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Relevant bibliographies by topics / Scenic Design; Set Design / Dissertations / Theses

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Dissertations / Theses on the topic 'Scenic Design; Set Design'

Author: Grafiati

Published: 4 June 2021

Last updated: 3 February 2022

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1

Reagan, Logan. "Ragtime: A Scenic Design." OpenSIUC, 2015. https://opensiuc.lib.siu.edu/theses/1665.

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AN ABSTRACT OF THE THESIS OF Logan Thomas Reagan, for the Master of Fine Arts degree in Theater, presented on December 5, 2015, at Southern Illinois University. TITLE: RAGTIME: A SCENIC DESIGN MAJOR PROFESSOR: Dr. Ronald Naversen This document covers the process of scenic design for the Southern Illinois University Department of Theater production of Ragtime. The productions were held on the following dates: October 24-27, 2013. The first chapter provides an in depth analysis of the script. The second Chapter focuses on the design process leading into the third chapter which focuses on the bui

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2

Adkins, David A. "Scenic Design for Alan Ayckbourn's Taking Steps." Fogler Library, University of Maine, 2003. http://www.library.umaine.edu/theses/pdf/AdkinsDA2003.pdf.

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3

Hughes, Mary Katherine. "BEHIND THE CURTAIN: A SCENIC DESIGN OF RUPERT HOLMES' CURTAINS." OpenSIUC, 2015. https://opensiuc.lib.siu.edu/theses/1666.

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AN ABSTRACT OF THE THESIS OF Mary Katherine Hughes, for the Masters of Fine Art degree in Theater, presented on March 30, 2015, at Southern Illinois University Carbondale. TITLE: BEHIND THE CURTAIN: A SCENIC DESIGN OF RUPERT HOLMES' CURTAINS MAJOR PROFESSOR: Wendi Zea This paper covers the design and production process of the musical Curtains as produced by Southern Illinois University in October of 2014. Chapter One is an initial analysis of the play and design goals. Chapter Two is a description of the design processes and incarnations of the play over the course of several months. Chapter T

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4

Kuhn, Lindsey LaRissa. "Character in cloth and concrete: a costume and scenic design portfolio." Thesis, University of Iowa, 2019. https://ir.uiowa.edu/etd/6785.

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5

Alexander, Gary. "A SCENIC DESIGN FOR RICHARD O'BRIEN'S THE ROCKY HORROR SHOW." Master's thesis, University of Central Florida, 2008. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/2406.

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This thesis documents my process as Scenic Designer for Richard O'Brien's musical, The Rocky Horror Show, presented by the University of Central Florida Conservatory Theatre. This production premiered on the University of Central Florida's Mainstage Theatre 29 March 2007 and ran for fifteen performances, closing on 15 April 2007. This thesis includes my research and analysis of the published script and a production journal which documents my process for our specific production. In this document, I illustrate how my communication and meetings with the director and members of the design team mov

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6

Johnson, Catherine. "MACBETH: FOR THE PURPOSE OF PROCESS." Master's thesis, Temple University Libraries, 2014. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/263575.

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Theater<br>M.F.A.<br>This thesis paper will explain my set design process for Temple University's 2014 production of Macbeth. I will cover the steps from receiving the assignment to opening night and evaluate its purpose in my education toward a Master's of Fine Arts.<br>Temple University--Theses

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7

Guzzone, Ian Paul. "THIS IS URINETOWN!" Master's thesis, Temple University Libraries, 2012. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/199192.

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Theater<br>M.F.A.<br>Urinetown: The Musical is a meta-theatrical musical that addresses issues such as sustainability, corruption, and human intentions. For my design of Urinetown: The Musical, I sought to poetically represent the world of the play without interfering with the story telling. From start to end, this is my process.<br>Temple University--Theses

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8

St, John Kate. "Practice Makes Practice : 10,000 Hours Later and a Great Deal Wiser." Master's thesis, Temple University Libraries, 2019. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/542192.

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Theater<br>M.F.A.<br>This paper is a in depth review of a designer’s process over the course of three years of graduate school, culminating in a scenic design for Side Show. A narrative account of a design from early stages through final evaluation, this essay hardly resembles a thesis paper at all. With Side Show as a framework through which the author traces improvement in craft skills, design thinking, and critical evaluation, she offers supporting evidence in the form of drawings, draftings, models, and research. In addition to these relevant design materials, the designer presents proofs

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9

Loeffler, Kevin. "An exploration in design." Thesis, University of Iowa, 2013. https://ir.uiowa.edu/etd/2570.

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10

Lawrence, Jonas Dale. "Set Design for the High School: A Creative Approach Using Limited Resources." University of Akron / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=akron1436740522.

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11

Hayes, Philip Avery. "Creating a Realistic Set Design for Doubt: A Parable." VCU Scholars Compass, 2008. http://scholarscompass.vcu.edu/etd/1324.

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This thesis is a narrative describing the set design for the Richmond premiere of Doubt: A Parable by John Patrick Shanley. The project was a creation of a set to be used by the Barksdale Theatre in Richmond, Virginia. The performance was held in February 15, 2008 through March 22, 2008 at the Barksdale Theatre in Richmond, Virginia. The production was a cooperation between the Virginia Commonwealth University Theatre Department and the Barksdale Theatre Inc.

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12

Quinlan, Joshua Mortimer. "Reduce, Reuse, Recycle – Research: Sustainable Scene Design for a Production of Henrik Ibsen’s An Enemy Of The People." The Ohio State University, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=osu1461084681.

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13

Brown, Kieran Pearse. "BUILDING A "DRUM SET": DESIGNING THE SCENERY FOR SAM SHEPARD'S FOOL FOR LOVE." OpenSIUC, 2014. https://opensiuc.lib.siu.edu/theses/1529.

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I designed the set for Fool For Love by Sam Shepard in the McLeod Theater, Fall Semester 2013 for my thesis production. Fool For Love Is a short and intense hyper-realistic play about two lovers with a dark past. The entire play takes place in one extended scene in a motel room on the edge of the desert. Eddie tries to win May back, while she tries to free herself from her need to go back to him. The Old Man is a figure outside of reality that intrudes on the play, the father they share and the source of the shame in their relationship. A suitor, Martin, appears to set this combustible mixture

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14

Gianuca, Lindsay Tarouco. "O oceano cênico de Zoé Degani : por uma cenografia plural." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2013. http://hdl.handle.net/10183/77888.

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A presente pesquisa investiga o espaço cênico, este espaço-tempo que é condição do acontecimento teatral. Delimitada a partir da análise da obra para o espaço cênico da artista-plástica e cenógrafa Zoé Degani, entre os anos de 1993 e 2012, propõe-se uma navegação conceitual sobre esta prática cenográfica. Em busca do conceito implícito marcado pela plasticidade de cada objeto/quadro destacado, investiga-se como o trabalho da artista intervém na cena teatral: compondo com os demais elementos cênicos a cada nova montagem, a partir da dramaturgia ou para supri-la do que não pode dizer; na dança:

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15

Breuer, Holly M. "Scene Design for Spring Awakening: A Post-Modern Approach." Kent State University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=kent1366650805.

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16

Wilson, Nicholas. "Theatre Scenic Design." Thesis, University of Iowa, 2017. https://ir.uiowa.edu/etd/4805.

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This document will journal the theatre scenic design work of Nicholas Wilson at the University of Iowa from August 2014 through the spring of 2017. Largely, the images included will be production photos of realized productions put on at the University of Iowa. Both large scale mainstage shows as well as smaller, low budget productions will be showcased as well as digital renderings and scale models to illuminate the design process.

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17

Köpsell, Linn. "MAGISKA RUM : om scenografins roll i scenkonstverk för barn och unga." Thesis, Linköpings universitet, Kultur, samhälle, mediegestaltning, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-97293.

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This thesis investigates the communicative role of scenography in the performing arts for children, with an aim to make the readers understand the ways in which a set design can be optimized so that a young audience can be able to interpret the play and its message. The art of scenography is complex and includes many elements. The research questions can therefore be grouped into three clusters: one artistic oriented (How does the scenographic process work and what is its relation to the scenic piece at large? In which ways may scenography be used to support the desiderate interpretation?), one

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18

Nelsen, Andrew Charles. "Scenic and lighting design." Thesis, University of Iowa, 2013. https://ir.uiowa.edu/etd/2592.

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19

Pettegrew, Dustin. "Guys and Dolls: Scenic Design." Master's thesis, Temple University Libraries, 2018. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/508649.

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Theater<br>M.F.A.<br>This thesis will document the design process and execution of the scenery for Temple University's Fall 2017 production of Guys and Dolls. We will discuss the production process through analysis, research and communication of the design.<br>Temple University--Theses

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20

Ortiz, Sergio Ricardo Lessa. "Do espaço vazio ao circulo aberto: rumo à cenografia e indumentária sagradas de Peter Brook." Universidade de São Paulo, 2013. http://www.teses.usp.br/teses/disponiveis/27/27156/tde-10022014-110825/.

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Do espaço vazio ao círculo aberto: rumo à cenografia e indumentária sagradas de Peter Brook identifica e expõe o processo de criação do espaço teatral, dos cenários e dos trajes de cena, nos espetáculos Marat-Sade, Sonho de uma Noite de Verão, Mahabharata, Qui est lá e A Tragédia de Hamlet, realizados pelo grande encenador do século XX. Reflete, documenta e identifica os princípios que orientam os projetos de concepção dos elementos visuais das peças, durante a concepção do espetáculo e, a partir da análise destes documentos, aponta para a evolução de seu teatro rumo ao que Brook define como t

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21

Hecker, Connie. "SCENIC DESIGN AND PROJECTION DESIGN FOR RAGTIME, THE MUSICAL." Kent State University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=kent1334848506.

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22

Carlson, Brad M. "The scenic design for "Noises Off" /." Available to subscribers only, 2007. http://proquest.umi.com/pqdweb?did=1328054861&sid=27&Fmt=2&clientId=1509&RQT=309&VName=PQD.

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23

Gadomski, Christopher. "Scenic design for Robinson Jeffers' Medea." Morgantown, W. Va. : [West Virginia University Libraries], 2002. http://etd.wvu.edu/templates/showETD.cfm?recnum=2399.

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Thesis (M.F.A.)--West Virginia University, 2002.<br>Title from document title page. Document formatted into pages; contains v, 63 p. : ill. (some col.). Includes abstract. Includes bibliographical references (p. 16).

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24

Sugarbaker, Sarah. "Scenic design for the musical Godspell." Columbus, Ohio : Ohio State University, 2009. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1243614306.

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25

Foil, Jeremy W. "Marisol by Jose Rivera scenic design /." College Park, Md.: University of Maryland, 2008. http://hdl.handle.net/1903/8452.

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Thesis (M.F.A.) -- University of Maryland, College Park, 2008.<br>Thesis research directed by: Dept. of Theatre. Title from t.p. of PDF. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.

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26

Marek, Terry. "Scenic Design for Dancing at Lughnasa." ScholarWorks@UNO, 2007. http://scholarworks.uno.edu/td/523.

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This thesis examines the process of designing the set for the fall 2006 production of Brian Friel.s Dancing at Lughnasa at the University of New Orleans. This production was chosen for me by the graduate committee in partial completion of my Master of Fine Arts degree in scenic design. I will examine the process I went through from initial introduction to the project, the interpretation, communication and execution of the design as well as the response to this design. The text of this thesis will be accompanied by copies of all research, renderings, draftings as well as all supporting material

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27

Daigneault, Marie-Noelle. "The physicists by Friedrich Durrenmatt - scenic design." College Park, Md.: University of Maryland, 2007. http://hdl.handle.net/1903/7797.

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Thesis (M.F.A.) -- University of Maryland, College Park, 2007.<br>Thesis research directed by: Dept. of Theatre. Title from t.p. of PDF. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.

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28

Mesich, Jonathan Thomas. "A Midsummer Night's Dream: A Scenic Design." Master's thesis, Temple University Libraries, 2019. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/598477.

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Theater<br>M.F.A.<br>My thesis is about my experience designing the set for fall 2018 production of A Midsummer Night’s Dream in Randall Theater, Tomlinson in Temple University. It will explain how I started with the design from reading the script to the final step of the production. Being deaf helped me to visualize the concept of the scenic design for the play. I learned so much about communication with the director and creative team. The chapter one explains the production meeting with the director, where we shared our ideas for the design of the scenic. Chapter two explains my research and

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29

Shonk, Victor Eric. "Scenic Design for Tennessee William's Summer and Smoke." The Ohio State University, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=osu1274414875.

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30

Miller, Justin Aaron. "A Scenic Design Process for Jose Rivera’s Marisol." The Ohio State University, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=osu1523913889008044.

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31

Palmer, Sarah Corinne. "Divine Words: Scenic Design from Conception to Execution." Master's thesis, Temple University Libraries, 2010. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/84282.

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Theater<br>M.F.A.<br>This thesis is a study and description of the process of designing the scenic elements of Saying Grace by Robert Smythe, an adaptation and translation of the play Divinas Palabras by Ramón María del Valle-Inclán written for Temple University Theater. The body outlines the process the author took in researching and developing the concept for the play, finalizing the design with the director of the piece, and completing the actual drafting and artwork necessary to realize said design. It also details the actual construction of the scenery, properties, and puppet elements, di

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32

McIlvaine, Colin Joseph. "PURPLE OCTOBER: A SCENIC DESIGN FOR SPRING AWAKENING." Master's thesis, Temple University Libraries, 2013. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/237914.

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Theater<br>M.F.A.<br>This thesis examines, details, and evaluates the process used while executing the scenic design for a production of Spring Awakening, produced by Temple University's Department of Theater. I will discuss each part of the design process as well as the technical rehearsal process and evaluate the choices made.<br>Temple University--Theses

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33

Hassan, Dennis Lane. "Blood wedding: a set design." The Ohio State University, 1993. http://rave.ohiolink.edu/etdc/view?acc_num=osu1327600377.

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34

Gonzalez, Natalia. "The Bacchae 2.1 set design." Thesis, University of British Columbia, 2015. http://hdl.handle.net/2429/52705.

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This paper is a report of the process of the set design by Natalia María González Ruíz, for the play The Baccahe 2.1, which was produced by The University of British Columbia at the Frederic Wood Theatre in January 2015. The set design was the thesis project of Natalia González for the MFA Design for Theatre program at The University of British Columbia.<br>Arts, Faculty of<br>Theatre and Film, Department of<br>Graduate

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35

Patton, Michael Graham. "The house of Atreus : set design and costume design." Thesis, University of British Columbia, 2008. http://hdl.handle.net/2429/7630.

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The purpose of this paper is to describe the creation and implementation of the set and costume design for The University of British Columbia’s production of The House of Atreus at the Fredric Wood Theatre in September of 2005. These designs were the thesis project for my Master of Fine Arts Degree. The House of Atreus is John Lewin’s adaptation of Aeschylus’ The Oresteia. New York based director KJ Sanchez directed the play, and the lighting design was created by Gillian Wolpert. Annabell Woods assisted with the costume design and Ian Giles assisted with the set design. The scenic carpenters

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36

Loomis, Elinore Elizabeth. "Scenic design for a production of Sophie Treadwell's Machinal." Columbus, Ohio : Ohio State University, 2009. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1243534545.

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37

Casillas, Alexandra Rose. "Impetus and Execution: A Lighting and Scenic Design Portfolio." Thesis, University of Iowa, 2017. https://ir.uiowa.edu/etd/4803.

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We are currently living in a society in which interactivity is at an all-time low. People are glued to their cell phones, tablets and computers, preferring to communicate with pixels and images than other human beings. It often leads to one feeling alone, even amongst a sea of people. This is also true outside of interpersonal relationships. There is a growing lack of engagement in narrative and the design of that narrative. We see Rocky: The Musical, Amelie: The Musical and Shrek: The Musical. There are playwrights re-hashing the living room drama over and over again, afraid to venture into n

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38

Loomis, Elinore Elizabeth. "Scenic Design for a Production of Sophie Treadwell’s Machinal." The Ohio State University, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=osu1243534545.

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39

Savolskis, Martin A. "Scenic Design for The Last days of Judas Iscariot." The Ohio State University, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=osu1338398969.

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40

Chen, Jing Ph D. Massachusetts Institute of Technology. "Mechanism design with set-theoretic beliefs." Thesis, Massachusetts Institute of Technology, 2012. http://hdl.handle.net/1721.1/78444.

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Thesis (Ph. D.)--Massachusetts Institute of Technology, Dept. of Electrical Engineering and Computer Science, 2012.<br>Cataloged from PDF version of thesis.<br>Includes bibliographical references (p. 65-66).<br>In settings of incomplete information, we put forward: (1) a very conservative - indeed, purely set-theoretic- model of the beliefs (including totally wrong ones) that each player may have about the payoff types of his opponents, and (2) a new and robust solution concept, based on mutual belief of rationality, capable of leveraging such conservative beliefs. We exemplify the applicabili

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41

Brewster, Karen, and Melissa Shafer. "Fundamentals of Theatrical Design: A Guide to the Basics of Scenic, Costume, and Lighting Design." Digital Commons @ East Tennessee State University, 2011. http://amzn.com/1581158491.

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Script analysis for designers -- The objectives of theatrical design -- Researching the design -- Collaboration -- Design elements -- Design principles and visual composition -- Scenic design -- Costume design -- Lighting design -- Building a career in theater design. With clear and concise examples and hands-on exercises, Fundamentals of Theatrical Design illustrates the way in which the three major areas of theatrical design--scenery, costumes, and lighting--are intrinsically linked. Veteran theater designers Karen Brewster and Melissa Shafer have consulted with a broad range of seasoned the

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42

Lau, Hoi Man. "Digital video scenography : scenic design for Dead Man's Cell Phone." Thesis, University of British Columbia, 2011. http://hdl.handle.net/2429/38085.

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Dead Man’s Cell Phone by Sarah Ruhl was presented as part of the 2010/ 2011 University of British Columbia theatre season at the Telus Studio Theatre from January 20th to 29th, 2011. The show was directed by Chris McGregor and stage managed by Collette Brown. The design team included Steffi Lai (Costume), Wladimiro Woyno (Lighting), Nathan Shapiro (Sound) and myself (Set/ Projection). This report examines the creative journey of designing the set and projections for Dead Man’s Cell Phone and the technical process that went into realizing the design and staging the production. Emphasis is place

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43

Koo, Siu-fung, and 古兆奉. "Vitalization of Bowen Road landscape design for a scenic path." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1997. http://hub.hku.hk/bib/B3198065X.

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Koo, Siu-fung. "Vitalization of Bowen Road landscape design for a scenic path." Hong Kong : University of Hong Kong, 1997. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25950952.

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Thesis (M.L.A.)--University of Hong Kong, 1997.<br>Includes special study report entitled: Aesthetics of paving for areas intended primarily for pedestrian use in Hong Kong. Includes bibliographical references.

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Cook, Jessica Diane. "Scenic Design for an Original Script: Dinner With The Louminauts." ScholarWorks@UNO, 2007. http://scholarworks.uno.edu/td/607.

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This thesis examines the process for the scene design for the production of Dinner with the Louminauts by Jason Cutler. The University of New Orleans produced the show in the Fall of 2006. My graduate committee chose this project for me as partial fulfillment of my Masters of Fine Arts degree. This paper will serve as a record of the process, execution, and response of the scene design for this production. The text will be accompanied by all of my research, renderings, draftings, and other supporting materials that are applicable to the design process.

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46

Porter, Corinne Allyce. "A Scenic Design Process for a Production of Noises Off." The Ohio State University, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=osu1243601318.

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47

Steinmetz, Brad Eugene. "Scenic design for a production of Djerassi and Hoffmann's Oxygen." The Ohio State University, 2003. http://rave.ohiolink.edu/etdc/view?acc_num=osu1382706591.

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48

Bean, Trenton William. "Scenic Design for a Production of John Dempsey's and Dana P. Rowe’s Zombie Prom." The Ohio State University, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=osu1397649999.

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49

Tsang, Jonathan. "Scenography : set and lighting design for Macbeth." Thesis, University of British Columbia, 2013. http://hdl.handle.net/2429/44334.

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Macbeth by William Shakespeare, adapted by Patrick New, was presented as a part of the 2011/2012 Theatre at UBC season at the Frederic Wood Theatre in March 2012. The show was directed by Patrick New and stage managed by Belle Cheung. The design team included Vanessa Imeson (Costume Designer) and Hayley Peterson (Sound Designer) along with myself (Lighting and Set Designer). This report examines the methodology and design for the integration of both set and lighting design in a scenographic manner, and also examines the collaborative relationship between designer and director.

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50

Lewis, Karen Strout. "A set design for W.S. Gilbert's Engaged." The Ohio State University, 1986. http://rave.ohiolink.edu/etdc/view?acc_num=osu1300210524.

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