Relevant bibliographies by topics / Sebald

Academic literature on the topic 'Sebald'

Author: Grafiati
Published: 4 June 2021
Last updated: 20 February 2023

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Journal articles on the topic "Sebald"

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Pieldner, Judit. "Sebald, az utazó – Sebald utazói." Certamen 4 (2017): 179–84. http://dx.doi.org/10.51384/cert-04.13.

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Cross, Anthony, and Uwe Schütte. "Sebald v. academia: Sebald as reviewer." Journal of European Studies 46, no. 2 (March 17, 2016): 160–65. http://dx.doi.org/10.1177/0047244116629890.

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Fresán, Rodrigo. "The Sebald Case." boundary 2 47, no. 3 (August 1, 2020): 169–75. http://dx.doi.org/10.1215/01903659-8524479.

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In this essay, the author offers a candid discussion of Sebald’s legacy and the flurry of criticism aimed at securing his place in the literary canon. It engages many of Sebald’s signature themes: memory, amnesia, silence, history, and trauma. The author acknowledges Sebald’s masterful blend of language, photography, and archival material, resulting in a uniquely hybrid narrative form falling somewhere between essay and fiction. The essay is critical of Sebald’s most dedicated admirers—not because of any perceived paucity in Sebald’s work, but rather the shortsightedness of the critical machine that is desperately trying to fossilize Sebald as the end point of modern literature.
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Gatti, Luciano. "Duas fotografias em Austerlitz, de W. G. Sebald | Two photographs in Austerlitz, by W. G. Sebald." Revista PHILIA | Filosofia, Literatura & Arte 3, no. 2 (December 8, 2021): 101–16. http://dx.doi.org/10.22456/2596-0911.118700.

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O presente trabalho discute as relações entre literatura e fotografia em Austerlitz, de W. G. Sebald. Para fazer isso, como ponto de partida, observa-se a suposta oposição entre documento e ficção no emprego de material fotográfico feito por Sebald. Segundo a hipótese deste artigo, a função das fotografias deve ser compreendida a partir do mecanismo literário desenvolvido por Sebald para apresentar a investigação de seu protagonista a respeito de elementos de sua vida passada desconhecida. A pesquisa caracteriza tal procedimento como um “encadeamento de narradores” e, feito isso, debate sobre a função exercida pelas fotografias nas relações entre memória, narração e experiência.Palavras-chave: W. G. Sebald. Fotografia. Memória. Experiência. AbstractThis article discusses the relationship between literature and photography in Austerlitz, by WG Sebald. In order to do that, as a starting point, we observe the supposed opposition between document and fiction in Sebald's use of photographic material. This study proposes that we may understand the role played by photographs in the book by means of the literary mechanism developed by Sebald to present the search of his protagonist for elements of his unknown past. The present article characterizes this procedure as a “chain of narrators” and, after that, discusses the role played by photographs in the relationships between memory, narration and experience.Keywords: W. G. Sebald. Photography. Memory. Experience. ORCIDhttp://orcid.org/0000-0003-3960-3610
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Calderon, Nissim. "Sebald or Gevalt?" boundary 2 47, no. 3 (August 1, 2020): 165–68. http://dx.doi.org/10.1215/01903659-8524467.

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W. G. Sebald is one of the most original and significant authors of the twentieth century, but these credentials only make The Rings of Saturn that much more disappointing. In his other novels, Sebald’s drift between landscapes and encyclopedic fragments emerged out of a deep necessity and constituted an ingenious literary innovation. But here this style exists in a void. When an author becomes enslaved to his own style, when form is empty of content, the result is not merely boring. In his previous books, Sebald was a great writer of the German trauma, but in The Rings of Saturn he makes that national trauma banal.
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Schütte, Uwe. "Periferias europeias: Sebald fala em Tübingen (e uma digressão sobre Pierre Bertaux) | European peripheries: Sebald speechs in Tübingen (and a digression about Pierre Bertaux)." Revista PHILIA | Filosofia, Literatura & Arte 3, no. 2 (December 8, 2021): 27–60. http://dx.doi.org/10.22456/2596-0911.117373.

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O tema deste artigo é um texto apócrifo de W. G. Sebald, o ensaio "Europäische Peripherien" [Periferias Europeias], baseado em uma palestra proferida em fevereiro de 1992, em Tübingen. Esse ensaio ocupa um lugar especial na obra de Sebald, pois nele o autor se expressa mais resolutamente do que em qualquer outra ocasião sobre questões políticas, no que diz respeito tanto ao processo de unificação europeia quanto aos problemas fundamentais das sociedades ocidentais na transição para o século XXI. A partir de uma leitura mais atenta, chego à conclusão de que esse ensaio, supostamente secundário, revela-se um importante pilar para reconstruir a interpretação profundamente melancólica que Sebald faz da história com base no conceito de uma “história natural da destruição”. Ao mesmo tempo, “Europäische Peripherien” permite reconhecer a importância de Mutation der Menschheit [Mutação da Humanidade], de Pierre Bertaux, como influência fundamental, até então não reconhecida, para o desenvolvimento da obra de Sebald.Palavras-chave: W.G. Sebald. Europa. “História natural da destruição”. Pierre Bertaux. AbstractThis article discusses the essay "Europäische Peripherien", a hitherto overlooked text by W.G. Sebald based on a lecture given in Tübingen in February 1992. The essay occupies a special position in Sebald's oeuvre, as the author positions himself more pronouncedly than anywhere else on political issues, both with regard to the process of European unification and to fundamental challenges of Western societies in the transition to the twenty-first century. In my close reading the supposedly insignificant essay proves to be an important text for a reconstruction of Sebald's deeply melancholic view of history as expressed in the concept of a "natural history of destruction". At the same time, "European Peripheries" allows us to acknowledge the importance of Pierre Bertaux’ Mutation der Menschheit as an undiscovered influence on the development of Sebald's oeuvre.Keywords: W.G. Sebald. Europa. “Natural history of destruction”. Pierre Bertaux. ORCIDhttps://orcid.org/0000-0002-4825-1912
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Malikova, Maria. "Witnessing the Past in the Work of W. G. Sebald." boundary 2 47, no. 3 (August 1, 2020): 177–84. http://dx.doi.org/10.1215/01903659-8524493.

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This essay reads “As Day and Night,” an essay W. G. Sebald wrote about artist and friend Jan Peter Tripp, as a complex and multilayered commentary on the role of both written and visual texts in the author’s oeuvre. It draws on Sebald’s Austerlitz as well as the work of French phenomenologist Maurice Merleau-Ponty to argue for the centrality of the human gaze in Sebald’s imagination. The human gaze forges a unique form of realism in Sebald, playing a central role in revealing the “metaphysical underside” of objects, which in turn provokes an ethical response in the reader-viewer.
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Sheppard, Richard, Marcel Atze, and Franz Loquai. "Sebald: Lektüren." Modern Language Review 101, no. 4 (October 1, 2006): 1185. http://dx.doi.org/10.2307/20467134.

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Viel, Tanguy. "Lettre à Sebald." Vacarme 60, no. 3 (2012): 65. http://dx.doi.org/10.3917/vaca.060.0065.

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Vigderman, Patricia. "Sebald in Starbucks." Iowa Review 34, no. 1 (April 2004): 93–96. http://dx.doi.org/10.17077/0021-065x.5833.

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Dissertations / Theses on the topic "Sebald"

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Mosbach, Bettina. "Figurationen der Katastrophe : ästhetische Verfahren in W.G. Sebalds "Die Ringe des Saturn" und "Austerlitz" /." Bielefeld : Aisthesis-Verl, 2008. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=016409980&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA.

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Hutchins, Michael D. "Tikkun: W.G. Sebald''s Melancholy Messianism." University of Cincinnati / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1307321149.

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Eaheart, Martha Bass. ""Not an innocent enterprise" the narrator's transition from voyeur to victim in W.G. Sebald's Austerlitz /." Fairfax, VA : George Mason University, 2008. http://hdl.handle.net/1920/3355.

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Thesis (M.A,)--George Mason University, 2008.
Vita: p. 45. Thesis director: David Kaufmann. Submitted in partial fulfillment of the requirements for the degree of Master of Arts in English. Title from PDF t.p. (viewed Jan. 11, 2009). Includes bibliographical references (p. 42-44). Also issued in print.
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Mital, Alexis. "Histoire du vertige - de Cervantes à Sebald." Thesis, Sorbonne Paris Cité, 2019. http://www.theses.fr/2019USPCC100.

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Comment réengager les livres du passé dans le monde du XXIe siècle ? Que nous apprennent le Quichotte de Miguel de Cervantes, le Moby Dick d’Herman Melville ou Le Livre de l’intranquillité de Fernando Pessoa dans ce temps anthropique où nous prenons la mesure de la destruction de nos appuis primordiaux, terrestres et atmosphériques ? Que sait la littérature de ce propre vertigineux de la vie humaine attachée à ses signes, ses codes, ses lettres ; cette vie qui tend à se désattacher du monde en s’enfermant dans des maisons de signes ? Que nous disent les textes de la tradition des systèmes d’appuis dont nous dépendons ? À quoi tenons-nous, à quoi sommes-nous attaché.e.s ? Et si nos formes de vie sont le produit de fictions que nous étendons à même le monde, que nous arrive-t-il quand ça lâche, quand nos appuis s’érodent ? Voici les questions qui traversent les huit études de cette « histoire du vertige. »
How can we reengage books from the past in the world of the 21st century ? What do Miguel de Cervantes’s Don Quixote, Herman Melville’s Moby Dick or Fernando Pessoa’s Book of Disquiet have to teach us in our anthropic times as we take stock of the destruction of our basic terrestrial and atmospheric support ? What knowledge does literature possess about the essential vertigo of human life, which clings to its signs, its codes, its texts; a human life that is becoming progressively remote from the world as it withdraws into habitations made of signs ? What can these books inherited from tradition tell us about the support systems on which we depend ? What do we value, to what do we adhere ? And if our forms of life are the product of fictions that we spread across the world’s surface, what happens when they give way, and our supports crumble? These are the questions that run through the eight studies comprising this “history of vertigo”
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Madden, Christopher. "W.G. Sebald and the work of narrative melancholia." Thesis, University of Sheffield, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.531240.

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Rush, David. "The unnarratable & contemporary culture : Delillo, Sebald, Rushdie." Thesis, University of Sussex, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.443991.

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Preston, A. "Violence and the modern novel : Coetzee and Sebald." Thesis, University College London (University of London), 2013. http://discovery.ucl.ac.uk/1415746/.

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Early in her long essay On Violence, Hannah Arendt says “no one engaged in thought about history and politics can remain unaware of the enormous role violence has played in human affairs, and it is at first glance rather surprising that violence has been singled out so seldom for special consideration.” In the more than four decades since the publication of her book, much has been done to remedy this omission. Violence is everywhere now. As, through the eyes of our novelists, philosophers and cultural theorists, we look back on the wreck of the twentieth century, we see it as Walter Benjamin’s Angel of History perceived it, as a constellation of violence piled upon violence, a chaotic record of man’s brutality against man. This thesis sets out to chart the presentation of violence in the modern novel, looking specifically at the work of JM Coetzee and WG Sebald, two writers who have not only given us detailed accounts of the operation of violence in their work, but whose novels perform the ethical uncertainties of writing within a tradition that has been tainted by that violence. Using theorists from Benjamin to Arendt to Giorgio Agamben, I will look at the ethical and aesthetic decisions that each writer has made and question how and with what success Coetzee and Sebald have managed to write within the wreckage of a tradition scarred by violence. In wrestling with the subject of violence, modern novelists have had to discard many of the formal certainties of previous ages, tainted as they are by historical violence. I will show how violence, and the need to shape a narrative mode with which to address a debased modern existence, has led to formal inventiveness, to generic hybrids, to complex philosophical performances wrapped within the covers of books calling themselves “novels.” I will look at Sebald and Coetzee’s use of silence, of history, of other writers’ work in their attempts to find a voice with which to narrate the violence of modernity.
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Stamova, Darina. "Melancholia in W. G. Sebald's "The Rings of Saturn"." Access to citation, abstract and download form provided by ProQuest Information and Learning Company; downloadable PDF file, 115 p, 2009. http://proquest.umi.com/pqdweb?did=1654488641&sid=2&Fmt=2&clientId=8331&RQT=309&VName=PQD.

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Savaton, Christine. "W.G. Sebald, Die Ausgewanderten : radiographie d'une écriture de l'exil." Phd thesis, Université Michel de Montaigne - Bordeaux III, 2012. http://tel.archives-ouvertes.fr/tel-00735697.

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Cette thèse consacrée à Die Ausgewanderten de W.G. Sebald (1992) procède à une étude microscopique et détaillée de l'écriture dans sa singularité, une radiographie du texte et de sa matérialité hétérogène. L'étude montre la structure binaire sous-jacente de l'ouvrage, la complexité des stratégies stylistiques et narratives, la manière dont le signifiant se soumet à l'impératif catégorique du signifié mais aussi la prééminence de signes tangentiels et obliques ; elle s'intéresse également à la singularité de l'enchaînement des discours rapportés et met en lumière le geste mélancolique du narrateur sébaldien. Il apparaît que l'intertextualité revêt une spécificité particulière puisque la polyphonie sébaldienne est orientée différemment de celle envisagée par M. Bakhtine. La deuxième partie s'attache à étudier la critique de la civilisation (Kulturkritik) dans une œuvre fortement marquée par la constellation idéologique de l'École de Francfort et plus précisément par " La Dialectique de la Raison " de Horkheimer et d'Adorno. La prose allemande muséale de l'auteur, qui rappelle celle d'Adalbert Stifter mais aussi, par ses emboîtements narratifs, emprunte la virtuosité bernhardienne, est incrustée de " moments " de bonheur ou de beauté qui mettent en évidence et soulignent l'inouï du monde concentrationnaire. Les thématiques de l'exil et du pays natal sont au centre des intérêts de la troisième partie. L'étude s'attache à montrer que l'ouvrage réécrit en quelque sorte une littérature de l'exil que l'auteur, professeur de littérature de langue allemande, a eu l'occasion de fréquenter mais aussi d'analyser. C'est un " chœur d'exilés " qui se fait entendre dans Die Ausgewanderten et qui manifeste la tragédie de l'homme moderne.
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Waller, Dorian. "Der heimatlose Bastler : die Melancholie des Ausgewanderten und ihre Bedeutung für die Textgestalt von W. G. Sebalds "Max Aurach" /." kostenfrei, 2008. http://othes.univie.ac.at/2713/.

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Books on the topic "Sebald"

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Wilmer, Richard A. Sebald. [Middletown, Ohio: R.A. Wilmer, 1988.

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Dean, Tacita. W.G. Sebald. Göttingen: Steidl, 2003.

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Denham, Scott, and Mark McCulloh, eds. W. G. Sebald. Berlin, New York: Walter de Gruyter, 2006. http://dx.doi.org/10.1515/9783110201949.

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Rüdiger, Tonojan, Toussaint Rafael, and Wohlrabe Rainer, eds. St. Sebald in Nürnberg. Regensburg: Schnell + Steiner, 2007.

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Scholz, Hartmut. St. Sebald in Nürnberg. Regensburg: Schnell + Steiner, 2007.

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Öhlschläger, Claudia, and Michael Niehaus, eds. W. G. Sebald-Handbuch. Stuttgart: J.B. Metzler, 2017. http://dx.doi.org/10.1007/978-3-476-05395-4.

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Bruxelles, Université libre de, ed. W.G. Sebald: Intertextualität und Topographie. Berlin: Lit, 2008.

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W.G. Sebald: Image, archive, modernity. New York: Columbia University Press, 2007.

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W.G. Sebald: In difesa dell'uomo. Firenze: Le lettere, 2012.

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W.G. Sebald: Image, archive, modernity. Edinburgh: Edinburgh University Press, 2007.

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Book chapters on the topic "Sebald"

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Hoffmann, Torsten. "Sebald als Interviewer." In W. G. Sebald-Handbuch, 108–9. Stuttgart: J.B. Metzler, 2017. http://dx.doi.org/10.1007/978-3-476-05395-4_17.

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Hoffmann, Torsten. "Sebald als Interviewter." In W. G. Sebald-Handbuch, 109–12. Stuttgart: J.B. Metzler, 2017. http://dx.doi.org/10.1007/978-3-476-05395-4_18.

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Wolff, Lynn L. "Zur Sebald-Forschung." In W. G. Sebald-Handbuch, 312–18. Stuttgart: J.B. Metzler, 2017. http://dx.doi.org/10.1007/978-3-476-05395-4_51.

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Muhić, Amir. "Sebald, W. G." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_19261-1.

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Niehaus, Michael. "W. G. Sebald im Internet." In W. G. Sebald-Handbuch, 318–21. Stuttgart: J.B. Metzler, 2017. http://dx.doi.org/10.1007/978-3-476-05395-4_52.

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Mitha, Farouk. "W. G. Sebald and Orientalism." In Curricular and Architectural Encounters with W.G. Sebald, 148–66. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003302940-13.

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Schütte, Uwe. "W. G. Sebald: Emigrant and Academic." In W.G. Sebald, 1–29. Liverpool University Press, 2018. http://dx.doi.org/10.3828/liverpool/9780746312988.003.0001.

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In this chapter, Schütte introduces Sebald as a writer caught not only between two cultures, but between the worlds of academia and literature. It explores the beginnings of Sebald’s life, from his remote childhood in an Alpine village tohis ‘poisonous’ family inheritance – Sebald considered his parents complicit in the crimes of National Socialism. Schütte goes on to consider Sebald’s emigration to the UK, charting his development as an intellectual and his taking up of writing due to a dissatisfaction with the majority of German post-war literature.
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Schütte, Uwe. "The Cult of Sebald." In W.G. Sebald, 106–15. Liverpool University Press, 2018. http://dx.doi.org/10.3828/liverpool/9780746312988.003.0007.

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This chapter challenges common misconceptions about Sebald, including the assumption that he wrote in English and that Austerlitz was the final work published in his lifetime. It goes on to discuss his misplaced label as a ‘Holocaust author’ and touches on the disappointing film adaptation of The Rings of Saturn. It also addresses controversies surrounding Sebald’s writing: how he deliberately situated himself as an academic outsider, was criticised by those who disliked his confrontation of German history, and his general animosity towards established champions of post-war literature.
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"W.G. Sebald." In Praktizierte Intermedialität, 265–90. transcript-Verlag, 2010. http://dx.doi.org/10.14361/9783839413388-015.

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Fischer, Gerhard. "W.G. Sebald." In Praktizierte Intermedialität, 265–90. transcript Verlag, 2010. http://dx.doi.org/10.1515/9783839413388-015.

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Conference papers on the topic "Sebald"

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Wolff, W., M. V. Folegatti, and D. L. Flumignan. "LYSIMETRIC EVALUATION OF SEBAL ALGORITHM IN SUBTROPICAL CLIMATE." In IV Inovagri International Meeting. Fortaleza, Ceará, Brasil: INOVAGRI/ESALQ-USP/ABID/UFRB/INCT-EI/INCTSal/INSTITUTO FUTURE, 2017. http://dx.doi.org/10.7127/iv-inovagri-meeting-2017-res1990350.

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Ayman A Suleiman, Khaled M Bali, and Jan Kleissl. "Comparison of ALARM and SEBAL Evapotranspiration of Irrigated Alfalfa." In 2009 Reno, Nevada, June 21 - June 24, 2009. St. Joseph, MI: American Society of Agricultural and Biological Engineers, 2009. http://dx.doi.org/10.13031/2013.27033.

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"Evaluating SEBAL for estimating arid zone shallow groundwater discharge." In 19th International Congress on Modelling and Simulation. Modelling and Simulation Society of Australia and New Zealand (MSSANZ), Inc., 2011. http://dx.doi.org/10.36334/modsim.2011.e4.matic.

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Pal, Lalit, Amit Kumar, C. S. P. Ojha, and Surendra Kumar Chandniha. "Sebal Based Evapotranspiration Estimation for Upper Tapi Basin (India)." In IGARSS 2018 - 2018 IEEE International Geoscience and Remote Sensing Symposium. IEEE, 2018. http://dx.doi.org/10.1109/igarss.2018.8518982.

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Hendrickx, Jan M. H., Nawa R. Pradhan, Sung-ho Hong, Fred L. Ogden, Aaron R. Byrd, and David Toll. "Improvement of hydrologic model soil moisture predictions using SEBAL evapotranspiration estimates." In SPIE Defense, Security, and Sensing, edited by Russell S. Harmon, J. Thomas Broach, and John H. Holloway, Jr. SPIE, 2009. http://dx.doi.org/10.1117/12.819780.

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Abou El-Magd, Islam. "Real-time crop coefficient from SEBAL method for estimating the evapotranspiration." In Remote Sensing, edited by Manfred Owe, Guido D'Urso, Jose F. Moreno, and Alfonso Calera. SPIE, 2004. http://dx.doi.org/10.1117/12.510664.

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Castaneda, Isla S., Daniel R. Miller, Thivanka Ariyarathna, and Jeffrey M. Salacup. "THE ORGANIC GEOCHEMISTRY OF SEBAGO LAKE SEDIMENTS." In 53rd Annual GSA Northeastern Section Meeting - 2018. Geological Society of America, 2018. http://dx.doi.org/10.1130/abs/2018ne-310631.

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Wang, Yajuan, and Danfeng Sun. "The ET estimation from ASTER image based on SEBAL and TSEB methods." In MIPPR 2005 Geospatial Information, Data Mining, and Applications, edited by Jianya Gong, Qing Zhu, Yaolin Liu, and Shuliang Wang. SPIE, 2005. http://dx.doi.org/10.1117/12.651845.

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Richard G. Allen, Wim Bastiaanssen, Masahiro Tasumi, and Anthony Morse. "Evapotranspiration on the Watershed Scale Using the SEBAL Model and Landsat Images." In 2001 Sacramento, CA July 29-August 1,2001. St. Joseph, MI: American Society of Agricultural and Biological Engineers, 2001. http://dx.doi.org/10.13031/2013.4047.

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"Information Sharing and Using of SEBAL Spatial Evapotranspiration for Watershed Hydrological Modeling." In 2014 ASABE Annual International Meeting. American Society of Agricultural and Biological Engineers, 2014. http://dx.doi.org/10.13031/aim.20141898240.

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Reports on the topic "Sebald"

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Tanika, Lisa, Betha Lusiana, and Adis Hendriatna. Simulasi Dampak Perubahan Tutupan Lahan dan Iklim di DAS Citarum Hulu dengan Model GenRiver: Kalibrasi model dan analisa sensitivitas. World Agroforestry, 2020. http://dx.doi.org/10.5716/wp20048.pdf.

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Alih guna lahan dan perubahan iklim merupakan faktor-faktor yang dapat mempengaruhi kondisi hidrologi di suatu Daerah Aliran Sungai (DAS), dan yang dapat mempengaruhi efektifitas fungsi DASdalam mempertahankan keseimbangan neraca air di tingkat bentang alam. Oleh karena itu pengelolaan DAS yang didukung dengan perencanaan DAS terpadu yang juga mengatur peruntukan dan pemafaatan wilayah sangat diperlukan. Langkah awal dalam perencanaan DAS adalah dengan menilai kondisi fungsi hidrologi DAS tersebut dengat tujuan mengetahui apakah DAS mulai atau telah mengalami degradasi, atau sebaliknya mulai mengalami perbaikan fungsi DAS. Model simulasi seperti model Genriver dapat digunakan menilai kondisi saat ini serta memproyeksikan bagaimana dampak perubahan lahan dan iklim terhadap kondisi hidrologis DAS. Salah satu DAS penting di Jawa Barat adalah DAS Citarum Hulu sebagi bagian dari DAS Citarum yang telah ditetapkan sebagai salah satu DAS prioritas nasional. Kalibrasi model dan analisis sensitivitas menjadi bagian penting untuk mengetahui kelayakan suatu model hidrologi dalam mensimulasikan kondisi DAS, khususnya dalam mengestimasi neraca air di tingkat lansekap. Hasil kalibrasi model GenRiver dengan menggunakan data tahun 2012-2016 menunjukkan bahwa parameterisasi model telah berhasil dan model layak digunakan untuk analisa sensitivitas dan simulasi skenario. Hasil simulasi model, menunjukan bahwa secara rata-rata 37% curah hujan yang jatuh di DAS Citarum Hulu menjadi aliran permukaan (surface flow/run-off), 7% menjadi aliran bawah permukaan (sub-surface flow) dan 20% menjadi aliran dasar (baseflow). Analisa senssitivitas dilakukan dengan menyusun lima skenario tutupan lahan dan tiga skenario curah hujan yang dianggap mewakili berbagai kondisi yang mungkin termasuk kondisi ekstrim: yaitu keseluruhan lahan menjadi area terbuka (ekstrim negatif) dan seluruh lahan menjadi hutan (ekstrim positif). Hasil proyeksi simulasi ekstrim negatif menunjukan bahwa kondisi DAS Citarum Hulu yang terdegradasi dengan dominasi lahan terbuka berpotensi meningkatkan aliran permukaan hingga mencapai 70% dari curah hujan. Sedangkan perbaikan tutupan lahan DAS Citarum hulu dengan reforestasi (skenario ekstrim positif) mampu menurunkan aliran permukaan hingga mencapai 20% dari total curah hujan.
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2

Water Budget for Sebago Lake, Maine, 1996-99. US Geological Survey, 2001. http://dx.doi.org/10.3133/wri20014235.

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3

Total Phosphorus Loads for Selected Tributaries to Sebago Lake, Maine. US Geological Survey, 2001. http://dx.doi.org/10.3133/wri20014003.

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