Dissertations / Theses on the topic 'Sculpture, Abstract 21st century'
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Merkley, John. "Transitions : multi-media abstract sculpture." Virtual Press, 2004. http://liblink.bsu.edu/uhtbin/catkey/1305451.
Full textDepartment of Art
Tomasik, Andrew J. "Forms of honesty : tactile experiences and organic formation in ceramic sculpture." Virtual Press, 2005. http://liblink.bsu.edu/uhtbin/catkey/1318939.
Full textDepartment of Art
Peterman, Aaron L. "Judgement." Virtual Press, 2006. http://liblink.bsu.edu/uhtbin/catkey/1347734.
Full textDepartment of Art
Gorman, Stephanie R. "Simultaneous opposition." Virtual Press, 2008. http://liblink.bsu.edu/uhtbin/catkey/1397372.
Full textDepartment of Art
Heron, Elizabeth. "The Unveiling." PDXScholar, 1988. https://pdxscholar.library.pdx.edu/open_access_etds/2048.
Full textvan, der Walt Jonathan Petra. "Craftsmanship in contemporary art: an exposition of selected artists’ practical non-involvement." Thesis, Nelson Mandela Metropolitan University, 2017. http://hdl.handle.net/10948/21285.
Full textGodfrey, Laura. "Contemplations of connection through the notion of boundaries : installations and ideas of paradox." Virtual Press, 2003. http://liblink.bsu.edu/uhtbin/catkey/1272765.
Full textDepartment of Art
Farber, Jeffrey W. "Natural interactions : a commentary on our relationship with nature." Virtual Press, 2008. http://liblink.bsu.edu/uhtbin/catkey/1391229.
Full textDepartment of Art
Robb, Charles. "The Self as Subject and Sculpture." Thesis, Monash University, 2008. https://eprints.qut.edu.au/16903/1/16903.pdf.
Full textHeymans, Simone. "Habitual transience : orientation and disorientation within non-places." Thesis, Rhodes University, 2014. http://hdl.handle.net/10962/d1013141.
Full textHedlin, Hayden Malin. "Out of Minimalism." Doctoral thesis, Uppsala universitet, Konstvetenskapliga institutionen, 2003. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-3589.
Full textCollins, Julie. "Ship of Fools." University of Ballarat, 2008. http://innopac.ballarat.edu.au/record=b1508425.
Full textMaster of Arts (Visual Arts)
Kühn, Carol. "Digital sculpture : conceptually motivated sculptural models through the application of three-dimensional computer-aided design and additive fabrication technologies." Thesis, [Bloemfontein] : Central University of Technology, Free State, 2009. http://hdl.handle.net/11462/50.
Full textDawson, Louisa Art College of Fine Arts UNSW. "Moving house: the renovation of the everyday." Awarded by:University of New South Wales. Art, 2007. http://handle.unsw.edu.au/1959.4/43084.
Full textMessina, Philip. "Establishing 21st Century Expressionisim." 2014. http://scholarworks.gsu.edu/art_design_theses/148.
Full textCoats, Elizabeth. "Organic growth and form in abstract painting." Phd thesis, 2012. http://hdl.handle.net/1885/151306.
Full textKempthorne, Adella Joan. "The subversion of traditional porcelain in the work of selected artists (2000-2012)." Thesis, 2015. http://hdl.handle.net/10321/1346.
Full textThis dissertation documents and evaluates the subversion of traditional porcelain in the work of the selected artists from 2000-2012. The artists selected for research are Edmund de Waal (1964), Paul Scott (1953), Katharine Morling (1972), Rachel Kneebone (1973) and Clare Twomey (1968). They are British ceramists who work in porcelain in diverse ways, thus providing evidence of a wide range of the subversion of traditional porcelain. An explanation of the research methodology used is provided. The research begins by providing a history of porcelain from the earliest times to the present, documenting the shift of porcelain from the East to the West, as well as the history and properties of porcelain (white china clay). The position of porcelain in the discipline of ceramics is discussed. This includes a thorough investigation and analysis of the physical properties of porcelain and its functional application through history. The meaning of the term subversion, in the context of ceramics, is clarified and evidence of the subversion of traditional porcelain is provided through a discussion of the selected artists’ work. Conclusions are drawn and analysed. My art practice in the form of an exhibition entitled Entwined is discussed in the context of the subversion of traditional porcelain. This includes a discussion of my working method, an explanation of the body of work and an analysis of similarities and differences between my work and that of the selected artists. The dissertation concludes with a discussion of the research findings and provides suggestions for further research.
Hoyne, Hanna. "Commitment, devotion and belonging in the world with particular reference to the work of two Indian contemporary artists." Phd thesis, 2009. http://hdl.handle.net/1885/150148.
Full textv.1 Text -- v.2. Exegesis
Lofts, Pamela. "A necessary nomadism : rethinking a place in the sun." Master's thesis, 2007. http://hdl.handle.net/1885/147113.
Full textCardoso, Leonardo de. "Visual music : an ethnography of an experimental art in Los Angeles." Thesis, 2010. http://hdl.handle.net/2152/ETD-UT-2010-05-1228.
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Cuthbert, Nancy Marie. "George Tsutakawa's fountain sculptures of the 1960s: fluidity and balance in postwar public art." Thesis, 2012. http://hdl.handle.net/1828/4142.
Full textGraduate