Academic literature on the topic 'Science fiction – history and criticism – theory, etc'
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Journal articles on the topic "Science fiction – history and criticism – theory, etc"
Roberts, R. "American Science Fiction and Contemporary Criticism." American Literary History 22, no. 1 (November 20, 2009): 207–17. http://dx.doi.org/10.1093/alh/ajp048.
Full textZhang, Zhehui. "A Post-Colonial Approach to The Man Who Ended History: A Documentary." English Language and Literature Studies 10, no. 2 (April 16, 2020): 53. http://dx.doi.org/10.5539/ells.v10n2p53.
Full textLähteenmäki, Ilkka. "Possible Worlds of History." Journal of the Philosophy of History 12, no. 1 (March 22, 2018): 164–82. http://dx.doi.org/10.1163/18722636-12341354.
Full textCollinge, James T. "‘With envious eyes’: Rabbit-poaching and class conflict in H. G. Wells’s The Time Machine and The Island of Doctor Moreau." Literature & History 26, no. 1 (May 2017): 39–55. http://dx.doi.org/10.1177/0306197317695082.
Full textGómez-de-Tejada, Jesús. "Parodia, intertextualidad y sátira en la narrativa policial de Lorenzo Lunar Cardedo." Studia Romanica Posnaniensia 47, no. 1 (March 15, 2020): 5–17. http://dx.doi.org/10.14746/strop.2020.471.001.
Full textEmma Liggins. "Victorian Sensation Fiction: A Reader's Guide to Essential Criticism (review)." Victorian Periodicals Review 43, no. 1 (2010): 83–84. http://dx.doi.org/10.1353/vpr.0.0110.
Full textALAND, BARBARA. "Welche Rolle spielen Textkritik und Textgeschichte für das Verständnis des Neuen Testaments? Frühe Leserperspektiven." New Testament Studies 52, no. 3 (July 2006): 303–18. http://dx.doi.org/10.1017/s0028688506000166.
Full textGómez López, Susana. "Enthusiasm and Platonic furor in the Origins of Cartesian Science: The Olympian Dreams." Early Science and Medicine 25, no. 5 (November 25, 2020): 507–35. http://dx.doi.org/10.1163/15733823-00255p04.
Full textBasu, M. "A Matter of Light and Shade: Fiction and Criticism in R. K. Narayan's Malgudi." boundary 2 40, no. 2 (June 1, 2013): 215–38. http://dx.doi.org/10.1215/01903659-2151857.
Full textFresán, Rodrigo. "The Sebald Case." boundary 2 47, no. 3 (August 1, 2020): 169–75. http://dx.doi.org/10.1215/01903659-8524479.
Full textDissertations / Theses on the topic "Science fiction – history and criticism – theory, etc"
Floerke, Jennifer Jodelle. "A queer look at feminist science fiction: Examing Sally Miller Gearhart's The Kanshou." CSUSB ScholarWorks, 2005. https://scholarworks.lib.csusb.edu/etd-project/2889.
Full textSelling, Kim Liv. "Nature, reason and the legacy of romanticism : constructing genre fantasy." Thesis, The University of Sydney, 2005. http://hdl.handle.net/2123/2565.
Full textPayne, Christopher Neil. "Terminus intractable and the literary subject : deconstructing the endgame in Chinese avant-garde fiction." Thesis, McGill University, 2002. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=29518.
Full textMackinnon, Jeremy E. "Speaking the unspeakable : war trauma in six contemporary novels." Title page, contents and abstract only, 2001. http://web4.library.adelaide.edu.au/theses/09PH/09phm15821.pdf.
Full textKelly, Michelle. "Library encounters: textuality and the institution." Thesis, The University of Sydney, 2012. http://hdl.handle.net/2123/14380.
Full textDedman, Stephen. "Techronomicon (novel) ; and The weapon shop : the relationship between American science fiction and the US military (dissertation)." University of Western Australia. School of Social and Cultural Studies, 2008. http://theses.library.uwa.edu.au/adt-WU2008.0093.
Full textBlake, Greyory. "Good Game." VCU Scholars Compass, 2018. https://scholarscompass.vcu.edu/etd/5377.
Full textTAYLOR, SHAWN. "SPEED AND RESOLUTION IN THE AGE OF TECHNOLOGICAL REPRODUCIBILITY." VCU Scholars Compass, 2015. http://scholarscompass.vcu.edu/etd/3888.
Full textMackinnon, Jeremy E. "Speaking the unspeakable : war trauma in six contemporary novels / Jeremy E. Mackinnon." Thesis, 2001. http://hdl.handle.net/2440/19791.
Full text258 leaves ; 30 cm.
Presents readings of six novels which depict something of the nature of war trauma. Collectively, the novels suggest that the attempt to narrativise war trauma is inherently problematic. Traces the disjunctions between narrative and war trauma which ensure that war trauma remains an elusive and private phenomonen; the gulf between private experience and public discourse haunts each of the novels.
Thesis (Ph.D.)--University of Adelaide, Dept. of English, 2001
Cruddas, Leora Anne. "Labyrinths, legends, legions: an allergory of reading." Thesis, 1996. https://hdl.handle.net/10539/24311.
Full textThis dissertation grapples With the activity of critical production. It answers not to an interpretation which would constitute the writer within the institutionalised category of effect and object of knowledge, but rather to an explosion, a proliferation of critical paths at the limit of the doxa: a veritable labyrinth. The terms of my title open up a methodological field within which I enact the play of associations, contiguities, relations among four texts: The Name of the Rose, lost. in the Funhouse, The Naked Lunch and 'The library of Babel'. The terms themselves disseminate across the text argument in citations, references, echoes. The labyrinth is used throughout as a trope which deconstructs its own performance within the text. Legends are myths, inscriptions on maps, legenda or "things for reading" (through an etymological supplement), "lesser libraries." Barthes cites the biblical words of the man possessed by demons: "My name is Legion for we are many" and demonstrates how the demonlacal plural brings with it fundamental changes in reading strategies. The notion of the demoniacal plural is used to problernatlse the debates around subjectivity. The belief in unitary, rational selfhood is debunked and the subject is Seen to be plural, irreducible, heterogenous. Subjectivity is further problernatlsed by demonstrating the slippage among the labyrinthine multiplicity of discursive positions occupied by readers: the monoloqlcal models of meaning developed from each reading position constantly shift. The discursive position recuperated and sanctioned by the Law or the institution is impossible to maintain as Subjects are seduced by language into confrontation with other positions through their continuous renarnings of each other. Subjectivity and discursive positioning form .their own labyrinthine intentionality. The argument then moves towards an exploration of the current calculation of the subject for the writer. (Distinctions between author and critic begin to collapse here since meaning is shown to be governed by neither). The reading\writing subject strolls in a vast labyrinth of text - a postmodern flaneur who frustrates the work of exegesis by enacting the play of the signifier. The line traced by this hypothetical traveller does not engender a definitive theoretical or discursive map of the domain but rather a contingent and highly provisional, backward turning path. The demoniacal plural is also used to problematise notions of an original and innovative critical voice which "speaks" the dissertation. The logic regulating the argument is the already-written, The dissertation plavs with each text (both critical texts and fictions) looking for a practice which reproduces them but in another place. My imagined (ideal?) reader wmtreat the argument as that Which. lt was not simply meant to be,will. follow.the argument and be seduced by it: an echoing. structure with dead ends, wrong turns, false entrances fictitious exits; misleading threads and deceptive lines,
AC 2018
Books on the topic "Science fiction – history and criticism – theory, etc"
Saint, Tarun K. Witnessing partition: Memory, history, fiction. New Delhi: Routledge, 2010.
Find full text1948-, Penley Constance, ed. Close encounters: Film, feminism, and science fiction. Minneapolis: University of Minnesota Press, 1991.
Find full textJameson, Fredric. Archaeologies of the future: The desire called utopia and other science fictions. New York: Verso, 2005.
Find full textRuss, Joanna. To write like a woman: Essays in feminism and science fiction. Bloomington: Indiana University Press, 1995.
Find full textJameson, Fredric. Archaeologies of the future: The desire called utopia and other science fictions. London: Verso, 2005.
Find full textInternational Conference on the Fantastic in the Arts (11th 1990 Fort Lauderdale, Fla.). State of the fantastic: Studies in the theory and practice of fantastic literature and film : selected essays from the Eleventh International Conference on the Fantastic in the Arts, 1990. Westport, Conn: Greenwood Press, 1992.
Find full textFreedman, Carl Howard. Critical theory and science fiction. Hanover: Wesleyan University Press, 2000.
Find full textVint, Sherryl. Science fiction and cultural theory: A reader. Milton Park, Abingdon, Oxon: Routledge, 2016.
Find full textAnnette, Kuhn, ed. Alien zone: Cultural theory and contemporary science fiction cinema. London: Verso, 1990.
Find full textJoyce, Michael. Othermindedness: The emergence of network culture. Ann Arbor: University of Michigan Press, 2001.
Find full textBook chapters on the topic "Science fiction – history and criticism – theory, etc"
Rieder, John. "On defining sf, or not: Genre theory, sf, and history." In Science Fiction Criticism. Bloomsbury Academic, 2017. http://dx.doi.org/10.5040/9781474248655.0013.
Full textGumerova, Anna L. "The Necessary Commentary on Fantasy." In Commentary: Theory and Practice, 561–81. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2024. http://dx.doi.org/10.22455/978-5-9208-0618-5-561-581.
Full textFish, Stanley. "Milton’s Career and The Career Of Theory." In There’s No Such Thing As Free Speech and It’s A Good Thing, Too, 257–66. Oxford University PressNew York, NY, 1993. http://dx.doi.org/10.1093/oso/9780195080186.003.0016.
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