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Relevant bibliographies by topics / Salomonen

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Academic literature on the topic 'Salomonen'

Author: Grafiati

Published: 4 June 2021

Last updated: 9 February 2022

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Journal articles on the topic "Salomonen"

1

Tronina, Antoni. "Psalmy Salomona (Psalmi Salomonis)." Vox Patrum 66 (December 15, 2016): 477–511. http://dx.doi.org/10.31743/vp.3471.

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Barnett, Claudia. "Painting As Performance Charlotte Salomon's Life? or Theatre?" TDR/The Drama Review 47, no. 1 (March 2003): 97–126. http://dx.doi.org/10.1162/105420403321250044.

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Charlotte Salomon's 1942 series of paintings, Life? or Theatre?, into which she incorporates elements of music and drama, wonders whether life and theatre are polar opposites or an engaged dialectic. Salomon anticipated the advent of performance theory by insisting on the performative qualities of her paintings. Her art exists in the unstable, ever-changing space between past and future, fact and fiction, life and death.

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DaDon, Agnes Eva, and Kotel DaDon. "Salomonova presuda – jezična analiza i interpretacija (1 Kr 3, 16-28)." Nova prisutnost XV, no. 1 (March 21, 2017): 47–63. http://dx.doi.org/10.31192/np.15.1.3.

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U ovom članku autori analiziraju slavnu presudu kralja Salomona. Riječ je o lingvističkoj analizi koja se usredotočuje na hebrejski jezik i gramatiku. Autori započinju općim uvodom o slavnoj mudrosti kralja Salomona te nastavljaju kratkim sažetkom pripovijedanja o suđenju i opisom njezine strukture. Posebna se pažnja posvećuje pojedinim izrazima (riječima) i njihovim skrivenim značenjima. Autori uspoređuju hebrejsku verziju teksta s dva najčešće korištena prijevoda na hrvatskom jeziku, onim urednikâ Jure Kaštelana i Bonaventure Dude (Kršćanska sadašnjost) te osuvremenjenim prijevodom Ivana Evanđelista Šarića, i u njima pronalaze vrlo značajne razlike u riječima koje su korištene, ali i ispuštene, u tim prijevodima na hrvatski jezik. Članak također nastoji kritički promišljati je li kralj Salomon uistinu postupio mudro svojom psihološkom presudom. Značajan dio rada jest i hipoteza da je kralj Salomon znao koja je od dviju žena prava majka prije negoli je donio presudu i da to nije saznao tek poslije. Kako bi potvrdili ovu hipotezu, autori navode razne lingvističke dokaze. Svoje istraživanje započinju pitanjem zašto nam sâma Biblija ne daje pravu pozadinu priče te na to pitanje nastoje dati odgovor u tekstu članka. Autori se u radu služe mnogim izvorima iz rabinske književnosti – od talmudskih vremena, preko srednjovjekovlja pa sve do modernog doba. Većinu ovih tekstova, izvorno napisanih hebrejskim i aramejskim, autori su sada prvi put preveli na hrvatski jezik.

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Pounders, Lisa A. "Transformation through art: exploring Jung's view of art and the relevance of Charlotte Salomon's Life? or Theater?" International Journal of Jungian Studies 8, no. 2 (May 3, 2016): 110–26. http://dx.doi.org/10.1080/19409052.2016.1140065.

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ABSTRACTThis paper explores Jung's concepts regarding art, the significant role of creativity in his notion of individuation, and art's relationship to transformation. As an illustration, it introduces Charlotte Salomon – a German Jewish artist who was murdered in the gas chambers at Auschwitz in 1943 – and her unique surviving opus, Life? or Theater? – a fictionalized autobiographical play-like work of art combining painted images, written words, and music. Applying Jung's theories as a lens, it broadly analyzes Salomon's work and considers it in light of Jung's distinction between psychological and visionary creative modes. In the process I reveal a potential material connection between Salomon and Jung, and argue that Life? or Theater? is not only artistically but also historically relevant to Jungian theory. By exploring Life? or Theater? in this way, my paper proposes that Jungian theory is a potent critical lens which can reveal a work of art's transformative nature and cultural significance.

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Poniży, Bogdan. "Autor Księgi Mądrości i czas jej powstania (1)." Ruch Biblijny i Liturgiczny 63, no. 4 (December 31, 2010): 293. http://dx.doi.org/10.21906/rbl.179.

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This article is the first part of a longer essay, which is divided into two parts. The Book of Wisdom is a special book in the Bible. It is the youngest book of the Old Testament, but Canon Muratori enlists it among the New Testament books. Many manuscripts and old translations call this book the Wisdom of Salomonos, because Salomon seemed to be the author of this work (cf. Wis 7–9). Strong arguments exclude his authorship, but it is sure, that an Israelite must have been the author. Although there are many hypotheses about the date of its birth, Sitz im Leben and the wording defend the view that the text must have been written while the Romans ruled in Egypt.

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van Alphen, Ernst. "Salomon's Work." Keeping Ourselves Alive 3, no. 2-3 (January 1, 1993): 239–53. http://dx.doi.org/10.1075/jnlh.3.2-3.09sal.

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Abstract Charlotte Salomon's painted life history took shape in an extremely gruesome period: World War II. But Salomon's personal family history is also excep-tional: Almost her whole family committed suicide. This article explores the question of whether it is meaningful, or even legitimate, to refer to a work emerging from such a violent reality as a work of art. The article focuses on the many self-reflective passages in the images and text that deal with the function of art and the ways it is made. It is argued that Salomon did not provide the fate of her family and the horrible war with a deeper meaning in order to liberate herself from their horror. She did not write a realistic account of her reality, nor did she create an alternative world for it. Rather, her life history is a performance in the strictest sense: doing the work of working through her reality. (History; art criticism) A "life-testimony" is not simply a testimony to a private life, but a point of conflation between text and life, a textual testimony which can penetrate us like an actual life. (Shoshana Felman & Dori Laub, 1992, Testimony. Crises of Witnessing in Literature, Psychoanalysis, and History, p.

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Pollock, Griselda. "Staging Subjectivity: Love and Loneliness in the Scene of Painting with Charlotte Salomon and Edvard Munch." Text Matters, no. 7 (October 16, 2017): 114–44. http://dx.doi.org/10.1515/texmat-2017-0007.

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This paper proposes a conversation between Charlotte Salomon (1917–43) and Edvard Munch that is premised on a reading of Charlotte Salomon’s monumental project of 784 paintings forming a single work Leben? oder Theater? (1941–42) as itself a reading of potentialities for painting, as a staging of subjectivity in the work of Edvard Munch, notably in his assembling paintings to form the Frieze of Life. Drawing on both Mieke Bal’s critical concept of “preposterous history” and my own project of “the virtual feminist museum” as a framework for tracing resonances that are never influences or descent in conventional art historical terms, this paper traces creative links between the serial paintings of these two artists across the shared thematic of loneliness and psychological extremity mediated by the legacy of Friedrich Nietzsche.

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Żelazny, Jan Witold. "Cyprian u Tymoteusza. Odwołania do decyzji synodalnych Cypriana z Kartaginy w polemice w Kościele Orientalnym w VIII wieku." Vox Patrum 72 (December 15, 2019): 121–30. http://dx.doi.org/10.31743/vp.4671.

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Analizowane teksty zaczerpnięte z Listów Tymoteusza I, patriarchy Bagdadu dotyczące jego sporu z Salomonem, biskupem Hedaty, sporu o uznanie ważności chrztu udzielonego we wspólnotach nie pozostających w łączności z Asyryjskim Kościołem Wschodu (Sewerianie i melkici, to jest w starszej terminologii, monofizyci i ortodoksi), nie dają podstaw do mówienia o bliskich kontaktach chrześcijan orientalnych z chrześcijanami w Afryce. Znajomość kontrowersji, z którymi borykali się Afrykańczycy jak i pism powstałych w tym kontekście w Afryce prokonsularnej na Bliskim i Środkowym Wschodzie też nie daje podstaw do formułowania kategorycznych sądów. Jest faktem odwołanie do konkretnych orzeczeń pochodzących z Kartaginy. Prezentowane cytaty mogą jednak pochodzić, równie dobrze, z kolekcji prawnych, w których zbierano orzeczenia synodów bez wnikania w kontekst ich powstania. Ten rodzaj zbiorów był rozpowszechniony w tym czasie i wiemy, że obaj adwersarze mieli do nich dostęp. Tym niemniej jedno jest pewne. Dla obu dyskutantów, Tymoteusza i Salomona, mieszkających na terenie Mezopotamii w VIII wieku, dziedzictwo synodów afrykańskich z III wieku jest ich dziedzictwem, a rozstrzygnięcia tam podjęte obowiązują także ich. Świadomość wspólnej tradycji i łączności jest aksjomatem w toczonym sporze jak i używanej argumentacji.

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Żurawska, Anna. "L’image de la mort ou l’histoire d’une sensibilité. Charlotte de David Foenkinos." Quêtes littéraires, no. 5 (December 30, 2015): 213–21. http://dx.doi.org/10.31743/ql.254.

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The aim of the article is to examine the figure of an artist in the novel Charlotte by David Foenkinos. With his text, he desires to pay homage to Charlotte Salomon, a Jewish painter murdered at age twenty-six in Auschwitz. The Salomon’s biography and works became famous thanks to the novel by Foenkinos. The great merit of his book is to make the painter recognizable to a wide public. The interpretation of the text in which central figure is a painter should include a question about the generic status of the novel, thus the reflection about the Künstlerroman, and about the status of the image in the text, the narrative processes used to make the text more plastic, the ekphrasis, etc. The problem seems interesting because Charlotte does not correspond with the traditional definition of the Künstlerroman. The narrator refers the reader to the extradégétique reality in order to make a connection between the reader and Charlotte’s painting; therefore, he focuses his story on the conception of the image and not on the image itself.

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Tomaszewicz, Wincenty. "Spotkania z Salomonem Krymem." Awazymyz. Pismo historyczno-społeczno-kulturalne Karaimów, no. 2 (31) (June 30, 2011): 4–7. http://dx.doi.org/10.33229/az.536.

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Dissertations / Theses on the topic "Salomonen"

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Lueb, Oliver [Verfasser], Brigitta [Akademischer Betreuer] Hauser-Schäublin, Brigitta [Gutachter] Hauser-Schäublin, Elfriede [Gutachter] Hermann, and Klaus [Gutachter] Schneider. "Die Macht der Artefakte : Tanzkleidung und -schmuck auf Santa Cruz, Salomonen / Oliver Lueb ; Gutachter: Brigitta Hauser-Schäublin, Elfriede Hermann, Klaus Schneider ; Betreuer: Brigitta Hauser-Schäublin." Göttingen : Niedersächsische Staats- und Universitätsbibliothek Göttingen, 2018. http://d-nb.info/1163806153/34.

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Lueb, Oliver Verfasser], Brigitta [Akademischer Betreuer] [Hauser-Schäublin, Brigitta Gutachter] Hauser-Schäublin, Elfriede [Gutachter] [Hermann, and Klaus [Gutachter] Schneider. "Die Macht der Artefakte : Tanzkleidung und -schmuck auf Santa Cruz, Salomonen / Oliver Lueb ; Gutachter: Brigitta Hauser-Schäublin, Elfriede Hermann, Klaus Schneider ; Betreuer: Brigitta Hauser-Schäublin." Göttingen : Niedersächsische Staats- und Universitätsbibliothek Göttingen, 2018. http://nbn-resolving.de/urn:nbn:de:gbv:7-11858/00-1735-0000-002E-E467-C-6.

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Holland, Sophie-Christin. "Studien zur lateinischen Sapientia Salomonis." Doctoral thesis, Humboldt-Universität zu Berlin, 2020. http://dx.doi.org/10.18452/21680.

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Die Dissertation mit dem Titel „Studien zur lateinischen Sapientia Salomonis“ geht vor allem hinsichtlich der Vulgatatradition, aber auch der übrigen lateinischen Überlieferung der SapSal auf Textkritik, Textgeschichte und Textvergleich ein. Zu Beginn wird herausgearbeitet, inwiefern und weshalb sich die drei modernen kritischen Ausgaben des Vulgatatexts der SapSal bei ihrer Rekonstruktion von dessen Archetyp unterscheiden. Zudem wird eine Bewertung voneinander abweichender Lesarten in den jeweiligen Rezensionszeilen gegeben. Daran anschließend wird die Frage behandelt, warum eine qualitativ eher mangelhafte lateinische Textform der SapSal Eingang in die Biblia Vulgata gefunden hat. Zunächst wird gezeigt, dass die Vulgatatradition der SapSal im fünften Jahrhundert n.Chr. in Rom aufkommt; hiervon ausgehend wird der Erfolg dieser Textform nicht einer gezielten Auswahl, sondern einer Verflechtung und Wechselwirkung zwischen der Verwendung dieses Texts durch Katholiken in Rom und der römischen Buchproduktion zugeschrieben. Schließlich wird anhand der Wiedergabe der griechischen Begriffe athanasía, aphtharsía, dikaiosýne und nómos sowie der zugehörigen Adjektive dargelegt, dass sich der Vulgatatext der SapSal zwar eng an seine griechischen und lateinischen Vorlagentexte anschließt, aber auf Grund seiner Übersetzungsweise auch Besonderheiten aufweist. Textliche Bezüge gehen im Vulgatatext gegenüber dem griechischen Text teilweise verloren und die eschatologischen Entwürfe des griechischen Texts erscheinen im Vulgatatext der SapSal als etwas reduziert. Darüber hinaus wird deutlich, dass der Vulgatatext der SapSal – anders als der griechische Urtext – nicht aus einem jüdischen, sondern aus einem christlichen Milieu hervorgegangen ist. Insgesamt wird eine bessere Verortung der Vulgatatradition der SapSal hinsichtlich der übrigen lateinischen Überlieferung, ihres historischen Umfelds und ihrer griechischen Vorlage erreicht.
The dissertation entitled "Studies on the Latin Wisdom of Solomon" deals with textual criticism, textual history and the comparison of texts, namely with regard to the Vulgate tradition but also with regard to the other Latin traditions of Wis. First, it is brought out to what extent and why the three modern critical editions of the Vulgate text of Wis differ in their reconstructions of its archetype. Moreover, the differing readings in the respective recension lines are evaluated. Subsequently, the question is addressed for which reason a qualitatively rather deficient Latin text form of Wis has found its way into the Biblia Vulgata. Initially, the Vulgate tradition of Wis is shown to have emerged in the fifth century AD in Rome; based on this, the success of this text form is ascribed not to a purposeful decision but to an interdependence and an interrelation between the use of this text by catholics in Rome and the Roman book production. Eventually, by means of the translation of the Greek terms athanasía, aphtharsía, dikaiosýne and nómos and their corresponding adjectives, the Vulgate text of Wis is demonstrated to affiliate to its Greek and Latin model texts closely but to feature peculiarities due to its translation method as well. In the Vulgate text, textual references are dissolved in comparison to the Greek text, and the eschatological sketches of the Greek text appear to be somewhat reduced in the Vulgate text of Wis. In addition, it becomes apparent that the Vulgate text of Wis has arisen – unlike the original Greek text – not from a Jewish but from a Christian milieu. All in all, a better contextualisation of the Vulgate tradition of Wis regarding the other Latin traditions, its historical environment and its Greek Vorlage is achieved.

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Koulagna, Jean. "Salomon, de l'histoire deutéronomiste à Flavius Josèphe : problèmes textuels et enjeux historiographiques /." Paris : Publibook, 2009. http://catalogue.bnf.fr/ark:/12148/cb414252532.

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Wölfel, Dieter. "Salomon Lentz : 1584-1647 /." Gunzenhausen : in Kommission bei Degener, Neustadt a. d. Aisch, 1991. http://catalogue.bnf.fr/ark:/12148/cb35598970c.

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Röben, de Alencar Xavier Wiebke. "Salomon Gessner im Umkreis der Encyclopédie : deutsch-französischer Kulturtransfer und europäische Aufklärung /." Genève : Slatkine, 2006. http://catalogue.bnf.fr/ark:/12148/cb401659597.

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Ketterer, Hobbis Stephanie. "An ethnographic study of the State in rural Solomon Islands (Lau, North Malaita) : a quest for autonomy in global dependencies." Paris, EHESS, 2016. http://www.theses.fr/2016EHES0709.

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Cette thèse est basée sur des travaux ethnographiques sur le terrrain, pendant quatre mois, dans la capitale des Îles Salomon, Honiara, et pendant huit mois, dans la lagune Lau rural (province de Malaita). Elle examine comment l'Etat des Îles Salomon, marqué par une histoire récente de conflits civils et par une intervention militaire étrangère, devient visible dans la vie quotidienne des non-élites rurales et, à un moindre degré, urbaines. En outre, elle analyse de quelle manière cette visibilité influence les non-élites dans leur perception de l'Etat en tant qu'institution gouvernementale légitime et dominante. Pour comprendre comment et dansquelle mesure l'Etat des Îles Salomon est intégré dans des routines quotidiennes, il me paraît nécessaire de focaliser l'attention sur des contacts courants avec l'Etat, ses infrastructures, ses représentants ainsi que les alternatives possibles et de donner aussi la priorité à la perspe"ctive des non-élites plutôt qu'à la perspective de l'Etatdisciplinaire et des membres urbaines de la société civile orientés vers l'Etat. Mes conclusions soulignent que l'Etat des Îles Salomon est visible comme force pertubatrice. Les non-élites continuent à s'opposer à l'unification centrée sur l'Etat et cherchent à garder une autonomie relative par rapport à l'Etat en accentuant la domination et la légitimité d'une gouvernance centrée sur le village. Cependant, cette quête d'autonomie est de plus en plus entravée par le dépendance des aliments et des produits étrangers, donc par la dépendance de l'Etat en tant que médiateur principal de relations économiques reconnu au niveau global
This thesis is based on ethnographic fieldwork in Solomon Islands capital, Honiara (four months), and in the rural Lau Lagoon, Malaita Province (eight months). It examines how the Solomon Islands state, marked by a recent history of civil conflict and foreign military intervention, becomes visible in the everyday lives of rural and, to a lesser degree, urban non-elites; and how this visibility affects non-elite perceptions of the state as legitimate, dominant governing system. I propose that to understand to what extent and how the Solomon Islands state is integrated into everyday routines it is necessary to focus on mundane encounters with the state, its infrastructures and representatives as well as available alternatives; and to do so by prioritizing the perspective of the non-elites rather than the perspective of the disciplining state and state-focused members of (an urban) civil society. My findings highlight that the Solomon Islands state is visible as a disruptive force. As a result non-elites continue to defy state-based unification and instead seek relative autonomy from the state by emphasizing the dominance and legitimacy of village-centric governance. This quest for autonomy is, however, increasingly curtailed by dependency on foreign foods and goods, and therein by a dependency on the state as primary globally-recognized legitimate mediator of economic relations

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Moralejo, Serafín. "Iconografía gallega de David y Salomón /." Santiago de Compostela : [s.n.], 2004. http://catalogue.bnf.fr/ark:/12148/cb401112715.

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Torijano, Pablo A. "Solomon the esoteric king : from king to magus, development of a tradition /." Leiden : Brill, 2002. http://catalogue.bnf.fr/ark:/12148/cb38824115j.

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Riendeau, Jacqueline. "Le développement aux îles Salomon : des éléments de prospective." Master's thesis, Université Laval, 1996. http://hdl.handle.net/20.500.11794/33262.

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Ce mémoire porte principalement sur une perspective de développement chez les pêcheurs lau des Iles Salomon. L’industrialisation de la pêche pourrait-elle s ’effectuer en tenant mieux compte des systèmes sociaux des Lau, basés sur une structure clanique? Par des éléments de prospective nous exprimons une proposition exploratoire selon laquelle, comme voie de développement, la formule des coopératives pourrait être mieux adaptée à la société lau.
Québec Université Laval, Bibliothèque 2018

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Books on the topic "Salomonen"

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Haussmann, Eberhard. Vögel in der Kultur der Mbirao: Ergebnisse ethnoornithologischer und ethnotaxonomischer Untersuchungen in einer Ethnie der Salomonen. Bonn: Holos, 1994.

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Carrera, Gustavo Luis. Salomón. Caracas, Venezuela: Fondo de Cultura Económica, 1993.

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Cussler, Clive, and Paul Kemprecos. La stirpe di Salomone. Italia: Longanesi, 2009.

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Salomon. Amsterdam: Prometheus, 2001.

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Bet Salomon: Sheloshah dorot shel meḥadshe ha-Yishuv = The Salomons : three generations of pioneers and leaders. Yerushalayim: Merkaz Zalman Shazar le-ḥeḳer toldot ha-ʻam ha-Yehudi, 2014.

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Musée d'art moderne et contemporain (Geneva, Switzerland), ed. Yvan Salomone: Zoneblanche, 1991-2006. Genève: Mamco, Musée d'art moderne et contemporain, 2014.

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Goncourt, Edmond de. Manette Salomon. [Paris]: L'Harmattan, 1993.

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Parte, Francisco Pascual de la. El cabo Salomón. Madrid: Ediciones Atlantis, 2007.

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A formcritical study of selected Odes of Solomon. Atlanta, Ga: Scholars Press, 1985.

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Le projet Salomon. Paris: Dervy, 2006.

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Book chapters on the topic "Salomonen"

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Böge, Volker. "Salomonen." In Das Kriegsgeschehen 2003, 102–7. Wiesbaden: VS Verlag für Sozialwissenschaften, 2004. http://dx.doi.org/10.1007/978-3-663-07990-3_16.

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Böge, Volker. "Salomonen." In Das Kriegsgeschehen 2001, 177–81. Wiesbaden: VS Verlag für Sozialwissenschaften, 2002. http://dx.doi.org/10.1007/978-3-322-97571-3_29.

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Emans, Reinmar. "Rossi, Salomone." In Komponisten Lexikon, 511–12. Stuttgart: J.B. Metzler, 2003. http://dx.doi.org/10.1007/978-3-476-05274-2_257.

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Emans, Reinmar. "Rossi, Salomone." In Metzler Komponisten Lexikon, 650–51. Stuttgart: J.B. Metzler, 1992. http://dx.doi.org/10.1007/978-3-476-03421-2_253.

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Steinheuer, Joachim. "Salomone Rossi." In Barockmusikführer, 384–88. Stuttgart: J.B. Metzler, 2001. http://dx.doi.org/10.1007/978-3-476-99520-9_98.

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Lesniak, Sonja. "Geßner, Salomon." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_6454-1.

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Albert, Claudia, and Burkhardt Baltzer. "Gessner, Salomon." In Metzler Autoren Lexikon, 248–49. Stuttgart: J.B. Metzler, 1997. http://dx.doi.org/10.1007/978-3-476-03720-6_122.

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Hainer, Herbert. "Adidas-Salomon." In Deutsche Standards, 32–35. Wiesbaden: Gabler Verlag, 2005. http://dx.doi.org/10.1007/978-3-322-82497-4_5.

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Bettendorf, Gerhard. "Kober, Salomon." In Zur Geschichte der Endokrinologie und Reproduktionsmedizin, 320–21. Berlin, Heidelberg: Springer Berlin Heidelberg, 1995. http://dx.doi.org/10.1007/978-3-642-79152-9_126.

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Bettendorf, Gerhard. "Berson, Salomon." In Zur Geschichte der Endokrinologie und Reproduktionsmedizin, 34. Berlin, Heidelberg: Springer Berlin Heidelberg, 1995. http://dx.doi.org/10.1007/978-3-642-79152-9_16.

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Conference papers on the topic "Salomonen"

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Bazureau, A., Colette Brogniez, and J. B. Renard. "Application of SAGE III inversion algorithm to SALOMON measurements." In Europto Remote Sensing, edited by Jaqueline E. Russell, Klaus Schaefer, and Olga Lado-Bordowsky. SPIE, 2001. http://dx.doi.org/10.1117/12.413875.

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Bruna, Rodrigo. "El museo y el régimen in situ de la instalación (arte)." In IV Congreso Internacional de Investigación en Artes Visuales. ANIAV 2019. Imagen [N] Visible. Valencia: Universitat Politècnica de València, 2019. http://dx.doi.org/10.4995/aniav.2019.8952.

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Abstract:

El surgimiento de la instalación (arte) a mediados de los sesenta puso en crisis la institución museal a partir de una apropiación consiente del espacio. Esta apropiación se escapaba de las lógicas museográficas imperantes al incorporar a la obra las dimensiones arquitectónicas, históricas y simbólicas del lugar. Dos instalaciones emblemáticas del periodo evidencian esta crisis, nos referimos a Cuerpos Blandos(1969) del artista chileno Juan Pablo Langlois realizada en el Museo Nacional de Bellas Artes de Santiago y Peinture-Sculpture (1971) del artista francés Daniel Buren exhibida en el Salomon R. Guggenheim Museum de Nueva York. Ambas obras, desde sus contextos particulares de producción, respondieron a un régimen in situ que tensionó el espacio y el discurso museal. La presente comunicación explorará a partir de estos dos casos de estudio ¿cómo el discurso/espacio museal se actualiza a partir de la instalación (arte) de régimen in situ? De igual modo se buscará evidenciar ¿cómo la instalación (arte) se legitima como práctica artística al interior del espacio museal? Mediante una metodología centrada en el análisis crítico de documentos e imágenes se describirán y analizarán las nociones expuestas y las obras selecionadas con el fin de dar respuesta a las preguntas enunciadas.

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Reports on the topic "Salomonen"

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Karasek, T., S. Böhm, B. Keith, R. Amela, R. Badia, R. Rossi, and C. Soriano. D4.3 Benchmarking report as tested on the available infrastructure. Scipedia, 2021. http://dx.doi.org/10.23967/exaqute.2021.2.012.

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The main focus of this deliverable is testing and benchmarking the available infrastructure using the execution frameworks PyCOMPSs and HyperLoom. A selected benchmark employing the Multi Level Monte Carlo (MLMC) algorithm was run on two systems: TIER-0 (MareNostrum4) and TIER-1 (Salomon) supercomputers. In both systems, good performance scalability was achieved.

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Health hazard evaluation report: HETA-85-002-1551, Salomon Brothers, New York, New York. U.S. Department of Health and Human Services, Public Health Service, Centers for Disease Control, National Institute for Occupational Safety and Health, January 1985. http://dx.doi.org/10.26616/nioshheta850021551.

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