Relevant bibliographies by topics / Sant Hieronymu

Academic literature on the topic 'Sant Hieronymu'

Author: Grafiati
Published: 10 March 2023

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Journal articles on the topic "Sant Hieronymu"

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Ożóg, Monika. "Saint Jerome and veritas hebraica on the basis of the correspondence with saint Augustine." Vox Patrum 55 (July 15, 2010): 511–19. http://dx.doi.org/10.31743/vp.4353.

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Świętego Hieronima znamy przede wszystkim z komentarzy biblijnych oraz z Vulgaty, łacińskiego przekładu Biblii. Zmiana podejścia do Pisma Świętego zaproponowana przez Hieronima to bezsprzecznie jeden z momentów przełomowych, wręcz rewolucyjnych dla Kościoła IV i V wieku, moment wprowadzenia do intelektualnego i liturgicznego obiegu nowego tekstu, który z czasem utrwalił swą niezaprzeczalną pozycję na Zachodzie. W przekładzie tym Hieronim przyjął zasadę powrotu do veritas hebraica, jako nadrzędnej w interpretacji Starego Testamentu. Oczywiście w akceptacji tego stanowiska od razu pojawiło się wiele sprzeciwów oraz kontrowersji. Powstał dylemat: czy tłumaczyć z hebrajskiego jak chciał Hieronim, czy bronić kanoniczności Septuaginty, której podjął się św. Augustyn. W niniejszym artykule epizod ten, na podstawie korespondencji Hieronima z Augustynem, zostanie przedstawiony jako jeden z momentów przełomowych tego okresu, który utrwalił niezaprzeczalną pozycję tego tłumaczenia na Zachodzie.
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Sienkiewicz, Edward. "Christology in the writings of Saint Jerome." Studia Koszalińsko-Kołobrzeskie 27 (2020): 293–314. http://dx.doi.org/10.18276/skk.2020.27-16.

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Németh, György. "Szent Hilarion és a kocsiverseny." Vallástudományi Szemle 16, no. 1 (2020): 51–58. http://dx.doi.org/10.55193/rs.2020.1.51.

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The conversion from Paganism to Christianity was a slow process. Pagan magic was palpable reality for Christians, and they indeed took the field against it, as it is confirmed by the biography of Saint Hilarion. Hilarion (291–371) was a hermit and the founder of Palestinian monasticism. His biography was written by St. Hieronymus around 390 in Betlehem. Hilarion exorcised demons and healed the sick.
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Sales, Érika de Oliveira, Cintia Ferreira Barreto, and Ortrud Monika Barth. "Morfologia polínica de espécies de Euphorbiaceae s.l. arbóreas ocorrentes no Estado de Santa Catarina, Brasil." Hoehnea 38, no. 3 (September 2011): 495–500. http://dx.doi.org/10.1590/s2236-89062011000300007.

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Foram examinadas sete espécies de Euphorbiaceae s.l. que ocorrem no Estado de Santa Catarina, Brasil: Actinostemon concolor, Hieronima alchorneoides, Maprounea brasiliensis, Pachystroma longifolium, Pausandra morisiana, Sapium glandulosum e Sebastiania argutidens. Foram caracterizadas, exceto Pausandra morisiana, por apresentarem grãos de pólen em mônades, isopolares, pequenos a médios, de simetria radial, 3-colporados, oblato-esferoidais a prolatos e de superfície microrreticulada. Pausandra morisiana segue o padrão Croton. Os dados morfométricos mostraram que os grãos de pólen de Hieronima alchorneiodes apresentaram o eixo equatorial bem menor em relação às demais espécies estudadas. Pachystroma longifolium foi a única espécie que apresentou uma nexina mais espessa do que a sexina, o que caracteriza grãos de pólen como sendo mais resistentes a processos de fossilização.
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Stępniewska, Alicja. "Wychowanie rodzinne dziewcząt w pedagogice św. Hieronima." Vox Patrum 8 (August 16, 1985): 151–76. http://dx.doi.org/10.31743/vp.10427.

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L’article qui se compose de trois parties. s’occupe des remarques pedagogiques de saint-Jerome concernant l’education primaire de filles a la base surtout de ses deux lettres: “Ad Laetam” et “Ad Gaudentium”.
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Kunowska-Porębna, Maria. "Św. Ambroży w literaturze, kulcie i zwyczajach polskich." Vox Patrum 34 (December 15, 1998): 273–300. http://dx.doi.org/10.31743/vp.7382.

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Saint Ambrosius is a well-known personage in Poland, both in national culture and in folklore. The works of the saint were used in sermons at the beginning of sixteenth century by Jan from Szamotuły, Hieronim Powodowski and Stanisław Sokołowski. St. Ambrosius thoughts influenced Kalwin, Nikolau Rej and Jakub Wujek SJ. He was quoted by preachers in the baroque period and in nineteenth century.
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Tabacchini, Paolo. "Requiem, or The Temptation of Antonio (Tabucchi)." Biblos, no. 8 (December 5, 2022): 79–101. http://dx.doi.org/10.14195/0870-4112_3-8_4.

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Among the various distorting mirrors that characterize his works, in the novel Requiem, Antonio Tabucchi places an Egyptian saint (St. Antony the Abbot), a Nordic school altarpiece (Hieronymus Bosch’s Temptation of St. Antony) and a postmodern writer (himself), three interdependent elements within the semantic horizon of this work. The article intends to deepen this theme, showing how the investigation of the relationship between factors scattered around the four corners of Europe can prove to be a key to reading this work and, maybe, also shed light on the mechanisms of Tabucchian writing in general.
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Czyżewski, Bogdan. "Księga proroka Zachariasza w egzegezie Dydyma Aleksandryjskiego i św. Hieronima." Vox Patrum 67 (December 16, 2018): 85–100. http://dx.doi.org/10.31743/vp.3391.

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The subject of analysis are two biblical commentaries to the Book of the pro­phet Zechariah. First commentary is written by Didymus of Alexandria. The se­cond is the fruit of saint Jerome’s thought, prince of exegetes. Analysis of these two comments leads us to the conclusion of a very high resemblance of these works. Numerous fragments of a saint Jerome’s comment are convergent with those writ­ten by Didymus or are complementary to his interpretation. We get the impression, that Didymus determines the way, after which Jerome goes. Honestly speaking, despite some borrowings from Didymus, Jerome maintains a certain independence even in appreciation of literal interpretation of Scripture. Moreover, in many places he uses philological explanations or just supplements Didymus. We cannot forget, that Jerome asked Dydimus to write this commentary to the Zechariah prophet, and probably that’s why he allowed himself to use it, as he wished to.
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Budzanowska-Weglenda, Dominika Łucja. "Victorin de Poetovio – exegete de l’Apocalypse de Saint Jean." Vox Patrum 79 (September 15, 2021): 39–66. http://dx.doi.org/10.31743/vp.12613.

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Celem artykułu jest pogłębienie myśli badawczej nad dziełem Wiktoryna z Poetavium pt. Komentarz do Apokalipsy. Najpierw została przedstawiona krótka biografia tego pierwszego łacińskiego komentatora ostatniej księgi Pisma Świętego, jego twórczość pisarska, następnie jego metoda egzegezy literalno-alegorycznej oraz wybrane zagadnienia charakterystyczne dla teologicznej myśli Wiktoryna: millenaryzm, rolę Osoby Ducha Świętego w Apokalipsie, rozumienie Biblii Starego i Nowego Testamentu jako spójnej całości Słowa Bożego, wiarę Żydów w odniesieniu do Jezusa Chrystusa, a także stosunek egzegety do Państwa Rzymskiego. Zostały poddane analizie fragmenty Komentarza do Apokalipsy, następnie wnioski zebrano, zwłaszcza w dłuższym podsumowaniu artykułu. Oprócz tekstu Wiktoryna odniesiono się do innych tekstów źródłowych, m.in.: Augustyna z Hippony, Kasjodora, Euzebiusza z Cezarei, Hieronima ze Strydonu czy Justyna Męczennika.
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Schatkin Hettrick, Jane. "Johann Michael Haydn’s Missa Sancti Hieronymi: An Unusual Eighteenth-Century Tribute to Saint Jerome." Clotho 3, no. 2 (December 24, 2021): 129–44. http://dx.doi.org/10.4312/clotho.3.2.129-144.

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Johann Michael Haydn (1737–1806), court musician to the prince-archbishop of Salzburg, composed the Missa Sancti Hieronymi in 1777, apparently intended to mark the name-day of his employer: 30 September, the feast-day of St. Jerome. Because of its wind-band scoring, this Mass is unique, not only among Haydn’s Masses, but also in the Mass repertoire of Salzburg, and apparently in that of all late eighteenth-century Austria. The present article discusses the environment in which Haydn functioned and its effect on the practice of church music in Salzburg and generally in Catholic Austria. Haydn’s employer, Archbishop Colloredo, was a proponent of Enlightenment thinking. He expressed in his Hirtenbrief of 1782 ideas opposed to the kind of sacred music then prevalent in Austria, in particular, the orchestral Mass. Reflective of the new Gottesdienstordnung promulgated by Emperor Joseph II, the proposed changes include the introduction of congregational hymns in the vernacular and severe reduction in numbers of liturgies and the amount of music allowed in them. Colloredo finds support for his ideas in the writings of St. Jerome and other church fathers. Given Haydn’s strong Catholic faith and dedication as a composer of sacred music, the article suggests that although he wrote the Missa as a dutiful servant of his employer, he meant it above all as a tribute to St. Jerome.
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Dissertations / Theses on the topic "Sant Hieronymu"

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Essoussi, Vivien. "Hucusque Hieronymus : les continuateurs de la Chronique de saint Jérôme et la genèse de l'Occident post-romain au Ve siècle. Etude historiographique, textes latins revus et traductions inédites." Thesis, Paris 4, 2011. http://www.theses.fr/2011PA040226.

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Le genre de la chronique, inauguré, chez les chrétiens latinophones, par saint Jérôme (qui, lui-même, traduisit et compléta, vers 380, les Canons chronologiques d'Eusèbe de Césarée), a longtemps été tenu, du moins en France, et malgré son foisonnement remarquable, comme une forme historiographique tout à fait mineure, dont les notations laconiques apportaient peu à notre connaissance des événements et de leur perception par les contemporains. Pourtant, les trois premiers continuateurs de Jérôme : Prosper d'Aquitaine, l'"Anonyme gaulois de 452", et l'évêque galicien Hydace, révèlent, à l'analyse, une conscience aiguë des transformations majeures qui affectent l'Occident romain au Ve siècle, prélude à l'émergence des "royaumes barbares". Le présent travail tente de réévaluer l'intérêt de telles sources : tout en examinant la structure et les caractères de leurs chroniques respectives, il s'attache, plus globalement, à approfondir la réflexion sur le sens que ces auteurs donnèrent à leur époque, à la croisée de l'Antiquité finissante et du très haut Moyen Age. L'étude s'appuie sur des textes revus, avec traductions françaises intégrales et inédites
The chronicle genre, initiated among Latin-speaking Christians by Saint Jerome (who translated and supplemented Eusebius of Caesarea's Chronological Canons, ca. 380 CE), has been regarded for a long time – at least in France, and despite its remarkable flowering – as a very minor form of historiography : its laconic notes are thought to be of meagre interest for our knowledge of events and how contemporaries understood them. However, the first three continuators of Jerome : Prosper of Aquitaine, the "Gallic Anonymous of 452", and the Galician bishop Hydatius, as a matter of fact, reveal an acute sense of the major transformations affecting the Roman West in the fifth century – that is, the dawn of the "Barbarian Kingdoms". This work attempts to offer a reappraisal of this kind of sources : while discussing the structure and characteristics of each chronicle, it is more generally aimed to investigate more thoroughly the significance these authors attached to their own time, at the crossroads between later Antiquity and the earlier Middle Ages. The study is based on revised texts, with fresh and unabridged translations into French
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Hieronymus, Andreas [Verfasser]. ""Ibo lan, das ist der Kral!" : qualitativ-heuristische Explorationen in urbane Lebenswelten ; vielsprachige Jugendliche in Sankt Pauli und Altona / vorgelegt von Andreas Hieronymus." 2000. http://d-nb.info/960116974/34.

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LOPEZ, GARCIA ANTONIO. "Las estructuras de la Piazza della Madonna di Loreto (Roma): ¿El Athenaeum de Adriano?" Doctoral thesis, 2014. http://hdl.handle.net/2158/856101.

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Italiano: A partire dal 2007, nell’area di Piazza Venezia a Roma, sono stati realizzati alcuni sondaggi archeologici per la costruzione di una stazione per la Linea C della metropolitana. Nel sondaggio S14, quello realizzato nella Piazza della Madonna di Loreto, sono state trovate una serie di strutture appartenenti a diversi periodi storici:dal periodo tardo-repubblicano all’età moderna. Le strutture, appartenenti all’età adrianea, hanno aperto un intenso dibattito tra gli studiosi poiché i tecnici della Soprintendenza Speciale per i Beni Archeologici di Roma hanno proposto l’identificazione di queste strutture con quelle dell’Athenaeum dell’imperatore Adriano, un’istituzione accademica a noi nota grazie alle fonti letterarie. Purtroppo le scarse fonti a nostra disposizione, relative a questa istituzione, non hanno permesso fino ad ora di proporre un’ubicazione per l’Athenaeum di Adriano. Español: A partir del 2007, en el área de la Piazza Venezia en Roma, se realizaron una serie de sondeos arqueológicos para la construcción de una estación para la Línea C del metro. En el sondeo S14, realizado en la Piazza della Madonna di Loreto, se han encontrado una serie de estructuras pertenecientes a diversos periodos de la historia: desde el periodo tardo-republicano a la Edad Moderna. Las estructuras pertenecientes a la época adrianea han abierto un intenso debate entre los estudiosos, pues los técnicos de la Soprintendenza Speciale per i Beni Archeologici di Roma han propuesto la identificación de estas estructuras con las del Athenaeum del emperador Adriano, una institución académica conocida gracias a las fuentes literarias. Por desgracia, la ausencia de fuentes a nuestra disposición relativas a esta institución, no han permitido hasta ahora proponer una ubicación para el Athenaeum de Adriano. English: Since 2007, in the area of ​​the Piazza Venezia in Rome, a series of archaeological surveys for the construction of a station for Metro Line C were performed. In the survey S14, conducted in the Piazza della Madonna di Loreto, found a number of structures belonging to different periods of history from the late-Republican period to the Modern Age. The structures belonging to the Hadrian era have opened an intense debate among scholars, because technicians from the Soprintendenza Speciale per i Beni Archeologici di Roma have proposed the identification of these structures with the Athenaeum of Emperor Hadrian, an academic institution known through literary sources. Unfortunately, the absence of sources at our disposal concerning this institution have not allowed yet to propose a location for Hadrian's Athenaeum.
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Books on the topic "Sant Hieronymu"

1

Jerome. Sancti Eusebii Hieronymi Epistulae. 2nd ed. Vindobonae: Verlag der Österreichischen Akademie der Wissenschaften, 1996.

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Martin, Brecht, and Peters Christian, eds. Annotierungen zu den Werken des Hieronymus. Köln: Böhlau Verlag, 2000.

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Jerome. Questioni ebraiche: Hieronymi Hebraicorum quaestiones. Roma: Città Nuova, 2016.

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Von Origenes und Hieronymus zu Augustinus: Studien zur antiken Theologiegeschichte. Berlin: De Gruyter, 2011.

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Jerome, Saint, -419 or 420, Tombeur Paul, and CETEDOC, eds. Sanctus Hieronymus, Contra Rufinum: Instrumenta lexicologica latina. Turnhout: Brepols, 1986.

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Jerome. Hieronymus, der Koheletkommentar: Einleitung, revidierter Text, Übersetzung und Kommentierung. Berlin: De Gruyter, 2014.

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Paolo, Vergerio Pietro. Pierpaolo Vergerio the Elder and Saint Jerome: An edition and translation of Sermones pro sancto Hieronymo. Tempe, Ariz: Arizona Center for Medieval and Renaissance Studies, 1999.

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Erwin, Gatz, ed. Roma Patristica: Ambrosius, Hieronymus, Augustinus, Gregorius und ihre Statuen auf dem vatikanischen Campo Santo Teutonico ; Festgabe für Erwin Gatz. Regensburg: Schnell + Steiner, 2003.

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Der Briefwechsel zwischen Augustinus und Hieronymus und ihr Streit um den Kanon des Alten Testaments und die Auslegung von Gal. 2, 11-14. Leiden: E.J. Brill, 1994.

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Hieronymus Als Exeget und Theologe: Interdisziplinäre Zugänge Zum Koheletkommentar des Hieronymus. Peeters Publishers & Booksellers, 2014.

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Book chapters on the topic "Sant Hieronymu"

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Pfeiffer, Douglas S. "Erasmus’s Vita Hieronymi (1516): Taking Editorial Work Personally." In Authorial Personality and the Making of Renaissance Texts, 169–248. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780198714163.003.0004.

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Chapter 3 shows how Erasmus refines the humanist practice of extrapolating authorial character from textual evidence, making it into the interpretive engine powering both his ambitious edition of Saint Jerome and, by virtue of Erasmus’s widespread influence, the larger sixteenth-century enterprise of ad fontes publication. An intensive focus on the person of Jerome pervades the project, from its overall architecture to its inclusion of a prefatory Vita Hieronymi. In the edition’s paratexts, Erasmus also articulates his singular style-man correspondence theory that undergirds his editorial process itself, including his persistent concern throughout this and his other textual editions with scrutinizing the authenticity of the received corpus. The chapter also approaches Erasmus’s editorial methods from a disciplinary perspective to show how his biographical focus meticulously integrates practices of both reception (scholarship and criticism) and production (fiction making) as against the conventionally jurisdictional nature of the humanistic fields then as now.
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"Account of the Journey of Hieronimo di Santo Stefano, A Genovese, Addressed to Messer Giovan Jacobo Mainer." In India in the Fifteenth Century, 3–10. Routledge, 2017. http://dx.doi.org/10.4324/9781315588278-8.

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