Academic literature on the topic 'Sculpture sur bois italiens'
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Journal articles on the topic "Sculpture sur bois italiens"
Babatoundé, IDRISSOU Akim, GUEDENON D. Janvier, NOBIME Georges, and GIBIGAYE S. Moussa. "Etat Des Lieux De La Production De Sculptures Sur Bois Dans L’Atlantique Et Du Littoral Au Sud Du Benin." International Journal of Progressive Sciences and Technologies 38, no. 2 (May 30, 2023): 317. http://dx.doi.org/10.52155/ijpsat.v38.2.5344.
Full textMartin, Elisabeth, Naoko Sonoda, and Alain R. Duval. "Contribution a l'etude des preparations blanches des tableaux italiens sur bois." Studies in Conservation 37, no. 2 (May 1992): 82. http://dx.doi.org/10.2307/1506400.
Full textMartin, Elisabeth, Naoko Sonoda, and Alain R. Duval. "Contribution a l'etude des preparations blanches des tableaux italiens sur bois." Studies in Conservation 37, no. 2 (May 1992): 82–92. http://dx.doi.org/10.1179/sic.1992.37.2.82.
Full textLa Charité, Claude. "LILLe De guaici medicine (1519) d'Ulrich von Hutten ou comment penser le traitement de la syphilis para delà Hippocrate et Galien." Estudios Franco-Alemanes. Revista internacional de Traducción y Filología 1 (March 3, 2023): 69–89. http://dx.doi.org/10.21071/estfa.v1i.15746.
Full textDuhem, Sophie. "« Quant li goupil happe les jélines... », ou les représentations de Renart dans la sculpture sur bois bretonne du XVe au XVIIe siècle." Annales de Bretagne et des pays de l’Ouest 105, no. 1 (1998): 53–69. http://dx.doi.org/10.3406/abpo.1998.3972.
Full textPeltier, Regis. "Quelle place pour l’agroforesterie dans l’avenir des forêts tropicales ?" BOIS & FORETS DES TROPIQUES 341 (August 20, 2019): 3. http://dx.doi.org/10.19182/bft2019.341.a31769.
Full textDissertations / Theses on the topic "Sculpture sur bois italiens"
Bertoni, Cren Nadia. "La sculpture sur bois polychrome des XIe et XIIe siècles en Bourgogne." Thesis, Dijon, 2013. http://www.theses.fr/2013DIJOL030/document.
Full textFor the first time, the corpus of Roman wood sculptures from Burgundy is gathered together in a catalogue, with added photographic documents and bibliography. The twenty-five sculptures are listed and studied from a stylistic, iconographic and technical point of view. In the XIIth century, an actual school of monastic wood sculpture seemed to develop within the boundaries of the duchy of Burgundy, bringing a great diversity as far as formal and technical contributions are concerned. The sculptures that are the most representative to help the understanding of those numerous contributions are thoroughly studied. Their stylistic relationships with manuscripts dating back from the Carolingian Renaissance, with the Ottonian sculpture and the contemporary monumental stone sculpture, are pointed out with the analysis of internal characteristics, setting apart different formal languages. The iconographic description shows the specific denotation used in the representation of the holy character. The technical processes of creation are compared through the direct examination of the sculptures and through the collection of usable information. For several pieces, a new dating was suggested; new sculptures and specific artists are brought to notice.The contributions of the wood sculpture from the Auvergne region are specified. The tradition of inserting relics into sculptures is put in relation to the relatively important influence it can have on the building of the shape. One chapter is dedicated to the methodology in the study of wood sculptures’ polychromes. The conservators-restorers play a crucial part in the act of scientifically collecting information attesting the evolution of artistic techniques. Some suggestions are put forward to improve the processes of examination and the collecting of information
Mertz, Mechtild Anneliese. "Wood and Traditional Woodworking in Japan : as perceived by the Craftsmen." Paris, Muséum national d'histoire naturelle, 2003. http://www.theses.fr/2003MNHN0014.
Full textJapan is known to be a country of wood and "wood culture". Written sources on the practical aspect of traditional woodcraft, however, are scarce. Hence it was decided to undertake a study based on in-depth interviews of craftsmen who are specialised in various fields of traditional woodworking. From the data thus obtained it was possible to study the materials, the techniques, the nomenclature, the aesthetics and the culture of the various fields of woodcraft. As a result the technical, symbolic and aesthetic properties of wood and woodworking become apparent, as seen from the point of view of Japanese craftsmen who owe their skills to traditions passed from one generation to the next. As such, this study contributes towards opening a new field of research for art historians, ethnobotanists, archaeologists and japanologists by supplying them with new tools to supplement their own. This study ties in with an academic trend that has been developing in Japan over the past few decades
Sibeth, Achim. "Vom Kultobjekt zur Massenware : Kulturhistorische und kunstethnologische Studie zur figürlichen Holzschnitzkunst der Batak in Nordsumatra - Indonesien /." Herbolzheim : Centaurus Verl, 2003. http://catalogue.bnf.fr/ark:/12148/cb40118329b.
Full textCambazard-Amahan, Catherine. "Evolution du décor architectural sur bois à Fès du XIIe siècle à la fin du XIIIe siècle." Paris 4, 1985. http://www.theses.fr/1985PA040076.
Full textBoulay, Roger. "La Grande case kanak de Nouvelle-Calédonie : les rapports entre architecture et sculpture en Nouvelle-Calédonie." Paris 1, 1986. http://www.theses.fr/1986PA010659.
Full textRodrigue, Maurice. "Moi, l'art et le mouvement." Thèse, Montréal : Université du Québec à Montréal, 1991. http://theses.uqac.ca.
Full textCe travail de recherche a été réalisé à l'UQAC dans le cadre du programme de maîtrise en arts plastiques de l'UQAM à l'UQAC. CaQCU Bibliogr.: f. 18. Document électronique également accessible en format PDF. CaQCU
Peladé-Olivier, Monique. "Les stalles de Normandie, de Picardie et d'Ile-de-France à la fin du Moyen Age." Paris 10, 2003. http://www.theses.fr/2003PA100174.
Full textFrom the wooden choir stalls of the late Middle Age, which create a special place dedicated to the canonical liturgy inside the churches, only a few scattered examples remain. Some of these, such as those in Amiens, are still in good condition. Although the position of these seats varies slightly from edifice to edifice, the internai organisation is always the saine. The numerous carved subjects that ornament them illustrate the Holy Scriptures, evoke the patron saints or describe the plentiful world of the creation in scenes from daily life or the imaginary world. The working out of an iconographie programme, though dedicated to the liturgy, is subject to various influences of which the human factor is the mort important including consideration of prestige. Each image nevertheless combines with the others to form a coherent whole inside the stalls that then incorporates with the various images located around the choir and the sanctuary
Alard, Mireille. "L'Art des Bashileele, Kasai occidental." Lille 3 : ANRT, 1989. http://catalogue.bnf.fr/ark:/12148/cb376111572.
Full textBela, Cyrille Bienvenu. "Les expressions sculpturales au sud-Cameroun : le cas du pays Beti." Paris 1, 2006. http://www.theses.fr/2006PA010659.
Full textDuhem, Sophie. "Sablières sculptées de Bretagne : images, ouvriers du bois et culture paroissiale au temps de la prospérite bretonne (XVe-XVIIe s.)." Rennes 2, 1997. http://www.theses.fr/1997REN20022.
Full textThis research offers an original aspect of the Breton artistic creation: the production of carved beams' frames, designed between the XVth and the XVIIth century. The composed iconographical catalogue-free from any large scale investigation until now - offers, for us to study, several thousands of images and one subject that allows us to start on the problems raised by the inventory's methodology and the questions debated on within the historical research. This study shows the difficulties linked to a patrimony's inventory and sets out the methods used during the serial inquiry accomplished in the field. The interest in a photographic background, the usefulness of the data computerization, the management of a large iconographical catalogue, and finally, the image processing, are the main points treated prior to the carved beams' historical and iconographical study. The study of the order's context as well as the people involved - clerks, manufactures and craftsmen - but also the one of the iconographical choices and the circulating patterns allow us to understand better the native of this production and to go back to the usual use of the expression "popular art". More widely, this research fits in with the study of the Bretons' cultural environment: mediaeval and reviving pictures chosen by the woodcarvers give precious indications of the interests and artistic culture of men between the XVth and the XVIIth century. This iconography also enriches our knowledge of the parish life and the religious behaviours of the Bretons in the "ancien regime". The chronological extent of the catalogue notably provides the opportunity to understand the cultural changes occuring in the catholic reform's wake
Books on the topic "Sculpture sur bois italiens"
Filippis, Elena De. Sacro Monte of Varallo. S.l: Borgosesia, 2009.
Find full textMaria, Botto Ida, Lunghi M. Daniela, and Ponte Raffaella, eds. Museo di Sant'Agostino: Sculture lignee e dipinti su tavola. [Bologna, Italy]: Nuova Alfa, 1994.
Find full textBertoni, Nadia. La sculpture sur bois romane de Bourgogne: Styles, techniques, restauration. Chenôves: ARC atelier Cren, 2020.
Find full textBaselitz, Georg. Georg Baselitz: Gravures sur bois et linoleum. Nantes: Ecole Regionale des Beaux-Arts, 1995.
Find full textMusée des beaux-arts du Canada., ed. Le tabernacle de Paul Jourdain. Ottawa, Ont: Musée des beaux-arts du Canada, 1990.
Find full textBlanton, Rita. Chipping Away presents 110 patterns for chip carvers. Kitchener, Ont: Chipping Away, 2001.
Find full textIrish, Lora S. Chipping Away presents chip carving classics "one". Kitchener, Ont: Chipping Away, 1999.
Find full textBerthod, Eric. La sculpture sur bois au Moyen Âge: Techniques et savoir-faire, le retable de Vex, les reliefs de sainte Catherine. Sion: Musées cantonaux du Valais, 1995.
Find full text1949-, Bouchard René, Richard Wilfrid 1894-, and Musée de la civilisation (Québec), eds. Un monde peuplé d'animaux: Wilfrid Richard et les siens, sculpteurs. [Québec]: Musée de la civilisation, 1986.
Find full textJinhong, Zhou, Miaoli mu diao bo wu guan., and Exchange Exhibition of Wood Sculpture, Japan, Korea, and Taiwan R.O.C (2003 : Miao-li hsien, Taiwan), eds. 2003 Zhong Ri Han mu diao yi shu jiao liu zhan =: Exchange exhibition of wood sculpture, Japan, Korea, and Taiwan R.O.C. Miaoli Shi: Miaoli Xian wen hua ju, 2003.
Find full textBook chapters on the topic "Sculpture sur bois italiens"
Fanchette, Sylvie, and Nicholas Stedman. "Itinéraire 5. Laque, sculpture sur bois et objets en corne (au sud de Hà Nội)." In À la découverte des villages de métier au Vietnam, 194–219. IRD Éditions, 2009. http://dx.doi.org/10.4000/books.irdeditions.6568.
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