Journal articles on the topic 'Sculptural practice'
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Powell, Felicity. "Drawn from the Well: photographing sculpture, a sculptural practice." Sculpture Journal 15, no. 2 (December 2006): 278–81. http://dx.doi.org/10.3828/sj.15.2.9.
Full textWilkinson, Daniel. "The sculptor-architect: In rêverie." Design Ecologies 10, no. 1 (June 1, 2021): 99–121. http://dx.doi.org/10.1386/des_00012_1.
Full textWALSH, LINDA. "THE “HARD FORM” OF SCULPTURE: MARBLE, MATTER AND SPIRIT IN EUROPEAN SCULPTURE FROM THE ENLIGHTENMENT THROUGH ROMANTICISM." Modern Intellectual History 5, no. 3 (November 2008): 455–86. http://dx.doi.org/10.1017/s1479244308001765.
Full textSarkar, Kaustavi. "De-centring the choreographer: Historically inspired interruptions/disruptions in an exploration between sculpture and movement1." Choreographic Practices 10, no. 2 (December 1, 2019): 269–91. http://dx.doi.org/10.1386/chor_00007_1.
Full textSakhno, Irina. "Alexander Burganov’s Alternative Worlds and Visual Ideograms." Scientific and analytical journal Burganov House. The space of culture 16, no. 1 (March 10, 2020): 38–55. http://dx.doi.org/10.36340/2071-6818-2020-16-1-38-55.
Full textXiao, Wei. "CHINESE SCULPTURE IN THE NEW ERA." Scientific and analytical journal Burganov House. The space of culture 17, no. 5 (December 10, 2021): 125–35. http://dx.doi.org/10.36340/2071-6818-2021-17-5-125-135.
Full textDe Melo, Marcelo José. "Occupying Time Occupying Space." Excursions Journal 6, no. 1 (January 24, 2020): 1–13. http://dx.doi.org/10.20919/exs.6.2015.195.
Full textAvdeev, A. S., and N. N. Golovchenko. "The experience of using miniatures in the exposition work on the popularization of historical and cultural heritage." Field studies in the Upper Ob, Irtysh and Altai (archeology, ethnography, oral history and museology) 16 (2021): 176–83. http://dx.doi.org/10.37386/2687-0584-2021-16-176-183.
Full textСтрельцова М. В. "РОЛЬ МАТЕРІАЛУ В ФОРМАЛЬНОМУ ТА ОБРАЗНОМУ ВИРІШЕННІ СИМПОЗІУМНОЇ СКУЛЬПТУРИ." World Science 2, no. 2(54) (February 28, 2020): 8–12. http://dx.doi.org/10.31435/rsglobal_ws/28022020/6933.
Full textParisi, Camilla. "Pioneering sculptural workshop techniques: Filippo della Valle and Francesco Cerroti in eighteenth-century Rome." Sculpture Journal 30, no. 2 (November 1, 2021): 153–314. http://dx.doi.org/10.3828/sj.2021.30.2.4.
Full textVeal, Clare. "Water Is Never Still: Araya Rasdjarmrearnsook’s Sculptural and Installation Practice." Afterall: A Journal of Art, Context and Enquiry 47 (March 2019): 88–103. http://dx.doi.org/10.1086/704201.
Full textGreeley, Robin Adèle. "The Logic of Disorder: The Sculptural Materialism of Abraham Cruzvillegas." October 151 (January 2015): 78–107. http://dx.doi.org/10.1162/octo_a_00209.
Full textMoskaliuk, Marina V. "Polychromy in Modern Russian Sculpture." Journal of Siberian Federal University. Humanities & Social Sciences 15, no. 1 (January 2022): 61–74. http://dx.doi.org/10.17516/1997-1370-0876.
Full textNitka, Maria. "Semantyka marmuru w teorii i praktyce polskiej rzeźby sakralnej w drugiej połowie XIX wieku." Sacrum et Decorum 13 (2020): 28–47. http://dx.doi.org/10.15584/setde.2020.13.3.
Full textGivens, Jean A. "The Fabric Accounts of Exeter Cathedral as a Record of Medieval Sculptural Practice." Gesta 30, no. 2 (January 1991): 112–18. http://dx.doi.org/10.2307/767054.
Full textDobrolyubov, Petr V. "School of sculptor Alexander Terentyevich Matveev and his students." Scientific and analytical journal Burganov House. The space of culture 18, no. 4 (September 10, 2022): 29–43. http://dx.doi.org/10.36340/2071-6818-2022-18-4-29-43.
Full textHeim, Wallace. "The Times of Caring in a Nuclear World: Sculpture, Contamination and Stillness." Arts 11, no. 1 (December 31, 2021): 7. http://dx.doi.org/10.3390/arts11010007.
Full textMacsotay, Tomas. "The Tortoise and the Hare: Extempore Performance and Sculptural Practice in Eighteenth-century France." Journal of Modern Craft 3, no. 3 (November 2010): 293–308. http://dx.doi.org/10.2752/174967810x12868890612240.
Full textTsiang, Katherine Renhe. "A Revisionist Reading of the Transition of Buddhist Cave-Making from Yungang to Longmen." Archives of Asian Art 71, no. 2 (October 1, 2021): 131–70. http://dx.doi.org/10.1215/00666637-9302484.
Full textDobrolyubov, Peter V. "Unforgotten Names. Mikhail Belashov and Georgy Kranz." Scientific and analytical journal Burganov House. The space of culture 18, no. 6 (December 10, 2022): 37–63. http://dx.doi.org/10.36340/2071-6818-2022-18-6-37-63.
Full textMitchell, Claudine. "Style/Ecriture. On the classical ethos, women's sculptural practice and pre-First-World-War feminism." Art History 25, no. 1 (February 2002): 1–22. http://dx.doi.org/10.1111/1467-8365.00300.
Full textRaengo, Alessandra, and Lauren McLeod Cramer. "“There Is No Form in the Middle”." liquid blackness 5, no. 2 (October 1, 2021): 121–51. http://dx.doi.org/10.1215/26923874-9272822.
Full textМихайлова, Р. Д., and С. С. Кисіль. "ПРО ОБРАЗНО-ЗМІСТОВНІ ДОМІНАНТИ ПЕЙЗАЖНОЇ АЛЕЇ В м. КИЄВІ." Art and Design, no. 3 (December 5, 2019): 97–105. http://dx.doi.org/10.30857/2617-0272.2019.3.10.
Full textNiehaus, Kiona Hagen, and Rebecca Fiebrink. "Making Up 3D Bodies." Proceedings of the ACM on Computer Graphics and Interactive Techniques 4, no. 2 (July 30, 2021): 1–9. http://dx.doi.org/10.1145/3468779.
Full textAnisimov, K. V. "The “Living Statues” at Times of Mausoleums and Unknown Soldiers: New Commemorative Practices in the Mirror of Russian 20th Century Poetry." Critique and Semiotics 38, no. 1 (2020): 186–206. http://dx.doi.org/10.25205/2307-1737-2020-1-186-206.
Full textKrivoshapko, Sergey N., and Mathieu Giloulbé. "Tangential developable surfaces and their application in real structures." Structural Mechanics of Engineering Constructions and Buildings 18, no. 2 (July 20, 2022): 140–49. http://dx.doi.org/10.22363/1815-5235-2022-18-2-140-149.
Full textWilliams-Beck, Lorraine A. "THE PENINSULAR MAYA’S UNFINISHED SPIRITUAL CONQUEST." Contributions in New World Archaeology 14 (June 30, 2020): 201–34. http://dx.doi.org/10.33547/cnwa.14.06.
Full textOliveira, Ana Balona de. "Decolonization in, of and through the archival “moving images” of artistic practice." Comunicação e Sociedade 29 (June 27, 2016): 131–52. http://dx.doi.org/10.17231/comsoc.29(2016).2413.
Full textOwczarek, Piotr. "Prace konserwatorskie przy kamiennej rzeźbie Matki Boskiej autorstwa Andrzeja Pruszyńskiego z elewacji kościoła pw. Matki Bożej Pocieszenia w Żyrardowie – wybrane zagadnienia historyczne i technologiczne." Artifex Novus, no. 3 (October 1, 2019): 158–67. http://dx.doi.org/10.21697/an.7072.
Full textAllen, Jess. "Tracktivism: Eco-activist walking art as expanded choreography in rural landscape." Choreographic Practices 10, no. 2 (December 1, 2019): 175–95. http://dx.doi.org/10.1386/chor_00002_1.
Full textBastiansen, Sofie Olesdatter Dennig. "Overleveringer – kropslige erfaringer på tværs af tid." Periskop – Forum for kunsthistorisk debat, no. 19 (May 30, 2018): 28–45. http://dx.doi.org/10.7146/periskop.v0i19.114003.
Full textBlom, Ivo. "Of Artists and Models. Italian Silent Cinema between Narrative Convention and Artistic Practice." Acta Universitatis Sapientiae, Film and Media Studies 7, no. 1 (November 1, 2013): 97–110. http://dx.doi.org/10.2478/ausfm-2014-0017.
Full textAJADI, Michael Olaniyi. "Eclecticism Style in Ceramic Art Practices of Ife Art School." Journal of Education and Practice 5, no. 2 (August 2, 2021): 45–58. http://dx.doi.org/10.47941/jep.630.
Full textIbarlucía, Ricardo. "The The Bride Machine: Duchamp’s Theory of Art Revisited." Aisthesis. Pratiche, linguaggi e saperi dell’estetico 14, no. 2 (January 25, 2022): 135–45. http://dx.doi.org/10.36253/aisthesis-13216.
Full textMagomedov, Amirbek Dzhalilovich. "FROM THE HISTORY OF ART SCULPTURE OF THE VILLAGE OF KUBACHI." Herald of the G. Tsadasa Institute of Language, Literature and Art, no. 21 (March 16, 2020): 80–87. http://dx.doi.org/10.31029/vestiyali21/14.
Full textMilovanović, Jovana. "Between national memory and oblivion: Monuments to Heroes of the sword József Schweidel in Sombor and Karađorđe Petrović in Belgrade." Nasledje, no. 23 (2022): 121–46. http://dx.doi.org/10.5937/nasledje2223121m.
Full textLancaster, Sydney A., and John W. F. Waldron. "Boundary|Time|Surface: assessing a meeting of art and geology through an ephemeral sculptural work." Geoscience Communication 3, no. 2 (September 4, 2020): 249–62. http://dx.doi.org/10.5194/gc-3-249-2020.
Full textКузнецова, І. О., О. В. Лільчицький, and М. О. Привалов. "Специфіка відображення теми спорту в творах античного мистецтва." Art and Design, no. 4 (February 15, 2021): 136–48. http://dx.doi.org/10.30857/2617-0272.2020.4.11.
Full textKhattri, Om. "Art in nature: Shifting trends in Nepali sculpture." Journal of Fine Arts Campus 3, no. 1 (December 31, 2021): 35–43. http://dx.doi.org/10.3126/jfac.v3i1.42494.
Full textZheng, Jane. "Producing Chinese Urban Landscapes of Public Art: The Urban Sculpture Scene in Shanghai." China Quarterly 239 (May 17, 2019): 775–803. http://dx.doi.org/10.1017/s030574101900002x.
Full textLau, George F. "Feasting and Ancestor Veneration at Chinchawas, North Highlands of Ancash, Peru." Latin American Antiquity 13, no. 3 (September 2002): 279–304. http://dx.doi.org/10.2307/972112.
Full textChristian, Ebenezer, Dickson Adom, and Joe Adu-Agyem. "Relief modelling using the Chiaroscuro technique: A project work among student-sculptors." Journal of African History, Culture and Arts 2, no. 1 (April 19, 2022): 43–59. http://dx.doi.org/10.57040/jahca.v2i1.126.
Full textOladugbagbe, Francis Ebunola Allan, and Moses Akintunde Akintonde. "Contextual Change in Nigerian Sculpture." Asian Journal of Humanity, Art and Literature 3, no. 2 (December 31, 2016): 83–92. http://dx.doi.org/10.18034/ajhal.v3i2.309.
Full textMarshall, Susan. "Insubordinate Costume." Studies in Costume & Performance 6, no. 2 (December 1, 2021): 283–304. http://dx.doi.org/10.1386/scp_00052_3.
Full textSelanon, Pattamon, and Ning Cui. "Article Review: Creative Thoughts Associated with Environmental Art From the 1960s Onwards." Journal of Architectural/Planning Research and Studies (JARS) 17, no. 1 (April 23, 2020): 1–22. http://dx.doi.org/10.56261/jars.v17i1.235054.
Full textSTEWART, LOUISE. "SOCIAL STATUS AND CLASSICISM IN THE VISUAL AND MATERIAL CULTURE OF THE SWEET BANQUET IN EARLY MODERN ENGLAND." Historical Journal 61, no. 4 (June 18, 2018): 913–42. http://dx.doi.org/10.1017/s0018246x1700053x.
Full textNogueira, Patrícia. "Space On and Off Screen: The Détournement of Documentary into Video Installation." Disegno 6, no. 1 (2022): 104–17. http://dx.doi.org/10.21096/disegno_2022_1pn.
Full textAmalia Ningsih, Tria, Dalhar Susanto, and Intan CHairunnisa. "Mix Concrete: Combining the Composition to Create New Surface of Architectural Building." E3S Web of Conferences 67 (2018): 04021. http://dx.doi.org/10.1051/e3sconf/20186704021.
Full textHabetzeder, Julia. "The Invitation to the Dance. An intertextual reassessment." Opuscula. Annual of the Swedish Institutes at Athens and Rome 14 (November 1, 2021): 419–63. http://dx.doi.org/10.30549/opathrom-14-19.
Full textLorenc, Marek W., and H. Lorenc. "Stone in architecture and sculpture – source material for reconstruction." Acta Geoturistica 9, no. 1 (July 1, 2018): 1–8. http://dx.doi.org/10.1515/agta-2018-0001.
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