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Relevant bibliographies by topics / Salvatore e S

Academic literature on the topic 'Salvatore e S'

Author: Grafiati

Published: 25 July 2024

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Journal articles on the topic "Salvatore e S"

1

Villani, Marianicola. "Salvatore S, ITALIA S.p.A. L’assalto al patrimonio culturale." Journal of Public Finance and Public Choice 20, no. 2 (October 1, 2002): 194–95. http://dx.doi.org/10.1332/251569202x15665366114941.

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Moreno Celeghin, María Gracia. "RESEÑA: ESCRITORAS POR LA IGUALDAD EN EL RESURGIMIENTO ITALIANO: ELENORA FONSECA PIMENTEL, GIUSEPPINA TURRISI COLONNA, ENRICHETTA CARACCIOLO Y CATERINA PERCOTO. SALVATORE BARTOLOTTA, ROCÍO LUQUE Y MERCEDES TORMO-ORTIZ." RAUDEM. Revista de Estudios de las Mujeres 8 (December 27, 2020): 348. http://dx.doi.org/10.25115/raudem.v8i0.4358.

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Salvatore Bartolotta, Rocío Luque & Mercedes Tormo-Ortiz. Escritoras por la igualdad en el Resurgimiento italiano: Elenora Fonseca Pimentel, Giuseppina Turrisi Colonna, Enrichetta Caracciolo y Caterina Percoto. Sevilla: ArCiBel Editores, S. L, 2019. ISBN: 978-84-15335-87-4.

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3

Luque Colautti, Rocío. "RESEÑA: LAS MAESTRAS. ANTOLOGÍA DE TEXTOS SOBRE LA EDUCACIÓN DE LAS MUJERES EN EL SIGLO XIX Y XX. SALVATORE BARTOLOTTA, MARÍA ANGÉLICA GIORDANO PAREDES Y MARÍA GRACIA MORENO CELEGHIN." RAUDEM. Revista de Estudios de las Mujeres 8 (December 27, 2020): 332. http://dx.doi.org/10.25115/raudem.v8i0.4356.

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Salvatore Bartolotta, María Angélica Giordano Paredes & María Gracia Moreno Celeghin. Las Maestras. Antología de textos sobre la educación de las mujeres en el siglo XIX y XX. Sevilla: ArCiBel Editores, S. L, 2019. ISBN: 978-84-15335-87-0.

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4

Brogiolo, Gian Pietro. "Sepolture privilegiate altomedievali nel monastero di S. Salvatore di Brescia." Hortus Artium Medievalium 10 (January 2004): 15–24. http://dx.doi.org/10.1484/j.ham.2.305292.

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5

Gonzalo Carbó, Antoni. "El blanco inaudible: G. Richter [Cage 1-6]; H. Holliger [Scardanelli-Zyklus]; S. Sciarrino [Un’immagine di Arpocrate (Su frammenti di Goethe e Wittgenstein)]." Matèria. Revista internacional d'Art, no. 20 (July 14, 2022): 131–56. http://dx.doi.org/10.1344/materia2022.20.7.

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En Über das Geistige in der Kunst (De lo espiritual en el arte), Wassily Kandinsky afirma que «el blanco suena como un silencio que de pronto puede comprenderse». Esta frase es citada por el compositor italiano Salvatore Sciarrino (Palermo, 1947), para expresar el sentido último de su música: «una música que ha perdido el elemento sonoro», «una música que nace en el silencio y vuelve al silencio», «dal nulla al nulla». El presente artículo analiza la importancia que el color blanco reviste en la creación contemporánea para expresar simbólicamente el silencio absoluto, lo inaudible, una alquimia sonora insondable, reflejado en los campos de la pintura abstracta –Gerhard Richter [Cage 1-6, 2006], serie de pinturas inspiradas en el silencio de John Cage– y la música –Heinz Holliger [Scardanelli-Zyklus, 1975-91], sobre el silencio del Hölderlin tardío; Salvatore Sciarrino [Un’immagine di Arpocrate (Su frammenti di Goethe e Wittgenstein), 1974-79], composición que contempla el silencio último del Tractatus de Wittgenstein: «De lo que no se puede hablar hay que callar».

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6

Güthoff, Elmar. "Berlingò, Salvatore, Casuscelli, Giuseppe, Codice del diritto ecclesiastico. Mailand: Giuffrè 31993. XII, 758 S." Archiv für katholisches Kirchenrecht 163, no. 2 (June 14, 1994): 661–62. http://dx.doi.org/10.30965/2589045x-16302051.

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7

EFRATI, SHLOMI. "Lost and found manuscripts of Targum." Journal of Jewish Studies 75, no. 1 (April 3, 2024): 82–91. http://dx.doi.org/10.3828/jjs.2024.75.1.82.

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In this article I describe the re-identification of two Targum manuscripts thought to be lost. (1) A Pentateuch with Targum formerly held in the convent of S. Salvatore, Bologna (Kennicott 532): I show that the lost manuscript is identical with MS. Vatican ebr. 608, and provide an updated catalogue summary of the Hebrew manuscripts from the convent’s library. (2) A manuscript of Writings Targums in Turin, National University Library, 22 (A.II.2): an examination of the restored remains of the manuscript reveals it contains a hitherto unknown copy of the Aramaic Dream of Mordecai.

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8

Bramorski, Jacek. "„DAMMI DA BERE”. La spiritualità brigidina di fronte alle sfide attuali della vita consacrata." Teologia i Moralność 18, no. 2 (34) (December 29, 2023): 265–79. http://dx.doi.org/10.14746/tim.2023.34.2.17.

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Lo scopo di questo articolo è quello di presentare la spiritualità brigidina di fronte alle sfi de attuali della vita consacrata. Pertanto, un’analisi dei testi della fondatrice dell’Ordine del Santissimo Salvatore, patrona d’Europa, S. Brigida di Svezia, e la rinnovatrice dell’Ordine nel XX secolo, S. Elisabetta Hesselblad. Come punto di partenza per l’analisi è stato scelto un brano del Vangelo di san Giovanni, che racconta l’incontro tra Gesù e la Samaritana. In questo episodio evangelico troviamo uno stimolo a riscoprire il senso della vita consacrata. Un’attenta analisi dei testi di S. Brigida di Svezia e di S. Elisabetta Hesselblad mostra la loro pertinenza nel contesto dell’insegnamento contemporaneo della Chiesa sulla vita consacrata. Dopo tanti secoli, il cammino spirituale tracciato dalle fondatrici parla alla modernità. Sono vere maestre di vita cristiana e profetesse dei tempi nuovi. I loro pensieri, saldamente radicati nella Parola di Dio, ci permettono di trovare risposte ai dilemmi e alle sfide contemporanee della vita consacrata. La spiritualità delle Brigidine è sfaccettata e complessa, tutto da riscoprire nella sua attualità.

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9

Goodrich, Jonathan N. "Book Reviews : HOTEL AND MOTEL MANAGEMENT AND OPERATIONS by William S. Gray and Salvatore C. Liguori." Journal of Travel Research 29, no. 3 (January 1991): 63. http://dx.doi.org/10.1177/004728759102900317.

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10

Pazienza, Annamaria, and Veronica West-Harling. "Networking Nuns: Imperial Power and Family Alliances at S. Salvatore di Brescia (c. 837-61)." Journal of Medieval Monastic Studies 10 (January 2021): 9–39. http://dx.doi.org/10.1484/j.jmms.5.125357.

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Books on the topic "Salvatore e S"

1

Torre, Gioanni dalla. La barriera fatta nel Castello di S. Salvatore. Susegana: Amministrazione comunale, Biblioteca comunale, 1991.

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2

Cielo, Luigi R. L' abbaziale normanna di S. Salvatore de Telesia. Napoli: Edizioni scientifiche italiane, 1995.

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3

Caredda, Sara, and Ramon Dilla Martí. Il taumaturgo universale: Iconografia e culto di S. Salvatore da Horta. Cagliari: PFTS University Press, 2020.

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4

Marcucci, M., and Silvia Guideri. S. Salvatore di Giugnano: Un monastero tra storia e architettura nel territorio di Roccastrada. Roccastrada (Grosseto): Il mio amico, 2001.

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5

1910-, Mastroianni Umberto, De Santi Floriano, Pio sodalizio dei Piceni in Roma., and Centro studi dell'opera di Umberto Mastroianni., eds. Museo donazione Umberto Mastroianni: Complesso monumentale di San Salvatore in Lauro = Donation Museum Umberto Mastroianni : monumental complex of S. Salvatore in Lauro. Roma: Il cigno Galileo Galilei, 1996.

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6

Quaglino, Laura Palmucci. Itinerario attraverso i teatri ottocenteschi dell'alessandrino: Cassale, Acqui, Tortona, Novi, Valenza, S. Salvatore. Alessandria: Edizioni dell'Orso, 1985.

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7

1946-, Russo Eugenio, ed. La basilica del Salvatore poi di S. Giovanni al Laterano cattedrale di Roma. San Marino, Repubblica di San Marino: Asset Banca, 2013.

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8

Bergamaschi, Maria Bettelli. Seta e colori nell'alto medioevo: Il siricum del Monastero bresciano di S. Salvatore. Bologna: Cisalpino, 1994.

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9

Palmucci, Laura. Itinerario attraverso i teatri Ottocenteschi dell'Alessandrino: Casale, Acqui, Tortona, Novi, Valenza, S. Salvatore. Alessandria: Edizioni dell'Orso, 1985.

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10

Clara, Stella, Brentegani Gerardo, Spinelli Giovanni, Brescia (Italy). Assessorato alla cultura., and Brescia (Italy). Civici musei d'arte e storia., eds. S. Giulia di Brescia: Archeologia, arte, storia di un monastero regio dai Longobardi al Barbarossa : atti del convegno. Brescia: Grafo, 1992.

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Book chapters on the topic "Salvatore e S"

1

Lazzari, Tiziana. "Bertha, amatissima. L’azione politica della figlia di Berengario I, badessa di S. Sisto e di S. Salvatore di Brescia, nel regno italico del secolo X." In I Longobardi a Venezia, 195–203. Turnhout, Belgium: Brepols Publishers, 2020. http://dx.doi.org/10.1484/m.hama-eb.5.118877.

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2

Falkenhausen, Vera von. "Onouphrios, Archimandrit von S. Salvatore de Lingua Phari, und die Erzbischöfe von Messina." In Prosopon Rhomaikon, edited by Alexander Beihammer, Bettina Krönung, and Claudia Ludwig. Berlin, Boston: De Gruyter, 2017. http://dx.doi.org/10.1515/9783110533804-016.

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3

Dalivalle, Margaret, Martin Kemp, and Robert B. Simon. "Introduction." In Leonardo's Salvator Mundi and the Collecting of Leonardo in the Stuart Courts, 1–2. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198813835.003.0001.

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The Introduction sets the scene for the rest of the book, namely, the case of the lost and found masterpiece by Leonardo da Vinci, the Salvator Mundi. The book aims to set out a comprehensive analysis of this essential addition to Leonardo‗s oeuvre, which emerged in 2005. The aim is to serve as an introduction to the study of this painting and a reference for future explorations which it is hoped this text will provoke. The book considers three facets of the story but does not cover every aspect, leaving the case open for further discussion.

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4

Elliott, J. K. "Veronica." In The Apocryphal Jesus, 109–11. Oxford University PressOxford, 1996. http://dx.doi.org/10.1093/oso/9780198263845.003.0009.

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Abstract Veronica in the Latin tradition, and Bernice or Berenice in the Greek, is the woman who is identified in apocryphal texts (such as the Acts of Pilate and the Book of the Resurrection of Jesus Christ by Bartholomew the Apostle) as the unnamed woman cured by Jesus of her issue of blood in Mark 5: 25. The later apocryphal tradition in the medieval text known as the Vindicta Salvatoris (or the Avenging of the Saviour) names Veronica as the woman who wiped Christ ‘s face with a cloth. According to the legend, the image of his face was preserved on the cloth. The story in the Vindicta Salvatoris, from which the extract below is taken, tells how Titus, a convert to Christianity, came with Vespasian in order to destroy the enemies of Christ by overthrowing Jerusalem. The Emperor, Tiberius, then sent his kinsman, Velosian, to Jerusalem to locate Veronica and her cloth, so that through it he (the Emperor) could be cured of an illness. The tone throughout much of this book is anti-Jewish. (The medieval Latin text known as the Mars Pilati also tells of Veronica and her wonder-working kerchief.) From the eighth century a ‘veil of Veronica ‘ has been preserved in Rome, from the end of the thirteenth century in St Peter ‘s. In the fourteenth and fifteenth centuries it was the object of much veneration, as it was believed to effect cures. But Veronica has been given a place of continuing devotion in Christian practice because of the Stations of the Cross.

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5

"S. PATRIS EPHRAEM SYRI SERMO, DE PASSIONE SALVATORIS NOSTRI IESU CHRISTI." In Works Found in Greek Attributed to Ephrem, edited by Gerhard Vossius, 692–97. Piscataway, NJ, USA: Gorgias Press, 2010. http://dx.doi.org/10.31826/9781463224615-022.

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6

Dalivalle, Margaret, Martin Kemp, and Robert B. Simon. "Epilogue." In Leonardo's Salvator Mundi and the Collecting of Leonardo in the Stuart Courts, 280–86. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198813835.003.0017.

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The Epilogue looks at two sustained and focused discussions by cataloguers of Leonardo paintings. The first is by Luke Syson in the London catalogue. The second is in the latest edition of Frank Zöllner‗s monograph, which has become a standard point of reference for information on Leonardo’s painted oeuvre and assessment of the status of each work. The Epilogue concludes that whatever the fate of this painting, the art world should regard itself as privileged to have such a significant painting in its domain.

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7

"19 cpg 4908 In S. Ascensionem Domini Nostri et Salvatoris Iesu Christi." In Preaching after Easter: Mid-Pentecost, Ascension, and Pentecost in Late Antiquity, 425–29. BRILL, 2016. http://dx.doi.org/10.1163/9789004315549_021.

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8

"S. PATRIS EPHRAEM SYRI SERMO, IN TRANFIGURATIONEM DOMINI & DEI, & SALVATORIS NOSTRI IESU CHRISTI." In Works Found in Greek Attributed to Ephrem, edited by Gerhard Vossius, 686–92. Piscataway, NJ, USA: Gorgias Press, 2010. http://dx.doi.org/10.31826/9781463224615-021.

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9

"S. PATRIS EPHRAEM SYRI ENCOMIUM, IN OMNE SANCTOS MARTYRES SALVATORIS IESU CHRISTI, QUI IN TOTO MUNDO MARTYRIUM SUNT PASSI." In Works Found in Greek Attributed to Ephrem, edited by Gerhard Vossius, 740–44. Piscataway, NJ, USA: Gorgias Press, 2010. http://dx.doi.org/10.31826/9781463224615-031.

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