Academic literature on the topic 'Schumann'
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Journal articles on the topic "Schumann":
Ardura, Bernard. "Robert Schumann — “Father of Europe”." ISTORIYA 12, no. 11 (109) (2021): 0. http://dx.doi.org/10.18254/s207987840017651-5.
Polska, I. І. "«Exegi monumentum»: the reflection of Schumann’s images in the Variations by J. Brahms on the theme by R. Schumann op. 23." Aspects of Historical Musicology 17, no. 17 (September 15, 2019): 249–61. http://dx.doi.org/10.34064/khnum2-17.16.
Barthes, Roland. "Amar Schumann." Opus 25, no. 1 (April 30, 2019): 213–16. http://dx.doi.org/10.20504/opus2019a2510.
Ferris, David. "Public Performance and Private Understanding: Clara Wieck's Concerts in Berlin." Journal of the American Musicological Society 56, no. 2 (2003): 351–408. http://dx.doi.org/10.1525/jams.2003.56.2.351.
Wermager, Sonja. "“Worthy of a Monument in Artistic History”: Religion and Nation in the Plans for Robert Schumann’s Unrealized Martin Luther Oratorio." 19th-Century Music 46, no. 1 (2022): 39–59. http://dx.doi.org/10.1525/ncm.2022.46.1.39.
Cherniavska, M. S. "Clara Wieck Schumann in the European scientific discourse." Aspects of Historical Musicology 17, no. 17 (September 15, 2019): 213–31. http://dx.doi.org/10.34064/khnum2-17.14.
Pedneault-Deslauriers, Julie. "Beyond Vierhebigkeit: Phrase Structure and Poetic Meaning in Three Lieder by Clara Schumann." Music Theory and Analysis (MTA) 8, no. 2 (October 30, 2021): 307–27. http://dx.doi.org/10.11116/mta.8.2.5.
White, Stephen. "Fighting the Philistines: Robert Schumann and the Davidsbündler." Musical Offerings 12, no. 1 (2021): 1–9. http://dx.doi.org/10.15385/jmo.2021.12.1.1.
Stewart-MacDonald, R. "Anniversary reflections: Chopin, Schumann and Schumann's circle." Early Music 38, no. 4 (November 1, 2010): 627–31. http://dx.doi.org/10.1093/em/caq097.
Hoeckner, Berthold. "Schumann and Romantic Distance." Journal of the American Musicological Society 50, no. 1 (1997): 55–132. http://dx.doi.org/10.2307/832063.
Dissertations / Theses on the topic "Schumann":
Knechtges, Irmgard. "Robert Schumann im Spiegel seiner späten Klavierwerke." Regensburg : G. Bosse, 1985. http://books.google.com/books?id=eE5BAAAAMAAJ.
Wallbaum, Christopher. "Der außeraustralische Schumann." Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2010. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-37788.
The article drafts (1) four basical positions to model music in the classroom. For all of them the experience of music is central, but in different ways. They take their starting point from masterpieces, pupils, musical cultur and the situation in the classroom. After (2) an didactic interpretation of the classic-romantic culture of music (3) the article reflects possibilities to model this musical culture as aesthetic practice in the classroom. Only then Robert Schumann moves into the focus as a theme of music in the classroom. The word “außeraustralisch” (out of australia) indicates a perspective at classical music from a foreign point of view
Hartmann, Andrea. "Musikhandschriften des Dresdner Schumann-Albums." Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2010. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-61273.
Burger-Güntert, Edda. "Robert Schumanns "Szenen aus Goethes Faust : Dichtung und Musik /." Freiburg i. Br. [u.a.] : Rombach, 2006. http://deposit.d-nb.de/cgi-bin/dokserv?id=2867480&prov=M&dok_var=1&dok_ext=htm.
Smith, Shelley L. "Recasting Gender: 19th Century Gender Constructions in the Lives and Works of Robert and Clara Schumann." Akron, OH : University of Akron, 2009. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=akron1247788301.
"August, 2009." Title from electronic thesis title page (viewed 10/7/2009) Advisor, Brooks Toliver; Faculty Reader, George Pope; School Director, William Guegold; Dean of the College, James Lynn; Dean of the Graduate School, George R. Newkome. Includes bibliographical references.
Eckerty, Christina D. Fieldman Hali Annette. "Narrative strategies in Robert Schumann's Davidsbündlertänze and Dichterliebe." Diss., UMK access, 2008.
"A dissertation in performance." Advisor: Hali Fieldman. Typescript. Includes musical examples. Vita. Title from "catalog record" of the print edition Description based on contents viewed Apr. 14, 2009 Includes bibliographical references (leaves 219-241). Online version of the print edition.
Preiß, Friederike. "Der Prozeß : Clara und Robert Schumanns Kontroverse mit Friedrich Wieck /." Frankfurt am Main [u.a.] : Lang, 2004. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=012926735&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.
Synofzik, Thomas. "Das Robert-Schumann-Haus Zwickau." Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2009. http://nbn-resolving.de/urn:nbn:de:bsz:14-ds-1237559062622-24488.
Cabral, Clarissa da Costa. "Os Lieder de Clara Schumann." Universidade de São Paulo, 2011. http://www.teses.usp.br/teses/disponiveis/27/27158/tde-12032013-165036/.
This paper introduces a musical analysis model which underlies an interpretative possibility of the Lieder - musical form resulting from the fusion of poetry and music - by Clara Schumann, German pianist and composer of the 19th Century. Her role in the musical scenario was quite relevant, since she held first auditions and thus disseminated the works of many contemporary composers, specially her husband, Robert Schumann. The analysis corroborates the high artistic level of these compositions, which bring into contact with issues related to the romantic period in a highly elaborated musical work. The included CD offers interpretation possibilities for the analyzed Lieder.
Källberg, Lina. "Robert Schumann: Humoreske op. 20." Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2355.
R. Schumann: Kinderszenen op. 15R. Schumann: Humoreske op. 20
Lina Källberg, piano
Som bilaga medföljer en inspelning av examenskonserten där dessa verk framfördes.
Books on the topic "Schumann":
Chissell, Joan. Schumann. 5th ed. London: Dent, 1989.
Oussenko, Sylvie. Schumann. Paris: Eyrolles, 2009.
Abraham, Gerald, and Eric Sams. Schumann. Stuttgart: J.B. Metzler, 1994. http://dx.doi.org/10.1007/978-3-476-04425-9.
Rachlin, Ann. Schumann. London: Gollancz, 1993.
Jensen, Eric Frederick. Schumann. Oxford: Oxford University Press, 2001.
Rachlin, Ann. Schumann. Paris: Éditions Gamma, 1994.
Boucourechliev, André. Schumann. Paris: Seuil, 1995.
Rachlin, Ann. Schumann. Hauppauge, NY: Barron's, 1993.
Fuller-Maitland, J. A. Schumann. New York: Cambridge University Press, 2009.
Jensen, Eric Frederick. Schumann. 2nd ed. New York: Oxford University Press, 2012.
Book chapters on the topic "Schumann":
Abraham, Gerald, and Eric Sams. "Die Frühen Jahre (1810–1827)." In Schumann, 9–12. Stuttgart: J.B. Metzler, 1994. http://dx.doi.org/10.1007/978-3-476-04425-9_1.
Abraham, Gerald, and Eric Sams. "Orchester- und Kammermusik." In Schumann, 85–89. Stuttgart: J.B. Metzler, 1994. http://dx.doi.org/10.1007/978-3-476-04425-9_10.
Abraham, Gerald, and Eric Sams. "Chormusik und Dramatische Musik." In Schumann, 90–92. Stuttgart: J.B. Metzler, 1994. http://dx.doi.org/10.1007/978-3-476-04425-9_11.
Abraham, Gerald, and Eric Sams. "Kritische Schriften." In Schumann, 93. Stuttgart: J.B. Metzler, 1994. http://dx.doi.org/10.1007/978-3-476-04425-9_12.
Abraham, Gerald, and Eric Sams. "Leipzig und Heidelberg (1828–1831)." In Schumann, 13–19. Stuttgart: J.B. Metzler, 1994. http://dx.doi.org/10.1007/978-3-476-04425-9_2.
Abraham, Gerald, and Eric Sams. "Die Jahre 1832–1840." In Schumann, 20–35. Stuttgart: J.B. Metzler, 1994. http://dx.doi.org/10.1007/978-3-476-04425-9_3.
Abraham, Gerald, and Eric Sams. "Die Jahre 1840–1844." In Schumann, 36–46. Stuttgart: J.B. Metzler, 1994. http://dx.doi.org/10.1007/978-3-476-04425-9_4.
Abraham, Gerald, and Eric Sams. "Dresden (1844–1850)." In Schumann, 47–60. Stuttgart: J.B. Metzler, 1994. http://dx.doi.org/10.1007/978-3-476-04425-9_5.
Abraham, Gerald, and Eric Sams. "Düsseldorf (1850–1852)." In Schumann, 61–68. Stuttgart: J.B. Metzler, 1994. http://dx.doi.org/10.1007/978-3-476-04425-9_6.
Abraham, Gerald, and Eric Sams. "Die Letzten Jahre (1852–1856)." In Schumann, 69–76. Stuttgart: J.B. Metzler, 1994. http://dx.doi.org/10.1007/978-3-476-04425-9_7.
Conference papers on the topic "Schumann":
Borchard, Beatrix. ""Frau Klara Schumann der besten Sängerin."." In Jahrestagung der Gesellschaft für Musikforschung 2019. Paderborn und Detmold. Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020. http://dx.doi.org/10.25366/2020.81.
DIAO, Ke. "A Study on the Music and Writing Characteristic of Robert Schumann's Diechterliebe." In 2021 International Conference on Culture, Literature, Arts & Humanities. Clausius Scientific Press, 2021. http://dx.doi.org/10.23977/icclah2021021.
Synofzik, Thomas. "„Würde Sie’s zu sehr ermüden zu begleiten?“ – Clara Schumann als Lied- und Kammermusikpartnerin." In Jahrestagung der Gesellschaft für Musikforschung 2019. Paderborn und Detmold. Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020. http://dx.doi.org/10.25366/2020.82.
Wang, Xuan, Yi Zhao, Xianfeng Chen, Junling Chen, and Jingbo Guo. "Design of Schumann resonance generator and detector." In 2017 IEEE 5th International Symposium on Electromagnetic Compatibility (EMC-Beijing). IEEE, 2017. http://dx.doi.org/10.1109/emc-b.2017.8260360.
Kim, Ji Young. "Clara Schumann and Jenny Lind in 1850." In Jahrestagung der Gesellschaft für Musikforschung 2019. Paderborn und Detmold. Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020. http://dx.doi.org/10.25366/2020.85.
Kolmakov, Alexander A., and Sergey Kolesnik. "Polarization characteristics of Schumann resonances in Tomsk." In XXIII International Symposium, Atmospheric and Ocean Optics, Atmospheric Physics, edited by Oleg A. Romanovskii. SPIE, 2017. http://dx.doi.org/10.1117/12.2286880.
Lyakhov, Andrey N., Egor S. Goncharov, and Tatiana V. Losseva. "Experimental and theoretical study of Schumann resonance." In 28th International Symposium on Atmospheric and Ocean Optics: Atmospheric Physics, edited by Oleg A. Romanovskii and Gennadii G. Matvienko. SPIE, 2022. http://dx.doi.org/10.1117/12.2644767.
Link, Martin. "Signum et gens – Zur Gendersemiotik in Clara und Robert Schumanns Liederzyklus Liebesfrühling." In Jahrestagung der Gesellschaft für Musikforschung 2019. Paderborn und Detmold. Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020. http://dx.doi.org/10.25366/2020.62.
Cao, Bingxia, Jinghong Xue, Hongjuan Zhou, and Jingjing Zhang. "Discussion on Schumann Resonance Measurement and Data Processing." In 2016 International Conference on Intelligent Control and Computer Application (ICCA 2016). Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/icca-16.2016.105.
Jelonek, Jonas, Jonas Stephan, David Bochmann, and Lars Gebken. "BEXUS30 – ELFI: Measuring Schumann resonances in the atmosphere." In Symposium on Space Educational Activities (SSAE). Universitat Politècnica de Catalunya, 2022. http://dx.doi.org/10.5821/conference-9788419184405.043.
Reports on the topic "Schumann":
Musur, M. A., and C. D. Beggan. Seasonal and Solar Cycle Variation of Schumann Resonance Intensity and Frequency at Eskdalemuir Observatory, UK. Balkan, Black sea and Caspian sea Regional Network for Space Weather Studies, October 2019. http://dx.doi.org/10.31401/sungeo.2019.01.11.
Pedersen, Gjertrud. Symphonies Reframed. Norges Musikkhøgskole, August 2018. http://dx.doi.org/10.22501/nmh-ar.481294.