Relevant bibliographies by topics / Sebastian Themes

Academic literature on the topic 'Sebastian Themes'

Author: Grafiati
Published: 10 December 2022
Last updated: 28 January 2023

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Journal articles on the topic "Sebastian Themes"

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Mahony, John D. "Developing quadrature themes." Mathematical Gazette 105, no. 564 (October 13, 2021): 458–66. http://dx.doi.org/10.1017/mag.2021.113.

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Readers will most likely be aware of the works of Johann Sebastian Bach in the field of music, particularly of his Goldberg variations and the changes that can be rung, wherein aesthetically appealing alterations to structure produce a raft of colourful sounding themes. Similarly in the field of quadrature it is possible to revisit and re-establish well-known formulae by developing variations on the theme of a three-point interpolating quadratic formed to represent a function that is to be integrated.
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Živković, Miloš. "WAR TRAUMA IN THE CONTEMPORARY SERBIAN NOVEL: THE HOUSE OF REMEMBRANCE AND OBLIVIONBY FILIP DAVID, THE DELUSION OF ST. SEBASTIANBY VLADIMIR TABAŠEVIĆ, THE DOG AND THE DOUBLE BASSBY SAŠA ILIĆ." PHILOLOGICAL STUDIES 18, no. 1 (2020): 278–300. http://dx.doi.org/10.17072/1857-6060-2020-18-1-278-300.

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The paper discusses the literary shaping of war traumas in the novels “The House of Remembrance and Oblivion” by Filip David, “The Delusion of St. Sebastian” by Vladimir Tabašević and “The Dog and the Double Bass” by Saša Ilić. The manner in which the Holocaust influences the life of Albert Weiss and the lives of other characters, decades after World War II, and the mystical contemplation of the meaning of evil stand out as the most important themes of David’s novel. The interpretation of “The Delusion of St. Sebastian” proceeds via the protagonist Karl and his attitude to the language he learned during the war. The war induces dissociative identity disorder, the protagonist’s adoption and subsequent overcoming of the victim’s position. The analysis of Ilić’s work focuses on the protagonist of the novel “The Dog and the Double Bass”, Filip Isaković, and his post-traumatic stress disorder, as well as psychiatric and anti-psychiatric treatment methods.
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Fensham, Charles J. "The conversation between public theology and missiology: A response to Sebastian Kim." Missiology: An International Review 45, no. 4 (October 2017): 396–406. http://dx.doi.org/10.1177/0091829617730094.

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This paper responds, from a North American perspective, to Sebastian Kim’s plenary address at the 2016 annual meeting of the American Society for Missiology on the relationship between public theology and missiology. The paper reviews the contribution of North American missiologists to the reflection on the public witness of the church, highlights the published contributions of Hunsberger, Leffel, Pieterse, Hunt, Okesson and Fensham, while recognizing the contribution of practitioners such as Kenney and Simpson. The paper proposes that missiologists can contribute to the conversation with public theologians on the themes of theologies of culture, the missionary dimension of all theology, the clarification of the meaning of “church”, “world” and “publics,” the theme of repentance, and offering an inspiring transformative vision for a flourishing creation.
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Dreve, Roxana-Ema. "Norway’s political / linguistic / literary policies in the 1830s." Romanian Journal for Baltic and Nordic Studies 8, no. 1 (August 15, 2016): 45–51. http://dx.doi.org/10.53604/rjbns.v8i1_4.

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Up until 1814 Norway was a province governed from Copenhagen. After its defeat in the Napoleonic wars, Denmark was forced to give Norway to Sweden. On the political side, the direct results of these events were the establishment of the Norwegian state and the writing of the constitution. On the cultural and literary side, the union with Sweden created the condition for inquiries about national identity. But if Norway had a political identity, the foundation of a cultural identity took more time, mostly because of the lack of a unique, national language. This article focuses on some linguistic and political policies from the 1830s and their influence on literature. Important themes such as oral/written language, the conflicts between Henrik Wergeland and Johan Sebastian Welhaven, national/cultural identity, tradition/innovation will be analyzed.
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Šepták, Miroslav. "Rakouské parlamentní volby 2017: Začátek éry Sebastiana Kurze." Středoevropské politické studie Central European Political Studies Review 20, no. 2 (December 1, 2018): 86–123. http://dx.doi.org/10.5817/cepsr.2018.2.86.

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The article deals with the early parliamentary elections in Austria, which resulted from conflicts inside the government. The situation provides a negative example of a long rule of grand coalition. Most Austrians had lost the trust in abilities of the cabinet made up by social democrats (SPÖ) and Austrian People's Party (ÖVP) to deal with problems of the day. The public demanded an end to controversies and change of political style. In the stalemate situation it was ÖVP which initiated irregular elections into National Council. It succeeded in connecting the dynamic and perspective personality of the leader Sebastian Kurz with the image of a new and open movement. During the campaign, it emphasized themes which the Austrian public considered important (migration and asylum policy, better security, reduction of taxes) in combination with professional political marketing. After the elections, negotiations revealed programmatic overlap between ÖVP and Freedom Party of Austria, which placed third, in a number of important areas. The new government worked out an ambitious reform program, for which it secured enough majority support in the National Council; also the favourable economic conditions helped. The article provides analysis of electoral programs and the respective stages of the electoral campaign, making use of extensive electoral materials, including unarchived ones. Besides filling a major descriptive-analytic gap in the Czech scholarly reflection of Austrian politics, the article probes into actual trends of Austrian electoral marketing and electoral behaviour.
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Lee, Meebae. "Under the Influence of J. S. Bach and R. Schumann: The Meaning of Clara Schumann’s Creation of Three Fugues on Themes of Sebastian Bach." Journal of the Musicological Society of Korea 19, no. 3 (September 30, 2016): 75–112. http://dx.doi.org/10.16939/jmsk.2016.19.3.75.

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Barros, Wilma Lilian Lima, Edileusa Costa, Silvana Schwerz Funghetto, Lara Mabelle Milfont Boeckmann, Paula Elaine Diniz Dos Reis, and Casandra Genoveva Rosales Martins Ponce de Leon. "Humanizing delivery: a reality in a birth center?" Revista de Enfermagem UFPE on line 5, no. 1 (December 26, 2010): 67. http://dx.doi.org/10.5205/reuol.1207-10484-1-le.0501201109.

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ABSTRACTObjective: to know the women's perception in the postpartum about the provided health assistance during the labor and delivery at San Sebastian Birthing Center in District Federal, Brazil’s capital. Methodology: this is about a qualitative study, performed with ten women who experienced the delivery and postpartum period in this birthing center. The project was approved by the Ethics Committee of the Health State Secretary of the District Federal with protocol number 264/2007. Results: the themes of the study were found and classed in the following way: Pre-natal assistance, birth process and puerperal assistance. The women’s narrations were analyzed and it was referred in the major statements, humanization’s actions in the delivery moment and in the puerperal period, however the same women related scanty orientations and information in pre-natal appointments that would be very relevant to live these experiences with self-control and safety. Conclusion: the present study evidenced that at San Sebastian Birthing Center, the executed work correspond to a humanized assistance that is offered to the pregnant women who are admitted at this birthing center. The procedures that are used in this birthing center are humanized and they are according to World Health Organization’s recommendations, which were confirmed by the collected report of the women who participated of the study. Descriptors: birth; humanizing delivery; postpartum.RESUMOObjetivo: conhecer a percepção das puérperas sobre a assistência desenvolvida na Casa de Parto de São Sebastião do Distrito Federal. Metodologia: trata-se de estudo descritivo e exploratório, de abordagem qualitativa, com dez mulheres que vivenciaram o parto e puerpério na Casa de Parto após a aprovação do projeto de pesquisa pelo Comitê de Ética em Pesquisa da Secretaria de Estado em Saúde do Distrito Federal com parecer nº 264/2007. Resultados: as categorias temáticas encontradas foram: Assistência no pré-natal, Assistência no processo de parturição e Assistência no puerpério. Nas análises das falas das puérperas foi referido ações referentes à humanização da assistência no momento da parturição e puerpério, contudo as mesmas relataram escassez de orientações e informações no Pré-natal que julgaram ser importantes para vivenciar o parto e puerpério com segurança. Conclusão: o presente estudo evidenciou que o trabalho desenvolvido na instituição corresponde a uma assistência humanizada às parturientes que são acolhidas na Casa de Parto São Sebastião. Tais procedimentos utilizados estão em sintonia com as recomendações da Organização Mundial de saúde, o que foi constatado nos depoimentos colhidos das puérperas participantes do estudo. Descritores: parto; humanização no parto; puerpério. RESUMENObjetivo: conocer la percepción de las puérperas acerca de la asistencia desenvuelta en la Casa de São Sebastião del Distrito Federal. Metodología:trata-se de uno estudio qualitativo con diez mujeres que tuvieran sus partos e puerpérios en la Casa Del Parto. Las categorías temáticas encontradas fueron: Asistencia durante la gestación, Asistencia en el proceso de parturición y Asistencia en el puerpério. El proyecto fue aprobado por el Comité de Ética de la da Secretaria de Estado em Saúde do Distrito Federal com parecer nº 264/2007. Resultados: en análisis a las respuestas de las puérperas, fue citado acciones acerca de la humanización de la asistencia durante la parturición y puerpério, entretanto las mismas relataron la escasez de orientaciones y informaciones en el prenatal que juzgaban importantes para la seguridad en el parto y puerperio. Conclusiones: el presente estudio evidencio que el trabajo desenvuleto en la instituición corresponde a una asistencia humanizada a las parturientes que son acollidas en la Casa del Parto. Los procedimientos utilizados estan en sintonia con las recomendaciones de la Organización Mundial de Salud, lo que fue constatado en los depoimientos collidos de las puérperas participantes del estudio. Descriptores: parto; humanización del parto; puerperio.
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Kulish, Mariya. "Editorial style of O. Ziloti: experience of interpretation (on material of releases of works by Iohann Sebastian Bach and Maurice Ravel)." Musical art in the educological discourse, no. 4 (2019): 70–76. http://dx.doi.org/10.28925/2518-766x.2019.4.10.

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The article presents results of research of editorial style of Oleksandr Ziloti are through the prism of own performance experience of author of prosecution of piano treatments of instrumental and vocal works. An organ prelude by Iohann Sebastian Bach and the part of vocal cycle by Maurice Ravel on two Jewish themes of “Kadish” are taken as an example to study. Editing is one of dominant vectors of Oleksandr Ziloti’s activities, because he only carried out writing of clavier of operas “Asleep Beauty” and “Queen of Spades” by Petro Chaikovskyi. Despite the fact that Chaikovskyi did not always agree with all the issues of Ziloti’s work, he highly appreciated the work of his editor, which is also noted in the article. A number of citations are given that substantiate the conclusions about the editorial work of Oleksandr Ziloti. However, the main author for Oleksandr Ziloti to work with is I. S. Bach. The given citations of such creative personalities as A. Rubinstein and A. Ossovsky reveal Oleksandr Ziloti’s attitude to the work of the German maestro not only from the prism of editing, but also from a performing and interpreting point of view. It is investigated the peculiarities of editing of I. S. Bach’s works, which were created at the time of Oleksandr Ziloti’s work in this genre. In addition, in his works he tries to be as close as possible to the original, covering works of different eras, styles, and genres. In view of this, Oleksandr Ziloti’s editions are useful in pedagogical and performing repertoire. That is why it is so important that the transcriptions of the artist take their place of honor on the piano stage.
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Drong, Leszek. "Post-Traumatic Realism: Representations of History in Recent Irish Novels." Colloquia Humanistica, no. 2 (June 13, 2015): 19–31. http://dx.doi.org/10.11649/ch.2013.011.

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Post-Traumatic Realism: Representations of History in Recent Irish NovelsThe aim of my essay is to describe major tendencies in contemporary Irish prose writing concerned with historical and political issues. The diversity of the themes and attitudes to the past necessitates a classification of the writings into several various groups of novels whereas my analysis of the modes of representing the intratextual universe paves the way for identifying a single literary convention (post-traumatic realism) which is typical of the works under discussion. Many of the quoted authors subscribe to historical revisionism which undermines the received historical narrative in Ireland and questions its aggressively nationalist model of patriotism. The novels by Sebastian Barry, Robert McLiam Wilson, Edna O’Brien or Julia O’Faolain, to name just a few, contest that model by demonstrating that it leads to violence, cultural stagnation and petrifying political divisions both in the Republic of Ireland and in Northern Ireland. In the age of the epistemological levelling of historiographic discourse and literary fiction the novels discussed in the essay meaningfully contribute to the debate over the Irish nation’s attitude to their own history and the need to conclude the painful chapters of the past connected with the Civil War as well as with the social and religious conflicts of the twentieth century. Realizm posttraumatyczny. Sposoby przedstawiania historii we współczesnych powieściach irlandzkich Celem niniejszego artykułu jest scharakteryzowanie głównych tendencji we współczesnej prozie irlandzkiej podejmującej tematykę historyczną i polityczną. Różnorodność tematów i postaw wobec przeszłości zmusza do wyodrębnienia co najmniej kilku odmiennych grup powieści, natomiast analiza sposobów prezentacji universum wewnątrztekstowego pozwala pokusić się o określenie jednej typowej konwencji literackiej, jaką w przypadku omawianych utworów jest realizm posttraumatyczny. Wielu z przytaczanych autorów wpisuje się także w nurt rewizjonizmu historycznego, który podważa zastaną narrację historyczną i obiegowy, nacechowany agresywnym nacjonalizmem model patriotyzmu. Powieści Sebastiana Barry’ego, Roberta McLiama Wilsona, Edny O’Brien czy Julii O’Faolain kontestują ów model, ukazując, że prowadzi on do przemocy, utrwalania podziałów politycznych i stagnacji kulturowej zarówno w Republice Irlandii, jak i w Irlandii Północnej. W dobie epistemologicznego równouprawnienia dyskursu historiograficznego i fikcji literackiej omawiane w artykule powieści konstruktywnie wpisują się w dyskusję nad stosunkiem narodu irlandzkiego do swojej historii, nad koniecznością zamknięcia raz na zawsze bolesnych rozdziałów związanych z wojną domową początku lat dwudziestych XX wieku i konfliktami na tle społecznym oraz religijnym.
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Kurdiaev, Grigoriy Igorevich. "Synthesis of National and Transnational in A. Konchalovsky's American Movies." Journal of Flm Arts and Film Studies 7, no. 2 (June 15, 2015): 52–60. http://dx.doi.org/10.17816/vgik7252-60.

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In September 2014 Andrey Konchalovskiy's White Nights of Postman Alexey Tryapitsyn won Silver Lion for the Best Director at the Venice Film Festival. European critics and advanced public have regularly marked endowments of the Soviet and Russian film director. Throughout his career he has received numerous awards at prestigious European film festivals. There are Crystal Globe in Karlovy Vary for the Romance for Lovers (1974), Grand Prix at Cannes for Sibiriada (1979), the main prizes of San Sebastian for Uncle Vanya (1971) and Homer and Eddie (1989). Meanwhile, Konchalovsky's success among American mass audience and critics has been much more modest, though Andrey Konchalovsky was the first in the early 1980s, since the time of the first wave of Russian 1910-20's emigration, who attempted to connect deeply national, Russian spirit with Hollywood production technology-oriented international strategy in his works. Being established in the Soviet Union as an esteemed author, Konchalovskiy decided to change the film industry to start over his career. Nowadays, in the context of the festival success in the European and Soviet/Russian cinema circles and the lack of attention in the United States, a question arises, if one can consider this attempt as successful one. In this article the author tries identify Russian national motives, which the filmmaker has introduced into Hollywood culture through his creative method, and those originally Hollywood themes and topics that have appeared for the first time in the works of the recognized Soviet director. Basing on Konchalovskys American works the author tries to elicit creative value in their national and transnational synthesis and expose the extent of their productivity and sensemaking.
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Dissertations / Theses on the topic "Sebastian Themes"

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Allard, Sébastien. "Formation de composés organiques iodés catalysée par les oxydes de manganèse." Poitiers, 2008. http://theses.edel.univ-poitiers.fr/theses/2008/Allard-Sebastien/2008-Allard-Sebastien-These.pdf.

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L'objectif de ces travaux a été d'étudier la formation de composés organiques iodés lorsque des eaux contenant des matières organiques naturelles et des ions iodure sont en contact d'oxydes de manganèse (MnO2). Les oxydes de manganèse sont largement présents dans l'environnement et sont utilisés en production d'eaux de consommation comme matériau catalytique pour l'élimination du manganèse dissous. Les travaux ont été réalisés avec un oxyde de manganèse naturel et avec de la birnessite (dMnO2) synthétisée au laboratoire. Une étude cinétique a montré que les ions iodure sont oxydés en iode I2 comme espèce intermédiaire puis en ions iodate IO3- pour des pH < 7,5. L'iode et les ions iodate sont adsorbés sur les oxydes. L'iode réagit par substitution électrophile avec les matières organiques naturelles pour former des composés organiques iodés. Des composés spécifiques tels que l'iodométhane, l'iodoforme et l'acide iodoacétique ont été identifiés. L'iodoforme, formé par la réaction haloforme, est le composé majoritaire. Les oxydes de manganèse joueraient également le rôle de catalyseur en polarisant la molécule d'iode. Les composés organiques iodés possèdent une toxicité plus importante que leurs analogues chlorés et bromés et peuvent induire des problèmes organoleptiques dans les eaux traitées
Manganese dioxides (MnO2) are present in the environment and are used in water treatment for the catalytic removal of manganese. This study shows that manganese dioxide acts as a catalyst in the iodination of natural organic matter. Natural Mn product and synthetic birnessite were used. Iodide ion is oxidised to iodate ion by synthetic birnessite. Molecular iodine was analysed as reactive intermediate species in the oxidation of iodide ion into iodate ion for pH < 7. 5. Iodate ion and iodine are adsorbed on manganese oxide. In presence of natural organic matter (NOM) and iodide ion, it was shown that birnessite (dMnO2) can initiate the formation of organic iodine like iodoform, iodomethane and iodoacetic acid. Iodoform, a toxic and taste and odour compound, was the main identified iodinated organic compounds. It was postulated that manganese dioxide can promote the halogenation of organic matter at acidic pH by oxidizing iodide ion to iodine but also by polarising the elemental iodine molecule. Formation of toxic and taste and odour compounds is then expected when iodide containing natural source waters are in contact with manganese dioxide in environment and during treatment of Mn containing waters
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Horna, Sébastien. "Reconstruction géométrique et topologique de complexes architecturaux 3D à partir de plans numériques 2D." Poitiers, 2008. http://theses.edel.univ-poitiers.fr/theses/2008/Horna-Sebastien/2008-Horna-Sebastien-These.pdf.

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L’intérieur des bâtiments est souvent modélisé en 3D pour diverses applications de modélisation ou de simulation. Par exemple, plusieurs méthodes permettent d’étudier l’éclairage, les transferts de chaleur, la propagation d’ondes. Ces applications nécessitent dans la plupart des cas une représentation volumique de l’environnement avec des relations d’adjacence et d’incidence entre les éléments. Malheureusement, les données correspondant au bâtiment sont en général seulement disponibles en 2D et les besoins des applications 3D varient d’une utilisation à l’autre. Pour résoudre ce problème, nous proposons une description formelle d’un ensemble de contraintes de cohérence dédiées à la modélisation d’intérieur de bâtiments. Dans cette thèse nous montrons comment cette représentation est utilisée pour : (i) reconstruire un modèle 3D à partir de plans d’architecte numériques 2D ; (ii) détecter automatiquement les incohérences géométriques, topologiques et sémantiques ; (iii) développer des opérations automatiques et semi-automatiques pour corriger les plans 2D. Toutes les contraintes de cohérence sont définies en 2D et 3D et reposent sur le modèle topologique des cartes généralisées. Ces opérations sont utilisées pour éditer les scènes 2D et 3D afin d’affiner ou de modifier les modèles. Enfin, nous expliquons comment ce modèle est utilisé pour une application de visualisation par lancé de rayons
Virtual architectural (indoor) scenes are often modelled in 3D for various types of simulation systems. For instance, some authors propose methods dedicated to lighting, heat transfer, acoustic or radio wave propagation simulations. These methods rely in most cases on a volumetric representation of the environment, with adjacency and incidence relationships. Unfortunately, many buildings data are only given by 2D plans and the 3D needs varies from one application to another. To solve these problems, we propose a formal representation of consistency constraints dedicated to building interiors and associated with a topological model. We show that such a representation can be used for : (i) reconstructing a 3D model from 2D architectural plans ; (ii) detecting automatically geometrical, topological and semantical inconsistencies ; (iii) designing automatic and semi-automatic operations to correct and enrich a 2D plan. All our constraints are homogeneously defined in 2D and 3D, implemented with generalized maps and used in modeling operations. We explain how this model can be successfully used with various ray-tracing methods
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Miellet, Sébastien Samson Séverine. "Médiation phonologique, accès lexical et contrôle oculomoteur en lecture." Lille : A.N.R.T, 2004. http://www.univ-lille3.fr/theses/millet-sebastien/html/these.html.

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Waters, Melville. "The Lutheran orthodoxy of J.S. Bach's Clavierübung III /." Title page, table of contents and abstract only, 1988. http://web4.library.adelaide.edu.au/theses/09MUM/09mumw331.pdf.

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Watson, Marva J. "The Historical Figures of the Birthday Cantatas of Johann Sebastian Bach." OpenSIUC, 2010. https://opensiuc.lib.siu.edu/theses/157.

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Johann Sebastian Bach is credited with writing over 300 cantatas. Sacred cantatas comprise most of that repertory, but there are just under forty known secular cantatas composed by Bach. About half of these secular cantatas were written to celebrate a person’s birthday. This thesis will attempt to provide a view of the life of the historical figures for which the birthday cantatas were written, reflections of the personality of the individual in the cantata, Bach’s relationship to the recipient, and political or social connotations associated with the work. From a study of the individuals connected with the musical work, a more thorough understanding of the time period in which Bach lived and worked may be gained. This in turn will provide a more complete understanding of Bach’s birthday cantatas. This thesis will not address recipients of name day cantatas nor will it address recipients of birthday cantatas that were not fully preserved. These are the historical figures and works that will be examined: Duke Christian of Saxe-Weißenfels, including references to Dukes Wilhelm Ernst and Ernst August of Saxe-Weimar, Was mir behagt, ist nur die muntre Jagd, BWV 208; Prince Leopold of Anhalt-Köthen, Durchlauchtster Leopold, BWV 173a; Crown Prince Friedrich Christian of Saxony, Laßt uns sorgen, laßt uns wachen, BWV 213; Maria Joseph, Archduchess of Austria, Electress of Saxony, Queen of Poland, Tönet, ihr Pauken! Erschallet, Trompeten, BWV 214; and Augustus III, Elector of Saxony, King of Poland Schleicht, spielende Wellen, BWV 206.
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Themel, Sebastian [Verfasser], Orlando [Gutachter] Guntinas-Lichius, Andreas Gutachter] Müller, and Claus [Gutachter] [Wittekindt. "Diagnostik der Stimmlippenlähmung in der Praxis : eine Umfrage in europäischen HNO-Kliniken / Sebastian Themel ; Gutachter: Orlando Guntinas-Lichius, Andreas Müller, Claus Wittekindt." Jena : Friedrich-Schiller-Universität Jena, 2018. http://d-nb.info/1205885293/34.

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Theiss, Sebastian [Verfasser], Klaus [Akademischer Betreuer] [Gutachter] Kabitzsch, and Birgit [Gutachter] Vogel-Heuser. "Echtzeitfähige Softwareagenten zur Realisierung cyber-physischer Produktionssysteme / Sebastian Theiss ; Gutachter: Klaus Kabitzsch, Birgit Vogel-Heuser ; Betreuer: Klaus Kabitzsch." Dresden : Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2016. http://d-nb.info/1119362997/34.

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Collomb, Anne-Laure Pérez Marie-Félicie Natale Mauro. "La peinture sur pierre en Italie 1530-1630." Lyon : Université Lumière Lyon 2, 2006. http://theses.univ-lyon2.fr/sdx/theses/lyon2/2006/collomb_al.

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Duell, Trevor. "The Use of the Trumpet in Early Seventeenth Century Spanish Music Dramas: A Comparative Analysis of Selected Works by Sebastián Durón, Joaquín Martínez de la Roca, and Alessandro Scarlatti." Thesis, University of North Texas, 2016. https://digital.library.unt.edu/ark:/67531/metadc955023/.

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The purpose of this project is to conduct and analysis of the role and symbolism of the trumpet in two early eighteenth century Spanish music dramas: La Guerra de los Gigantes by Sebastian Duron and Los Desagravios de Troya by Joaquin Martinez de la Roca.
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Chang, Chul Woong. "A Guide to Suitable Bass Solo Vocal Repertoire by J. S. Bach for Collegiate Baritone." Thesis, University of North Texas, 2017. https://digital.library.unt.edu/ark:/67531/metadc1011800/.

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In the Baroque period, the baritone voice was not yet well-defined, but many composers wrote vocal pieces with a range appropriate for the modern baritone voice. Composers used the general categories of soprano, alto, tenor, and bass for solo voice in their compositions. Johann Sebastian Bach (1685-1750) was no different from other Baroque composers in writing solo works to be performed by one of the four main voice types. The various ranges and tessituras of J. S. Bach's vocal works for bass solo voice are not limited to being sung by low basses, but may also be sung by more medium ranged baritones. The purpose of this research is to guide collegiate voice teachers and their baritone students in selecting appropriate repertoire from the works of Bach on the basis of each students' level of development and to categorize four groups of bass solos by Bach for collegiate baritone students: beginning level for freshmen, intermediate level for sophomores, advanced level for juniors and seniors, and pre-professional level for seniors and graduate students. This research was prepared in conjunction with a DMA lecture-recital of eight bass solos for collegiate baritone voice, selected from the study; two vocal works for each proficiency level.
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Books on the topic "Sebastian Themes"

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Sebastián. Sebastián: El lenguaje del universo. México: Grupo Cementos de Chihuahua, 1999.

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Vieira, Thereza Freire. Barra Seca e sua arte cabocla: Sebastião Justino de Faria. Taubaté [i.e. Caçapava, Brazil]: Centro de Recursos Educacionais, 1992.

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Lorbeeren für Laura: Sebastiano del Piombos lyrische Bildnisse schöner Frauen. Berlin: Akademie Verlag, 2011.

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Michele, Di Monte, ed. Veronese nella chiesa di San Sebastiano. Venezia: Marsilio, 2005.

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Mário, Margutti, ed. Arte na Catedral =: Art in the Cathedral. Rio [de Janeiro]: PUC, 2003.

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Renate, Steiger, ed. Johann Sebastian Bachs Kantaten: Zum Thema Tod und Sterben und ihr literarisches Umfeld. Wiesbaden: Harrassowitz, 2000.

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Nomen Clature - Sebastian Books. Sebastian Got Vaccinated You're Welcome: Sebastian Personalised Custom Name - Vaccine Pride Themed Workbook / Notebook / Exercise Book - 8. 5x11 - Super Jab Theme. Independently Published, 2021.

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Nomen Clature - Sebastian Books. Sebastian's Christmas Colouring Book: Sebastian Personalised Custom Name - Christmas Colouring Book - 8. 5x11 - Santa Gift Theme. Independently Published, 2021.

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Nomen Clature - Sebastian Books. Sebastian's Xmas Colouring Book: Sebastian Personalised Custom Name - Christmas Colouring Book - 8. 5x11 - Santa and Friends Theme. Independently Published, 2021.

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Vahland, Kia. Lorbeeren Für Laura: Sebastiano Del Piombos Lyrische Bildnisse Schöner Frauen. de Gruyter GmbH, Walter, 2012.

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Book chapters on the topic "Sebastian Themes"

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Kruse, Andreas. "„Vor Deinen Thron tret ich hiermit“: Zusammenführung psychologischer Themen Johann Sebastian Bachs am Ende seines Lebens." In essentials, 27–33. Wiesbaden: Springer Fachmedien Wiesbaden, 2015. http://dx.doi.org/10.1007/978-3-658-08333-5_7.

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Bernhardt, Sebastian. "Grotesker Körper revisited?" In Gegenwartsliteratur, 191–204. Bielefeld, Germany: transcript Verlag, 2021. http://dx.doi.org/10.14361/9783839456804-011.

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Sebastian Bernhardt widmet sich in diesem Beitrag der Körperkonzeption in Daniel Kehlmanns historischem Roman »Tyll«. In diesem Roman werden an mehreren Stellen die Grenzen des Körpers überwunden: Sei es, dass eine Figur schwerelos erscheint oder die Haut nicht als Außengrenze des Körpers taugt, sei es, dass der Narr sich immer wieder ein neues Hautgewandt überstülpen kann. Dabei vertritt der Beitrag die These, dass in »Tyll« ein groteskes Körperbild im Sinne Bachtins entworfen wird, wobei fraglich bleibt, inwiefern dieses Körperbild in ein metareflexives Spiel mit erzählerischer Unzuverlässigkeit und dem Motiv des Narren eingelassen ist.
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Jaminet, Jean, Gabriel Esquivel, and Shane Bugni. "Serlio and Artificial Intelligence: Problematizing the Image-to-Object Workflow." In Proceedings of the 2021 DigitalFUTURES, 3–12. Singapore: Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-16-5983-6_1.

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AbstractVirtual design production demands that information be increasingly encoded and decoded with image compression technologies. Since the Renaissance, the discourses of language and drawing and their actuation by the classical disciplinary treatise have been fundamental to the production of knowledge within the building arts. These early forms of data compression provoke reflection on theory and technology as critical counterparts to perception and imagination unique to the discipline of architecture. This research examines the illustrated expositions of Sebastiano Serlio through the lens of artificial intelligence (AI). The mimetic powers of technological data storage and retrieval and Serlio’s coded operations of orthographic projection drawing disclose other aesthetic and formal logics for architecture and its image that exist outside human perception. Examination of aesthetic communication theory provides a conceptual dimension of how architecture and artificial intelligent systems integrate both analog and digital modes of information processing. Tools and methods are reconsidered to propose alternative AI workflows that complicate normative and predictable linear design processes. The operative model presented demonstrates how augmenting and interpreting layered generative adversarial networks drive an integrated parametric process of three-dimensionalization. Concluding remarks contemplate the role of human design agency within these emerging modes of creative digital production.
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Reiter, Walter S. "Johann Sebastian Bach." In The Baroque Violin & Viola, vol. II, 284–92. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780197525111.003.0029.

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Bach wrote gavottes in both French and Italian styles: the one examined in this lesson is French in inspiration and is Bach’s longest gavotte movement. Choreographies exist showing a variety of rhythmic patterns: common to all is the arrival point (thetis) on the eighth beat of the dance, the downbeat of the fourth bar, as is the case here. The rondo theme is repeated at the beginning and will return four more times: between these statements there are four episodes, differing both in length and in character. The gavotte had pastoral associations, something that did not escape Bach’s notice: one episode is written in imitation of a musette. The movement includes the only written fingering in Sei Solo. By studying the arrangement Bach made for the lute we gain an insight into his polyphonic conception of the single line, implying an element of rhythmic subtlety. As always, a detailed Observations section is included.
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Reiter, Walter S. "Johann Sebastian Bach." In The Baroque Violin & Viola, vol. II, 227–38. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780197525111.003.0022.

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The fugue is the crowning glory of Baroque form, with Bach its indisputable master. He had already written a G minor fugue with Basso Continuo while working in Weimar: his influences were Corelli and Westhoff ,whose fugues were less sophisticated,. This Fuga is the shortest of the three solo ones; it has a nine-note subject with a range of just a fourth. Bach’s seemingly infinite ingenuity in the handling of such sparse material is commented upon: each time the fugue subject occurs it has a different feel. This poses a challenge to the performer, who must constantly match these differences with new colors. The author does not believe that we are obliged to use the same bowing throughout. Slurs are discussed: are they harmonic shorthand or intended to be played literally? There is advice on voicing, an exercise on how to exploit the violin’s resonance when playing chords and copious bar-by-bar observations.
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Reiter, Walter S. "Johann Sebastian Bach." In The Baroque Violin & Viola, vol. II, 246–55. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780197525111.003.0024.

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The lesson opens with a detailed essay on Bach and rhetoric, with reference to Martin Luther, Bach’s spiritual and theological master, the Quadrivium, Musica Theoretica, Musica Practica, Musica Poetica, and Quintilian. The importance of rhetoric in the Presto is emphasized: by playing it through slowly “in the manner of a discourse” we can begin to grasp the complexity of the writing, the ever-shifting harmonies, the ambiguities of meter (duple and triple), the inner rhythms and the fifteen different patterns of slurs. Sources advise us to decide on the tempo from the content of the piece rather than merely from the marking. There are exercises on breaking away from the “moto perpetuo” style of playing, on highlighting and expressing the essence of the intervals. and on varying the articulation. There is an attempt to explain the alternating long and short bar lines and a final piece of advice concerning slow practice.
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Reiter, Walter S. "Johann Sebastian Bach." In The Baroque Violin & Viola, vol. II, 239–45. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780197525111.003.0023.

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The Siciliana is the only dance movement among the sonatas of the Sei Solo, and the author believes it should truly be played in the manner of a dance. The keywords in Baroque dance movements are “grace,” “refinement,” “elegance,” and “articulation”: without these, a dance can easily become earthbound. Bach uses the siciliano rhythm in both vocal and instrumental works: a light, gently swung sixteenth note is suggested. The structure of the movement is elusive, certainly in relation to the other movements of the sonata; this relative lack of clear structure is precisely what gives it its identity. Much of it is written in the form of a trio sonata, with a bass part and two upper parts. In the previous movements, Bach almost entirely avoided entering the relative major key, thus enabling us to enjoy a fresh tonal experience here. A detailed Observation section forms most of the movement.
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Reiter, Walter S. "Johann Sebastian Bach." In The Baroque Violin & Viola, vol. II, 275–83. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780197525111.003.0028.

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The history and background of the loure from its appearance in 1701 is followed by a description of its choreography. The tempo and bowings are arrived at using French sources; as the loure is described as a slow gigue, an exercise recommends playing it as such, gradually reducing the speed until a comfortable tempo is reached that preserves the dance feel. Bowings by Michel Pignolet de Montéclair are reproduced and used as an initial blueprint for bowing Bach’s Loure. Five points culled from quoted sources help seek out the character: this leads to a discussion on punctuation and articulation in dance movements generally, quoting Mattheson’s annotated example of a minuet. One feature of the loure is the irregular length of its phrases, and these are marked. Ornamentation in Bach’s dances is discussed: his French-style Table of Ornaments is reproduced along with examples of his own ornaments in his transcription of the Loure for lute.
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Reiter, Walter S. "Johann Sebastian Bach." In The Baroque Violin & Viola, vol. II, 299–306. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780197525111.003.0031.

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Textual similarities abound between the Bourée and the Gigue in Bach’s Partita III in E Major, giving the movements a strong element of unity. As the combined movements are a mere sixty-eight bars long, they may be considered as a pair, the first leading almost attacca into the second. The choreography of both movements is discussed. The metric structure of the Bourée is identical to that of the Gavotte. Syncopation is a common feature and there is a strong element of it throughout this movement. Bach wrote some forty-two movements with the title of Giga, Jig, Jigg, or even (BWV 815) Gique, composed in any of seven time signatures. Of the two examples in Sei Solo, both are clearly of the Italian kind, even though Bach calls this one a “Gigue.” Possible reasons for this are discussed. As ever, it is in the Observations section that the minutiae are discussed, for details are of the essence in this music.
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Østermark-Johansen, Lene. "Narrating the Self." In Walter Pater's European Imagination, 114—C3.F11. Oxford University PressOxford, 2022. http://dx.doi.org/10.1093/oso/9780192858757.003.0004.

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Abstract The chapter explores Pater’s work with literary form and voice, demonstrating his ability to construct narrative, drama, and fictitious personalities. It revolves around the diary format as a narrative device in ‘A Prince of Court Painters’ and ‘Sebastian van Storck’. With their French and Dutch settings, these two portraits explore Pater’s own European ancestry and employ paintings as plot devices, chronicling the rise of the modern self. Redefining the epistolary genre, Pater added layers of nineteenth-century interiority in a process of deformation which selected certain aspects of the diary novel, while suppressing others. As the chapter traces Pater’s version of the female complaint in ‘A Prince of Court Painters’, it also discusses interiority as a feature of modernity and the act of writing as an addictive one, related to the ‘talking cure’ of psychoanalysis. Pater was much inspired by Senancour’s novel Obermann and Amiel’s journal intime. His Sebastian constitutes a fictitious counterpart to these two popular nineteenth-century texts. His journal is both symptom and cause of mental illness, a fetishistic addiction where the boundaries between self and diary are erased as an instance of ‘pathographesis’, the sustained writing out of bodily and mental pathology. Like the wave of publications of the private diaries of near contemporaries, of recently deceased figures of the immediate past which flooded the French market at the fin de siècle, ‘Sebastian van Storck’ taps into a new fashion for self-centred, introspective intimistes who convey their rich interior worlds to the modern reader.
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