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Books on the topic 'Schiller, Friedrich, 1759-1805 Wallenstein English'

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Author: Grafiati
Published: 10 December 2022
Last updated: 29 January 2023

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1

Die ästhetischen Kategorien Schillers als Weg zum Verständnis und zur Vermittlung des "Wallenstein". Frankfurt am Main: P. Lang, 1988.

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2

University of London. Institute of Germanic & Romance Studies, ed. Schillers Wallenstein-Trilogie auf der Bühne. London: Institute of Germanic & Romance Studies, University of London School of Advanced Study, 2009.

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3

Tragische Nemesis und historischer Sinn in Schillers Wallenstein-Trilogie: Eine rekonstruktruierende Lektüre. Frankfurt am Main: P. Lang, 1997.

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4

Schiller's Wallenstein, Maria Stuart, and Die Jungfrau von Orleans: The critical legacy. Rochester, NY: Camden House, 2002.

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5

George Eliot and Schiller: Intertextuality and cross-cultural discourse. Hampshire, England: Ashgate, 2003.

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6

Coleridge, Schiller, and aesthetic education. Houndmills, Basingstoke, Hampshire: Palgrave, 2002.

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7

Schiller, Friedrich. Schiller's literary prose works: New translations and critical essays. Rochester, N.Y: Camden House, 2008.

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8

Carlson, Julie Ann. In the theatre of Romanticism: Coleridge, nationalism, women. Cambridge [England]: Cambridge University Press, 1994.

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9

Wallenstein Figure in German Literature and Historiography 1790-1920. Taylor & Francis Group, 2010.

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10

Guth, Deborah. George Eliot and Schiller: Intertextuality and Cross-Cultural Discourse. Taylor & Francis Group, 2016.

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11

Guth, Deborah. George Eliot and Schiller: Intertextuality and Cross-Cultural Discourse. Taylor & Francis Group, 2017.

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12

Guth, Deborah. George Eliot and Schiller: Intertextuality and Cross-Cultural Discourse. Taylor & Francis Group, 2016.

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13

Guth, Deborah. George Eliot and Schiller: Intertextuality and Cross-Cultural Discourse. Taylor & Francis Group, 2016.

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14

Guth, Deborah. George Eliot and Schiller: Intertextuality and Cross-Cultural Discourse. Taylor & Francis Group, 2016.

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15

Guth, Deborah. George Eliot and Schiller: Intertextuality and Cross-Cultural Discourse. Taylor & Francis Group, 2017.

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16

Saranpa, Kathy J. Schiller's "Wallenstein," "Maria Stuart," and "Die Jungfrau von Orleans": The Critical Legacy (Literary Criticism in Perspective). Camden House, 2001.

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17

High, Jeffrey L. Schiller's Literary Prose Works: New Translations and Critical Essays. Boydell & Brewer, Incorporated, 2011.

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18

High, Jeffrey L., Dennis F. Mahoney, Edward T. Larkin, and Carrie Collenberg. Schiller's Literary Prose Works: New Translations and Critical Essays. Boydell & Brewer, Incorporated, 2008.

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19

High, Jeffrey L., Dennis F. Mahoney, Edward T. Larkin, and Carrie Collenberg. Schiller's Literary Prose Works: New Translations and Critical Essays. Boydell & Brewer, Incorporated, 2008.

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20

Carlson, Julie A. In the Theatre of Romanticism: Coleridge, Nationalism, Women. Cambridge University Press, 2011.

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21

Carlson, Julie A. In the Theatre of Romanticism: Coleridge, Nationalism, Women. Cambridge University Press, 2009.

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22

Carlson, Julie A. In the Theatre of Romanticism: Coleridge, Nationalism, Women (Cambridge Studies in Romanticism). Cambridge University Press, 2007.

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