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Journal articles on the topic 'Salvatore A'

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Published: 11 March 2023

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1

Salvatore, Gaston. "From ‘Büchner's Death’ —to Stalin's." New Theatre Quarterly 6, no. 24 (November 1990): 343–48. http://dx.doi.org/10.1017/s0266464x00004905.

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Gaston Salvatore was born in Valparaiso, Chile, in 1941, of an upper middle class Chilean mother and an Italian father. After completing a degree in law, he went to Berlin in 1965, where he studied sociology, and together with Rudi Dutschke became one of the leaders of the student protest movement. He was arrested and obliged to leave Germany in 1969, returning briefly to Chile. In the early ‘seventies he went to Rome, where he worked with Michelangelo Antonioni. One of the results of that collaboration was his novel. Der Kaiser von China, published in 1979. He began his work in German with a cycle of poems, Der langwierige Weg in die Wohnung Natascha Ungeheurs, set to music by Hans Werner Henze, in 1970. His German theatre pieces include Büchners Tod (1972), Fossilien (1975), Freibrief (1977), Tauroggen (1978), Stalin (1985), and Lektionen der Finsternis (1989). A novel, Der Mann mit der Trommel, was published in 1974, and Salvatore's most recent work in that form, Waldemar Müller – ein deutsches Schicksal, appeared in 1982. Gaston Salvatore is co-editor with Hans Magnus Enzensberger of the Trans-Atlantik review, and also writes for Stern, Der Spiegel, and the Frankfurter Allgemeine Zeitung. He now lives in Venice. The following interview with Salvatore by Alessandro Tinterri, one of the directors of the Actors’ Museum of Genova, took place in Venice in 1989, following two Italian productions of Salvatore's Stalin in a single season – one by the Compagnia del Collettivo di Parma, with Gigi Dall' Aglio and Michele De Marchi, and another by the Teatro di Sardegna, with Raf Vallone. The original German production opened in Berlin, at the Schiller-Theater on 31 October 1987, and was followed by several other productions, including one directed by Salvatore himself at Karlsruhe. In 1988 George Tabori staged the play at the Burgtheater in Vienna, with a woman, Angelica Damrose, in the title role. Alessandro Tinterri sets out in this interview to examine the background to Gaston Salvatore's work and to trace the multi-cultural pathways that have led to his present standing in the European, and especially German, theatre.

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2

Weinberg, Henry. "For Salvatore." Perspectives of New Music 34, no. 1 (1996): 230. http://dx.doi.org/10.2307/833503.

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3

Giannini, Marcelo, and Fabrício Mezzomo Collares. "Sauro Salvatore." Journal of Clinical Dentistry and Research 17, no. 3 (November 20, 2020): 24–35. http://dx.doi.org/10.14436/2447-911x.17.3.024-035.int.

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PhD em “Dental Biomaterials Research Pre-clinical Dentistry” e Pós-Doutorado em “Dental Biomaterials/Pre-clinical Dentistry” pela King’s College London Dental Institute, Londres, Reino Unido. Professor da área de “Dental Biomaterials and Minimally Invasive Dentistry” do Departamento de Odontologia da Faculdade de Ciências da Saúde da Universidad CEU Cardenal Herrera, na cidade de Valência, Espanha. Coordenador do “Dental Research” e responsável pelo grupo de pesquisa “In Situ Dental Tissues Engineering and Minimally Invasive Therapeutic Adhesive Rehabilitation”, da Universidad CEU Cardenal Herrera. Professor Honorário da Faculdade de Odontologia do King’s College London Dental Institute. Professor Honorário da Faculdade de Odontologia da Universidade de Hong Kong. Professor Visitante da Faculdade de Odontologia da Universidade Sechenov, Moscou, Rússia. Mais de 100 artigos científicos publicados em revistas internacionais, com colaboração de renomados pesquisadores. Detentor de três patentes. Participa do corpo de revisores de várias revistas. Vice-presidente do “Dental Material Group” da International Association of Dental Research.

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4

Vecchio, Giancarlo. "Gaetano Salvatore." L'Endocrinologo 7, no. 3 (September 2006): 157–59. http://dx.doi.org/10.1007/bf03344549.

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5

Dudko, Iryna. "LANGUAGE IS THE MOST IMPORTANT NATIONAL IDENTIFIER." Bulletin of Taras Shevchenko National University of Kyiv. Literary Studies. Linguistics. Folklore Studies, no. 30 (2021): 16. http://dx.doi.org/10.17721/1728-2659.2021.30.17.

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6

Karofsky, Paul I. "Interview with Massimo Ferragamo." Family Business Review 11, no. 2 (June 1998): 165–68. http://dx.doi.org/10.1111/j.1741-6248.1998.00165.x.

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Massimo Ferragamo is the youngest of six children of Wanda and the late Salvatore Ferragamo. Massimo, with his siblings and mother, has built Salvatore Ferragamo, SpA, into one of the world's most highly recognized prestige brands of apparel and fashion ac- cessories. On May 14, 1997, Paul Karofsky met with Massimo Ferragamo in New York City. During the interview Karofsky asked Ferragamo to expand on and update several significant issues explored in the 1993 Harvard Business School case study of Salvatore Ferragamo, SpA.

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7

Bianchera, Luciana, Giorgio Cavicchioli, Stefano Mennella, Angelo Silvestri, Alessandra Furin, and Cristiano Di Salvo. "Intervista a Salvatore Inglese." GRUPPI, no. 2 (February 2020): 13–31. http://dx.doi.org/10.3280/gru2019-002002.

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8

BENNETT, MARTIN. "Improvisations on Salvatore Quasimodo." Arion: A Journal of the Humanities and the Classics 19, no. 2 (2011): 17–30. http://dx.doi.org/10.1353/arn.2011.0016.

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9

Majia, Jidi. "For Salvatore Quasimodo’s Enemies." Manoa 30, no. 1 (2018): 67. http://dx.doi.org/10.1353/man.2018.0075.

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10

Frisani, Mauro, and Fabrizio Zeri. "Salvatore Pintus – 1955–2019." Contact Lens and Anterior Eye 43, no. 2 (April 2020): 98. http://dx.doi.org/10.1016/j.clae.2020.01.005.

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11

Vesentini, Edoardo. "1999 Gaetano Salvatore Prize." Journal of Endocrinological Investigation 22, no. 1 (January 1999): 90. http://dx.doi.org/10.1007/bf03345486.

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12

Pałucki, Jerzy. "Jezus jako Zbawiciel w nauczaniu Paulina z Noli." Verbum Vitae 1 (June 15, 2002): 253–69. http://dx.doi.org/10.31743/vv.1321.

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La teologia di Paolino di Nola nasce dalla sua contemplazione della persona di Cristo-Salvatore. E una teologia tutta centrata sul ruolo di Ges nella storia della salvezza e nella vita di ogni uomo battezzato. Per ogni cristiano Gesu Salvatore Fonte della grazia, paragonata all'acqua che purifica e d la vita. Cristo come una pietra della quale costantemente zampilla per loro l'acqua viva dello Spirito Santo. Nel Cristo-Salvatore si rivela anche la misericordia di Dio verso le sue creature. La sua morte salvifica unisce il popolo eletto con i popoli pagani, creando un unico popolo di Dio; vince pure la dicotomia generata dal peccato originale nel'uomo.

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13

MacLean, Nancy. "Getting New Deal History Wrong." International Labor and Working-Class History 74, no. 1 (2008): 49–55. http://dx.doi.org/10.1017/s014754790800015x.

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Jefferson Cowie and Nick Salvatore have written an ambitious and provocative essay. Ranging across more than a hundred years of history in less than half as many manuscript pages, it seeks to unlock deep secrets of the American past. The New Deal, Cowie and Salvatore argue, constitutes a lone “long exception” in a history otherwise determined by “a deep and abiding individualism” so definitive of U.S. political culture that it dooms any radical rupture in advance. Presenting themselves as realists, Cowie and Salvatore claim that their interpretation of the long sweep of national history “can provide a more stable intellectual foundation on which to build discussions of present and future politics.” I disagree, and the reasons why matter.

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14

Maffettone, Sebastiano. "Salvatore Veca: filosofo e intellettuale pubblico." Rivista Italiana di Filosofia Politica, no. 3 (January 25, 2023): 291–302. http://dx.doi.org/10.36253/rifp-2028.

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The article aims at showing Salvatore Veca’s philosophical thought, from the classical figures of the beginnings of his reflection (in particular Kant and Marx), to his encounter with Rawls’ political philosophy and up to the recent developments. The author also emphasises the importance of Salvatore Veca as a philosopher tout court and public intellectual.

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15

Krasowska, Anna. "Strukturalna analiza dowcipu – o modelu izotopijno-dysjunkcyjnym Salvatore Attardy z perspektywy kilku dekad." Biuletyn Polskiego Towarzystwa Językoznawczego LXXVIII, no. 78 (December 31, 2022): 169–82. http://dx.doi.org/10.5604/01.3001.0016.2017.

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Celem artykułu jest krytycznie omówienie modelu izotopijno-dysjunkcyjnego (IDM) stworzonego przez Salvatore Attardę na potrzeby analizy dowcipów językowych. Autorka przedstawia główne założenia tego modelu ze szczególnym uwzględnieniem zagadnień takich jak izotopia, przełączniki izotopii i funk- cje narracyjne. Omawia także późniejsze próby rozwijania IDM, włączając własną propozycję dotyczącą zwiększenia liczby przełączników. A structural analysis of a joke. Salvatore Attardo’s isotopy-disjunction model from the perspective of several decades Abstract The paper critically discusses the isotopy-disjunction model (IDM) developed by Salvatore Attardo for the analysis of verbal and referential jokes. We present the main assumptions of the IDM model, focusing on issues such as isotopy, isotopy triggers and narrative functions. The paper also addresses subsequent attempts to develop the IDM model, including the present author’s proposal to increase the number of triggers.

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16

Contat, Michel. "Lettre à Daniel Salvatore Schiffer." Les Temps Modernes 673, no. 2 (2013): 218. http://dx.doi.org/10.3917/ltm.673.0218.

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17

Viganò, Federica. "Salvatore Settis, Futuro del classico." Rivista di estetica, no. 32 (August 1, 2006): 201–3. http://dx.doi.org/10.4000/estetica.6494.

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18

The Board of ICCA. "The Professor Gaetano Salvatore Grant." ICGA Journal 20, no. 4 (December 1, 1997): 281. http://dx.doi.org/10.3233/icg-1997-20418.

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19

Heutger, Viola. "Das wissenschaftliche Vermächtnis Salvatore Riccobonos." Zeitschrift der Savigny-Stiftung für Rechtsgeschichte: Romanistische Abteilung 137, no. 1 (August 21, 2020): 656–59. http://dx.doi.org/10.1515/zrgr-2020-0061.

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20

Bifulco, Maurizio. "Remembering Professor Gaetano “Nino” Salvatore." Endocrine 61, no. 1 (August 7, 2017): 173–74. http://dx.doi.org/10.1007/s12020-017-1376-4.

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21

Bertrand, Pascal-François. "Salvatore Settis, Futuro del « classic." Anabases, no. 1 (March 1, 2005): 301–3. http://dx.doi.org/10.4000/anabases.1507.

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22

Bianco, Maria. "Salvatore Quasimodo, La Lyre grecque." Anabases, no. 29 (April 14, 2019): 395–97. http://dx.doi.org/10.4000/anabases.9508.

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23

S̆vestka, Zdenĕk. "Giuseppe Salvatore Vaiana 1935–1991." Acta Astronautica 35, no. 12 (June 1995): 817. http://dx.doi.org/10.1016/0094-5765(95)90069-1.

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24

Mancuso, S. "Specialist Life—Prof. Salvatore Mancuso." European Journal of Obstetrics & Gynecology and Reproductive Biology 115, no. 2 (August 2004): 249–50. http://dx.doi.org/10.1016/j.ejogrb.2004.02.012.

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25

Costa, Valeriano Dos Santos. "Os sinais do Mistério de Cristo. Teologia litúrgica dos sacramentos, espiritualidade e Ano Litúrgico." Revista de Cultura Teológica. ISSN (impresso) 0104-0529 (eletrônico) 2317-4307, no. 70 (June 13, 2013): 150. http://dx.doi.org/10.19176/rct.v0i70.15417.

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26

Conti-Odorisio, Ginevra. "Salvatore Morelli : L'esprit européen de l'émancipation." Les Cahiers du GRIF 48, no. 1 (1994): 151–63. http://dx.doi.org/10.3406/grif.1994.2063.

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27

Lavrova, Svetlana V. "The Naturalistic Conception of Salvatore Sciarrino." Music Scholarship / Problemy Muzykal'noj Nauki, no. 1 (March 2015): 24–27. http://dx.doi.org/10.17674/1997-0854.2015.1.18.024-027.

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28

Reverdy, Thomas. "Salvatore Maugeri (Ed.), Délit de gestion." Sociologie du travail 45, no. 3 (July 1, 2003): 446–49. http://dx.doi.org/10.4000/sdt.32201.

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29

Ciliberto, Michele. "Salvatore Camporeale e gli studi sull'Umanesimo." MLN 119, no. 1a (2004): S41—S46. http://dx.doi.org/10.1353/mln.2004.0029.

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30

Stephens, Walter. "Salvatore I. Camporeale, 1928-2002: Preface." MLN 119, no. 1a (2004): S1—S5. http://dx.doi.org/10.1353/mln.2004.0037.

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31

Ciliberto, Michele. "Salvatore Camporeale e gli studi sull'Umanesimo." MLN 119, no. 1 (2004): S41—S46. http://dx.doi.org/10.1353/mln.2004.0143.

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32

Stephens, Walter. "Salvatore I. Camporeale, 1928-2002: Preface." MLN 119, no. 1 (2004): S1—S5. http://dx.doi.org/10.1353/mln.2004.0151.

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33

Sollberger, Harvey. "Un Mazzo di Fiore per Salvatore." Perspectives of New Music 34, no. 1 (1996): 228. http://dx.doi.org/10.2307/833502.

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34

Palescandolo, Frank J. "SALVATORE DI GIACOMO'S “LASSAMO FA' DIO”." Forum Italicum: A Journal of Italian Studies 28, no. 2 (September 1994): 391–413. http://dx.doi.org/10.1177/001458589402800212.

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35

Silvestre Miralles, Alicia. "Attardo, Salvatore (2020). The Linguistics of Humor: An Introduction, Oxford: Oxford University Press. ISBN: 9780198791287. 496 Páginas." ELUA, no. 35 (May 4, 2021): 349. http://dx.doi.org/10.14198/elua2021.35.20.

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36

Villani, Marianicola. "Salvatore S, ITALIA S.p.A. L’assalto al patrimonio culturale." Journal of Public Finance and Public Choice 20, no. 2 (October 1, 2002): 194–95. http://dx.doi.org/10.1332/251569202x15665366114941.

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37

Pierangeli, Fabio. "Para Salvatore Martino: do mito e retorno." Alea : Estudos Neolatinos 8, no. 1 (January 2006): 137–51. http://dx.doi.org/10.1590/s1517-106x2006000100010.

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38

Pose, Lucía. "Ricardo D. Salvatore, Paisanos itinerantes. Orden estatal y experiencia subalterna en Buenos Aires durante la era de Rosas. Ciudad Autónoma de Buenos Aires, Prometeo, 2018, Historia Argentina, 538 páginas." Orbis Tertius 25, no. 31 (May 11, 2020): e157. http://dx.doi.org/10.24215/18517811e157.

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39

Cosentino, Salvatore, Mario Urso, Giacomo Torrisi, Sergio Battiato, Francesco Priolo, Antonio Terrasi, and Salvo Mirabella. "Correction: High intrinsic activity of the oxygen evolution reaction in low-cost NiO nanowall electrocatalysts." Materials Advances 1, no. 7 (2020): 2542. http://dx.doi.org/10.1039/d0ma90028a.

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40

Tronina, Antoni. "Jozue - Jezus. Biblijna typologia zbawiciela." Verbum Vitae 1 (June 15, 2002): 41–56. http://dx.doi.org/10.31743/vv.1314.

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L'autore del saggio propone una lettura tipologica dei testi biblici riguardanti Giosue. La prima parte mostra una visione panoramica del grande personaggio nelle tradizioni letterali dell'Antico Testamento. Continuando questo tema, la parte seconda (cosidetti testi intertestamentali) contiene una prova dellapprofondire il ruolo di Giosue nella storia di salvezza. Nella parte ultima (Giosue come figura del Salvatore) vogliamo dimostrare la riflessione sul valore tipologico della persona e dellopera di Giosue nei scritti del Nuovo Testamento e nella tradizione della Chiesa. I cristiani leggono il Libro di Giosue come prefigurazione dellopera salvifica di Gesù Cristo, compiuta sulla Croce. Come Giosue sostituisce il Legislatore Mose, cos lordine di grazia in Gesù Salvatore sostituisce lantico ordine della Legge.

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41

Strivay, Lucienne. "Salvatore D’Onofrio, Le Sauvage et son double." Gradhiva, no. 15 (May 16, 2012): 230–31. http://dx.doi.org/10.4000/gradhiva.2415.

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42

Sacchelli, Oreste. "Intellettuali al bivio: Valzer, di Salvatore Maira." Narrativa, no. 31/32 (January 1, 2010): 303–13. http://dx.doi.org/10.4000/narrativa.1640.

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43

Vannozzi, Francesca, and Davide Orsini. "Il segnalamento del delinquente di Salvatore Ottolenghi." Acta medico-historica Adriatica 20, no. 1 (2022): 139–53. http://dx.doi.org/10.31952/amha.20.1.7.

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I dermatoglifi, essendo completamente diversi da un essere umano all’altro, segnalano la diversità umana. Per questo motivo, e per le loro caratteristiche di unicità, classificazione e inalterabilità, le creste papillari sulla punta delle dita rappresentano elementi di una sicura differenziazione tra una persona e l’altra. Di conseguenza, le impronte digitali sono molto utili nell’identificazione di un essere umano.Salvatore Ottolenghi fu il primo ad utilizzare il sistema di impronte digitali per identificare gli individui e introdusse questo sistema nel suo “Cartellino di riconoscimento” nel 1902. Essendo sicuro della validità scientifica di questo metodo, lo considerava libero da potenziale interpretazione personale. Secondo lui “le impronte digitali, per loro natura, formano disegni speciali dalla nascita; questi non cambieranno per tutta la vita e saranno assolutamente diversi da un essere umano a un altro”. Questo metodo di identificazione delle impronte digitali fu immediatamente perfezionato da Giovanni Gasti, scelto da Salvatore Ottolenghi come suo assistente personale presso la Scuola di Polizia Scientifica. Per questo motivo, il metodo è stato chiamato “Sistema Gasti (Sistema Gasti)”. Fu usato per tutto il Novecento.

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44

Palm, Kiri. "Can’t Take That Away by Steven Salvatore." Bulletin of the Center for Children's Books 74, no. 7 (2021): 314. http://dx.doi.org/10.1353/bcc.2021.0119.

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45

Cipriani, Emilio. "Salvatore Satta e la centralitŕ del processo." RITORNO AL DIRITTO, no. 7 (February 2009): 29–42. http://dx.doi.org/10.3280/rit2008-007007.

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46

Bifulco, Maurizio. "In Memory of Nino Salvatore: Tenth Anniversary." Thyroid 18, no. 1 (January 2008): 91–92. http://dx.doi.org/10.1089/thy.2007.0368.

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47

Kennedy, Peter. "DL Salvatore Levantino Visits Cork, Ireland [Chapters]." IEEE Solid-State Circuits Magazine 11, no. 1 (2019): 64. http://dx.doi.org/10.1109/mssc.2018.2882028.

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48

Kohn, Robert E. "Salvatore model with equiproportional preservation of forests." Open Economies Review 6, no. 1 (January 1995): 63–79. http://dx.doi.org/10.1007/bf00999044.

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49

Belmont, Nicole. "Salvatore D’Onofrio, Le Sauvage et son double." Cahiers de littérature orale, no. 70 (December 30, 2011): 175–77. http://dx.doi.org/10.4000/clo.1372.

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50

Bordoni, Stefano. "Compte rendu de Salvatore Ricciardo : «Robert Boyle : un naturalista scettico»." Revue des questions scientifiques 189, no. 1-2 (January 1, 2018): 206–8. http://dx.doi.org/10.14428/qs.v189i1-2.68783.

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Ricciardo (Salvatore), Robert Boyle : un naturalista scettico. – Brescia : Editrice Morcelliana, 2016. – 441 p. – (Quaderni per l’Università ; 16). – 1 vol. broché de 15 × 21 cm. – 32,00 €. – isbn 978-88-372-2903-0.

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