Log in

Relevant bibliographies by topics / Samuel Taylor; Romantic poetry / Books

To see the other types of publications on this topic, follow the link: Samuel Taylor; Romantic poetry.

Books on the topic 'Samuel Taylor; Romantic poetry'

Author: Grafiati

Published: 4 June 2021

Last updated: 15 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 books for your research on the topic 'Samuel Taylor; Romantic poetry.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse books on a wide variety of disciplines and organise your bibliography correctly.

1

How to study Romantic poetry. New York: St. Martin's Press, 2001.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

2

How to study Romantic poetry. Basingstoke: Macmillan, 1988.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

3

Romantic complexity: Keats, Coleridge, and Wordsworth. Chicago: University of Illinois Press, 2006.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

4

Gibson, Matthew. Yeats, Coleridge and the romantic sage. Houndmills, Basingstoke, Hampshire [England]: Macmillan Press, 2000.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

5

Kneale, J. Douglas. Romantic aversions: Aftermaths of classicism in Wordsworth and Coleridge. Liverpool: Liverpool University Press, 1999.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

6

Kneale, J. Douglas. Romantic aversions: Aftermaths of Classicism in Wordsworth and Coleridge. Montreal: McGill-Queen's University Press, 1999.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

7

The symbolic imagination: Coleridge and the romantic tradition. 2nd ed. New York: Fordham University Press, 2001.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

8

Sitterson, Joseph C. Romantic poems, poets, and narrators. Kent, Ohio: Kent State University Press, 2000.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

9

Plagiarism and literary property in the Romantic period. Philadelphia: University of Pennsylvania Press, 2007.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

10

Kearns, Sheila M. Coleridge, Wordsworth, and romantic autobiography: Reading strategies of self-representation. Madison, N.J: Fairleigh Dickinson University Press, 1995.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

11

Coleridge, Samuel Taylor. Samuel Taylor Coleridge, selected poems. New York: Gramercy Books, 1996.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

12

Perry, Seamus. Samuel Taylor Coleridge. New York: Oxford University Press, 2003.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

13

Coleridge, Samuel Taylor. Samuel Taylor Coleridge. London: Everyman, 1996.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

14

Coleridge, Samuel Taylor. Samuel Taylor Coleridge. London: Phoenix Poetry, 2003.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

15

Coleridge, Samuel Taylor. Samuel Taylor Coleridge. New York: Sterling Pub. Co., 2003.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

16

Coleridge, Samuel Taylor. Samuel Taylor Coleridge. Oxford: [Oxfordshire], 1985.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

17

Coleridge, Samuel Taylor. Samuel Taylor Coleridge. Oxford: Oxford University Press, 1994.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

18

Byatt, A. S. Unruly times: Wordsworth and Coleridge in their time. London: Hogarth Press, 1989.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

19

Coleridge, Samuel Taylor. Samuel Taylor Coleridge: Poems. London: Faber and Faber, 2006.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

20

Coleridge, Samuel Taylor. Samuel Taylor Coleridge: The major works. Oxford: Oxford University Press, 2008.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

21

Coleridge, Samuel Taylor. Samuel Taylor Coleridge: The major works. Oxford: Oxford University Press, 2008.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

22

Coleridge, Samuel Taylor. Samuel Taylor Coleridge: The major works. Oxford: Oxford University Press, 2008.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

23

Barratt-Peacock, Ruth. Concrete Horizons: Romantic Irony in the Poetry of David Malouf and Samuel Wagan Watson. Bern: Peter Lang International Academic Publishers, 2020.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

24

F, Beckwith Thomas, and Wordsworth William 1770-1850, eds. A complete concordance to the Lyrical ballads of Samuel Taylor Coleridge and William Wordsworth: 1798 and 1800 editions. New York: Garland Pub., 1987.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

25

Coleridge, Samuel Taylor. Coleridge & literary society, 1790-1834: The papers of Samuel Taylor Coleridge (1772-1834) from the British Library, London. Marlborough: Adam Matthew, 2001.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

26

Coleridge, Samuel Taylor. Coleridge's poetry and prose: Authoritative texts, criticism. New York: Norton, 2004.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

27

Coleridge, Samuel Taylor. Coleridge's poetry and prose: Authoritative texts, criticism. New York: W. W. Norton, 2004.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

28

Coleridge, Samuel Taylor. Coleridge's poetry and prose: Authoritative texts, criticism. New York: W. W. Norton, 2003.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

29

D, Paley Morton. Coleridge's later poetry. Oxford: Clarendon Press, 1999.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

30

D, Paley Morton. Coleridge's later poetry. Oxford: Clarendon Press, 1996.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

31

1963-, Constable John, ed. Coleridge on imagination. New York: Routledge, 2001.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

32

Coleridge, Samuel Taylor. Selected poetry. Oxford [England]: Oxford University Press, 1997.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

33

Coleridge, Samuel Taylor. Selected poetry. Oxford: Oxford University Press, 2008.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

34

Whitehead, James. Madness Writing Poetry/ Poetry Writing Madness. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198733706.003.0007.

Full text

Abstract:

The final chapter returns to the scene of Romantic poetry, looking at poetry by William Blake, William Wordsworth, Samuel Taylor Coleridge, John Keats, Lord Byron, Percy Bysshe Shelley, and John Clare. It reads these Romantic texts as poised articulations of the idea of poetic madness, and discusses generally how these writers contributed to, or interwove with their own lives and works, new and rediscovered mythologies of madness, sometimes anticipating or resisting the public images created by journalism, criticism, or biography, previously described. Finally, the Romantic mad poet is considered in relation to criticism and the canonical role of Romanticism in English literature.

APA, Harvard, Vancouver, ISO, and other styles

35

Jackson, Noel. Science and Sensation in Romantic Poetry. Cambridge University Press, 2011.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

36

Coleridge, Samuel Taylor. Coleridge: Lyrical Romantic (Illustrated Poetry Anthology) (Illustrated Poetry Anthology). Chelsea House Publications, 1999.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

37

Stokes, Christopher. Romantic Prayer. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198857808.001.0001.

Full text

Abstract:

Whilst religion and the secular have been continually debated contexts for literature of the Romantic era, the dominant scholarly focus has always been on doctrines and denominations. In analysing the motif of devotion, this book shifts attention to the quintessential articulation of religion as lived experience, as practice, and as a performative rather than descriptive phenomenon. In an era when the tenability and rationality of prayer were much contested, poetry—a form with its own interlinked history with prayer, especially via lyric—was a unique place to register what prayer meant in modernity. This study illustrates how the discourse of prayer continually intervened in the way that poetic practices evolved and responded to the religious and secular questions of the eighteenth- and nineteenth-century moment. After laying out the details of prayer’s historical position in the Romantic era across a spread of religious traditions, it turns to a range of writers, from the identifiably religious to the staunchly sceptical. William Cowper and Anna Letitia Barbauld are shown to use poetry to reflect and reinvent the ideals of prayer inherited from their own Dissenting denominational histories. Samuel Taylor Coleridge’s work is analysed as part of a long engagement with the rationality of prayer in modernity, culminating in an explicit ‘philosophy’ of prayer; William Wordsworth—by contrast—keeps prayer at an aesthetic distance, continually alluding to prayerful language but rarely committing to a devotional voice itself. John Keats, Percy Bysshe Shelley, and Lord Byron are treated in the context of departing from Christianity, under the influence of Enlightenment, materialist and atheist critique—what happens to prayer in poetry when prayer as a language is becoming impossible to maintain?

APA, Harvard, Vancouver, ISO, and other styles

38

Stillinger, Jack. Romantic Complexity: Keats, Coleridge, and Wordsworth. University of Illinois Press, 2008.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

39

Igarashi, Yohei. The Connected Condition. Stanford University Press, 2019. http://dx.doi.org/10.11126/stanford/9781503610040.001.0001.

Full text

Abstract:

How can Romantic poetry, motivated by the poet’s intense yearning to impart his thoughts and feelings, be so often difficult and the cause of readerly misunderstanding? How did it come to be that a poet can compose a verbal artwork, carefully and lovingly put together, and send it out into the world at the same time that he is adopting a stance against communication? This book addresses these questions by showing that the period’s writers were responding to the beginnings of our networked world of rampant mediated communication. The Connected Condition reveals that major Romantic poets shared a great attraction and skepticism toward the dream of perfectible, efficient connectivity that has driven the modern culture of communication. Samuel Taylor Coleridge, William Wordsworth, Percy Shelley, and John Keats all experimented with their artistic medium of poetry to pursue such ideals of speedy, transparent communication at the same time that they tried out contrarian literary strategies: writing excessively ornate verse, prolonging literary reading with tedious writing, being obscure, and questioning the allure of quickly delivered information. This book shows that the Romantic poets have much to teach us about living in—and living with—the connected condition, as well as the fortunes of literature in it.

APA, Harvard, Vancouver, ISO, and other styles

40

Symbolic Imagination: Coleridge and the Romantic Tradition. Princeton University Press, 2016.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

41

Barth, J. Robert. Symbolic Imagination: Coleridge and the Romantic Tradition. Princeton University Press, 2015.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

42

Barth, J. Robert. Symbolic Imagination: Coleridge and the Romantic Tradition. Princeton University Press, 2015.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

43

Zimmerman, Sarah. The Romantic Literary Lecture in Britain. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198833147.001.0001.

Full text

Abstract:

Public lectures on poetry caught the popular imagination in Britain in the first two decades of the nineteenth century with the performances of John Thelwall, Samuel Taylor Coleridge, Thomas Campbell, and William Hazlitt. Lecturers aimed to shape auditors’ reading habits, burnish their critical profiles, and establish a literary canon, but auditors also wielded considerable influence, since their sustained approbation was necessary to a series’ success. A number of oral traditions fed the literary lecture’s development, but it emerged most vitally out of and against the radical speaking culture of the 1790s in which Thelwall and Coleridge had participated, and developed in anxious proximity to an expanding literary marketplace. These pressures informed lecturers’ critical arguments as they debated who should receive a literary education, what works they should read, and for what ends. As historical speaking performances, public lectures demand a methodological approach of their own, because lecturers communicated their arguments with words, physical gestures, facial expressions, and via self-presentation. An interdisciplinary scholarly consensus now recommends approaching these events by gathering as many surviving texts as possible from both parties and situating these performances in their specific times and places. Although women were disallowed from being public literary lecturers, female auditors performed significant cultural roles as patrons, and as hosts and guests at private gatherings that sometimes followed public lectures. Auditors including John Keats, Mary Russell Mitford, Lady Charlotte Bury, and Catherine Maria Fanshawe responded to lectures in conversation, poems, letters, and journal entries that should be considered creative works in their own right.

APA, Harvard, Vancouver, ISO, and other styles

44

Burwick, Frederick. Introduction. Edited by Frederick Burwick. Oxford University Press, 2012. http://dx.doi.org/10.1093/oxfordhb/9780199644179.013.0001.

Full text

Abstract:

This introductory article explains the coverage of this book, which is about the works of the English Romantic poet Samuel Taylor Coleridge. This book provides biographical information about Coleridge, including his early years at Jesus College Cambridge and his later collaboration with William Wordsworth, and presents critical analysis of some of his most notable prose and poetic works. It examines sources and influences on Coleridge's writings and describes his literary influence throughout the world following his death.

APA, Harvard, Vancouver, ISO, and other styles

45

Samuel Taylor Coleridge. Faber & Faber, Limited, 2011.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

46

Fenton, James, and Samuel Taylor Coleridge. Samuel Taylor Coleridge. Faber & Faber, Incorporated, 2016.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

47

Lau, Beth. Intertextual Dialogue. Edited by David Duff. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780199660896.013.26.

Full text

Abstract:

Intertextual dialogue in the Romantic period is shaped by conflicting imperatives. Romantic writers lived in an age when the pressure to be original and natural coincided for the first time to a significant degree with the worship and canonization of previous British authors, especially such ‘geniuses’ as Shakespeare and Milton. Major figures from every genre of the period can be seen to negotiate the competing demands to acquire legitimacy by invoking other, recognized writers, and to express their own unique vision and style—both to fit into existing literary tradition and to stand out as unique. This chapter explores the complications of intertextual dialogue in five representative authors across a variety of genres: the essayist and critic William Hazlitt, the poet and writer of marginalia Samuel Taylor Coleridge, the novelist Jane Austen, and poets John Clare and John Keats.

APA, Harvard, Vancouver, ISO, and other styles

48

Byatt, A. S. Unruly Times: Wordsworth and Coleridge in Their Time. Vintage UK, 1997.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

49

Byatt, A. S. Unruly Times: Wordsworth and Coleridge in Their Time. Vintage UK, 1997.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

50

Byatt, A. S. Unruly Times: Wordsworth and Coleridge in Their Time. Hogarth, 1990.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!