transition from darkness to light. A panoramic chiaroscuro emerges which is the tapestry against which Aeneas makes his sojourn through the Underworld. It is the perfect backdrop to accompany the overriding theme of "things hidden," res latentes, which encompasses a greater part of the epic and becomes the culminant motif of the paintings which comprise the visual presentation. Chapter 2 functions as a catalogue raisonne for art inspired by the Aeneid from early antiquity up to the present day. Such examples of artistic expression provide a continuum with which to appropriate Horace's maxim, ut pictura poesis, in their evaluation. The verbal exegeses in Chapter 1 have been programmed to comport with the thematic content of the visual presentation in Chapter 3, a critique exemplifying the transposition of the verbal to the pictorial. With these canvases I have attempted to render a new perspective of Vergil's epic in the genre of abstract expressionism.
Art
D. Litt. et Phil.

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25

Masse, Vincent. "Sublimés des Nouveaux Mondes – Évocation des lieux de l'expansion européenne dans les imprimés français, des origines à 1560." Thesis, 2009. http://hdl.handle.net/1807/19202.

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Cette thèse propose l'analyse des processus de l'intégration discursive des « Nouveaux Mondes » – c'est-à-dire des nouveaux lieux de l'expansion européenne des XVe et XVIe siècles – dans les imprimés français d'avant 1560. Le corpus s'y veut exhaustif, mais l'étude porte en priorité sur (1) les mentions brèves (dites sublimées), que celles-ci relèvent de la digression ou qu'elles soient intégrées, et (2) les textes actualisés, c’est-à-dire les traductions, les rééditions avec annexes, les adaptations, etc. Une division bipartite et heuristique est proposée, avec d'une part les actualisations d'écrits procédant par l'exclusion d'un ou d'élément(s) de l'hypotexte (c'est-à-dire du matériel textuel qui préexiste à l'acte de publication), et d'autre part par l'adjonction d'éléments supplémentaires. Cette division permet d'analyser les dits lieux, d'une part en fonction d'un principe de pertinence (lequel est révélé par les phénomènes d'exclusion), et d'autre part en fonction d'une recherche de l'inédit, voire de l'acte contentieux (qu'exprime éloquemment l'acte d'adjonction). La thèse démontre comment les deux principes, celui de la pertinence et celui de la recherche de l'inédit, sont liés à la culture émergente de l'imprimé, ainsi qu'au développement d'une grande variété de genres et de discours: littérature géographique, chroniques annales, pamphlets ou manuels anti-syphilitiques, lettres missionnaires, littérature eschatologique, traités didactiques, etc. Le concept d'acte de publication, qui est corrélatif à celui d'actualisation, permet d'aller au-delà d'une opposition entre l'ouvrage dit « périmé » et l'ouvrage dit « progressiste ». Pour ce faire est reconsidéré l'apport, pour la diffusion des nouveaux lieux, de textes comme le Tractatus de sphaera de Joannes de Sacrobosco (XIIIe siècle) et la lettre apocryphe du Prêtre Jean (XIIe siècle), qui aux XVe et XVIe siècles sont réactualisés suivant une perspective heuristique ou didactique, et participent ainsi à l'émergence d'une économie discursive des « Nouveaux Mondes ».

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