Books on the topic 'Scénarios critiques'
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1949-, Boulais Stéphane-Albert, ed. Le cinéma au Québec: Tradition et modernité. [Saint-Laurent, Québec]: Fides, 2006.
Allen, Robert Clyde. Film history: Theory and practice. New York: McGraw-Hill, 1985.
Allen, Robert Clyde. Film history: Theory and practice. New York: Knopf, 1985.
Braudy, Leo. The world in a frame: What we see in films. 2nd ed. Chicago: University of Chicago Press, 2002.
Kauffmann, Stanley. Distinguishing features: Film criticism and comment. Baltimore: John Hopkins University Press, 1994.
Bordwell, David. Narration in the fiction film. Madison, Wis: University of Wisconsin Press, 1985.
1947-, Grant Barry Keith, ed. Film genre reader. Austin: University of Texas Press, 1986.
Peter, Lehman, ed. Close viewings: An anthology of new film criticism. Tallahassee: Florida State University Press, 1990.
McDougal, Stuart Y. Made into movies: From literature to film. Fort Worth: Harcourt Brace Jovanovich College Publishers, 1990.
McDougal, Stuart Y. Made into movies: From literature to film. New York: Holt, Rinehart, and Winston, 1985.
Armes, Roy. Action and image: Dramatic structure in cinema. Manchester: Manchester University Press, 1994.
Nannicelli, Ted. A philosophy of the screenplay. New York: Routledge, 2013.
Kaes, Anton. Deutschlandbilder: Die Wiederkehr der Geschichte als Film. München: Edition Text + Kritik, 1987.
Blank, Richard. Hollywood, goodbye!: Plädoyer für eine eigenständige Filmkunst. Berlin: Alexander Verlag, 2015.
Abel, Richard. French cinema: The first wave, 1915-1929. Princeton, NJ: Princeton University Press, 1996.
McMurtry, Larry. Film flam: Essays on Hollywood. New York: Simon and Schuster, 1987.
McMurtry, Larry. Film flam: Essays on Hollywood. New York: Simon and Schuster, 1987.
Maryel, Locke, Warren Charles 1948-, Godard Jean Luc 1930-, and Miéville Anne-Marie, eds. Jean-Luc Godard's Hail Mary: Women and the sacred in film. Carbondale: Southern Illinois University Press, 1993.
Kozloff, Sarah. Invisible storytellers: Voice-over narration in American fiction film. Berkeley: Univ.California P., 1988.
Chatman, Seymour Benjamin. Coming to terms: The rhetoric of narrative in fiction and film. Ithaca, N.Y: Cornell University Press, 1990.
Rothwell, Kenneth S. A history of Shakespeare on screen: A century of film and television. 2nd ed. Cambridge, UK: Cambridge University Press, 2004.
Rothwell, Kenneth S. A history of Shakespeare on screen: A century of film and television. Cambridge: Cambridge University Press, 1999.
Magistrale, Tony. Poe's children: Connections between tales of terror and detection. New York: Peter Lang, 1999.
Allen, Robert Clyde. Dian ying shi: Li lun yu shi jian (Wai guo dian ying li lun ming zhu). Xin hua shu dian jing xiao, 1997.
Tessier, Max, and Nagisa Oshima. Images du cinéma japonais. Henri Veyrier, 1990.
Allen, Robert C., and Douglas Gomery. Film History: Theory and Practice. McGraw-Hill Humanities/Social Sciences/Languages, 1993.
Allen, Robert C., and Douglas Gomery. Film History: Theory and Practice. McGraw-Hill Humanities/Social Sciences/Languages, 1993.
Liehm, Mira. Passion and Defiance: Italian Film from 1942 to the Present. University of California Press, 1986.
Liehm, Mira. Passion and Defiance: Italian Film from 1942 to the Present. University of California Press, 1986.
Bang, James. Script Analysis: Deconstructing Screenplay Fundamentals. Taylor & Francis Group, 2022.
Bang, James. Script Analysis. Taylor & Francis Group, 2022.
Bang, James. Script Analysis: Deconstructing Screenplay Fundamentals. Taylor & Francis Group, 2022.
Bang, James. Script Analysis: Deconstructing Screenplay Fundamentals. Taylor & Francis Group, 2022.
Bang, James. Script Analysis. Taylor & Francis Group, 2022.
Polan, Dana B. Power and Paranoia: History, Narrative, and the American Cinema, 1940-1950. Columbia University Press, 1990.
Armes, Roy. Action and Image: Dramatic Structure in Cinema. ManchesterU. P., 1994.
Nannicelli, Ted. Philosophy of the Screenplay. Taylor & Francis Group, 2013.
Nannicelli, Ted. Philosophy of the Screenplay. Taylor & Francis Group, 2013.
Nannicelli, Ted. Philosophy of the Screenplay. Taylor & Francis Group, 2013.
Nannicelli, Ted. Philosophy of the Screenplay. Taylor & Francis Group, 2013.
Marshall, Herbert. Masters of the Soviet Cinema: Crippled Creative Biographies. Taylor & Francis Group, 2015.
Marshall, Herbert. Masters of the Soviet Cinema: Crippled Creative Biographies. Taylor & Francis Group, 2013.
Marshall, Herbert. Masters of the Soviet Cinema: Crippled Creative Biographies. Taylor & Francis Group, 2013.
Kaes, Anton. Deutschland Bilder. Edition Text & Kritik GmbH, 1987.
Marshall, Herbert. Masters of the Soviet Cinema: Crippled Creative Biographies. Taylor & Francis Group, 2013.
Bonitzer, Pascal. Le champ aveugle. Cahiers du Cinema Livres, 1999.
Carrière, Jean-Claude. Raconter une histoire: Quelques indications. FEMIS, 1993.
Abel, Richard. French Cinema: The First Wave, 1915-1929. Princeton University Press, 1987.
McMurtry, Larry. FILM FLAM: Essays on Hollywood. Touchstone, 1988.
McMurtry, Larry. Film Flam : Essays on Hollywood. Simon & Schuster, 2001.