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Books on the topic 'Screens'

Author: Grafiati

Published: 4 June 2021

Last updated: 31 July 2024

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1

Art, Gregg Baker Asian. 'Few and far between -: Six masterworks. London: Gregg Baker Asian Art, 2011.

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2

Das, Ranjana, and Anne Graefer. Provocative Screens. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-67907-5.

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3

Beattie, Keith. Documentary Screens. London: Macmillan Education UK, 2004. http://dx.doi.org/10.1007/978-0-230-62803-8.

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4

Jean, Genet. The screens. London: Faber, 1987.

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5

Kuroda, Taizo. Worlds seen and imagined: Japanese screens from the Idemitsu Museum of Arts. New York: Abbeville Press, 1995.

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6

Duncan-Aimone, Katherine. Making & decorating stylish screens. New York: Lark, 2003.

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7

Malachi, Miriam. Unfolding worlds: Japanese screens from the Gitter-Yelen collection. Edited by Muzeʼon Yiśraʼel (Jerusalem). Jerusalem: The Israel Museum, 2014.

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8

Engineering, Associates (Cody Wyo ). Heart Mountain screens. Cody, WY: Engineering Associates, 2007.

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9

Howes, Amanda. Making decorative screens. Lewes, East Sussex: Guild of Master Craftsman Publications, 2000.

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10

Engineering, Associates (Cody Wyo ). Heart Mountain screens. Cody, WY: Engineering Associates, 2007.

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11

Engineering Associates (Cody, Wyo.). Heart Mountain screens. Cody, WY: Engineering Associates, 2007.

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12

Jacobs, Jim. Jim Jacobs: Screens. Fort Lauderdale, Fla: Museum of Art, 1988.

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13

Hendrie, Bill Fyfe. Edinburgh's silver screens. [S.l.]: [Scots Magazine], 2004.

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14

ill, Mukhida Zul, ed. Stencils and screens. New York: Thomson Learning, 1993.

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15

Hemming, Charles. The folding screen. New York: Rizzoli, 1999.

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16

Hattori, Mineki. Washitsugaku: Sekai de Nihon ni shika nai kūkan. Tōkyō: Heibonsha, 2020.

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17

Longhurst, Robyn. Skype: Bodies, Screens, Space. Abingdon, Oxon ; New York, NY : Routledge, 2017.: Routledge, 2016. http://dx.doi.org/10.4324/9781315609294.

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18

Sorensen, David. Acculturation: Grids and screens. Sherbrooke, Quebec: Métrolitho, 1996.

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19

Zwick, Carola. Designing for Small Screens. New York: AVA Academia [Imprint], 2005.

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20

Fusuma. Tōkyō: Hōsei Daigaku Shuppankyoku, 2002.

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21

Chateau, Dominique, and José Moure, eds. Screens. Amsterdam University Press, 2016. http://dx.doi.org/10.1515/9789048531691.

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22

Chateau, Dominique, and José Moure, eds. Screens. Amsterdam University Press, 2016. http://dx.doi.org/10.5117/9789462981904.

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23

Screens. Independently Published, 2021.

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24

Jean, Genet. Screens. Grove Press, 1987.

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25

Sanders, Nathaniel. Screens. Independently Published, 2017.

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26

CARRE. SCREENS. LANSMAN, 2014.

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27

Jean, Genet. Screens. Grove/Atlantic, Incorporated, 1994.

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28

Japanese Screens. Antique Collectors' Club, 2021.

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29

Christin, Anne-Marie. Japanese Screens: BLAD. Abbeville Press, 2021.

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30

Qi miao de ping zhong shi jie: Hua ping : chuan tong yu wei lai. Shanghai: Shanghai wen hua chu ban she, 2019.

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31

Wu hui tong yuan: Zhongguo gu dai de ping yu hua. Shanghai: Shanghai shu hua chu ban she, 2021.

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32

de la Garza, Armida, Deborah Shaw, and Ruth Doughty, eds. Transnational Screens. Routledge, 2020. http://dx.doi.org/10.4324/9781003036135.

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33

Hepatitis screens. London: Unilabs UK, 1995.

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34

Cameron, Allan. Visceral Screens. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474419192.001.0001.

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Horror cinema grants bodies and images a precarious hold on sense and order: from the zombie’s gory disintegration to the vampire’s absent reflection and from the shaky camerawork of ‘found footage’ horror to the spectacle of shattering glass in the Italian giallo. Addressing classic horror movies alongside popular and innovative contemporary works, Visceral Screens shows how they have rendered the human form as a type of ‘image-body’, mediated by optical effects, chromatic shifts, glitches and audiovisual fragmentation. The question of signification is central to this metaphorical exchange, since horror frequently pushes both bodies and media to the limits of their expressive capacity. Conducting their own anatomies of the screen, cutting across bodies and media alike, horror films revel in the breakdown of frames, patterns and figures, exposing the seams between matter and meaning.

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35

Cameron, Allan. Visceral Screens. Edinburgh University Press, 2021. http://dx.doi.org/10.1515/9781474419208.

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36

Väliaho, Pasi. Biopolitical Screens. The MIT Press, 2014. http://dx.doi.org/10.7551/mitpress/9587.001.0001.

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37

Shaw, Deborah, Armida De La Garza, and Ruth Doughty. Transnational Screens. Taylor & Francis Group, 2020.

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38

Hedges & screens. London: Ward Lock, 1989.

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39

Rood Screens. Bloomsbury Publishing Plc, 2018.

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40

Hell Screens. Camphor Press, 2019.

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41

Light Screens. Rizzoli, 2001.

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42

Rooney, Monique. Living Screens. Rowman & Littlefield Publishers, Incorporated, 2015.

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43

Japanese Screens. Pomegranate (Cal), 1999.

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44

Hediger, Gaycken. Epistemic Screens. Amsterdam University Press, 2014.

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45

Rooney, Monique. Living Screens. Rowman & Littlefield Publishers, Incorporated, 2015.

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46

Butera, Virginia. Contemporary Screens. Rizzoli, 1989.

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47

Jean, Genet. The Screens. Faber and Faber, 2015.

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48

Verhoeff, Nanna. Mobile Screens. Amsterdam University Press, 2012.

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49

Palmer, Lorrie, ed. Home Screens. Bloomsbury Publishing Plc, 2023. http://dx.doi.org/10.5040/9781350253988.

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How do film and television makers around the world depict public housing? Why is it that public housing is so often chosen as the backdrop for drama, horror, social critique, rebellion, violence, artistic creativity, explorations of race relations and political intrigue? This is the first book-length study of the ways in which socialized housing projects around the world are represented on screen, in urban locations including Chicago (Candyman, Cooley High), Singapore (Mee-Pok Man, Yellow Bird, Singapore Dreaming), St. Louis (The Pruitt-Igoe Myth), Paris (drone footage, Swagger, Divines), Essex (Fish Tank), Berlin (Die Architekten), Baltimore/New York/New Orleans (in the TV series of David Simon: The Wire, Show Me a Hero, and Treme), Rome (Mamma Roma), Hong Kong (TV series Below the Lion Rock) and Tel Aviv (archival footage). International scholars of film and media, sociology, architecture, history, race, class, gender and urban planning explore documentary and fictional portrayals of the architecture of public housing, and the communities that inhabit it, from the 1950s to the present. Spanning a wide, international range of film and media texts, essays within this book examine public and private attitudes toward socialised housing, explaining how onscreen representations shape perceptions of these ubiquitous, often-stigmatized urban locations.

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50

Barwin, Obvrse. Dark Screens. Blurb, 2015.

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