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Academic literature on the topic 'Schematism (Philosophy)'

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Journal articles on the topic "Schematism (Philosophy)"

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Matherne, Samantha. "Kant and the Art of Schematism." Kantian Review 19, no. 2 (May 29, 2014): 181–205. http://dx.doi.org/10.1017/s1369415414000016.

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AbstractIn theCritique of Pure Reason, Kant describes schematism as a ‘hidden art in the depths of the human soul’ (A141/B180–1). While most commentators treat this as Kant's metaphorical way of saying schematism is something too obscure to explain, I argue that we should follow up Kant's clue and treat schematism literally asKunst. By letting our interpretation of schematism be guided by Kant's theoretically exact ways of using the termKunstin theCritique of Judgmentwe gain valuable insight into the nature of schematism, as well as its connection to Kant's concerns in the thirdCritique.
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Voltolini, Alberto. "Consequences of schematism." Phenomenology and the Cognitive Sciences 8, no. 1 (July 9, 2008): 135–50. http://dx.doi.org/10.1007/s11097-008-9108-0.

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Leavitt, Frank J. "Kant's schematism and his philosophy of geometry." Studies in History and Philosophy of Science Part A 22, no. 4 (December 1991): 647–59. http://dx.doi.org/10.1016/0039-3681(91)90037-s.

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Filieri, Luigi. "Concept-less Schemata: The Reciprocity of Imagination and Understanding in Kant’s Aesthetics." Kantian Review 26, no. 4 (December 2021): 511–29. http://dx.doi.org/10.1017/s1369415421000480.

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Abstract In this paper, I discuss Kant’s concept-less schematism (KU, 5: 287) in the third Critique1 and make three claims: 1) concept-less schematism is entirely consistent with the schematism in the first Critique; 2) concept-less schematism is schematism with no empirical concept as an outcome; and 3) in accordance with 1) and 2), the imagination is free to synthesize the given manifold and leads to judgements of taste without this meaning either that the categories play no role at all or that these judgements are full-fledged cognitive determining judgements. While most commentators read the freedom of the imagination as its independence from the understanding, I argue that the freedom of the imagination is based on a non-determining employment of the pure concepts of the understanding. The freedom of the aesthetic imagination consists in the temporal schematization of the categories without any complementary determination of the empirical concept.
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Pendlebury, Michael. "Making Sense of Kant's Schematism." Philosophy and Phenomenological Research 55, no. 4 (December 1995): 777. http://dx.doi.org/10.2307/2108332.

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Alavi, Farhad. "Reading Kant’s doctrine of schematism algebraically." Philosophical Forum 51, no. 3 (August 28, 2020): 315–29. http://dx.doi.org/10.1111/phil.12261.

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Krijnen, Christian. "The Problem of Schematism in Kant and its Transformation in Southwest Neo-Kantianism." Kant Yearbook 12, no. 1 (September 9, 2020): 81–114. http://dx.doi.org/10.1515/kantyb-2020-0004.

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AbstractThe meaning and validity of Kant’s Kant’s doctrine of schematism remains contested until today. In neo-Kantianism and post-War transcendental philosophy, Kant’s schematism of the pure concepts of understanding is transformed drastically. Kant’s thesis of heterogeneity is overcome by taking it back into the internal relationships of the structure of cognition. The spontaneity of thought, performing schematizations, is retained, but Kant’s project of conceiving of the foundations of knowledge in the fashion of a theory of apperception of the I as well as the externality of the given and the determination of the given that goes along with it is sublated by an objective order of validity-noematic constitution and regulation. Kant’s doctrine of schematism, then, shows to be methodology.
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Van Tuinen, Sjoerd. "Transparency and its Schematism." Krisis | Journal for Contemporary Philosophy 41, no. 2 (December 31, 2021): 83–86. http://dx.doi.org/10.21827/krisis.41.2.38258.

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Seigfried, Hans. "Professor Kisiel's Drawing of Heidegger's Schematism of Existence." Philosophy Today 30, no. 1 (1986): 66–72. http://dx.doi.org/10.5840/philtoday19863017.

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Svoboda, Toby J. "A Place for Kant's Schematism in Glauben und Wissen." Idealistic Studies 48, no. 3 (2018): 237–56. http://dx.doi.org/10.5840/idstudies20197296.

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In Glauben und Wissen, Hegel criticizes Kant for drawing a deep division between sensibility and understanding. Hegel suggests that Kant’s faculty of productive imagination is a step toward uniting intuition and concept in an original unity out of which the two arise, but this requires him to treat the productive imagination in ways Kant would not approve. I argue that Kant’s doctrine of the schematism offers an advance on the productive imagination when it comes to solving the intuition/concept dualism Hegel critiques, although there remain serious problems with which Hegel would take issue. Although the schematism might answer some of the criticisms Hegel aims at the intuition/concept dualism, it does not solve the related problem Hegel finds in Kant, namely the dualism of cognition and thing-in-itself.
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Dissertations / Theses on the topic "Schematism (Philosophy)"

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Arias-Albisu, Martín. "Kant's doctrine of the Transcendental Schematism." Pontificia Universidad Católica del Perú - Departamento de Humanidades, 2013. http://repositorio.pucp.edu.pe/index/handle/123456789/113070.

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The paper's purpose is to offer an interpretation of Kant's Critique of Pure Reason's chapter On the schematism of the pure concepts of the understanding. Our hypothesis is that in the doctrine of the schematism the possibility of the ontological constitution of the object as object is decided. Thus we will show that only with the transcendental schemes we find the basic ontological predicates of objectivity. This is demonstrated by establishing that only thanks to the doctrine of schematism the inner dynamism of the cooperation between sensibility and understanding gives place to objective knowledge.
El objetivo de nuestro artículo es ofrecer una interpretación del capítulo sobre El esquematismo de los conceptos puros del entendimiento de la Crítica de la razón pura de Immanuel Kant. Nuestra hipótesis es que en la doctrina del esquematismo se decide la posibilidad de la constitución ontológica del objeto como objeto. Consiguientemente, mostraremos que únicamente con los esquemas trascendentales nos encontramos con los predicados ontológicos fundamentales de la objetividad. Esto se demuestra estableciendo que solo gracias a la doctrina del esquematismo se pone de manifiesto el dinamismo interno de la cooperación entre la sensibilidad y el entendimiento que da lugar al conocimiento objetivo.
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Reichl, Pavel. "Heidegger's late Marburg project : being, entities, and schematism." Thesis, University of Essex, 2017. http://repository.essex.ac.uk/20034/.

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This thesis seeks to provide a novel interpretation of Heidegger’s project in the late twenties and of its breakdown and transformation around the turn of the decade. I argue that Heidegger develops a unified project in the late Marburg period that is constructed around the question of the unity of the concept of being in light of its regional multiplicity. Furthermore, I argue that Heidegger’s conception of the framework of this project is highly influenced by his reception of Kant in this same period. Specifically, I identify the elements of the Kantian framework that Heidegger retains and appropriates for his project, as well as those elements that he rejects. In the former case, Heidegger takes up primarily Kant’s framework of a priori transcendental conditions that are to make empirical experience possible, which Heidegger reformulates in terms of the pre-understanding of being that makes possible the apprehension of entities. In the latter case, I isolate two primary criticisms that will serve as desiderata for the execution of Heidegger’s project, namely: that the categories have an excessively subjectivistic status, and that they are based solely on logical functions of judgement. The former constitutes a problem because the location of the categories on the subject side make s difficult their applicability to the objective realm, and lead Heidegger to reject both the quid juris form of posing the question as well as the results of the transcendental deduction in general. The latter, though closely connected, points to a different set of problems, and targets not the applicability claim but the exhaustiveness claim of the metaphysical deduction. In articulating a theory of categories based on logical functions of judgments, Kant’s resulting theory of possible objects of experience is limited merely to objects of explicit judgement, roughly the objects of the natural sciences, at the expense of other kinds of objects. Paradigmatic of these ‘other kinds of objects’, for Heidegger, are ready-to-hand entities, which are neither spatio-temporally individuated, nor fit into the Kantian conditions for what it would be to count as an object of possible experience. I argue that Heidegger develops his late Marburg project as a development of the Kantian-inspired framework of pre-understanding of being in a manner that responds to the two above problems. Specifically, Heidegger seeks to ground the understanding of being in temporal schemata rather than in logical functions of judgement, which is intended to provide both a wider range of possible objects and to provide a unified backdrop against which the subject can apprehend objects. I end with an assessment of Heidegger’s project, arguing that while it is ultimately unsuccessful in its aims, it nonetheless represents a philosophically interesting and innovative post-Kantian project that sheds exegetical light both on Heidegger’s middle period as well as on his later works.
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Kang, Young Ahn. "Schema and symbol a study in Kant's doctrine of schematism /." Amsterdam : Free University Press, 1985. http://catalog.hathitrust.org/api/volumes/oclc/13947637.html.

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Arias-Albisu, Martín. "Kant’s doctrine of the Transcendental Schematism." Pontificia Universidad Católica del Perú - Departamento de Humanidades, 2005. http://repositorio.pucp.edu.pe/index/handle/123456789/112874.

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The paper’s purpose is to offer an interpretation of Kant’s Critique of Pure Reason’s chapter On the schematism of the pure concepts of the understanding”. Our hypothesis is that in the doctrine of the schematism the possibility of the ontological constitution of the object as object is decided. Thus we will show that only with the transcendental schemes we find the basic ontological predicates of objectivity. This is demonstrated by establishing that only thanks to the doctrine of schematism the inner dynamism of the cooperation between sensibility and understanding gives place to objective knowledge.
El objetivo de nuestro artículo es ofrecer una interpretación del capítulo sobre El esquematismo de los conceptos puros del entendimiento” de la Crítica de la razón pura de Immanuel Kant. Nuestra hipótesis es que en la doctrina del esquematismo se decide la posibilidad de la constitución ontológica del objeto como objeto. Consiguientemente, mostraremos que únicamente con los esquemas trascendentales nos encontramos con los predicados ontológicos fundamentales de la objetividad. Esto se demuestra estableciendo que solo gracias a la doctrina del esquematismo se pone de manifiesto el dinamismo interno de la cooperación entre la sensibilidad y el entendimiento que da lugar al conocimiento objetivo.
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Allen, Thomas Coley. "Using schema theory to integrate reading and writing process in composition." CSUSB ScholarWorks, 1987. https://scholarworks.lib.csusb.edu/etd-project/408.

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Kotze, H. B. (Hendrik Benjamin). "Davidson on metaphor and conceptual schemes." Thesis, Stellenbosch : Stellenbosch University, 2000. http://hdl.handle.net/10019.1/51670.

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Compilation of two papers, the first of which was accepted for publication in the South African Journal of Philosophy in the second half of 2001.
Why metaphors have no meaning : considering metaphoric meaning in Davidson. -- Bare idea of a conceptual scheme : relativism, intercultural communication and Davidson.
Thesis (MA)--Stellenbosch University, 2000.
ENGLISH ABSTRACT: WHY METAPHORS HAVE NO MEANING: CONSIDERING METAPHORIC MEANING IN DAVIDSON Since the publication of Donald Davidson's essay 'What Metaphors Mean' (1984c) - in which he famously asserts that metaphor has no meaning - the views expressed in it have mostly met with criticism: prominently from Mary Hesse and Max Black. This article attempts to explain Davidson's surprise-move regarding metaphor by relating it to elements in the rest of his work in semantics, such as the principle of compositionality, radical interpretation and the principle of charity. I conclude that Davidson's views on metaphor are not only consistent with his semantic theory generally, but that his semantics also depend on these insights. Eventually, the debate regarding Davidson's views on metaphor should be conducted on the level of his views on the nature of semantics, the relationship between language and the world and the possibility of there existing something like conceptual schemes.
ENGLISH ABSTRACT: THE BARE IDEA OF A CONCEPTUAL SCHEME: RELATIVISM, INTERCULTURAL COMMUNICATION AND DAVIDSON Donald Davidson's paper 'On the Very Idea of a Conceptual Scheme' ('OVICS') has become famous for the refutation accomplished in it of conceptual relativism. Via an argument that, essentially, all languages are intertranslatable, Davidson rejects the notion that different conceptual schemes can inhere in the supposed 'un-translatable' languages said to exist by, for instance, Whorf and Kuhn. Critics of Davidson's position have mainly focussed on practical issues, with many holding that his arguments in 'OVICS' ignore the realities of the real intercultural communication situation. In the present paper, I address criticisms of this sort. Davidson's arguments are reconstructed, with attention being paid to their dependence on the idea of practical application in the real intercommunication situation. With the aid of practical examples, the implications of elements of Davidson's philsophy of interpretation for intercultural communication are evaluated. Finally, radical interpretation is presented as a better model for intercultural dialogue than linguistically relativist ones.
AFRIKAANSE OPSOMMING: WHY METAPHORS HAVE NO MEANING: CONSIDERING METAPHORIC MEANING IN DAVIDSON Sedert die publikasie van Donald Davidson se opstel 'What Metaphors Mean' (1984c) - waarin hy die berugte stelling maak dat metafoor geen betekenis het nie - is sy sieninge meestal begroet met kritiek, ook van prominente figure soos Mary Hesse en Max Black. Hierdie artikel poog om 'n verduideliking te vind vir Davidson se verassende skuif aangaande metafoor, deur sy sieninge hieroor te kontekstualiseer teen die agtergrond van elemente uit die res van sy werk in semantiek, soos die beginsel van komposisionaliteit, radikale interpretasie en die beginsel van rasionele akkomodasie ('charity'). Ek kom tot die gevolgtrekking dat Davidson se sieninge aangaande metafoor nie slegs naatloos aansluit by sy algemene sieninge aangaande semantiek nie, maar dat die res van sy semantiese teorie ook afhang van sy sieninge aangaande metafoor. Uiteindelik behoort die debat rakende Davidson se sieninge aangaande metafoor gevoer te word op die vlak van die aard van semantiek, die verhouding tussen taal en die werklikheid en die moontlike bestaan van konseptueie skemas.
AFRIKAANSE OPSOMMING: THE BARE IDEA OF A CONCEPTUAL SCHEME: RELATIVISM, INTERCULTURAL COMMUNICATION AND DAVIDSON Donald Davidson se artikel 'On the Very Idea of a Conceptual Scheme' het beroemdheid verwerf as teenargument vir die idee van konseptuele relativisme. By wyse van 'n argument dat alle tale in beginsel vertaalbaar is, verwerp Davidson die idee dat verskillende konseptueie skemas kan skuilgaan in die veronderstelde 'onvertaalbare' tale waarvan daar sprake is by byvoorbeeld Whorf en Kuhn. Kritici van Davidson se posisie beperk hul hoofsaaklik tot praktiese besware en 'n vername aanklag teen Davidson is dat hy die realiteite misken van werklike interkulturele gesprek. In hierdie artikel spreek ek sodanige kritiek aan. Ek herkonstrueer Davidson se argumente en voer aan dat dit deurgaans afhanklik is van die idee van toepassing in 'n praktiese situasie van interkulturele dialoog. By wyse van praktiese voorbeelde evalueer ek die implikasies van Davidson se filosofie van interpretasie vir interkulturele kommunikasie. Laastens bied ek radikale interpretasie aan as 'n beter model vir interkulturele dialoog as linguisties relativistiese modelle.
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Ehlers-Zavala, Fabiola P. Steffensen Margaret S. "Reading an illustrated and non-illustrated story dual coding in the foreign language classroom /." Normal, Ill. Illinois State University, 1999. http://wwwlib.umi.com/cr/ilstu/fullcit?p9942643.

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Thesis (Ph. D.)--Illinois State University, 1999.
Title from title page screen, viewed July 24, 2006. Dissertation Committee: Margaret S. Steffensen (chair), Jeffrey P. Bakken, William C. Woodson, Charles B. Harris. Includes bibliographical references (leaves 214-240) and abstract. Also available in print.
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Raynaud, Serra Patrice. "L'imagination au cœur de l'apprendre : interprétations de textes pédagogiques et philosophiques pour l’imagination couplées avec des savoirs en psychologie cognitive." Thesis, Aix-Marseille, 2017. http://www.theses.fr/2017AIXM0394.

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Le présent travail s'initie par des entretiens directifs et des questionnaires auprès d'enseignants de collège afin de voir s'ils établissent un lien entre l'imagination et l'apprendre. Il continue par la lecture et l'analyse des textes officiels et des programmes relatifs aux mathématiques et au français. Il se poursuit avec l'interprétation de textes pédagogiques qui convoquent l'imagination. Suite au constat de la polysémie voire de la polymorphie de l’imagination, cet écrit lit et interprète certaines théories en pédagogies et en philosophie convoquant l’imagination. Cependant la recherche reste animée par la visée de comprendre si l’imagination permet d’apprendre. La centration théorique de notre thèse est le schématisme tel que le décrit Kant. Le schématisme est le produit de l’imagination présentative qui, dans la configuration de l’analogie de l’expérience, met en évidence l’attente d’un terme, d’un objet ; objet à saisir, à-prendre, afin que puisse être établi un rapport, puis soient aussi comparés deux rapports.Grâce à cette approche kantienne nous avons pu conclure que l’imagination est au cœur de l’apprendre parce que l’apprendre est le prolongement de l’analogie de l’expérience, produit de l’imagination présentative
This work opens up with directive interviews of and questionnaires for secondary school teachers in order to find out if they perceive a link between imagination and learning. It is then devoted to studying and analysing official texts and syllabuses related to Mathematics and French. It proceeds with the interpretation of pedagogic writings thar refer to imagination. Based on the observation that imagination is polysemic and even polymorphic, this work interprets some pedagogic and philosophic theories on the theme of imagination. However this research remains motivated by the aim of finding out if imagination allows one to learn.This thesis is centered on the theory of schematism as described by Kant. Schematism is produced by presentative imagination which, in the analogical configuration of experience, reveals the expectation of a term, an object ; an object to seize, ʺto ap-prehendʺ, so that a link can be established, then two links be compared. Thanks to this approach by Kant we are in a position to conclude that imagination is at the heart of learning because learning is the extension of analogical experience, the outcome of presentaive imagination
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Bellier, Aurelien. "Irréalisme et incorporation." Thesis, Toulouse 2, 2019. http://www.theses.fr/2019TOU20069.

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Ce travail de philosophie porte sur la logique de l'incorporation (Einverleibung) dans son rapport à l'esthétique. La thèse principale est la suivante : la précédence en droit de l'esthétique quant à l'ontologie. Il s'agit de déployer le concept d'incorporation en le liant aux concepts de « décorporation » et de « récorporation » ainsi qu'à la notion stoïcienne de crase ou krasis. L'axe directeur est le suivant : ce n'est pas le corps constitué qui incorpore, c'est le corps qui est le produit métastable d'un processus d'incorporation. Mais comment aborder l'incorporation si elle n'est pas phénoménale, traverse la phénoménalité sans s'y exhausser ? Comment décrire la genèse du sensible dans le corps (percevoir, sentir) ? Ces questions impliquent un concept d'heuristique lié à la notion humienne d'enquête et au concept nietzschéen de généalogie. Elles nécessitent ensuite de différencier le concept d'incorporation de ceux d'incarnation et d'organisme, en montrant comment l'organicité et la chair sont a priori incorporées, mais subsument en retour ce processus d'incorporation. Cela engage enfin une thèse sur le schématisme kantien : ce n'est pas le transcendantal qui est articulé par le schématisme, mais que ce sont les schèmes incorporés et le schématisme les régissant qui vont constituer la base sur laquelle le transcendantal va s'édifier. L'ensemble se compose de deux parties : la première porte sur le rapport de l'incorporation et de l'esthétique entendue comme logique de l'expérience, la seconde sur le concept d'incorporation dans son acception stoïcienne et sur le schématisme
This philosophical work is about the logic of incorporation (Einverleibung) related to the esthetic. The main thesis of this study is the following one : the aesthetic is above the ontology, the aesthetic logic of the body is above the logic of the be. The main purpose of this work is thus to unfold the concept of incorporation and to link it with the concepts of « decorporation » and « recorporation », and with the stoic concept of krasis which means the blend or mixing of the bodies. The first hypothesis is that this is not the body which incorporates, but that the body is « generated » by an incorporation-process. But how can we describe the incorporation if this is not a phenomenon, but a process which passes through phenomenality itself ? How can we describe the genesis of the sensibility and the sensitivity? These questions require an aesthetic heuristic between the enquiry (Hume) and the genealogy (Nietzsche). We have also to distinguish incorporation, incarnation (embodiment) and organism, to show that flesh and organs are incorporated. This involves a specific thesis about Kant's schematism : the transcendental is generated by the incorporation of schemes.This works has two parts : the first is about the incorporation and the aesthetic as logic of experience. The second one is about the stoic comprehension of incorporation
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Elalouf, Jérémie. "Arts, schématisme et conceptions du monde : le cas de la perspective : Philippe Descola, Erwin Panofsky, Ernst Cassirer, Robert Klein." Thesis, Paris 1, 2019. http://www.theses.fr/2019PA01H316/document.

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Au XXe siècle, le problème de l’illusionnisme perspectif a posé d’importantes difficultés théoriques aux historien d’arts. En effet, la compréhension de la perspective induit une conception de l’histoire de l’art. Si la perspective est conforme à la perception, alors l’art peut être objectif et son histoire participe de l’histoire des sciences. En revanche, si la perspective n’est pas conforme à la perception, alors l’art, dans son histoire, ne peut être compris comme une quête de l’objectivité. Dans ce cas, deux autres questions se posent : comment penser le rapport entre art et rationalité, et comment définir la visée de l’art? Le premier problème appelle une réflexion sur le concept de schématisme, le second une réflexion sur le rapport entre l’art et les conceptions du monde. La Perspective comme forme symbolique, d’Erwin Panofsky, est le premier texte à avoir proposé une réponse générale à ces questions. Le concept de forme symbolique, emprunté à Ernst Cassirer, lui a permis de considérer la perspective comme une forme culturelle, et de mettre au second plan la question de l’objectivité. Cette position est à l’origine d’intenses polémiques, que les débats historiographiques ne sont pas parvenus à résoudre. En confrontant les travaux de Panofsky à ceux de Philippe Descola et de Ernst Cassirer, cette thèse explicite d’abord les attendus théoriques inhérents au rapport entre forme symbolique, schématisme et conceptions du monde. Elle propose ensuite une analyse des controverses liées à la perspective et met en valeur la pensée de Robert Klein. Cette pensée travaille la phénoménologie et amène à une conception de l’histoire différente de celle proposée par Panofsky
During the 20th century, perspective illusionism caused significant theoretical issues to art historians. That is because an understanding of perspective leads to a conception of art history. If perspective is true to visual perception, then art can be objective and its history is related to the history of sciences. On the other hand, if perspective is not true to visual perception, then art, in its own historical development, cannot be understood as a quest for objectivity. In this case, two further issues arise: how to conceive the relationship between art and rationality, and how to define the purpose of art? The first problem requires a reflection on the concept of schematism, the second a reflection on the relationship between art and different worldviews. Erwin Panofsky’s essay, Perspective as a Symbolic Form, was the first text to provide a comprehensive answer to these questions. The concept of symbolic form, borrowed from Ernst Cassirer philosophy, allowed him to consider perspective mainly as a cultural form, thus overlooking the issue of objectivity. This position has led to numerous controversies, which have not been overcome by historiographical discussions. By comparing Panofsky’s work with those of Philippe Descola and Ernst Cassirer, this thesis first clarifies the theoretical prerequisites for the relationship between symbolic form, schematism and worldviews. It then provides an analysis of several historiographical controversies and underscores the thinking of Robert Klein. His approach tackles phenomenology and leads to a different conception of history than the one proposed by Panofsky to overcome the issues raised by perspective
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Books on the topic "Schematism (Philosophy)"

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Schema and symbol: A study in Kant's doctrine of schematism. Amsterdam: Free University Press, 1985.

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Ullmann, Tamás. A láthatatlan forma: Sematizmus és intencionalitás. Budapest: L' Harmattan, 2010.

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Miroirs, fragments, mosaïques: Schèmes et création dans l'art du XXe siècle. Saint-Etienne: Publications de l'Université de Saint-Etienne, 2005.

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Schemata und Praktiken. München: Wilhelm Fink, 2012.

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L' histoire du schématisme. Paris: Harmattan, 2005.

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Lenk, Hans. Schemaspiel: Über Schemainterpretation und Interpretationskonstrukte. Frankfurt am Main: Suhrkamp, 1995.

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Costa, Joan. Esquematismo: La eficacia de la simplicidad : teoría informacional del esquema. Madrid: Experimenta, 2019.

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Reference, truth, and conceptual schemes: A defense of internal realism. Dordrecht: Kluwer Academic, 2001.

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Théorie générale de la schématisation. Paris: L'Harmattan, 2002.

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Zwischen Bild und Begriff: Kant und Herder zum Schema. München: Wilhelm Fink, 2010.

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Book chapters on the topic "Schematism (Philosophy)"

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Young, J. Michael. "Construction, Schematism, and Imagination." In Kant’s Philosophy of Mathematics, 159–75. Dordrecht: Springer Netherlands, 1992. http://dx.doi.org/10.1007/978-94-015-8046-5_7.

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Bayne, Steven M. "Abstract General Ideas and Kant’s Schematism." In Law and Peace in Kant’s Philosophy, 97–106. Berlin, New York: Walter de Gruyter, 2008. http://dx.doi.org/10.1515/9783110210347.2.97.

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Onof, Christian. "Understanding Schematism and the Nature of Schemata." In Law and Peace in Kant’s Philosophy, 539–50. Berlin, New York: Walter de Gruyter, 2008. http://dx.doi.org/10.1515/9783110210347.2.539.

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Kase, Kimio, Eugene Choi, and Ikujiro Nonaka. "Inamori Management Philosophy: Schematic Representation." In Dr Kazuo Inamori’s Management Praxis and Philosophy, 17–85. Singapore: Springer Nature Singapore, 2022. http://dx.doi.org/10.1007/978-981-19-3398-1_2.

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Peperzak, Adriaan Th. "Schematic Rendition of the Preface." In Philosophy and Politics, 33–40. Dordrecht: Springer Netherlands, 1987. http://dx.doi.org/10.1007/978-94-010-9624-9_3.

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Meer, Rudolf, Giuseppe Motta, and Giuseppe Motta. "Vom „Poison de l’imagination“ zur Essenz des Schematismus: Die Einbildungskraft in der Philosophie, den Wissenschaften und den Künsten des 17. und 18. Jahrhunderts." In Konzepte der Einbildungskraft in der Philosophie, den Wissenschaften und den Künsten des 18. Jahrhunderts, edited by Rudolf Meer, Giuseppe Motta, and Gideon Stiening, 1–6. Berlin, Boston: De Gruyter, 2019. http://dx.doi.org/10.1515/9783110645514-003.

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Moraitis, Konstantinos. "Landscape Interpretation Through Schematism." In Proceedings of the XXIII World Congress of Philosophy, 209–16. Philosophy Documentation Center, 2018. http://dx.doi.org/10.5840/wcp232018130.

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"Heidegger’s Schematism of Life and its Kantian Inheritance: A Critical Appraisal." In The New Yearbook for Phenomenology and Phenomenological Philosophy, 42–72. Routledge, 2015. http://dx.doi.org/10.4324/9781315681795-1.

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Šauers, Edijs. "Kantian Schematism and the Ethics of the Image (Remarks on J.L. Nancy)." In Proceedings of the XXIII World Congress of Philosophy, 295–300. Philosophy Documentation Center, 2018. http://dx.doi.org/10.5840/wcp232018143.

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"Schematic Fictions." In The Philosophy of As if, 216. Routledge, 2014. http://dx.doi.org/10.4324/9781315011134-58.

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Conference papers on the topic "Schematism (Philosophy)"

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Corbellini, Umberto. "Power system schematics standardization. Philosophy." In 2015 IEEE 15th International Conference on Environment and Electrical Engineering (EEEIC). IEEE, 2015. http://dx.doi.org/10.1109/eeeic.2015.7165387.

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