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Books on the topic 'Scent marking'

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Author: Grafiati

Published: 4 June 2021

Last updated: 25 April 2022

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1

Burant, Corey. Urine scent marking during winter hunting and scavenging by red fox (Vulpes vulpes) in the Sudbury area. Sudbury, Ont: Laurentian University, 2004.

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2

Knoblich, Hans. Marketing mit Duftstoffen. München: R. Oldenbourg, 1989.

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3

Bucklin, Randolph E. Viewpoints on the changing consumer goods distribution scene: Summary of a Marketing Science Institute conference, May 19 and 20, 1987. Cambridge, Mass: The Institute, 1987.

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4

Mills, M. G. L., and M. E. J. Mills. Socio-spatial organization and spatial ecology. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198712145.003.0010.

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Home ranges of males (1204 km2) and females (1510 km2) were similar. Female home range size was positively related to the dispersion of prey and generally, but not exclusively, they displayed home range fidelity. Overlap between female home ranges was extensive, although they rarely met up. Male home ranges overlapped extensively and there was no difference in size between coalition and single males. Males overcame the problem of scent marking a large home range by concentrating scent marks in core areas. Generally female cheetah home range size is affected by resource productivity, although where prey are migratory, or in fenced reserves where movements are constricted, and areas where disturbance is severe, this may be different. Southern Kalahari males apparently need large home ranges to increase the likelihood of locating wide-ranging and sporadically receptive females. Mean dispersal distance for subadult males (96 km) was further than for females (39 km).

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5

Smith, Bruce R. Scene. Edited by Henry S. Turner. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199641352.013.5.

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This chapter examines the scene as a segment of dramatic action marked at the beginning and end by an empty stage, scene as big effect, and scene as fictional setting. It begins with a discussion of the scene to which Robert Greene alludes inGreenes, groats-vvorth of witte(1592). It then considers the folio text ofHenry VI, Part Threeto show how acts and scenes were marked in plays printed between 1590 and 1630. It also discusses two ways that scenes can be registered verbally in scripts: marking and remarking. Finally, it explores the connection between physical means and theatrical ends in early modern usage in the context of scene, along with senses of ‘scene’ that may be increasingly remote from theatres as physical structures but that nonetheless maintain an important relationship with theatrical performance as a way of framing and understanding human experience.

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6

Early Advertising Scene (RLE Marketing). Taylor & Francis Group, 2014.

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7

Marketing in Context: Setting the Scene. Palgrave Macmillan, 2013.

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8

Hackley, Chris. Marketing in Context: Setting the Scene. Palgrave Macmillan, 2013.

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9

Leachman, Harden B. The Early Advertising Scene (RLE Marketing). Routledge, 2014. http://dx.doi.org/10.4324/9781315766263.

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10

Webster. International Marketing Scene (Webster's Marketing Bibliography, Vol 12-1). Webster & Assoc, 1986.

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11

Shiner, Larry. Art Scents. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190089818.001.0001.

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This book offers an overview of the aesthetic and ethical issues raised by the contemporary olfactory arts, which range from gallery and museum sculptures and installations, through the enhancement of theater, film, and music with scents, to the ambient scenting of stores and avant-garde chefs’ use of scents in cuisine. Special attention is given to the aesthetics of perfume and incense and the question of their art status, as well as to the role of scent in the appreciation of nature and gardens. Ethical issues are discussed regarding ambient scenting, perfume wearing, and the use of smells in fast-food marketing. Because of the traditional neglect and denigration of the sense of smell and its aesthetic potential by philosophers from Kant and Hegel to the present, and by Darwin’s and Freud’s view of the human sense of smell as a nearly useless evolutionary vestige, the first parts of the book counter that tradition with both philosophical arguments and evidence from current evolutionary theory, neuroscience, psychology, anthropology, history, linguistics, and literature. Although the focus is on Western olfactory arts, the book draws on non-Western examples throughout. The book is aimed at both philosophers and general readers interested in the arts, and develops positions that should stimulate further discussion.

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12

Marketing and the International Scene (Webster's Comprehensive Marketing Bibliography, Series Number Twelve, Volume XII-I). Data Pub Corp, 1986.

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13

Grote, Florian. Locating Publics: Forms of Social Order in an Electronic Music Scene. Springer VS, 2014.

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14

Parker, George L. Canada. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199679775.003.0005.

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This chapter discusses the history of fiction publishing in Canada since 1950. It begins with the arrival of New York publisher Alfred Knopf in Canada in August 1955, a month after the Canadian Writers' Conference was held at Queen's University in Kingston, Ontario. During the conference, the sorry plight of the English-language book scene was tackled: bookstores, for example, were dominated by British and American authors, and Canadian literature was practically ignored in schools and universities. The chapter examines how many of these complaints were resolved by the 2000s. It considers changes in Canadian fiction from traditional realism towards modernism and postmodernism, and the importance of the New Canadian Library quality paperback series (1958). It also describes other significant developments that reshaped the Canadian book market, including the emergence of independent small presses, Harlequin Enterprises, the proliferation of international conglomerates, the marketing of e-books, and the rise of Amazon.

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15

Crawford, Matthew r. Rejection at Nazareth in the Gospels of Mark, Matthew, Luke—and Tatian. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198814801.003.0006.

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While Jesus’ rejection in his hometown is common to all three synoptic accounts, the placement of this episode differs. Mark and Matthew narrate his rejection at the synagogue of Nazareth only after a period of successful ministry elsewhere. Luke collapses the Markan timeline by relocating the scene in the synagogue in Nazareth to the initial preaching tour through Galilee, and he also recounts an unsuccessful attempt to cast Jesus from the cliff outside the town. This trajectory of rewriting can be extended to include the Diatessaron of Tatian, where the first half of the Lukan pericope is left in the preaching tour through Galilee, while the second half is postponed until later in the narrative. In his redaction of prior sources, Tatian’s editorial work is comparable to that of Matthew and Luke. His work was regarded by its primary users as the Gospel, and not just as a ‘gospel harmony’.

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