Academic literature on the topic 'Saltimbanchi'
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Journal articles on the topic "Saltimbanchi"
Jent, Deanna. "COLOMBAIONI PRESENT I SALTIMBANCHI." Theater 18, no. 3 (1987): 46–48. http://dx.doi.org/10.1215/01610775-18-3-46.
Full textTamburri (book author), Anthony Julian, and Antonio Franceschetti (review author). "Of Saltimbanchi and Incendiari. Aldo Palazzeschi and Avant-Gardism in Italy." Quaderni d'italianistica 12, no. 1 (April 1, 1991): 168. http://dx.doi.org/10.33137/q.i..v12i1.10538.
Full textDantas, Fábio de Sousa. "Os Saltimbancos." Letras & Letras 36, especial (November 26, 2020): 68–84. http://dx.doi.org/10.14393/ll63-v36nesp-2020-5.
Full textDe Paula Eduardo, Andre, Maria Ignes Carlos Magno, and Felipe Abramovictz. "Alegorias do regime autoritário:." ALCEU 22, no. 47 (October 10, 2022): 82–101. http://dx.doi.org/10.46391/alceu.v22.ed47.2022.74.
Full textCottini, Luca. "Pierrot, Perelà, and the Italian Saltimbanco: French fumisme and the Italian Modernist Imagination." Incontri. Rivista europea di studi italiani 33, no. 2 (December 20, 2018): 27. http://dx.doi.org/10.18352/incontri.10266.
Full textCardoso, Elizabeth. "FADAS E PIVETES: A INFÂNCIA EM CHICO BUARQUE." Revista Leia Escola 18, no. 1 (July 31, 2018): 29–42. http://dx.doi.org/10.35572/rle.v18i1.1107.
Full textMagno, Maria Ignes Carlos, André Gustavo de Paula Eduardo, and Felipe Abramovictz. "A abertura política através dos filmes de Os Trapalhões na década de 1980." Comunicação & Educação 26, no. 1 (July 15, 2021): 192–208. http://dx.doi.org/10.11606/issn.2316-9125.v26i1p192-208.
Full textDos Santos, Elaine. "TEATRO ITINERANTE: ESPAÇO DA MEMÓRIA E DA CULTURA POPULARES — O TEATRO DE LONA SERELEPE." A Cor das Letras 9, no. 1 (March 3, 2017): 91. http://dx.doi.org/10.13102/cl.v9i1.1542.
Full textBona, Rafael Jose. "Antropofagia, influxos de mídia e consumo:." INTERIN 25, no. 2 (June 22, 2020): 205–21. http://dx.doi.org/10.35168/1980-5276.utp.interin.2020.vol25.n2.pp205-221.
Full textCavalcanti, Fernanda, and Ana Cristina Pelosi. "As metáforas animais e suas implicações interacionais." Scripta 20, no. 40 (December 23, 2016): 272. http://dx.doi.org/10.5752/p.2358-3428.2016v20n40p272.
Full textDissertations / Theses on the topic "Saltimbanchi"
Sacchi, Wellington. "A identidade saltimbanco." [s.n.], 2009. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284025.
Full textDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes
Made available in DSpace on 2018-08-14T19:18:53Z (GMT). No. of bitstreams: 1 Sacchi_Wellington_M.pdf: 50359223 bytes, checksum: dedccbaa652c9492b898ea37bfa6f4ea (MD5) Previous issue date: 2009
Resumo: Essa pesquisa teve como objetivo central aproximar-se do conteúdo identitário do artista circense para conseguir estabelecer reflexões a respeito da identidade saltimbanco. Diante das diversas possibilidades que se instauram na busca desse complexo que é a identidade, procurou-se estabelecer inicialmente um cenário de onde pudessem ser extraídos dados específicos que levassem a analises com a riqueza de conteúdo suficientes. Para tanto foi escolhido o circo como objeto de estudos e conseqüentemente o grupo de circenses que o integra como fonte de dados. A proposta para alcançar essa coleta dentro da pesquisa foi definida a partir da possibilidade de representações desse grupo em questão através, preponderantemente, de imagens fotográficas, produzidas em circos que fossem escolhidos aleatoriamente. Em decorrência dessa intenção foi estruturado um trabalho de campo em dois circos distintos, primeiramente o Circo Mundo Mágico e em seguida o circo Stankowich, ambos com características marcadas em serem conhecidos como circo-família que são os mais comuns encontrados no Brasil. Iniciado no ano de 2005 e finalizado no ano de 2008, foram produzidas as fotografias além de coletado outros dados, como entrevistas, captações de vídeo, diário de campo pesquisa de opinião, também necessários ao estudo. Desenvolveu-se, com as centenas de fotografias produzidas, um sistema de pranchas fotográficas, que são a reunião de algumas imagens em uma determinada folha para posterior analise. Dentre as 33 pranchas montadas passa-se a fase das analises de diversas questões que tangenciam a identidade do circense sempre com a referência dessas fotografias. Nesse sentido as imagens formaram o conteúdo principal dos resultados analíticos para o reconhecimento de diversos aspectos antropológicos do grupo pesquisado. Diante de todos esses reconhecimentos chega-se a possíveis faces do caráter identitário do circense que perpassam pelo seu corpo físico, por sua forma nômade de ser, até o picadeiro.
Abstract: This research had as a central objective to set closer of the content of circus artist identity to be able to establish reflections about circus artist identity. In front of several possibilities that began in the search of this complex that is the identity, it was establish initial scenery where could be extract specific data that led to analysis with reach and sufficient content. For that was chosen the circus as an object of studies as a result the group of artists that belong to the circus are the source of data. The proposal to achieve this collection inside the survey was defined to the point of the possibility of representation of this group cited to a large extent through photography pictures, produced in circus that were selected randomly. As a result of the previous intention was structured a field work, in two distinct circus, firstly the circus "Mundo Magico", secondly the "Stankowich" circus, both with characteristics of family circus, that are the most common found in Brazil. Initiated in the year 2005 and finalized in the year 2008 was produced the photography images besides other data collection such as, interviews, filming, field journal, opinion research, also necessary for the study. It was developed with hundred of photography images taken, a system of photography plates, that are a grouping of some images in a kind of paper sheet for posterior analysis. Among third three photography plates set up occurs the phase of analysis of many issues that get to close of the identity of the circus artist, always with a reference from these photography images. In this way the photography images produce the main content of analytical results for the recognition of the diverse anthropology aspects of the group of artist researched. In front of all these recognitions gets into the possible faces of the identity of the circus artist, that goes through their physical bodies, per their nomad way of being, until the circus ring.
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Pina, Paulo Simões de Almeida. "Uma história de Saltimbancos: os irmãos Teixeira, o comércio e a edição de livros em São Paulo, entre 1876 e 1929." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/8/8138/tde-16032016-140819/.
Full textStudies conducted on the book and printing history in the city of São Paulo in the last third of the 19th century frequently make reference to the publishing and book trade activities of the Portuguese-born brothers Antonio Maria and José Joaquim Teixeira. In 1888, they were the first to publish A Carne, a novel by Julio Ribeiro, and in the same year, Poesias by Olavo Bilac. Their publishing house, Livraria Teixeira, was regularly mentioned in news stories, chronicles and features published not only in the general press but also in newspapers and magazines specialized in culture. The establishment is also very much present in the memory of some inhabitants of the city of São Paulo and even in fictional pieces about the city. Such an interest is perfectly understandable, considering that, unlike many others of its kind, Teixeira also participated in an exemplary manner and for several generations in the development of the citys book market, since it remained open until the early 21st century. Its owners turned it into a meeting point for artists, writers and politicians. Nevertheless, we know very little about the Teixeira brothers and their publishing house/bookstore, only what has been passed down by their successors. The objective of this paper is to show the Teixeira brothers and their bookstore from the perspective of other sources. By following their publications, the catalogues used to divulge these editions, labels printed with the companys information and a wealth of material that was recorded by the press we attempted to retrace the steps taken by these publishers/booksellers and by their successor, José Vieira Pontes. This path revealed a fascinating story, which calls for further investigation. We expect the issues covered herein to unlock opportunities for further research on that matter.
Books on the topic "Saltimbanchi"
Madia, Claudio. Saltimbanchi a Milano. Rieti: Funambolo edizioni, 2021.
Find full textL'arte della commedia: Maschere, buffoni saltimbanchi e improvvisatori. Napoli: Cuzzolin, 2010.
Find full textI poeti-saltimbanchi e le maschere di Aldo Palazzeschi. Pisa: ETS, 2008.
Find full textOf saltimbanchi and incendiari: Aldo Palazzeschi and avant-gardism in Italy. Rutherford: Fairleigh Dickinson University Press, 1990.
Find full textI sogni di Atlante: Aedi, saltimbanchi, poetesse e musicanti nella tradizione di spettacolo popolare del Maghreb. Alberobello (Bari): Poiesis editrice, 2007.
Find full textCarrasco, Antoni. Saltimbanqui. Lleida [Spain]: Pagès Editors, 2002.
Find full textVillaça, Antonio Carlos. Os saltimbancos da Porciúncula. Rio de Janeiro: Editora Record, 1996.
Find full textMichael, Ende. Jojo: Historia de un saltimbanqui. 2nd ed. Madrid: Debate, 1994.
Find full textTerebijon, Kabushiki Kaisha Fuji. Sarutinbanko: Saltimbanco : Cirque du Soleil. [Tōkyō]: Fuji Terebijon "Sarutinbanko" Jinuku, 1994.
Find full text1942-1992, Rollo Nino, ed. Nino Rollo: Il saltimbanco nudo. Cinisello Balsamo, Milano: Silvana, 2009.
Find full textBook chapters on the topic "Saltimbanchi"
Luz, Michael Junior de Oliveira, Vivianne Carvalho Moura, Marcus Vinicius de Sousa, Félix William Medeiros Campos, Nélida Amorim da Silva, Rodrigo Aquiles da Silva, and Sabrina Moura Ferreira. "BICHARIA (READAPTAÇÃO DOS SALTIMBANCOS): UMA EXPERIÊNCIA VIVIDA NA EDUCAÇÃO INFANTIL." In Movimento Humano, Saúde e Desempenho, 97–104. Atena Editora, 2020. http://dx.doi.org/10.22533/at.ed.66120120812.
Full text"Margherita Pusterla – Saltimbanco - Distruzione di Gèrusalemme - Giovanni di Nisida - Mulattiere di Toledo." In Giovanni Pacini, 80–84. 3rd Party UK, 2018. http://dx.doi.org/10.2307/j.ctv1zcm3h1.22.
Full textMartins, Milena de Souza. "A relação entre deficiência e autonomia no processo do espetáculo “os saltimbancos” | vivência artística-educativa na APAE – Ouro Preto." In Pontilhados - pesquisas da cena universitária 2022, 288–311. Itaú Cultural, 2022. http://dx.doi.org/10.53343/9786588878385.11.
Full textRibeiro, Ana Paula Nunes da Silva, and Eduardo Henrique Cirilo Valones. "O gênero dramático em sala de aula: uma proposta pedagógica da obra Os Saltimbancos, de Chico Buarque, para o 9° ano do ensino fundamental." In Estudos sobre línguas e literaturas na educação básica, 105–33. Pimenta Cultural, 2021. http://dx.doi.org/10.31560/pimentacultural/2021.394.105-133.
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