Relevant bibliographies by topics / Savage

Academic literature on the topic 'Savage'

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Published: 4 June 2021
Last updated: 31 January 2023

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Journal articles on the topic "Savage"

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Waddell, Calum. "Savage Man, Savage Cinema." Film International 17, no. 2 (June 1, 2019): 53–61. http://dx.doi.org/10.1386/fiin.17.2.53_1.

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SCHMITT, CANNON. "Darwin's Savage Mnemonics." Representations 88, no. 1 (2004): 55–80. http://dx.doi.org/10.1525/rep.2004.88.1.55.

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ABSTRACT Tracing Charles Darwin's repeated invocations of his initial encounter with the inhabitants of Tierra del Fuego, in this essay I argue that those invocations constitute a ““savage mnemonics””——a relation to savagery that clarifies the nature of the work of memory demanded by the effort to grasp evolutionary theory.
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Harrison, Simon J. "Skulls and Scientific Collecting in the Victorian Military: Keeping the Enemy Dead in British Frontier Warfare." Comparative Studies in Society and History 50, no. 1 (January 2008): 285–303. http://dx.doi.org/10.1017/s0010417508000133.

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As a result of colonial wars with indigenous peoples, especially in Africa and North America, a distinction seems to have arisen in Western military culture between ‘civilized’ and ‘savage’ enemies. The behavior of civilized enemies in battle appeared rational and constrained by rules. Savage enemies, on the other hand, evinced emotional and unregulated violence. Above all, they were distinguished by an excessive brutality they seemed to display towards their enemies in customs such as cannibalism and the taking of body parts as trophies (see, for example, Marks 1970: 246). In short, the differences between civilized people and savages in warfare were especially evident in their behavior toward enemy dead.
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Westmoreland, Peter. "Descartes, the Savage, and the Barbarian." Philosophy Today 66, no. 1 (2022): 75–93. http://dx.doi.org/10.5840/philtoday20211014430.

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Philosophers struggle to identify a conception of race in Descartes’s philosophy. Yet, Descartes was not wholly silent on matters of foreign ethnicity and identity. This paper compares Descartes’s various statements on savages and barbarians, which have never been methodically analyzed. A tensive view emerges across several texts wherein Descartes asserts that all persons are rational while simultaneously presuming the epistemic inferiority of the foreign other construed as “savage” or “barbarous.” Further examination indicates that prejudice against this foreign other is endemic to both Descartes’s epistemology and his conception of the mind-body union.
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Nazarko, Undo. "Savage culture." Nursing Standard 13, no. 11 (December 2, 1998): 18. http://dx.doi.org/10.7748/ns.13.11.18.s35.

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Rendell, Ruth. "Savage practice." Nursing Standard 22, no. 23 (February 13, 2008): 26–27. http://dx.doi.org/10.7748/ns.22.23.26.s25.

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Krenn, Michael L. "Savage Settlers." Diplomatic History 40, no. 3 (March 11, 2016): 573–76. http://dx.doi.org/10.1093/dh/dhw006.

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Reed, Ishmael. "Savage Wilds." Callaloo 17, no. 4 (1994): 1158. http://dx.doi.org/10.2307/2932190.

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Savage, A. "Paul Savage." BMJ 348, jan31 6 (January 31, 2014): g1223. http://dx.doi.org/10.1136/bmj.g1223.

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Kuper, Adam. "Savage reversals." Nature 393, no. 6685 (June 1998): 533. http://dx.doi.org/10.1038/31139.

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Dissertations / Theses on the topic "Savage"

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Wortman, Leslie. "Savage Ballet." Digital Archive @ GSU, 2005. http://digitalarchive.gsu.edu/english_theses/4.

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The title Savage Ballet came into being because, so far as I articulate, it aptly describes the beauty and horror that are borne from combining art and instruction. Poetry, itself, is a ballet. And poetry, itself, is savage. It is a ballet of words carefully choreographed and practiced and spun into being. Poetry is the body politic of the ballet. It is beautiful and often fancy when the curtain rises, but behind the scenes and tucked into toe shoes is the instruction – the gnashing of teeth and blisters and broken nails. Thus, the savage side of poetry presents itself. And, may it also be said, graduate school is a savage beast. It wrestles and tests and knocks down to build up. And, if the dancer is lucky, they will rise.
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Hill, Christopher. "The savage club /." [St. Lucia, Qld.], 2004. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe18956.pdf.

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Miles, Cressida Serena. "The savage body." Thesis, Lancaster University, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.274269.

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This thesis makes a contribution to the spatio-analysis of contemporary cultures that creatively and reflexively experiment with the surface of the body. Drawing upon the philosophical work of Henri Lefebvre, The Savage Body provides an exploration of representational space. Lefebvre considered this element of social relations to be clandestine and transgressive, relating to the aesthetic sphere of symbols and codes. For Lefebvre, these spaces were lived through associated imagery, embracing passion, pleasure and dismay. This thesis provides an exploration of two distinct, yet related representational spaces. The Fetish Scene is a culture that has a more bounded sense of symbolic community and dwells within the night-time sexual economy of club land. In comparison, the Pierced Body is a more fragmented sphere, scattered and located within a diverse cultural landscape. Though separate cultures, these two spaces overlap in the Torture Garden, a night-club on the periphery and cutting edge of the fetish scene. It is within this realm that the fetish people and pierced bodies meet to celebrate the pleasures of the flesh. This work explores the way these cultural sites are produced through the creativity of those involved and the subjective relation to representational space. The body is considered as actively weaving its way through landscapes which both mark and leave their mark on those engaging in these spheres. Beyond mapping out the cultures of the Fetish Scene and the Pierced Body on a descriptive and broad level, I also consider identity as reflexively situated within representational space and the way that memory plays an active part in constructing narratives that operate on an individual and broader cultural level. Developing the idea of a 'haptic ethnography', drawing upon a variety of methods, I have used and documented my own body as a means of exploring these rhythmic realms, speaking with the Other instead of for the Other.
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Mullins, Shena. "Alien on a Savage Planet." ScholarWorks@UNO, 2014. http://scholarworks.uno.edu/td/1934.

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This paper details the process of creating the UNO Graduate thesis film Alien on a Savage Planet. Each major step in the filmmaking process is covered: screenwriting, producing, directing, cinematography, sound, production design, costumes, hair and makeup, workflow, editing, color correction, music and post- sound. A comprehensive assessment of the filmmaking process and the successes and failures of the project are discussed in length.
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Haines, Kenneth. "Savage in limbo a study in lighting design." Honors in the Major Thesis, University of Central Florida, 2012. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/563.

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Designing the elements of a theatrical production is a unique and often experimental process. This process changes from show to show, and it can be difficult for a viewer to differentiate mistakes from design choices without a background in lighting. That is why it is important to take a look at the design process step by step. Two goals I strove for when designing Savage In Limbo were, how the director's concept blended with a design and if the integrity of the designer's vision was evident on stage. To explore these goals, script analysis and consideration of the director's vision are two very important processes. Additionally, an exploration of the design process will better describe the growth and personal achievements of the design. This thesis will show the process of the lighting design for The University of Central Florida's 2011 production of John Patrick Shanley's Savage In Limbo. The project will highlight the design achievements and the goals explained previously, and create a formal dialogue on this specific design in order to provide insight into the process. When analyzing the design it was important that I assessed the process as well as the product by looking at whether the design met the expectations of the script and audience. This thesis will also explore how my past experiences, education and current skill level have prepared me for this design process in order to create a guideline for others interested in the development of knowledge needed for design.
B.F.A.
Bachelors
Arts and Humanities
Theatre
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Stafford, Andrew. "Pig city : from The Saints to Savage Garden." Thesis, Queensland University of Technology, 2004.

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She comes from Ireland, she's very beautiful I come from Brisbane, and I'm quite plain Pig City - The Go-Betweens, Lee Remick If popular music really is a universal language, it's curious how easily a song - even a commercially obscure one - can come to symbolise a city's identity. The stories of London, Liverpool, Manchester, Dunedin, Detroit, Memphis, Nashville, New York, New Orleans, San Francisco and Seattle are inextricably entwined with the music made there. Robert Forster, however, could never have imagined that his self-deprecating paean to an actress would become so fabled in his home town. This is understandable. Queensland's often stifling subtropical capital doesn't exactly spring to mind when discussing the world's great musical cities. Partly this comes down to Australian pop and rock's poor-relation status next to the United States and the United Kingdom. Inside Australia, too, Brisbane for decades wore a provincial reputation as a big country town, at least in the southern capitals of Sydney and Melbourne. Of course, one of the most successful bands in recording history began life in Brisbane in the late 1950s. But the Bee Gees didn't so much outgrow the city as outgrow Australia. Struggling for recognition, the Brothers Gibb began an exodus of musicians out of the country when they left for their native UK at the beginning of 1967, the year before a peanut fanner, Joh Bjelke-Petersen, took control of Queensland's ruling Country Party (later the National Party). The literature on Australian pop is only beginning to accumulate, so again it is understandable that Brisbane, so far, has rated little more than a footnote. The bigger problem is that the footnote has remained the same, recycled in various contexts by various authors: that music in Brisbane especially the punk scene of the late '70s - was overwhelmingly a reaction to the repression of the Bjelke-Petersen era. This is partly true. Bjelke-Petersen's rule of Queensland between 1968 and 1987 was nothing if not iron-fisted. Public displays of dissent were often brutally suppressed; the rule of law was routinely bent to the will of those charged with its enforcement; minorities were treated as simply another obstacle on the path to development. To top it all off, the electoral system was hopelessly rigged in favour of the incumbents. 'Here,' writes Rod McLeod, 'in a city practically under police curfew, you fucked and fought, got stoned, got married, or got out of town.' But it makes little sense to give a politician too much credit for the creation of a music scene. Major cultural movements result from an intersection of local, national and international factors. The Saints were not so much a reaction to living in a police state as they were a response to the music of not just the Stooges and the MC5, but the Easybeats and the Missing Links. And it's doubtful the national success of a string of Brisbane acts in the '90s - from Powderfinger to George - could have happened without the nationalisation of the Triple J network. Of course, it would be naïve to suggest that growing up in a climate of fear and loathing did not heavily distort the prism through which these artists saw the world. As Saints guitarist Ed Kuepper says, 'I think the band was able to develop a more obnoxious demeanor, thanks to our surroundings, than had everyone been really nice.' In the words of Australian music historian Ian Mcfarlane, 'That Australia's most conservative city should give rise to such a seditious subcultural coterie is a sociological phenomenon yet to be fully explored. This book is my attempt to document the substantial yet largely unsung contribution that Brisbane has made both to Australian popular culture and to international popular music. In doing so, I aimed to chart the shifts in musical, political and cultural consciousness that have helped shape the city's history and identity. In its broadest sense, Pig City is the story of how Brisbane grew up.
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Nicklaus, Shane D. "Scenario Authoring and Visualization for Advanced Graphical Environments (SAVAGE)." Thesis, Monterey, Calif. : Springfield, Va. : Naval Postgraduate School ; Available from National Technical Information Service, 2001. http://handle.dtic.mil/100.2/ADA397454.

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Thesis (M.S. in Information Technology Management)--Naval Postgraduate School, Sept. 2001.
Thesis advisors, Brutzman, Don ; Blais, Curtis ; Boger, Dan. "September 2001." Includes bibliographical references (p. 239-241). Also available in print.
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Logan, McCall. "QUEER, FEMINIST THEATRE: THE DEVELOPMENT PROCESS OF SAVAGE DAUGHTER." OpenSIUC, 2021. https://opensiuc.lib.siu.edu/theses/2891.

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This thesis details the development of Savage Daughter, a full-length play performed over Zoom on March 18th, 2021. Savage Daughter tells the story of queer and BIPOC (Black and Indigenous People of Color) characters who fight for their right to exist in a world controlled by white, cisgender, Christian males. Centering on themes of midwifery, witch trials, and queerness, my play follows Constance’s journey of empowerment. Chapter one provides background information about witchcraft, midwifery, setting, and character development. Chapter two outlines my writing process and the first two workshop readings of the script. Chapter three describes the pre-production which includes casting, design meetings, meetings with the director, and rehearsals. Chapter four analyzes the production and future considerations. Finally, chapter five outlines my experience in the program and my growth as a playwright.
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Wilmoth, Traci Carol. "The Role of Richard Savage in Composing Pope's Dunciad." Thesis, Virginia Tech, 2007. http://hdl.handle.net/10919/32080.

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Murderer, bastard, spy: Richard Savage was no stranger to scandal and controversy. And yet, for a man who lived such a varied life, little is known for certain about him. There are rumors, suggestions, and accusations, but little that can be said without debates and arguments. It certainly does not help that Savage is often marginalized in eighteenth-century scholarship as scholars seek to discover and analyze all they can about his more famous, and more upstanding, contemporaries. While Savage's relationship with Johnson is well known and discussed frequently, all that is known of his relationship with Pope is that he contributed information to Popeâ s Dunciad Variorum (1729) and that Pope later contributed large sums to Savage's support. Pope was the driving force behind Savageâ s retirement to Wales, possibly alluded to in Johnsonâ s London (1738), as well as the chief financial contributor to this retirement plan. No serious effort has been made to connect these two important episodes in Savage's life, perhaps because no serious effort has been made to establish the extent of his involvement with the Dunciad. It may have been this connection with Pope that drew Johnson to Savage in the first place. The intent of this thesis is to clarify the nature of Savageâ s collaborations with Pope and the extent of his contributions to the Dunciad Variorum of 1729. The Dunciad seeks to make fun not only of Popeâ s critics, but of writers who write for bread, the â hack writersâ of Grub Street. It was here that Pope would most likely turn to Savage for information; Savage was much better acquainted with those writers than was Pope. But Savage may have done more than simply supply Pope with gossip, and I will consider the possibility that he had a more active role in the publication of the Dunciad Variorum.
Master of Arts
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Rushforth, Brett. "Savage bonds : Indian slavery and alliance in New France /." For electronic version search Digital dissertations database. Restricted to UC campuses. Access is free to UC campus dissertations, 2003. http://uclibs.org/PID/11984.

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Books on the topic "Savage"

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O'Grady, Paul. Savage. London: Bantam, 2012.

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Savage. Champaign, Ill: Dalkey Archive Press, 2009.

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Laymon, Richard. Savage. New York: Dorchester Publishing Co., Inc., 2010.

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Savage. New York: Simon Pulse, 2016.

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Huddleston, Nancy. Savage. Charleston, S.C: Arcadia Pub., 2012.

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John, Barry. K2: Savage mountain, savage summer. Sparkford, Nr. Yeovil, Somerset: Oxford Illustrated Press, 1987.

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Janine, Self, ed. Savage!: The Robbie Savage autobiography. Edinburgh: Mainstream, 2010.

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Baen, Dan R. Semi-civilized savages and semi-savage civilians. Crockett, Tex: Publications Development Co., 1985.

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Larsen, Erik. Savage Dragon. Valencia [Spain]: Aleta Ediciones/Image Comics, 2004.

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Savage Hunger. Richmond: Mills & Boon, 1988.

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Book chapters on the topic "Savage"

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Lewis, Jonathan David. "Savage." In Brand vs. Wild, 67–83. New York, NY : Routledge, 2017.: Routledge, 2017. http://dx.doi.org/10.4324/9781315186177-5.

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Stevenson, John Allen. "Savage Matters." In The Real History of Tom Jones, 47–75. New York: Palgrave Macmillan US, 2005. http://dx.doi.org/10.1057/9781403981721_3.

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Blazer, Annie. "Savage Symbols." In Religion and Sport in North America, 216–34. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003014621-16.

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Restrepo, Luis Fernando. "Savage states." In Human Rights in Colombian Literature and Cultural Production, 3–18. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003154167-2.

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"savage, savagery." In Shakespeare and National Identity. Bloomsbury Publishing Plc Imprint previously known as Arden Shakespeare, 2017. http://dx.doi.org/10.5040/9781474296113.se4086.

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"∞savage." In The Fairchild Books Dictionary of Textiles. Fairchild Books, 2021. http://dx.doi.org/10.5040/9781501365072.14230.

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"Savage." In Samuel Johnson, 474–88. Harvard University Press, 2011. http://dx.doi.org/10.2307/j.ctt13x0fw9.18.

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"Savage." In Samuel Johnson, 474–90. Harvard University Press, 2009. http://dx.doi.org/10.4159/9780674054073-015.

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"Savage Mind." In The Uncertain Science, 86–91. Routledge, 2012. http://dx.doi.org/10.4324/9780203721261-12.

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"Savage pursuits." In Civility and Empire, 130–51. Routledge, 2004. http://dx.doi.org/10.4324/9780203609118-7.

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Conference papers on the topic "Savage"

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Cuadra, A., M. Cutanda, A. Perez, E. Rogles, J. Gutierrez, and F. Jaureguizar. "SAVAGE: IPTV multiservice QoE management system." In 2013 International Conference on Smart Communications in Network Technologies (SaCoNeT). IEEE, 2013. http://dx.doi.org/10.1109/saconet.2013.6654557.

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Hutchison, Bruce, and Mathew Widelski. "Rockfall Management at Savage River Mine." In 2007 International Symposium on Rock Slope Stability in Open Pit Mining and Civil Engineering. Australian Centre for Geomechanics, Perth, 2007. http://dx.doi.org/10.36487/acg_repo/708_24.

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Brett, David, Bruce Hutchison, and Stephen Kent. "Savage River Mine — Rock Dump Evolution." In First International Seminar on the Management of Rock Dumps, Stockpiles and Heap Leach Pads. Australian Centre for Geomechanics, Perth, 2008. http://dx.doi.org/10.36487/acg_repo/802_3.

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Zhou, Chunlai, Biao Qin, and Xiaoyong Du. "A Savage-style Utility Theory for Belief Functions." In Twenty-Seventh International Joint Conference on Artificial Intelligence {IJCAI-18}. California: International Joint Conferences on Artificial Intelligence Organization, 2018. http://dx.doi.org/10.24963/ijcai.2018/712.

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In this paper, we provide an axiomatic justification for decision making with belief functions by studying the belief-function counterpart of Savage's Theorem where the state space is finite and the consequence set is a continuum [l, M] (l<M). We propose six axioms for a preference relation over acts, and then show that this axiomatization admits a definition of qualitative belief functions comparing preferences over events that guarantees the existence of a belief function on the state space. The key axioms are uniformity and an analogue of the independence axiom. The uniformity axiom is used to ensure that all acts with the same maximal and minimal consequences must be equivalent. And our independence axiom shows the existence of a utility function and implies the uniqueness of the belief function on the state space. Moreover, we prove without the independence axiom the neutrality theorem that two acts are indifferent whenever they generate the same belief functions over consequences. At the end of the paper, we compare our approach with other related decision theories for belief functions.
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Macqueen, Geoff, Edgar Salas, and Bruce Hutchison. "Application of radar monitoring at Savage River Mine, Tasmania." In 2013 International Symposium on Slope Stability in Open Pit Mining and Civil Engineering. Australian Centre for Geomechanics, Perth, 2013. http://dx.doi.org/10.36487/acg_rep/1308_70_macqueen.

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Hutchison, Bruce, Geoff Macqueen, Shane Dolting, and Adam Morrison. "Drape mesh protection at the Savage River Mine, Tasmania." In 2013 International Symposium on Slope Stability in Open Pit Mining and Civil Engineering. Australian Centre for Geomechanics, Perth, 2013. http://dx.doi.org/10.36487/acg_rep/1308_96_hutchison.

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Gorskij, M. A. "Selecting an investor portfolio using the Wald-Savage test." In General question of world science. "Science of Russia", 2019. http://dx.doi.org/10.18411/gq-31-07-2019-11.

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Ariston, Liakos, Thomas Lydigsen, and Sanjay R. Arwade. "Structural Behavior of the Bollman Truss Bridge at Savage, Maryland." In Fifth National History and Heritage Congress at ASCE Civil Engineering Conference and Exposition. Reston, VA: American Society of Civil Engineers, 2004. http://dx.doi.org/10.1061/40759(152)16.

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Golban, Liliana. "Modification of Wald and Savage Decision Criteria for Monopoly Market." In International Conference Risk in Contemporary Economy. Dunarea de Jos University of Galati, Romania Faculty of Economics and Business Administration, 2019. http://dx.doi.org/10.35219/rce2067053239.

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Hakeem, Fatimah. "Examining Body Positivity in Rihanna's Savage X Fenty Lingerie Runway Show." In Pivoting for the Pandemic. Iowa State University Digital Press, 2020. http://dx.doi.org/10.31274/itaa.12011.

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Reports on the topic "Savage"

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Chamness, M. A., T. J. Gilmore, and S. S. Teel. Savage Island Project borehole completion report. Office of Scientific and Technical Information (OSTI), February 1993. http://dx.doi.org/10.2172/10135335.

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Chamness, M. A., T. J. Gilmore, and S. S. Teel. Savage Island Project borehole completion report. Office of Scientific and Technical Information (OSTI), February 1993. http://dx.doi.org/10.2172/6435433.

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Blais, Curtis, Don Brutzman, Doug Horner, and Shane Nicklaus. Web-Based 3D Technology for Scenario Authoring and Visualization: The Savage Project. Fort Belvoir, VA: Defense Technical Information Center, January 2001. http://dx.doi.org/10.21236/ada422086.

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Lavine, Mitchael J. Sitting Bull: Great Commander and Strategist-or Savage? A View Through the Clausewitzian Prism. Fort Belvoir, VA: Defense Technical Information Center, January 1996. http://dx.doi.org/10.21236/ada441437.

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Spane, F. A. Jr. Hydraulic test results for Savage Island wells: 699-32-22B, 699-42-E9A, and 699-42-E9B. Office of Scientific and Technical Information (OSTI), June 1992. http://dx.doi.org/10.2172/6895169.

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Spane, F. A. Jr. Hydraulic test results for Savage Island wells: 699-32-22B, 699-42-E9A, and 699-42-E9B. Office of Scientific and Technical Information (OSTI), June 1992. http://dx.doi.org/10.2172/10185556.

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Kaffenberger, Michelle, and Jason Silberstein. Descriptive Learning Trajectories and Policy Simulations Using MICS6 Data. Research on Improving Systems of Education (RISE), October 2022. http://dx.doi.org/10.35489/bsgrise-misc_2022/05.

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In recent years, scholars associated with the RISE Programme have analysed learning trajectories using a variety of global datasets to shed light on the global learning crisis and diagnose what might help address it (Crouch, Kaffenberger, and Savage, 2021). For those who may want to build and analyse learning trajectories, this note acts as a methodological guide for doing so using an important new dataset on foundational learning, the Multiple Indicator Cluster Surveys Round 6 (MICS6). We have applied the methods described in this note and, in partnership with the Global Education Monitoring Report (GEMR), developed a tool to showcase the results. The resulting “Learning Trajectories” webpage serves as an interactive introduction to learning trajectories and related policy simulations, and features a flexible data explorer for those who want to conveniently build, analyse, and apply learning trajectories and policy simulations to their own work and context.
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Kaffenberger, Michelle, and Jason Silberstein. Descriptive Learning Trajectories and Policy Simulations Using MICS6 Data. Research on Improving Systems of Education (RISE), October 2022. http://dx.doi.org/10.35489/bsg-rise-misc_2022/05.

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In recent years, scholars associated with the RISE Programme have analysed learning trajectories using a variety of global datasets to shed light on the global learning crisis and diagnose what might help address it (Crouch, Kaffenberger, and Savage, 2021). For those who may want to build and analyse learning trajectories, this note acts as a methodological guide for doing so using an important new dataset on foundational learning, the Multiple Indicator Cluster Surveys Round 6 (MICS6). We have applied the methods described in this note and, in partnership with the Global Education Monitoring Report (GEMR), developed a tool to showcase the results. The resulting “Learning Trajectories” webpage serves as an interactive introduction to learning trajectories and related policy simulations, and features a flexible data explorer for those who want to conveniently build, analyse, and apply learning trajectories and policy simulations to their own work and context.
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Dougan, A. SAVANT Status Report. Office of Scientific and Technical Information (OSTI), November 2009. http://dx.doi.org/10.2172/968161.

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Guiteras, Anna. School Centres for 'Savages': In Pursuit of a Convivial Sociability in the Bolivian Amazon. Maria Sibylla Merian International Centre for Advanced Studies in the Humanities and Social Sciences Conviviality-Inequality in Latin America, June 2019. http://dx.doi.org/10.46877/guiteras.2019.16.

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