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1

Salinas Gamero, Teresa. "Aprendizaje de la sostenibilidad basada en la cosmovisión andina amazónica." PLURIVERSIDAD, no. 3 (September 9, 2019): 193–217. http://dx.doi.org/10.31381/pluriversidad.v3i3.2242.

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Esta investigación tiene tres aspectos relacionados a la innovación en Educación para el Desarrollo Sostenible (EDS): (i) cambios en los marcos filosóficos, epistemológicos y didácticos de la educación; (ii) el cuestionamiento de las nuevas funciones de la educación superior; y (iii) la evaluación e inclusión de una cosmovisión y racionalidad andina amazónica en los entornos universitarios. Uno de los resultados transformadores de esta experiencia fue promover una investigación educativa compleja, transdisciplinaria, fenomenológica y hermenéutica que promueva el diálogo intercultural. Se desarrolló en el marco del Diplomado de Biodiversidad y Saberes interculturales, realizado en la región San Martín, en las comunidades Quechua-Lamas, por el Instituto Peruano del Pensamiento Complejo Edgar Morin (IPCEM), con financiamiento de la cooperación alemana. Deutsche Gesellschaft für Internationale Zusammenarbeit (GIZ) GmbH y el Programa de las Naciones Unidas para el Ambiente – PNUMA. Además, contó con el apoyo del consejo académico regional constituido por organizaciones locales y el centro Waman Wasi. El Instituto para el Estudio Avanzado de la Sostenibilidad de la Universidad de las Naciones Unidas (UNU-IAS) reconoció esta experiencia con el RCE Award for Outstanding Flagship Project en la novena conferencia mundial de RCE, celebrada en 2014 en Okayama, Japón.
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2

O’byrne, María Cecilia. "SAN MARCO IN LE CORBUSIER, SAN MARCO IN BOGOTA." Journal of Architecture and Urbanism 40, no. 2 (June 16, 2016): 75–86. http://dx.doi.org/10.3846/20297955.2016.1194607.

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There are many ties between the monumental compound of San Marco in Venice and Le Corbusier. This article follows, studies and organizes these ties to link them to how he resolves the urban project for the Administrative Centre for Bogotá. In it, Le Corbusier leaves aside the isolated buildings that characterize his way of solving urban space, to use the chaos, the turmoil in the compound and uniformity in the detail, which are the features of San Marco: “An ideal and precise conclusion [that] under the rule of Louis XIV had been alrfeady formulated by Abbé Laugier”, says Le Corbusier in Urbanisme.
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3

Demus, Otto. "San Marco Revisited." Dumbarton Oaks Papers 41 (1987): 155. http://dx.doi.org/10.2307/1291553.

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4

Bettley, John. "San Marco conference." Early Music XXIII, no. 2 (May 1995): 349—a—349. http://dx.doi.org/10.1093/earlyj/xxiii.2.349-a.

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5

Caron, Linda, and William Hood. "Fra Angelico at San Marco." Sixteenth Century Journal 25, no. 4 (1994): 1005. http://dx.doi.org/10.2307/2542338.

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6

Houston, Alasdair I. "San Marco and evolutionary biology." Biology & Philosophy 24, no. 2 (January 6, 2009): 215–30. http://dx.doi.org/10.1007/s10539-008-9141-y.

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7

Broglio, L., U. Ponzi, and C. Arduini. "The San Marco 5 mission." Advances in Space Research 13, no. 1 (January 1993): 165–84. http://dx.doi.org/10.1016/0273-1177(93)90017-6.

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8

Kyriánová, I. A., J. Vadlejch, and I. Langrová. "Eimeriosis Seasonal Dynamics Patterns at an Organic Sheep Farm in the Czech Republic." Scientia Agriculturae Bohemica 48, no. 2 (June 27, 2017): 70–75. http://dx.doi.org/10.1515/sab-2017-0013.

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Abstract This epidemiological study monitored the occurrence of the coccidia genus Eimeria and their species composition over a oneyear period at an organic sheep farm in the Czech Republic. Individual faecal samples were collected from thirty lambs and thirty ewes once a month throughout the whole survey. As a result, 348 and 333 samples from ewes and lambs respectively were evaluated using the faecal flotation technique. The overall prevalence of eimeriosis was 75.7% and 54.0% for lambs and ewes respectively. Four Eimeria species (E. ovinoidalis, E. crandallis/weybridgensis, E. parva, and E. intricata) were identified in both, lambs and ewes, during this survey. The most prevalent species was E. ovinoidalis, with an overall prevalence of 84% in ewes and 85% in lambs, followed by E. parva and E. crandallis/weybridgensis. The oocysts faecal output was seasonal. The highest oocysts per gram levels were detected in February (139 000) and May (250 000) in ewes and in February (1 949 900), March (326 000), and May (187 700) in lambs. The intensity of Eimeria infection differed significantly (P < 0.0001) between ewes and lambs during the monitored period.
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9

Huffman, Kristin Love, and Iara Dundas. "San Geminiano:." Journal of the Society of Architectural Historians 79, no. 1 (March 1, 2020): 6–16. http://dx.doi.org/10.1525/jsah.2020.79.1.6.

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In San Geminiano: “A Ruby among Many Pearls,” Kristin Love Huffman and Iara Dundas use a digital reconstruction to reconsider the sixteenth-century Venetian church of San Geminiano and its siting within Piazza San Marco. Demolished in 1807, the church was significant within its Venetian context, but its importance has largely been forgotten. Through their historical reconstruction, based on analyses of archival plans and elevations, illustrated representations, written descriptions and inscriptions, and theoretical treatises, Huffman and Dundas demonstrate the methodological processes of 3-D modeling and the interpretive value of the resulting models for the study of architectural and urban histories. In addition, their work on San Geminiano enables a reevaluation of this historically important yet now lost structure's architecture and its relationship to the space of Piazza San Marco—the political center, socioeconomic nexus, and ceremonial entry point of Venice.
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10

Eberhart, J. "The Five Satellites of San Marco." Science News 133, no. 14 (April 2, 1988): 222. http://dx.doi.org/10.2307/3972359.

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11

Cornelison, Sally J. "Relocating Fra Bartolomeo at San Marco." Renaissance Studies 23, no. 3 (June 2009): 311–34. http://dx.doi.org/10.1111/j.1477-4658.2009.00563.x.

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12

Schuller, Manfred, and Karin Uetz. "Hinter der Fassade von San Marco." Forschung 31, no. 1 (April 2006): 16–20. http://dx.doi.org/10.1002/fors.200690002.

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13

Arduini, C., U. Ponzi, and G. Laneve. "Tidal analysis of the San Marco V and San Marco III: Density data in equatorial orbit." Journal of Atmospheric and Solar-Terrestrial Physics 59, no. 13 (September 1997): 1491–503. http://dx.doi.org/10.1016/s1364-6826(96)00151-4.

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14

Hughes, Elisha, Ryan Bernhisel, Holly Pederson, Braden Probst, Timothy Simmons, Susanne Wagner, Thaddeus Judkins, et al. "Abstract P2-11-21: Integration of an ancestrally unbiased polygenic risk score with the Tyrer-Cuzick breast cancer risk model." Cancer Research 82, no. 4_Supplement (February 15, 2022): P2–11–21—P2–11–21. http://dx.doi.org/10.1158/1538-7445.sabcs21-p2-11-21.

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Abstract Background: Polygenic risk scores (PRS) have been shown to provide genomically informed breast cancer risk assessment in both carriers and non-carriers of predisposing genetic mutations. Risk stratification is further improved by combining a PRS with risk models incorporating traditional risk factors to generate a Combined Risk Score (CRS). We recently developed and validated a breast cancer PRS for women of diverse ancestries using ancestry-informative genetic markers. Here, we combine the diverse ancestry PRS with a clinical and family history-based model to develop an integrated genomically-informed and ancestrally unbiased risk assessment tool. Methods: The study sample included women in the U.S. without a personal history of breast cancer, referred for clinical genetic testing between June 2020 and March 2021, and who tested negative for pathogenic or likely pathogenic variants in breast cancer susceptibility genes. A CRS, incorporating a validated PRS and the TC model, was generated using a previously described Fixed-Stratified method that accounts for association between PRS and clinical risk factors. Association between the PRS and each clinical risk factor included in the Tyrer-Cuzick (TC) breast cancer risk model (version 7) was tested using linear regression with PRS as the dependent variable and the TC factor as an independent variable with adjustment for age and ancestry. We examined the rate of reclassification resulting from incorporation of PRS into the CRS by classifying women as having high (&gt;20%) remaining lifetime risk (RLR) versus low (≤20%) RLR according to both TC and CRS. Results: Among 68,803 women, 21,500 (31.2%) had one or more first degree relatives (FDR) with breast cancer. Approximately 10% of women reported only African ancestry and a similar percentage reported only Hispanic/Latina ethnicity (Table 1). Family history was significantly associated with PRS (p=1.0x10-76). After adjusting for multiple testing, no other factors showed significant association with PRS. Improved risk stratification of CRS over TC follows from two results: (1) We previously showed that PRS improved risk stratification above and beyond family history; (2) In the present study, PRS was not associated with any TC factor other than family history. Adding the PRS to the TC model significantly altered breast cancer risk estimates for women of all ancestries, with 17.3% of patients stratified differently by CRS versus TC alone. Differences in risk stratification (using the 20% threshold) for each self-reported ancestry are presented in Table 1. The CRS classified fewer patients (32.0%) as high RLR than the TC model alone (35.4%), with similar results for 5-year risk estimates. Conclusions: This is the first genomically-informed, integrated polygenic and traditional breast cancer risk model for US women referred for contemporary clinical genetic testing. This model advances the PRS component of a previously validated combined model. It effectively estimates 5-year and lifetime risk for breast cancer using a PRS with an objectively genetically determined ancestral composition, calibrated and validated for risk stratification in all ancestries. The model may reliably and responsibly inform risk reduction strategies such as enhanced surveillance and use of preventive medications. Table 1.Self-Reported Ancestry/EthnicityNumber (%) of patientsHigh TC High CRS High TC and Low CRSLow TC and High CRSAll68,803 (100%)24,332 (35.4%)22,041 (32.0%)7,080 . (10.3%)4,789 . (7.0%)Asian1,450. (2.1%)487 (33.6%)475 (32.8%)94 . (6.5%)82 . (5.7%)African7,909 (11.5%)2,540 (32.1%)2,473 (31.3%)435 . (5.5%)368 . (4.7%)Hispanic6,481 . (9.4%)1,614 (24.9%)1,345 (20.9%)606 . (9.4%)346 . (5.3%)Non-European*19,225 (27.9%)5,701 (29.7%)5,297 (27.6%)1,429 . (7.4%)1,025 . (5.3%)European**46,640 (67.8%)17,507 (37.5%)15,733 (33.7%)5,328 . (11.4%)3,554 . (7.6%)*Includes any combination of Black/African, Middle Eastern, Pacific Islander, Asian, Hispanic/Latino and/or Native American ancestry. **Includes White/Non-Hispanic and/or Ashkenazi Jewish. Citation Format: Elisha Hughes, Ryan Bernhisel, Holly Pederson, Braden Probst, Timothy Simmons, Susanne Wagner, Thaddeus Judkins, Eric Rosenthal, Benjamin Roa, Susan M. Domchek, Charis Eng, Judy Garber, Monique Gary, Ora K. Gordon, Jennifer Klemp, Semanti Mukherjee, Kenneth Offit, Funmi Olopade, Joseph Vijai, Jeffrey N. Weitzel, Pat Whitworth, Lamis Yehia, Allison Kurian, Mark Robson, Thomas P. Slavin, Alexander Gutin, Jerry S. Lanchbury. Integration of an ancestrally unbiased polygenic risk score with the Tyrer-Cuzick breast cancer risk model [abstract]. In: Proceedings of the 2021 San Antonio Breast Cancer Symposium; 2021 Dec 7-10; San Antonio, TX. Philadelphia (PA): AACR; Cancer Res 2022;82(4 Suppl):Abstract nr P2-11-21.
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15

Mouriki, Doula, and Otto Demus. "The Mosaics of San Marco in Venice." Art Bulletin 71, no. 1 (March 1989): 132. http://dx.doi.org/10.2307/3051220.

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16

Mason, Barbara. "Quotations fromSylvieandDescriptionde San Marco in Michel Butor'sIntervalle." Kentucky Romance Quarterly 32, no. 1 (January 1985): 65–76. http://dx.doi.org/10.1080/03648664.1985.9926422.

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17

Kaufmann, Robert. "FRA ANGELICO AT SAN MARCO. William Hood." Art Documentation: Journal of the Art Libraries Society of North America 12, no. 4 (December 1993): 174–75. http://dx.doi.org/10.1086/adx.12.4.27948599.

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18

Duckworth, Penelope. "Annunciation; (After Fra Angelico at San Marco)." Theology Today 55, no. 1 (April 1998): 90–91. http://dx.doi.org/10.1177/004057369805500109.

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19

Creazza, Giuseppe. "Structural Behaviour of San Marco Basilica, Venice." Structural Engineering International 3, no. 1 (February 1993): 30–31. http://dx.doi.org/10.2749/101686693780607958.

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20

Williams, Jocelyn S., Christine D. White, and Fred J. Longstaffe. "Maya Marine Subsistence: Isotopic Evidence from Marco Gonzalez and San Pedro, Belize." Latin American Antiquity 20, no. 1 (March 2009): 37–56. http://dx.doi.org/10.1017/s1045663500002509.

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AbstractThis article presents stable nitrogen and carbon isotopie analyses of diet at the Maya sites of Marco Gonzalez and San Pedro, Belize. This study, which provides important insight into social organization, trade, and subsistence economy for the Postclassic and Historic periods (ca. A.D. 900–1650), also expands our understanding of the distribution of stable carbon and nitrogen isotopes within coral reef food webs off coastal Belize. Marco Gonzalez and San Pedro represent the first documented ancient Maya populations whose diet consisted mostly of marine resources with a minimal reliance upon maize. Although these sites do not appear highly stratified, and there are no dietary differences between sexes or status, the inhabitants of Marco Gonzalez incorporated more mainland-terrestrial animals and maize into their diet than the people of San Pedro. This finding supports the postulated roles of these two settlements, where Marco Gonzalez had trade ties to the mainland site of Lamanai and San Pedro was a small fishing village.
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21

Wharton, Annabel Jane. "The Mosaic Decoration of San Marco, Venice.Otto Demus." Speculum 65, no. 4 (October 1990): 971–72. http://dx.doi.org/10.2307/2863587.

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22

Warren, John. "The First Church of San Marco in Venice." Antiquaries Journal 70, no. 2 (September 1990): 327–59. http://dx.doi.org/10.1017/s0003581500070827.

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In the past century there have been a number of proposed reconstructions of the First Church built in Venice to house the relics of Saint Mark, the Apostle. The proposal which follows differs from its predecessors in identifying the survival of the very large bulk of the original church. It holds that the ancient structure stands encapsulated within the surviving fabric (fig. 1) and thereby rediscovers, largely extant, the greatest Byzantine church of the Middle Ages, completed some time between 832 and 836 for Doge Giovanni Participacio (fig. 2). That church was generally held to have been destroyed by fire in 976, but rebuilt on similar lines by 978 only to have been taken down and rebuilt in its present form between 1063 and 1071 under Doge Domenico Contarini, the work continuing under Doge Vitale Falier. In the following account the Participaci church is described as the First and the Contarini-Falier church the Second. The intermediate reconstruction (976–8) is herein taken to have been a repair rather than a rebuilding. Finding that this first building still exists hidden within the second this paper suggests social reasons for its supposed loss.
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23

Pagedas, C. A. "San Marco, Byzantium and the Myths of Venice." Mediterranean Quarterly 22, no. 3 (July 1, 2011): 109–12. http://dx.doi.org/10.1215/10474552-1384900.

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24

Johnson, Eugene J. "A Window in the Venetian Mint and the Libreria di San Marco." Journal of the Society of Architectural Historians 69, no. 2 (June 1, 2010): 190–205. http://dx.doi.org/10.1525/jsah.2010.69.2.190.

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The lively, decades-long scholarly debate about the length that Jacopo Sansovino originally planned for his Libreria di San Marco in Venice (begun 1537) is the subject of A Window in the Venetian Mint and the Libreria di San Marco. Did Sansovino intend the building to have seventeen bays, or the present twenty-one? The question is important, because the Libreria plays a crucial role in the city's famous central urban space, Piazza San Marco. Eugene J. Johnson brings new evidence to the discussion, having discovered inside the Libreria a walled-up window that once opened into the east wall of the Sansovino's contemporaneous Venetian Mint, or Zecca. The window offers an opportunity to reconsider the arguments, and Johnson concludes that Sansovino had envisioned the longer, twenty-one bay building from the outset.
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25

Antolín Sánchez, Javier. "Marco Aurelio Emperador y Justino Mártir." Estudio Agustiniano 54, no. 1-2 (July 29, 2021): 51–108. http://dx.doi.org/10.53111/estagus.v54i1-2.64.

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San Justino y Marco Aurelio son dos figuras de la cultura grecorromana, viven y desarrollan su actividad filosófica durante el siglo II y entienden la filosofía como una forma de vida. El cristianismo en esta época se entendió como una forma de vida, es decir, participaba de la misma concepción filosófica de las escuelas de la antigüedad ya que proponía una manera de vivir. San Justino es martirizado en el año 165 durante el reinado de Marco Aurelio, filósofo que se distinguió por un mensaje de paz y fraternidad universal. En nuestro estudio buscamos un diálogo entre el cristianismo y el estoicismo, pues esta escuela es la que más ha influido en el cristianismo primitivo. Tampoco podemos soslayar los desencuentros entre ambos, pues ninguna filosofía entiende lo específico del cristianismo, lo relacionado con la libertad, la gracia y la resurrección.
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26

Buonanno, Lorenzo G. "A Charitable 'Façade'? The Sculptural Decoration of the Scuola Grande di San Marco." Confraternitas 21, no. 2 (July 1, 2010): 6–16. http://dx.doi.org/10.33137/confrat.v21i2.14704.

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The meetinghouse of the Scuola Grande di San Marco possessed the most extravagant façade of any confraternity in Venice. At the same time, however, its sculptural decoration contained more references to charity than were found on any other scuola’s meetinghouse. This essay posits that the profusion of images relating to charity on the façade of the Scuola Grande di San Marco represented a deliberate choice aimed at tempering the impact of the façade’s own material splendour.
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Hawkins, Ernest J. W., and Liz James. "The East Dome of San Marco, Venice: A Reconsideration." Dumbarton Oaks Papers 48 (1994): 229. http://dx.doi.org/10.2307/1291730.

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28

Hauck, Alice H. R. "THE MOSAICS OF SAN MARCO IN VENICE. Otto Demus." Art Documentation: Journal of the Art Libraries Society of North America 4, no. 2 (July 1985): 96–97. http://dx.doi.org/10.1086/adx.4.2.27947443.

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29

Mainstone, Rowland. "The First and Second Churches of San Marco Reconsidered." Antiquaries Journal 71 (September 1991): 123–37. http://dx.doi.org/10.1017/s0003581500086844.

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That the present San Marco (fig. 1) either incorporates substantial remains of earlier structures or has had its design constrained by structures no longer extant can hardly be doubted. This much is obvious even from the ground plan, especially at the ends of the north and south transepts. Further anomalies apparent in the building itself also suggest that it is not all of a piece. Setting aside obvious later changes that have not affected the basic form, they include the existence of pointed arcades alongside semicircular ones and the curious way in which the barrel vaults to the north and south of the eastern dome oversail the side chapels.
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Enninghorst, K., M. Roemer, and S. Noël. "Calibration and preparation of San Marco 5/ASSI data." Advances in Space Research 19, no. 4 (January 1997): 619–22. http://dx.doi.org/10.1016/s0273-1177(97)00153-1.

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Houston, A. "Are the spandrels of San Marco really panglossian pendentives?" Trends in Ecology & Evolution 12, no. 3 (March 1997): 125. http://dx.doi.org/10.1016/s0169-5347(96)20112-0.

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32

Tobiska, W. K., S. Chakrabarti, G. Schmidtke, and H. Doll. "Comparative solar EUV flux for the San Marco ASSI." Advances in Space Research 13, no. 1 (January 1993): 255–59. http://dx.doi.org/10.1016/0273-1177(93)90022-4.

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33

Hammond, F. "Performance in San Marco: a picture and two puzzles." Early Music 40, no. 2 (May 1, 2012): 253–64. http://dx.doi.org/10.1093/em/cas052.

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34

Macey, Patrick. "The Lauda and the Cult of Savonarola." Renaissance Quarterly 45, no. 3 (1992): 439–83. http://dx.doi.org/10.2307/2862669.

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Travelers in Florence around the year 1500 who happened on Piazza San Marco toward evening might well, if they listened carefully, have caught the muffled strains of a lauda sung by the Dominican friars beyond the walls of the convent of San Marco. And if any of the words had been audible, chances are good they would have been “Ecce quam bonum et quam jocundum habitare fratres in unum” (“Behold how good and pleasant it is for brethren to dwell together in unity,” Ps. 132:1). Only a few years before, the streets of Florence had echoed with the singing of laude such as Ecce quam bonum as thousands of children —the Savonarolan fanciulli processed through the city on their way to the duomo. But now, in the aftermath of Savonarola's execution in 1498, his revolutionary movement had gone underground, and his adherents had retreated from the streets to the relative safety of cloisters such as San Marco.
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35

Arellano, Ignacio. "América en las fiestas jesuitas. Celebraciones de san Ignacio y san Francisco Javier." Nueva Revista de Filología Hispánica (NRFH) 56, no. 1 (January 1, 2008): 53–86. http://dx.doi.org/10.24201/nrfh.v56i1.2384.

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Fecha de recepción: 2 de julio de 2007.Fecha de aceptación: 2 de octubre de 2007. Comentario de algunas fiestas hagiográficas jesuitas en ocasión de las beatificaciones y canonizaciones de san Ignacia de Loyola y san Francisco Javier, con análisis de los elementos alegóricos componentes de procesiones y carros triunfales. Se estudia en particular la alegoría de América en el marco de los conjuntos de las cuatro partes del mundo, con las diferentes variedades iconográficas, soportes artísticos y dimensiones políticas, religiosas y estéticas de las figuras personificadas en este tipo de fastos y celebraciones.
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Ruiz Estrada, Arturo. "Investigaciones arqueológicas en San Pedro, Chachapoyas-Perú." Investigaciones Sociales 17, no. 31 (June 11, 2014): 27–38. http://dx.doi.org/10.15381/is.v17i31.7898.

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Se presenta los resultados de las exploraciones en el complejo arqueológico de San Pedro de Utac en la provincia de Chachapoyas, para conocer la naturaleza del sitio, los rasgos arquitectónicos y otros elementos culturales que lo caracterizan en el marco de las antiguas urbes prehispánicas de la zona.
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37

Bucio, Claudia. "Procesos de territorialidad y de subjetivación política en Cerro de San Pedro, San Luis Potosí." Revista de Ciências Sociais 51, no. 2 (May 16, 2020): 123–63. http://dx.doi.org/10.36517/rcs.2020.2.d04.

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El presente artículo aborda el conflicto socioambiental que surgió en 1995 con la llegada de la empresa canadiense Minera San Xavier (MSX) al municipio de Cerro de San Pedro, San Luis Potosí, con el objetivo de presentar los resultados más relevantes del proyecto de investigación realizado entre 2011 y 2013. A partir de la articulación de dos enfoques, el de la territorialidad y el de la subjetivación política, se buscó explicar la reconfiguración de los procesos de apropiación del territorio y el proceso de subjetivación política que ocurren en el marco del conflicto.
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Frost, Honor. "TheGlass Wreckexhibition: Palazzo Ducale, Piazza San Marco (Venice, Summer 1990)." International Journal of Nautical Archaeology 19, no. 4 (November 1990): 339. http://dx.doi.org/10.1111/j.1095-9270.1990.tb00284.x.

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39

Rodini, Elizabeth. "Describing Narrative in Gentile Bellini's Procession in Piazza San Marco." Art History 21, no. 1 (March 1998): 26–44. http://dx.doi.org/10.1111/1467-8365.00091.

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40

Nygren, Barnaby. "FRA ANGELICO'S SAN MARCO ALTARPIECE AND THE METAPHORS OF PERSPECTIVE." Source: Notes in the History of Art 22, no. 1 (October 2002): 25–32. http://dx.doi.org/10.1086/sou.22.1.23206819.

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41

Erkelens, Casper J. "Perspective on Canaletto’s Paintings of Piazza San Marco in Venice." Art and Perception 8, no. 1 (March 4, 2020): 49–67. http://dx.doi.org/10.1163/22134913-20191131.

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Perspective plays an important role in the creation and appreciation of depth on paper and canvas. Paintings of extant scenes are interesting objects for studying perspective, because such paintings provide insight into how painters apply different aspects of perspective in creating highly admired paintings. In this regard the paintings of the Piazza San Marco in Venice by Canaletto in the eighteenth century are of particular interest because of the Piazza’s extraordinary geometry, and the fact that Canaletto produced a number of paintings from similar but not identical viewing positions throughout his career. Canaletto is generally regarded as a great master of linear perspective. Analysis of nine paintings shows that Canaletto almost perfectly constructed perspective lines and vanishing points in his paintings. Accurate reconstruction is virtually impossible from observation alone because of the irregular quadrilateral shape of the Piazza. Use of constructive tools is discussed. The geometry of Piazza San Marco is misjudged in three paintings, questioning their authenticity. Sizes of buildings and human figures deviate from the rules of linear perspective in many of the analysed paintings. Shadows are stereotypical in all and even impossible in two of the analysed paintings. The precise perspective lines and vanishing points in combination with the variety of sizes for buildings and human figures may provide insight in the employed production method and the perceptual experience of a given scene.
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42

HAMLETT, LYDIA. "THE SACRISTY OF SAN MARCO, VENICE: FORM AND FUNCTION ILLUMINATED." Art History 32, no. 3 (June 2009): 458–84. http://dx.doi.org/10.1111/j.1467-8365.2009.00685.x.

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43

Arduini, C., L. Broglio, and U. Ponzi. "Drag balance measurements in the San Marco D/L mission." Advances in Space Research 13, no. 1 (January 1993): 185–200. http://dx.doi.org/10.1016/0273-1177(93)90018-7.

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44

Enninghorst, K., M. Mönnighoff, and M. Roemer. "A detailed spin analysis of the San Marco 5 mission." Advances in Space Research 16, no. 12 (January 1995): 29–32. http://dx.doi.org/10.1016/0273-1177(95)98774-i.

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PINEDO GÓMEZ, KÁTTERIN JINA LUZ, DELBERT ELEAISL CONDORI MORENO, and DANIEL LOVERA DAVILA. "Marco de trabajo basado en la ISO 45001 para el manejo de riesgos ocupacionales en instituciones educativas privadas adventistas - San Martín (Perú)." Revista de Investigación Ciencia, Tecnología y Desarrollo 7, no. 1 (April 3, 2022): 12–20. http://dx.doi.org/10.17162/rictd.v7i1.1686.

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La presente investigación tuvo como objetivo determinar la eficacia de la aplicación del marco de trabajo basado en la ISO 45001 en el manejo de riesgos ocupacionales en instituciones educativas privadas adventistas de San Martín. Para ello se llevó a cabo un análisis y diagnóstico de la situación actual de las dossedes de la Institución Educativa Adventista José de San Martín del distrito de Tarapoto en lo que concierne sobre seguridad y salud ocupacional; se elaboró una lista de verificación, después se procedió a implementar un Sistema de Gestión de Seguridad y Salud Ocupacional donde se ejecutó lo requerido según normativa, luego mediante matrices de Identificación de Peligros y Evaluación de Riesgos se realizó la evaluación de los principales riesgos a los que cada trabajador está expuesto como también el control adecuado para estos, así pudiendo tener un riesgo residual apropiado, con el fin de mejorar la seguridad y salud ocupacional de los mismos, como también se diseñó mapas de riesgos en los cuales están los de señalización y evacuación finalmente se determinó el efecto del marco de trabajo basado en la ISO 45001 para el manejo de riesgos ocupacionales en la Institución Adventista José de San Martín mediante el test de Wilcoxon. En el efecto de la aplicación del Marco de trabajo basado en el IS0 45001 muestra que con el desarrollo de este se mejora el manejo de los riesgos ocupacionales en la Institución Educativa Adventista José de San Martín. Es importante recalcar que el trabajo de grado elaborado en una institución educativa, tiene necesidades de mejoramiento. Palabras clave: Marco de trabajo, ISO 45001, Peligros, Riesgos, Ocupacional
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Hopkins, Andrew. "Architecture and Infirmitas: Doge Andrea Gritti and the Chancel of San Marco." Journal of the Society of Architectural Historians 57, no. 2 (June 1, 1998): 182–97. http://dx.doi.org/10.2307/991378.

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The mid-sixteenth century location of the doge's throne and the seating for the Signoria in S. Marco, Venice, were considerably different from the original arrangements of the twelfth century. The date of the changes and the motives that prompted them have never been clarified. An examination of Marin Sanudo's Diaries provides not only the date of the changes in practice but also suggests the initial and hitherto unsuspected impetus: the infirmity of Doge Andrea Gritti. This article utilizes Sanudo's contemporary accounts to shed light on architectural changes in the chancel of S. Marco in the 1530s.
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García Robles, Marco Antonio. "Arte, prensa y poder." Revista de Estudios Históricos de la Masonería Latinoamericana y Caribeña 12, no. 1-2 (July 1, 2020): 328–33. http://dx.doi.org/10.15517/rehmlac.v12i1-2.40580.

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El investigador Marco Antonio García Robles ha defendido una tesis doctoral, cuyo título es “Arte, prensa y poder: historia de los masones y sus prácticas discursivas en el Aguascalientes del siglo XIX”, en la Universidad Autónoma de Aguascalientes en México, el 28 de octubre de 2019. Marco Antonio García Robles nació en San Francisco de los Romo, Aguascalientes, México, el 4 de marzo de 1975.
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Hedesan, Georgiana D. "Alchemy and Paracelsianism at the Casino di San Marco in Florence." Nuncius 37, no. 1 (October 13, 2021): 119–43. http://dx.doi.org/10.1163/18253911-bja10014.

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Abstract This article provides a first in-depth look at the La fonderia dell’Illmo et Ecc.mo Signor Don Antonio de’ Medici, a publication that was issued at the Casino di San Marco in Florence in 1604. This work has been deemed to be lost by many scholars on the Casino, but in fact a copy of it is found in the British Library. The article analyses the contents of La fonderia, paying particular attention to the alchemy and Paracelsianism to be identified therein. La fonderia is primarily a book of medical recipes, but also contains some intriguing theoretical parts. The paper also examines the marginalia that can be found in the British Library copy of La fonderia. The article concludes with a reflection on the importance of alchemy and Paracelsianism at Don Antonio’s Casino.
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Dresken-Weiland, Jutta. "Darstellungen neutestamentlicher Mahlszenen auf den Ciboriumsäulen von San Marco in Venedig." Antiquité Tardive 27 (January 2019): 241–53. http://dx.doi.org/10.1484/j.at.5.119554.

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Schmidtke, Gerhard, Thomas N. Woods, John Worden, Gary J. Rottman, Harry Doll, Claus Wita, and Stanley C. Solomon. "Solar EUV irradiance from the San Marco Assi: A reference spectrum." Geophysical Research Letters 19, no. 21 (November 3, 1992): 2175–78. http://dx.doi.org/10.1029/92gl02183.

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