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Published: 10 March 2023

Last updated: 11 March 2023

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1

Klement, Herbert H. "2 Samuel 21-24 : structure, context and meaning in the Samuel conclusion." Thesis, Coventry University, 1995. http://curve.coventry.ac.uk/open/items/19c8c1ce-e727-420e-9a9f-31f95d6b1c26/1.

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The examination of the final chapters of the books of Samuel offered here proceeds initially from an unease about the frequent pejorative appraisal of them as an unsuitable, late addition that is out of place in its context. Taking a cue from the recent interest in initial and concluding texts in the context of literary and "Canonical" methods, the work attempts to describe this text complex, with its six chiastically arranged units, in terms of its literary function as a concluding text in relation to the rest of the preceding book. Following remarks of W. Brueggemann and J. Flanagan, the ring structure is further compared with other groups of texts in the Samuel corpus. The specific, overarching macrostructure which is thus perceived is structured not according to linear-chronological principles but according to patterns of parallelism and chiasmus. This observation of a concept of order that is distinct from modem western convention is understood, following Emma Brunner-Traut, as deriving from an "aspectival" perception of reality. By means of this kind of reading, many inner relationships open up, binding the closing chapters to the other parts of the book in such a way that it is shown to be a unified literary work. The two poetic texts are shown to stand in a complex relationship with the four other songs of the books of Samuel. The allusion to the prophet Gad belongs in a series of six encounters between David and prophets, arranged as a set of three pairs. The two lists of soldiers are interpreted by analogy with the double lists of the sons and ministers of David. The final contrast, in the closing chapter, between the two kings, Saul and David, and the polarity - expressed in the tension between centre and periphery - between rule of Yahweh and sin of the kings, both mirror and finally draw together the main themes of the book. These relationships suggest that the appraisal of the closing chapters as a late addition is in need of revision. It will be argued that they should be interpreted in close connection with the rest of the book.

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2

Kunkel, Michael. ""...dire cela, sans savoir quoi..." : Samuel Beckett in der Musik von György Kurtág und Heinz Holliger /." [S.l.] : [s.n.], 2008. http://opac.nebis.ch/cgi-bin/showAbstract.pl?u20=9783897273948.

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3

Côté, Louis. "Parole blanche et tentation du silence chez Samuel Beckett, un logos sans telos." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/MQ49062.pdf.

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4

Côté, Louis. "Parole blanche et tentation du silence chez Samuel Beckett : un logos sans telos /." Thèse, Chicoutimi : Université du Québec à Chicoutimi, 1999. http://theses.uqac.ca.

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Mémoire (M.E.L.)--Université du Québec à Chicoutimi, 1999.
Ce mémoire a été réalisé à Chicoutimi dans le cadre du programme de maîtrise en études littéraires de l'Université du Québec à Trois-Rivières extensionné à l'Université du Québec à Chicoutimi. CaQCU Bibliogr.: f. [99-101]. Document électronique également accessible en format PDF. CaQCU

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5

Guérin, Thierry. "L'histoire de Sam : jeu de lettres, jeu de langues dans la trilogie "Compagnie", "Mal vu mal dit", "Worstward Ho" de Samuel Beckett." Bordeaux 3, 2000. http://www.theses.fr/2000BOR30032.

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Cette these est une recherche de subjectivite dans compagnie, mal vu mal dit, worstward ho de samuel beckett. La recherche est faite avec un modele original le trigramme sam homophone de sam. L'hypothese est une rotation de l'initiale sigma @ sur elle-meme. Le cercle montre des caracteres symboliques pour beckett, la lettre m de mot et la lettre w de word pour le bilinguisme, le m et le w comme initiales de personnages innommables ou fantomes, le chiffre 3 d'une trilogie. L'observation des lettres sam sur le plan phonique, graphique et semantique permet l'etude d'une voix secrete dans cette microtrilogie. Le jeu de lettres et de langues montre l'expression d'une voix. Le signe linguistique dans sa totalite se trouve engage dans l'histoire de sam. Cette histoire est a la fois transcendanteet immanente. L'approche pour raconter l'histoire de ce discours est theologique, philosophique et psychanalytique. L'heritage de la question sur un << sujet litteraire >> a partir de proust, kafka et joyce va jusqu'a l'epuisement dans la derniere trilogie de beckett. Cette ecriture apporte des questions fondamentales pour la litterature.

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6

Kunkel, Michael. ""...dire cela sans savoir quoi..." Samuel Beckett in der Musik von György Kurtág und Heinz Holliger." Saarbrücken Pfau, 2006. http://d-nb.info/990563405/04.

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7

Andraos, Michel. "Praxis of peace, the pastoral work and theology of Bishop Samuel Ruiz and the Diocese of San Cristobal de Las Casas, Chiapas, Mexico." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp02/NQ54044.pdf.

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8

Kim, Jungsoo. "Res videns the subject and vision in the plays of Samuel Beckett, Sam Shepard, and Harold Pinter /." [Bloomington, Ind.] : Indiana University, 2008. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3331263.

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Thesis (Ph.D.)--Indiana University, Dept. of Comparative Literature, 2008.
Title from PDF t.p. (viewed on Jul 24, 2009). Source: Dissertation Abstracts International, Volume: 69-11, Section: A, page: 4322. Advisers: Claus Cluver; Angela Pao.

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9

Ayet, San Andres Samuel [Verfasser]. "Developments for multiple-reflection time-of-flight mass spectrometers and their application to high-resolution accurate mass measurements of short-lived exotic nuclei / Samuel Ayet San Andres." Gießen : Universitätsbibliothek, 2018. http://d-nb.info/1171704631/34.

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10

Cerqueira, Vera Lúcia Cardim de. "Contribuições de Samuel Lowrie e Dina Lévi-Strauss ao Departamento de Cultura de São Paulo (1935 1938)." Pontifícia Universidade Católica de São Paulo, 2010. http://tede2.pucsp.br/handle/handle/3057.

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Made available in DSpace on 2016-04-25T20:23:10Z (GMT). No. of bitstreams: 1 Vera Lucia Cardim de Cerqueira.pdf: 1394476 bytes, checksum: 2b8280bfc334932711c7b5c1ca70fb2b (MD5) Previous issue date: 2010-06-25
Coordenação de Aperfeiçoamento de Pessoal de Nível Superior
This study intends to analyze the contributions of Samuel Harman Lowrie and Dina Lévi-Strauss to the Department of Culture of São Paulo during the period of administration of Mário de Andrade, between the years 1935 and 1938. Both were directly or indirectly representative of the theoretical thoughts and trends which provided a synthesis of the influences for Brazilian Social Sciences along the years: the North-American and the European lineages. The North-American sociologist Samuel Harman Lowrie was hired by the Escola Livre de Sociologia e Política and by the São Paulo City Administration, and developed a study in the area of Sociology and its practical applications, whereas the French ethnologist Dina Lévi-Strauss, with the support and trust from Mário de Andrade, conduced actions in the area of Ethnography, aiming at the possibility of obtaining reconnaissance in her professional life. During a short period, these two scholars allowed the simultaneity of theoretical reflections and practical actions in the universe of public policies, since they believed that Brazil was a favorable place for the development of scientific research
Este trabalho analisa as contribuições de Samuel Harman Lowrie e Dina Lévi-Strauss ao Departamento de Cultura de São Paulo na gestão de Mário de Andrade, entre 1935 e 1938. Foram representantes na época, direta ou indiretamente, do pensamento e das linhas teóricas, que ao longo do tempo conferiram o retrato síntese das influências das Ciências Sociais no Brasil: a norte-americana e a européia. Ele, norte-americano contratado pela Escola Livre de Sociologia e Política e pelo município de São Paulo, desenvolve trabalho voltado para a Sociologia e sua aplicação prática. Ela, etnóloga francesa conduz, sob o estímulo e confiança de Mário de Andrade, ações no campo da Etnografia, tendo em vista a possibilidade de obter reconhecimento em sua trajetória profissional. Durante um curto período, estes dois intelectuais tornaram viável a simultaneidade entre a reflexão teórica e a execução prática no universo das políticas públicas, por acreditarem ser o Brasil campo fértil para o desenvolvimento de estudos científicos

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11

Duguay-Langlois, Eloïse. "Hiver : (texte dramatique) ; suivi de La figure du sans-abri dans Fragment de théâtre I de Samuel Beckett, L'opéra de quat'sous de Bertolt Brecht et Hiver d'Éloïse Duguay-Langlois (essai)." Thesis, Université Laval, 2014. http://www.theses.ulaval.ca/2014/30086/30086.pdf.

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La première partie de ce document est constitué de la pièce de théâtre Hiver. Cette pièce relate l’histoire de Felipe, Musina et Gilles, trois sans-abri qui vivent ensemble l’espace de quelques jours. Felipe a été recueilli par Musina après que sa mère biologique l’ait abandonné au cours d’une tempête de neige, alors qu’il était allé se réchauffer dans les toilettes d’un restaurant. Depuis ce temps, Felipe et Musina sont devenus très proches. Musina aime Felipe à la fois comme un frère, comme un ami et comme un fils. Quant au petit, il est amoureux de Musina. Gilles se greffe à eux pendant trois jours. C’est alors qu’il sera confronté à son lourd passé. La pièce se termine tragiquement par le suicide de Felipe et de Musina et l’arrestation de Gilles. La seconde partie du document comprend l’essai. Il porte sur la figure du sans-abri dans Fragment de théâtre I de Samuel Beckett, L’opéra de quat’sous de Bertolt Brecht et Hiver, notre pièce de théâtre. On y dissèque ce type de personnage pour en comprendre les fonctions, les particularités et la symbolique. Cette seconde partie est elle-même divisée en deux chapitres. Le premier retrace les caractéristiques des personnages de Fragment de théâtre I et de L’opéra de quat’sous et tente de préciser si l’on peut les qualifier de sans-abri. Quant au deuxième chapitre, il identifie les points de convergences et de divergences entre Fragment de théâtre I de Samuel Beckett, L’opéra de quat’sous de Bertolt Brecht et Hiver.

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12

Vickers, Kathleen. ""This Blessed Plot": Negotiating Britishness in Sam Selvon's The Lonely Londoners, Hanif Kureishi's The Buddha of Suburbia, and Zadie Smith's White Teeth." The University of Montana, 2009. http://etd.lib.umt.edu/theses/available/etd-06182009-160955/.

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This thesis considers how contemporary British literature helps us negotiate better ways of being in an increasingly diverse world. Britain understood itself as a relatively homogenous white society and reacted badly when commonwealth citizens unexpectedly began to return following World War II. Colonial migrants increasingly large presence, particularly as many settled and had children, challenged the myth of a pure Anglo-Saxon Britain and forced a re-conceiving of what it is to be British. This thesis particularly examines how colonial immigrants found ways to (re)negotiate their identities as British in the face of hostility in their mother country. Chapter One looks at how Sam Selvons The Lonely Londoners depicts ways early West Indian immigrants found to endure in immediate post-war, nationalist, Britain. I argue that while working class migrants found ways to survive, they did so at the expense of personal growth. Nevertheless, their tenacity laid down the foundations of a new Britishness on which future generations could build. Chapter Two examines Hanif Kureishis The Buddha of Suburbia. I argue that Kureishis novel indicates how second-generation migrants, who are often more psychically flexible, form their identities differently to their immigrant parents. They negotiate ways of being British via their heritage and immediate family, but also with peers, and across various boundaries including those of class, gender, and culture. Chapter Three considers Zadie Smiths White Teeth. I argue that this novel suggests how immigrants negotiate their identities across even more boundaries and increasingly take advantage of the changing circumstances of life in Britain. This literature indicates reasons for some minority groups disaffection and subsequent behavior and so helps us to better understand and negotiate difference. In the Afterword, I reiterate that, starting from Britains nationalistic fear of hybridity in the 1950s, the novels in this study show the trajectory of how colonial immigrants found ways of being accepted as British. While it must remain vigilant to possible peril, Britains social imaginary has expanded to understand the benefits of multiculturalism and of valuing all citizens as equal.

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13

Carroll, Jordan S. "Utopia, Kinship, and Desire." Miami University / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=miami1213363990.

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14

GALLETTI, LORENZO. "Lo spettacolo senza riforma. La compagnia del San Samuele di Venezia (1726-1749)." Doctoral thesis, 2015. http://hdl.handle.net/2158/1001779.

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15

Côté, Louis. "Parole blanche et tentation du silence chez Samuel Beckett : un logos sans telos." Thèse, 1999. http://constellation.uqac.ca/987/1/11962924.pdf.

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La présente étude cherche à démontrer que le roman l?Innommable de Samuel Beckett, au-delà de son incontestable pouvoir de déconstruction de la forme romanesque traditionnelle et de l'immense travail de dérision qu'il opère sur les structures narratives et logiques que nous sommes habitués de rencontrer dans la composition d'oeuvres littéraires, n'en demeure pas moins un véritable laboratoire des formes langagières, de même qu'une réflexion authentiquement philosophique sur les questions de la représentation et du phénomène de l'expression, la conception du langage y apparaissant n'ayant rien à envier aux théories antiques, classiques ou modernes de la signification. Après avoir établi que l'expérience psychanalytique de Beckett dans ses jeunes années l'aura amené à développer une conception de l'esthétique singulière prenant en compte la négativité, nous cherchons à démontrer que cette prise en compte implique à son tour une conception du langage et de l'écriture particulière, qui cherche à abolir la distance qui sépare la fiction de l'expérience réelle, afin de révéler ainsi cette intime association de l'être et du langage dont témoigne L'Innommable, en même temps que d'une position du sujet occidental s'opposant directement aux philosophies issues d'une vision représentationaliste du langage. À travers une analyse comparative entre la conception du langage et donc du sujet qui se trouve véhiculée dans L'Innommable et la conception téléologique du discours et du sujet platonicien, préfigurant ce que l'on appellera au siècle classique la « théorie naïve de la signification », l'on tente de faire voir ensuite l'étonnante similitude entre la critique de cette vision du langage formulée par Martin Heidegger, qui, comme Beckett et comme certains sophistes, cherche à mettre en échec la fausse évidence et la domination du principe de raison, qui trouve ses racines chez Platon, dans sa vision représentationaliste du langage.

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16

Filinger, Marek. "Sam Shepard: Pohřbené dítě." Master's thesis, 2011. http://www.nusl.cz/ntk/nusl-313052.

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One of the reasons for writing this thesis was to help readers and theatregoers better understand Shepard's plays and to let them see, at least partly, his intentions. Yet, to ask for a straightforward explanation or an unambiguous ending would mean to completely misunderstand the author. Samuel Shepard the playwright, actor, director, screenwriter, poet and musician as well as a cowboy and shaman - "a New World shaman" - is anything but a piece of cake. To know this much might be enough unless you plan to translate or direct one of his plays. And for these very purposes, I have decided to prepare a roadmap for understanding Samuel Shepard Rogers III. My goal was to show three main influences that helped to form Shepard's style. First, we will travel with young Sam eastwards all the way to New York in order to discover a brave new world. Only fifteen years later, we will set the sails in the same direction again, this time to accompany an unheard-off success - an Off-Off- Broadway show moving from San Francisco to New York to be eventually awarded the Pulitzer Prize. Unfortunately, this child prodigy we came with is dying; indeed, it is already a Buried Child. After twenty more years, Shepard will revise the text and claim that "it's now a better play". That is where our analysis starts. First, we will...

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17

"Res videns: The subject and vision in the plays of Samuel Beckett, Sam Shepard, and Harold Pinter." INDIANA UNIVERSITY, 2009. http://pqdtopen.proquest.com/#viewpdf?dispub=3331263.

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18

Barsoum, Kirollos A. "“Traditional” charity versus “modern” development : philanthropy and communal boundaries in the Coptic Orthodox Church." Thesis, 2016. http://hdl.handle.net/1805/10784.

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Indiana University-Purdue University Indianapolis (IUPUI)
Traditional Coptic charity, as I call it, is not just a flawed attempt at humanitarianism, as many believe. It is not just “giving a man a fish” as proponents of “human development” argue. Traditional Coptic charity, as I hope to explain, is an integral part of a larger social system that works together to maintain (and grow slowly) a religious community whose very salvation rests in the practice and transmission of its complex Liturgical body. By merit of its theological peculiarity, and the soteriological significance it gives the practice of sacraments and other religious activities, the Coptic Church effectively hems in the community in perpetuity. This contrasts with the other side of the philanthropic coin—development. Development, which is championed by certain organizations stands as a bulwark of “modernity” in the face of charity’s traditionalism, does not fit into the soteriological orientation of the Church’s Liturgical life. In essence, development’s ultimate goal is to “develop” individuals to the point of “financial independence”—a goal that does not fit into the Church’s communal ethos or exclusively contribute to salvific ends. In recognizing these facts, I began to reevaluate my initial stance on human development as the best way of engaging non-Copts. Overall, this thesis is can be read as a continuation of an ongoing debate between modernity and tradition—and the philanthropic tools they deploy—development and charity.

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19

Lauche, Gerald. "The development of the “Sudan Pionier Mission” into a mission among the Nile-Nubians (1900-1966)." Thesis, 2015. http://hdl.handle.net/10500/20031.

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This study deals with modern mission history in north eastern Africa. When the rigid Islamistic Mahdi regime in the Sudan was defeated by an Anglo-Egyptian army in 1898, H G Guinness and K Kumm came to Aswan and initiated the Sudan Pionier Mission (SPM) in 1900. The SPM had its spiritual roots in the Holiness Movement and became an interdenominational German-based faith mission. Although the SPM was started in Aswan to advance from there to the south to evangelize animistic people groups in the Eastern Sudan, the SPM actually consolidated its work in and around Aswan for internal and external reasons. Thus, the focus of the SPM shifted from an animistic to an Islamic audience with a special emphasis on the Nile-Nubians occupying the Nile valley between Aswan and Dongola. This study contributes generally to the historiography of the SPM between 1990 until 1966 and analyzes especially the development of the SPM into a mission among the Nile-Nubians during this period. The ethnic groups of the Nile-Nubians will be introduced and their historical, political, social, economic, linguistic and religious situation will be presented. This thesis further describes the topographical development of the SPM and its missiological approach. A special emphasis is given to the life story of the Kunuuzi Nubian convert Samu’iil Ali Hiseen (SAH-1863-1900) and his multifaceted contribution to the work of the SPM. SAH was the first Nubian evangelist in modern times and the major stakeholder of the Nubian vision. Neither the history of the SPM as “Nubian Mission” nor the life and work of SAH have been researched and presented before.
Christian Spirituality, Church History and Missiology
D. Th. (Missiology)

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