Relevant bibliographies by topics / Santa Margherita (Church : Italy)

Academic literature on the topic 'Santa Margherita (Church : Italy)'

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Published: 25 July 2024

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Journal articles on the topic "Santa Margherita (Church : Italy)"

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Bornstein, Daniel. "The Uses of the Body: The Church and the Cult of Santa Margherita da Cortona." Church History 62, no. 2 (June 1993): 163–77. http://dx.doi.org/10.2307/3168141.

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Our bodies, like the poor, are always with us. They are the mechanism through which we apprehend the world, and as such—as the inescapable point of contact between subjective consciousness and objective “reality”— the body becomes a primary medium of cultural communication and bearer of cultural meanings. Paradoxically, this is nowhere clearer than in the case of ascetics like Margherita da Cortona, who wage unremitting war on their bodies during their lives and whose bodily remains in consequence are enshrined and revered. It was through her body that Margherita, like other illiterate holy women, could project a spiritual message that carried beyond the range of her voice; and it was to her body that people flocked after her death, endowing it with sacred values and social significance.
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Giorgi, Lara De, Dora Francesca Barbolla, Ivan Ferrari, Francesco Giuri, Chiara Torre, and Giovanni Leucci. "Geophysical Investigation at the Santa Chiara Church in Nardò (Southern Italy)." Heritage 6, no. 3 (March 12, 2023): 2978–89. http://dx.doi.org/10.3390/heritage6030158.

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The church of Santa Chiara with its adjacent convent, whose foundations date back to the 13th century, is a monastic complex in the city of Nardò in the province of Lecce. The current church was built ex novo between the 17th and 18th centuries under the direction of Bishop Orazio Fortunato. Currently, there is no information about the presence of crypts or burials in the church and in the adjacent area. For this reason, a campaign of geophysical investigations was undertaken using electromagnetic, electrical resistivity and ground-penetrating radar methods. Geophysical investigations were carried out both inside and in the courtyard of the church. The results showed the presence of a series of anomalies, whose interpretation suggests important structures of probable archaeological interest.
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Matera, Loredana, Raffaele Persico, Edoardo Geraldi, Maria Sileo, and Salvatore Piro. "GPR and IRT tests in two historical buildings in Gravina in Puglia." Geoscientific Instrumentation, Methods and Data Systems 5, no. 2 (November 29, 2016): 541–50. http://dx.doi.org/10.5194/gi-5-541-2016.

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Abstract. This paper describes a geophysical investigation conducted into two important churches, namely the Cathedral of Santa Maria Assunta and the Church of Santa Croce, both in Gravina in Puglia (close to Bari, southern Italy). The Church of Santa Croce, now deconsecrated, lies below the cathedral. Therefore, the two churches constitute a unique building body. Moreover, below the Church of Santa Croce there are several crypts, which are only partially known. The prospecting was performed both with a pulsed commercial ground penetrating radar (GPR) system and with a prototypal reconfigurable stepped frequency system. The aim was twofold, namely to gather information about the monument and to test the prototypal system. The GPR measurements have also been integrated with an infrared thermography (IRT) investigation performed on part of the vaulted ceiling in the Church of Santa Croce, in order to confirm or deny a possible interpretation of certain GPR results.
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Ryde, Jeni. "Church or Museum? The Case of Santa Croce, Florence, Italy." International Journal of the Inclusive Museum 2, no. 2 (2009): 39–50. http://dx.doi.org/10.18848/1835-2014/cgp/v02i02/44265.

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De Giorgi, Lara, Ivan Ferrari, Francesco Giuri, Giovanni Leucci, and Giuseppe Scardozzi. "Integrated Geoscientific Surveys at the Church of Santa Maria della Lizza (Alezio, Italy)." Sensors 21, no. 6 (March 21, 2021): 2205. http://dx.doi.org/10.3390/s21062205.

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The church of Santa Maria della Lizza is one of the most important examples of medieval architecture in the Salento Peninsula in south Italy. In order to understand the extension and layout of the crypts, integrated ground-penetrating radar (GPR) prospections and laser scanner surveys were undertaken in the church and in the surrounding areas. The analysis of the GPR measurements revealed many anomalies that could be ascribed to unknown structures (crypts), as well as other anomalies related to the old church. The GPR data were supported by the laser scanner data establishing the spatial relationship between the surface and the level below the church.
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Babilio, Enrico, and Silvana Rapuano. "The Complex Architecture of the Vault System of an Early Medieval Church." Heritage 6, no. 8 (August 9, 2023): 5779–804. http://dx.doi.org/10.3390/heritage6080304.

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The present work focuses on the solid modeling of the church of Santa Sofia in Benevento, Italy, and is related to a multidisciplinary research project that involved methods typical to both the humanities and mathematical engineering. Starting from the history of the church and its current configuration, a twofold objective is pursued: to give a brief account of the methodology used to analyze and virtualize the main phases of Santa Sofia and to report on the problem of modeling the church vault complex. Indeed, the 3D modeling of the church presented different levels of difficulty with some parts very easy to draw and others calling for specific geometrical analysis. In particular, to reconstruct the complex system of vaults of the church, a home-made code based on remapping Coons patches was written. The resulting 3D models of the different archeological and architectural phases of Santa Sofia are an example of virtual heritage and, being a digital content, allow for immediate sharing both to the scientific community and to a general and nonexpert audience, keeping in mind that knowledge is the means used to ensure the enhancement and preservation of cultural heritage.
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Imposa, Sebastiano, and Sabrina Grassi. "Georadar survey inside the Santa Maria Maggiore church of Ispica (Sicily-Italy)." Environmental Earth Sciences 73, no. 5 (July 27, 2014): 1939–49. http://dx.doi.org/10.1007/s12665-014-3542-9.

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Clementi, Francesco, Enrico Quagliarini, Francesco Monni, Ersilia Giordano, and Stefano Lenci. "Cultural Heritage and Earthquake: The Case Study of “Santa Maria Della Carità” in Ascoli Piceno." Open Civil Engineering Journal 11, no. 1 (December 29, 2017): 1079–105. http://dx.doi.org/10.2174/1874149501711011079.

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Background:In October 2016, two major earthquakes occurred in Marche region in the Centre of Italy, that resulted in widespread damage. The second one strokes Norcia, Visso, Arquata del Tronto, Accumoli and Amatrice, causing a lot of damages to cultural heritage of the cities of Tolentino, San Severino, Camerino and Ascoli Piceno, where the church ofSanta Maria della Caritàis located.Introduction:The church has high historical, architectural and social value for the city of Ascoli Piceno, because it is the only one that is opened to the devotees all time in the day and night. From the structural point of view, the church has a long and important annex to the north, which was later built with respect to the church, and after the L’Aquila earthquakes (2009) damages, the church was subjected to a retrofit intervention, in order to obtain a better “box-like behavior”.Objective:This paper addresses how the relevant annex influenced the seismic response of this historical complex and how, more generally, this kind of asymmetric mass may affect the behavior of historic churches.Results and Conclusion:The results indicate that the presence of annex plays a significant role in the dynamic response of the church and affects the distribution of damages in the whole building. The results of the seismic simulation agree with the observed damage.
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Sfarra, Stefano, Abdelhakim Bendada, Clemente Ibarra-Castanedo, Dario Ambrosini, Domenica Paoletti, and Xavier Maldague. "Santa Maria di Collemaggio Church (L’Aquila, Italy): Historical Reconstruction by Non-Destructive Testing Techniques." International Journal of Architectural Heritage 9, no. 4 (January 22, 2015): 367–90. http://dx.doi.org/10.1080/15583058.2013.794376.

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Guadagnuolo, Mariateresa, Giuseppe Faella, Marianna Aurilio, and Mariano Nuzzo. "The Conservation of Sixteenth Century Church Santa Maria of Montedecoro in Maddaloni." Resourceedings 2, no. 3 (November 27, 2019): 165. http://dx.doi.org/10.21625/resourceedings.v2i3.654.

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Santa Maria of Montedecoro is a sacral complex located in Maddaloni, in the south of Italy, and is one of the most important historical monuments of the city. Built in the sixteenth century, the monastic organism consists of an aggregate structure, including the church dedicated to the Virgin Mary, the bell tower which is set back from the church, the sacristy, the parsonage. This paper concerns the analysis of all the degradation phenomena identified in the complex, due to both its deterioration state and structural damage. Particular attention is placed on the bell tower that shows different degradation of the surfaces, with large erosions and fallen plasters. The masonry structure, notably compromised, shows several cracks due to the rotation of the tower towards the street. Because of such damage phenomena, a preliminary investigative research was performed to understand the effective conservation state of the Church and its appurtenances. The obtained diagnostic survey data confirm the hypotheses advanced in the cognitive phase and have provided all the necessary elements for the restoration and retrofitting design. This paper presents the restoration design and the results of the seismic analyses carried out on the bell tower.
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Dissertations / Theses on the topic "Santa Margherita (Church : Italy)"

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Sherman, Allison M. "The lost Venetian church of Santa Maria Assunta dei Crociferi : form, decoration, and patronage." Thesis, University of St Andrews, 2010. http://hdl.handle.net/10023/1021.

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This dissertation reconstructs the original form and sixteenth-century decoration of the lost Venetian church of Santa Maria Assunta dei Crociferi, destroyed after the suppression of the Crociferi in 1656 to make way for the present church of the Gesuiti. The destruction of the church, the scattering of its contents, and the almost total lack of documentation of the religious order for which the space was built, has obscured our understanding of the many works of art it once contained, produced by some of the most important Venetian artists of the sixteenth century. This project seeks to correct scholarly neglect of this important church, and to restore context and meaning to these objects by reconstructing their original placement in the interest of a collective interpretation. Various types, patterns and phases of patronage at the church—monastic, private and corporate—are discussed to reveal interconnections between these groups, and to highlight to role of the Crociferi as architects of a sophisticated decorative programme that was designed to respond to the latest artistic trends, and to visually demonstrate their adherence to orthodoxy at a moment of religious upheaval and reform.
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Roy, Brian E. "The façade of Santa Maria Novella : architecture, context, patronage and meaning." Thesis, McGill University, 1997. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=34772.

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This thesis is a monograph on the facade of the church of Santa Maria Novella in Florence, Italy. The present appearance of the facade is the result of three building campaigns effected over the period of two centuries (c1300--c1500), and two restorative campaigns conducted in the twentieth century. Each of the three major campaigns is considered in isolation, with attention to reconstructions, formal and comparative analyses, and extensive contextualization and discussion of patronage networks. The twentieth-century interventions are cursorily presented in an epilogue. Major themes developed and continued through the five chapters of the dissertation are: architecture and its projected meanings in late medieval and Renaissance Florence, urban organization, political structures, the Dominican order and the position of the Florentine chapter within local and international ecclesiastical, social and political structures.
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Berk, Bensu. "The Byzantine Church of Santa Croce in Ravenna (Italy): Experimental Investigation on Historic Materials and Monitoring of Rising Damp." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2022.

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Rising damp is an almost inevitable and hazardous phenomenon for historic buildings. This phenomenon, which already exists in buildings (to a lesser or greater extent), accelerates when faced with disasters that dramatically increase the water content within the building. While researchers are developing new monitoring methods to examine the effects of rising damp on structures effectively, organizations are designing new risk management plans to minimize the impact of disasters to which cultural heritages are exposed. The case study presented in this thesis includes studies carried out in the Byzantine church of Santa Croce in Ravenna, Italy, which was exposed to rising moisture from flooding due to soil submersion. By analyzing the samples collected from the church, the extent of the decay was determined. Moreover, a new method ensured that the monitoring of moisture in the church was reliable. The data obtained can be used to support the multi-disciplinary studies carried out in the church of Santa Croce, which was selected as part of the EU Horizon 2020 SHELTER project.
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Tacconi, Marica. "Liturgy and chant at the Cathedral of Florence a survey of the pre-Tridentine sources (tenth-sixteenth centuries) /." Full text available online (restricted access), 1999. http://images.lib.monash.edu.au/ts/theses/tacconi.pdf.

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Hammond, Joseph. "Art, devotion and patronage at Santa Maria dei Carmini, Venice : with special reference to the 16th-Century altarpieces." Thesis, University of St Andrews, 2011. http://hdl.handle.net/10023/3047.

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This study is an art history of Santa Maria dei Carmini, Venice, from its foundation in c. 1286 to the present day, with a special focus on the late Renaissance period (c. 1500-1560). It explores a relatively overlooked corner of Renaissance Venice and provides an opportunity to study the Carmelite Order's relationship to art. It seeks to answer outstanding questions of attribution, dating, patronage, architectural arrangements and locations of works of art in the church. Additionally it has attempted to have a diverse approach to problems of interpretation and has examined the visual imagery's relationship to the Carmelite liturgy, religious function and later interpretations of art works. Santa Maria dei Carmini was amongst the largest basilicas in Venice when it was completed and the Carmelites were a major international order with a strong literary tradition. Their church in Venice contained a wealth of art works produced by one of the most restlessly inventive generations in the Western European tradition. Chapter 1 outlines a history of the Carmelites, their hagiography and devotions, which inform much of the discussion in later chapters. The second Chapter discusses the early history of the Carmelite church in Venice, establishing when it was founded, and examining the decorative aspects before 1500. It demonstrates how the tramezzo and choir-stalls compartmentalised the nave and how these different spaces within the church were used. Chapter 3 studies two commissions for the decoration of the tramezzo, that span the central period of this thesis, c. 1500-1560. There it is shown that subjects relevant to the Carmelite Order, and the expected public on different sides of the tramezzo were chosen and reinterpreted over time as devotions changed. Cima da Conegliano's Adoration of the Shepherds (c. 1511) is discussed in Chapter 4, where the dedication of the altar is definitively proven and the respective liturgy is expanded upon. The tradition of votive images is shown to have influenced Cima's representation of the donor. In Chapter 5 Cima's altarpiece for the Scuola di Sant'Alberto's altar is shown to have been replaced because of the increasing ambiguity over the identification of the titulus after the introduction of new Carmelite saints at the beginning of the century. Its compositional relationship to the vesperbild tradition is also examined and shown to assist the faithful in important aspects of religious faith. The sixth chapter examines the composition of Lorenzo Lotto's St Nicholas in Glory (1527-29) and how it dramatises the relationship between the devoted, the interceding saints and heaven. It further hypothesises that the inclusion of St Lucy is a corroboration of the roles performed by St Nicholas and related to the confraternity's annual celebrations in December. The authorship, date and iconography of Tintoretto's Presentation of Christ (c. 1545) is analysed in Chapter 7, which also demonstrates how the altarpiece responds to the particular liturgical circumstances on the feast of Candlemas. The final chapter discusses the church as a whole, providing the first narrative of the movement of altars and development of the decorative schemes. The Conclusion highlights the important themes that have developed from this study and provides a verdict on the role of ‘Carmelite art' in the Venice Carmini.
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Simons, Patricia. "Portraiture and patronage in quattrocento Florence with special reference to the Tornaquinci and their chapel in S. Maria Novella /." Connect to thesis, 1985. http://eprints.unimelb.edu.au/archive/00000836.

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Moretti, Laura. "Dagli Incurabili alla Pietà : le chiese degli ospedali grandi di Venezia tra architettura e musica, 1522-1790 /." Firenze : Olschki, 2008. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=017044031&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.

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Di, Napoli Beatrice. "Modelling and safety assessment of the Santa Maria Maddalena Church, Ischia, Italy." Master's thesis, 2019. http://hdl.handle.net/1822/62506.

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Dissertação de mestrado em Structural Analysis of Monuments and Historical Constructions
The church of Santa Maria Maddalena in Casamicciola Terme, Ischia Island, Italy, represents one of the very rare examples of the particular building technique of the Borbonic Baraccato system, one of the earliest engineered earthquake resisting systems developed in Southern Italy between the 18th and 19th Centuries. Its unicity lies on the materials adopted. It presents Neapolitan yellow tuff-masonry walls embraced in iron frames, while the traditional Baraccato system utilizes embedded timber frames in the masonry texture. The church was stroke by the recent earthquake of 21st August, 2017 with epicenter in Casamicciola Terme. Though the moderately high seismic intensity of the event, the post-seismic surveys carried out in the frame of the emergency protocols did not evidence relevant structural damage thanks to the constructive system. The present work aimed at developing a better understanding of the structural behavior of the church. The scope was addressed by developing a three-dimensional numerical Finite Element Model (FEM) in order to assess the structural safety of the building under gravitational and seismic loads performing advanced numerical analyses. The modelling workflow has been guided by the following preliminary tasks which are considered mandatory to rely on the outcomes of the numerical analyses: historic review and definition of the territorial framework in terms of geology and seismicity proneness; geometrical overview of the church and description of the structural elements main features, understanding also the level of knowledge reached for the structural details; description of the observed pre- and post-seismic damage; definition of the modelling strategies to adopt in the numerical model and the material characteristics to use; modal identification of the structure through the post-processing of ambient vibration tests performed under operational conditions; calibration of the numerical model. The execution of preliminary safety assessment of the structure was carried out through the application of nonlinear static analyses to different model versions, capable of describing a possible range of responses of the building under horizontal loads. The numerical models considered for the analyses namely involved the response of the structure under the assumption of a behavior mainly governed by the non-linear response of the masonry walls, discarding the contribution of the Baraccato frames (lower-bound response), conversely a second model was analyzed by taking the response of the frames as infinitely elastic (upper-bound response). The work accomplished the full implementation of the numerical model and the performance of sensitivity analyses based on its response with regards to the uncertainties and the modelling strategies adopted. However, the refinement of the knowledge of structural details, deeper investigation of the influence of different modelling strategies for the Baracccato system, more experimental tests, and the improvement of ambient vibration tests are recommended in the scope of executing non-linear dynamic analyses that could comply with the effective observed post-seismic damage and better define the seismic safety assessment of the church.
A igreja de Santa Maria Madalena em Casamicciola Terme, Ilha de Ischia, Itália, representa um dos exemplos mais raros da singular técnica construtiva do sistema Baraccato de época Borbonica, um dos primeiros sistemas resistentes aos terramotos existentes, desenvolvidos no sul da Itália entre os séculos XVIII e XIX. A sua unicidade está nos materiais adotados. Apresenta paredes de alvenaria napolitanas de tufo amarelo envolvidas por armações de ferro, enquanto o sistema Baraccato tradicional utiliza molduras de madeira embebidas na textura de alvenaria. A igreja foi atingida pelo recente terremoto que aconteceu no dia 21 de agosto 2017 com epicentro em Casamicciola Terme. Apesar da intensidade sísmica moderadamente alta do evento, as inspeções pós-sísmicas realizadas no âmbito dos protocolos de emergência não evidenciaram danos estruturais relevantes devido ao bom funcionamento do sistema construtivo. O presente trabalho teve como objetivo obter uma melhor compreensão do comportamento estrutural da igreja. O tema foi abordado com o desenvolvimento de um modelo numérico aos elementos finitos (FEM) tridimensional para avaliar a segurança estrutural do edifício sob cargas gravitacionais e sísmicas realizando análises numéricas avançadas. O fluxo de trabalho de modelação foi guiado pelos seguintes passos preliminares que são considerados obrigatórios para validar os resultados das análises numéricas: revisão histórica e definição do quadro territorial em termos de geologia e propensão à sismicidade; visão geral geométrica da igreja e descrição das características dos elementos estruturais principais, analisando também o nível de conhecimento alcançado nos detalhes estruturais; descrição dos danos pré e pós-sísmicos observados; definição das estratégias de modelação que tem de ser adotadas no modelo numérico e as características do material utilizadas; identificação modal da estrutura através do pós-processamento de ensaios de vibrações ambientais realizados em condições operacionais; calibração do modelo numérico. A execução da avaliação preliminar de segurança da estrutura foi realizada através da aplicação das análises estáticas não lineares considerando diferentes versões de modelos capazes de descrever uma possível gama de respostas do edifício sob cargas horizontais. Os modelos numéricos considerados para as análises envolviam a resposta da estrutura sob o pressuposto de um comportamento principalmente governado pela resposta não linear das paredes de alvenaria, descartando a contribuição do esqueleto (ou armação) de Baraccato (resposta conservadora), por outro lado um segundo modelo foi analisado tomando a resposta da armação como infinitamente elástica (limite superior da resposta). O trabalho realizou a implementação completa do modelo numérico e o desempenho das análises de sensibilidade baseado na sua resposta em relação às incertezas e às estratégias adotadas durante a fase de modelagem adotadas. No entanto, o refinamento do conhecimento dos detalhes estruturais, a investigação mais profunda da influência de diferentes estratégias de modelação para o sistema Baraccato, mais ensaios experimentais e a melhoria dos ensaios de vibração ambiental são recomendados para a executar análises dinâmicas não lineares que podem validar os danos pós-sísmicos observados e mais bem definir a avaliação da segurança sísmica da igreja.
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Matos, Michael Anton Hahn Cynthia J. "The icon of the Madonna Della Clemenza patronage, placement, purpose /." Diss., 2005. http://etd.lib.fsu.edu/theses/available/etd-04102005-191335.

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Thesis (M.A.)--Florida State University, 2005.
Advisor: Dr. Cynthia Hahn, Florida State University, School of Visual Arts and Dance, Dept. of Art History. Title and description from dissertation home page (viewed June 8, 2005). Document formatted into pages; contains vii, 70 pages. Includes bibliographical references.
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Kalas, Gregor A. "Sacred image, urban space image, installations, and ritual in the early medieval Roman forum /." 1999. http://catalog.hathitrust.org/api/volumes/oclc/49623530.html.

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Books on the topic "Santa Margherita (Church : Italy)"

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Roma riscopre un gioiello: Santa Margherita : porta d'Oriente e d'Occidente. Alessandria: Edizioni dell'Orso, 2008.

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Balboni, Francesca. Roma riscopre un gioiello: Santa Margherita : porta d'Oriente e d'Occidente. Alessandria: Edizioni dell'Orso, 2008.

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La chiesa di Santa Margherita: Storia di un monumento dimenticato. Silea, Treviso: Piazza, 2007.

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Ciarallo, Annamaria. Federico II a Melfi: Ritrovato il vero volto dell'imperatore. Napoli: Procaccini, 1994.

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Angela, Acordon, ed. La Basilica di Santa Margherita: Storia ed arte del Santuario di Nostra Signora della Rosa a Santa Margherita Ligure. Torino: Borini costruzioni, 2002.

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Tassi, Roberto. Chiesa di Santa Margherita detta "Chiesa di Dante": XI secolo = "Church of Dante" : 11th century. Montespertoli, Firenze: M.I.R., 1996.

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M, Bucci Luca, and Molfino Francesco Zaverino, eds. Il Convento dei cappuccini tra storia e arte: Santa Margherita Ligure. Genova: De Ferrari, 2009.

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M, Bucci Luca, and Molfino Francesco Zaverino, eds. Il Convento dei cappuccini tra storia e arte: Santa Margherita Ligure. Genova: De Ferrari, 2009.

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Baldini, Carlo. I mille anni della chiesa di Santa Croce a Greve in Chianti: Già di Santa Margherita alla Piana di Mezzola. Greve in Chianti (FI): Tipografia grevigiana, 2002.

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Magnolia, Scudieri, De Rosa Stefano, and Florentia mater (Organization), eds. Una chiesa, un popolo, un quadro: Restauro della Crocifissione in Santa Margherita a Saletta di Fiesole. Firenze: Polistampa, 2002.

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Book chapters on the topic "Santa Margherita (Church : Italy)"

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Casapulla, Claudia, Thomas Celano, Carlo Rainieri, Giovanni Fabbrocino, and Francesca Ceroni. "On the Dynamic Performance of the Santa Maria Maddalena Church, Ischia Island (Italy): Numerical and Experimental Comparative Analysis." In Lecture Notes in Civil Engineering, 699–723. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-74258-4_45.

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Passuello, Angelo. "Le committenze architettoniche di Atto nella Toscana del XII secolo: uno sguardo d’insieme e un epigono veneto." In Atto abate vallombrosano e vescovo di Pistoia, 249–81. Florence: Firenze University Press, 2024. http://dx.doi.org/10.36253/979-12-215-0335-7.12.

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The paper deals with the architectural commissions of Atto, during the thirty years in which the religious was first prior general of the Vallombrosani and then bishop of Pistoia (1125-1153). The churches that still have the structure and decorations of the 12th century are particularly analyzed, for example: Santa Maria di Montepiano, San Michele di Plaiano and San Michele di Salvenero in north-western Sardinia, San Paolo a Ripa d'Arno in Pisa and others. Before the year 1140 Atto obtained a relic of san Jacopo the Major, which in 1145 was placed in a chapel in the first two spans of the southern nave of the Cathedral of San Zeno in Pistoia. This chapel was configured as an almost independent space from the rest of the basilica. This initiative brought important artists to Pistoia who exalted the new role of apostolic see of the city and worked in the churches of San Giovanni Fuorcivitas (1162), Sant’Andrea (1166) and San Bartolomeo in Pantano (1167). The incidence of this situation also reverberated on the nearby city of Prato, where the Cathedral (before 1163), despite the autonomist aims of the local clergy, clearly received the constructive influences of the Pistoian Cathedral. The final part of the article analyzes the unfinished church of San Jacopo al Grigliano (1396-1407), in the Province of Verona, which is the most important and majestic sanctuary dedicated to san Jacopo in Northern Italy
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Dameron, George. "Case Study I." In A People's Church, edited by Agostino Paravicini Bagliani, 334–71. Cornell University Press, 2023. http://dx.doi.org/10.7591/cornell/9781501716768.003.0012.

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This chapter examines a case study on Florence. It explains how Florentine ecclesiastical institutions, communities, and religious traditions played a formative role in the evolution of the commune and the elevation of Florence from minor to major status in Tuscany. Moreover, the evolution of the medieval Florentine Church bears many similarities with ecclesiastical and religious developments elsewhere in medieval Italy and Europe. The chapter looks into the Florentine Church's history about the cultivation of closer relationships between the papacy, Church, and commune. It considers the legacy of Santa Maria del Fiore for transforming Florence to become one of the most powerful and populated cities in the world.
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Radcliffe, Ann. "The Italian or The Confessional of the Black Penitents." In The Italian. Oxford University Press, 2017. http://dx.doi.org/10.1093/owc/9780198704430.003.0001.

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About the year 1764, some English travellers in Italy, during one of their excursions in the environs of Naples, happened to stop before the portico of the Santa Maria del Pianto, a church belonging to a very ancient convent* of...
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Condoleo, Paola, Luca Pezzoli, and Alberto Taliercio. "The church of Santa Maria Elisabetta in Peia (Italy): From history to structural issues." In Structural Analysis of Historical Constructions: Anamnesis, Diagnosis, Therapy, Controls, 1706–12. CRC Press, 2016. http://dx.doi.org/10.1201/9781315616995-230.

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Wilhelm, Raymund, and Miriam Wittum. "Errori, reinterpretazioni e riformulazioni. Osservazioni sulle varianti nella tradizione manoscritta della ‘Vita di santa Margarita’ lombarda." In The Church and the Languages of Italy before the Council of Trent, 69–86. Pontifical Institute of Mediaeval Studies, 2015. http://dx.doi.org/10.1515/9781771103626-007.

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Garozzo, Raissa, Carmelo Pino, Cettina Santagati, and Concetto Spampinato. "Harnessing the Power of Artificial Intelligence for Modelling and Understanding Cultural Heritage Data." In Impact of Industry 4.0 on Architecture and Cultural Heritage, 357–76. IGI Global, 2020. http://dx.doi.org/10.4018/978-1-7998-1234-0.ch015.

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This chapter combines traditional artificial intelligence (AI) concepts, i.e., computational ontologies, with more recent trends, i.e., deep learning for content-based semantic retrieval in Cultural Heritage. More specifically, the proposed AI-empowered system employs computational ontologies for modelling photographs of religious historical buildings. The ontology, besides supporting data-modelling and concept-level annotation, guides a learning process – implemented through Convolutional Neural Network (CNN) – for automated image categorization and retrieval. The whole system has been tested on the ruins of the church of Santa Maria delle Grazie in Misterbianco, Catania, Italy, showing satisfactory performance.
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Arenghi, Alberto, and Carlotta Coccoli. "Does Pure Contemplation Belong to Architecture? The Denied Ramps at the Church of San Salvatore in the Santa Giulia Museum in Brescia." In Studies in Health Technology and Informatics. IOS Press, 2022. http://dx.doi.org/10.3233/shti220869.

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This paper addresses the issue of balancing the two values underlying the accessibility and conservation of cultural heritage: its use and its protection. These values are often, wrongly, regarded as opposites, or as incompatible. The reason for this contrast originates in the way of understanding ancient architecture and in the value of the relationship between architecture and people. This issue is considered by presenting a recent case concerning the Museum of Santa Giulia in Brescia, a multi-layered complex that preserves evidence ranging from the prehistoric to the contemporary age, housed in a monastic complex of Longobard origin. The recent failure to build some ramps proposed for increasing accessibility to the church of San Salvatore, an integral part of the museum’s itinerary, offers an opportunity to reflect on the need for better integration between different, and only apparently opposed, instances. The topic is dealt with by referring to the most recent disciplinary reflections in the field of conservation carried out in Italy with respect to the issue of accessibility to the cultural heritage, without neglecting juridical-normative aspects and international documents, such as the Faro Convention. This multidisciplinary reading aims to highlight the main significance of accessing cultural heritage, with reference also to the objectives of sustainable development and the human development of the individual and the reference community.
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"Digital integrated models for the restoration and monitoring of the cultural heritage: The 3D Architectural Information System of the Church of Santa Maria del Carmine in Penne (Pescara, Italy)." In Computational Modelling of Objects Represented in Images III, 461–66. CRC Press, 2012. http://dx.doi.org/10.1201/b12753-88.

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Conference papers on the topic "Santa Margherita (Church : Italy)"

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Condoleo, Paola, Luca Pezzoli, and Alberto Taliercio. "The church of Santa Maria Elisabetta in Peia (Italy): From history to structural issues." In The 10th International Conference on Structural Analysis of Historical Constructions, SAHC 2016. Taylor & Francis Group, 6000 Broken Sound Parkway NW, Suite 300, Boca Raton, FL 33487-2742: CRC Press, 2016. http://dx.doi.org/10.1201/9781315616995-250.

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Casapulla, Claudia, Francesca Ceroni, Carlo Rainieri, L. U. Argiento, P. Arcamone, and Giovanni Fabbrocino. "STRUCTURAL ASSESSMENT OF SANTA MARIA MADDALENA CHURCH IN ISCHIA ISLAND (ITALY) BY EXPERIMENTAL MODAL ANALYSIS UNDER OPERATIONAL CONDITIONS." In 7th International Conference on Computational Methods in Structural Dynamics and Earthquake Engineering Methods in Structural Dynamics and Earthquake Engineering. Athens: Institute of Structural Analysis and Antiseismic Research School of Civil Engineering National Technical University of Athens (NTUA) Greece, 2019. http://dx.doi.org/10.7712/120119.7040.19382.

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Sfarra, S., A. Bendada, C. Ibarra-Castanedo, D. Ambrosini, D. Paoletti, and X. Maldague. "Discovering the mysteries of the Santa Maria di Collemaggio Church (L''Aquila, Italy) by non-destructive testing techniques." In 2012 Quantitative InfraRed Thermography. QIRT Council, 2012. http://dx.doi.org/10.21611/qirt.2012.127.

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Colica, Emanuele, Giovanni Leucci, Giorgio Rizzo, Sebastiano D'Amico, Lara De Giorgi, Raffaele Persico, Luciano Galone, and Lucrezia Longhitano. "GPR and passive seismic investigations in the church of Santa Maria delle Grazie at Campi Salentina (Lecce, Italy)." In 2021 11th International Workshop on Advanced Ground Penetrating Radar (IWAGPR). IEEE, 2021. http://dx.doi.org/10.1109/iwagpr50767.2021.9843185.

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Di Napoli, B., M. Ciocci, T. Celano, P. Lourenço, and C. Casapulla. "Calibration of a FEM Model with Complex Geometry: the Case Study of Santa Maria Maddalena Church in Ischia, Italy." In 12th International Conference on Structural Analysis of Historical Constructions. CIMNE, 2021. http://dx.doi.org/10.23967/sahc.2021.042.

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Pajić, Sanja, and Roza G. Damiko. "UMETNIČKO – ISTORIJSKE VEZE KRAJEM 13. I POČETKOM 14. VEKA: ZAJEDNIČKE TEME U SRPSKOJ I ITALIJANSKOJ UMETNOSTI." In Kralj Milutin i doba Paleologa: istorija, književnost, kulturno nasleđe. Publishing House of the Eparchy of Šumadija of the Serbian Orthodox Church - "Kalenić", 2023. http://dx.doi.org/10.46793/6008-065-5.581p.

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The paper considers the relations between art created on the territory of the Serbian medieval state and Italian painting from the end of the 13th and the first two decades of the 14th century in the context of contemporary historical events, as well as political and family ties between the Angevin, Nemanjić and Árpád dynasties. Representations of standardized forms of rare iconographic solutions appear in the monumental painting in the endowments of King Milutin (1282–1321), spread predominantly in the art at the territory of Serbia and Macedonia. The monumental Mother of God Pelagonitissa was shown in the church of the mon- astery in Staro Nagoričino, as well as Christ’s Ascent of the Cross in its trium- phant version, while the same scene, a different iconographic scheme empha- sizing the strong emotional charge, is preserved in the church of St. Nikita in Čučer. Moreover, a fairly unknown motif of the Mother of God kissing the Son in the cradle-sarcophagus was painted on the scene of the Birth of Christ in the Sts. Joachim and Anna Church (King's Church) in Studenica. Variations of these themes appeared in Italy in the same period, most often on small-size panels. These works, intended primarily for the Franciscans, were created in the centres where this monastic order maintained strong connections with the Guelfs, the Angevin dynasty and the popes. Thus, the interpretations of the Mother of God Pelagonitissa are found primarily in Romagna and Rimini, where Giovanni da Rimini presented this theme as the central part of the triptych, on whose side wing there was, among others, the scene of the Birth of Christ with the motif of the Mother kissing the Child. The triumphant version of Christ's ascent to the cross was painted in Tuscany and Siena, while the variation seen in the fresco in Santa Maria Donnaregina Vecchia in Naples is close to the fresco from Čučer. The significant role of the political and cultural mediator of the Serbian state was confirmed in the time of Milutin and his mother Jelena, whose relations with Angevins and Franciscans, widely present in the Balkans, are well known, simultaneously being in close contacts with popes, starting with Franciscan Pope Nicholas IV.
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Sfarra, S., C. Ibarra-Castanedo, D. Ambrosini, D. Paoletti, A. Bendada, and X. Maldague. "The use of optical and infrared techniques for the restoration of the frescoes damaged by earthquake: a case study–the fresco of Giacomo Farelli in the Church of Santa Maria della Croce di Roio (L’Aquila, Italy)." In STREMAH 2011. Southampton, UK: WIT Press, 2011. http://dx.doi.org/10.2495/str110521.

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