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Academic literature on the topic 'Saint Art'

Author: Grafiati
Published: 10 December 2022
Last updated: 29 January 2023

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Journal articles on the topic "Saint Art"

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Suzryukova, Elena. "PATRON SAINTS OF GEORGIA IN MODERN ORTHODOX WRITERS’ LITERATURE." Проблемы исторической поэтики 18, no. 4 (November 2020): 348–63. http://dx.doi.org/10.15393/j9.art.2020.8762.

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Semantics and functions of images that represent Georgia’s patron saints are examined in this article as exemplified in the Georgian Rhapsody, a collection of stories by O. Nikolayeva, stories by M. Saradzhishvili (from the books Do not rush to condemn and Next to you), Exile, a short story by V. N. Lyalin, and Wonderful journey to Orthodox Georgia by O. Rozhneva. Referring to episodes from the hagiography of Georgian saints in the texts in question allow us to trace the spiritual history of Georgia since the time of adoption of Christianity. The detailed list of saints is present in the books of О. Nikolayeva and О. Rozhneva. Even though only particular periods of Georgia's history are reflected in the stories of М. Saradzhishvili and V. N. Lyalin, the country's patron saints participation in the life of their characters in Georgia’s recent past or present day is undeniable. For example, Saint Equal-to-the-Apostles Nina performs a guardian function and her appearance during the Soviet years provides spiritual support to the female character of V. N. Lyalin’s story. First and foremost, a patron in combat, Saint George the Trophy Bearer is also a patron of the family. Venerable David of Garedzha is both an example of humility and a patron of the hearth and home. With his gift of prophecy, Blessed Gabriel (Urgebadze), mentioned in the book by О. Rozhneva, also assists on the path of personal salvation. Whereas О. Rozhneva’s book is exclusively focused on depicting Orthodox Georgia and its saints, the work of О. Nikolayeva provides a more comprehensive image of Georgia, including a vast stratum of the country’s cultural characteristics. In О. Nikolayeva’s book the saints represent a significant facet of Georgia’s image.
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Volskaia, Tatiana V. "Vitae as a Subject Source in the West European Pictorial Art of the 14–17th Centuries (On the Example of the Image of Saint Jerome of Stridon)." Vestnik of Saint Petersburg University. Arts 11, no. 3 (2021): 437–66. http://dx.doi.org/10.21638/spbu15.2021.305.

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For many centuries, Western European art drew its subjects from ancient history, mythology and the Bible. The artists paid great attention to the depiction of saints, for each of whom, over time, a pictorial canon with its own attributes and certain subjects was formed. As a result, the viewer not only easily recognized a particular saint, but he could also get acquainted with the facts of his biography and the role he played in the history of the church. Saint Jerome of Stridon was one of the most popular among artists, of all the Fathers of the Church he was portrayed more often than others. The article discusses the formation of this canon on the example of Jerome’s life and work. It is based on a literature review of this topic and it contains the main studies of the biography and literary activity of Jerome, from which the artists drew subjects for their works. The article describes chronologically the vitae of St. Jerome, his hagiography from Jacobus de Voragine’s “The Golden Legend”, biography and posthumous legends, miracles and appearances of the saint from “Hieronymianus” by Giovanni d’Andrea. Erasmus of Rotterdam wrote a historical biography of Saint Jerome. Since the 19th century a large number of scientific studies of Jerome’s life and work has appeared. The article analyzes specific works of Jerome, which were also sources for pictorial images. Special attention is paid to a review of art history literature, as well as medieval bestiaries, since the paintings with St. Jerome are filled with numerous symbolic animals. A review of literature and sources on the stated topic will help stimulate researchers to further study the relationship between the lives of saints and their iconography in art, identify gaps in research on this topic and specify aspects that researchers have not yet paid attention to.
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Naydenova, Darya Vadimovna. "Zoomorphic iconography of St. Christopher in the Art of the Balkan countries." Studia Slavica et Balcanica Petropolitana, no. 2 (28) (2020): 107–24. http://dx.doi.org/10.21638/spbu19.2020.207.

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St. Christopher was one of the few Christian saints whose image was portrayed in vivid and remarkable iconic art. Although the anthropomorphic iconographic image of the martyr was known in the Byzantine world since ancient times, the painters purposely proceeded to depict this saint in his zoomorphic guise. The belief in his miraculous power allowing to prevent troubles and to guard against diseases, fostered by the diverse artistic interpretations of the zoomorphic face representation, emphasized his particular mystical status, which enabled this unprecedented martyr’s iconography to survive almost until the present day. The zoomorphic iconography featuring Saint Christopher in the art of the Balkan countries was rather diverse and did not correspond to any persistent canon until the 19th century. The lack of metropolitan works representing St. Christopher in zoomorphic appearance led to a variety of interpretations of his face representation. This article focuses on the zoomorphic iconography of Saint Christopher in the art of the Balkan countries (Greece, Serbia, Macedonia, Bulgaria, Romania). Based on the analysis of the extensive corpus of the martyr’s images, portrayed in the monumental and easel paintings of the Balkan countries, the author identifies several subtypes of the martyr’s zoomorphic iconography (with a head of a dog, a horse and actually of a lamb), reveals the possible ways of emergence of each subtype, as well as outlines the regional distinctive features of the prevalence of one or another zoomorphic subtype.
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Hill, Leslie, William J. Berg, Michel Grimaud, and George Moskos. "Saint/ Oedipus: Psychocritical Approaches to Flaubert's Art." Modern Language Review 80, no. 1 (January 1985): 172. http://dx.doi.org/10.2307/3729422.

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Raviez, François. "Saint-Simon, Mémoires : un art de l'oubli." Cahiers Saint Simon 35, no. 1 (2007): 79–88. http://dx.doi.org/10.3406/simon.2007.1435.

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BACKEMEYER, S. "Central Saint Martins Art and Design Archive." Journal of Design History 5, no. 4 (January 1, 1992): 295–300. http://dx.doi.org/10.1093/jdh/5.4.295.

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Agratina, Elena E. "JEAN-CLAUDE RICHARD DE SAINT-NON (1727-1791), AN AMATEUR IN FINE ARTS AND A FRIEND OF ARTISTS." Articult, no. 3 (2020): 81–87. http://dx.doi.org/10.28995/2227-6165-2020-3-81-87.

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The article is dedicated to Jean-Claude Richard de Saint-Non (1727–1791), a refined connoisseur, a great friend of artists and an extremely charming personality. Destined to religious worship Abbot de Saint-Non had not a spiritual calling for this and was indifferent to any government service. Instead of it he devoted his own life to such activities as travelling, exploration of ancient and modern art, patronage of young painters and creation of multi-volumed treatise on the sights of Naples and Sicily. Abbot de Saint-Non himself was talented in fine art and produced some engravings after drawings by outstanding masters of his epoch, especially J.-H. Fragonard. The article examines his life, activities, and personality for the first time in Russian. It highlights de Saint-Non’s contribution to the development of the 18th-century painting and to investigation of ancient art.
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Gerát, Ivan. "Saint George Between Media and Functions." Radovi Instituta za povijest umjetnosti, no. 43 (December 31, 2019): 37–46. http://dx.doi.org/10.31664/ripu.2019.43.03.

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The figure and story of Saint George, one of the most popular Christian saints of all time, has been represented in many places and in several historical periods. The cult of the saint has even transcended the confessional borders of Christianity, and his martyrdom was an exemplary manifestation of Christian belief, associated with the fight against older religions, perceived by Christians as pagan idolatry. His battle against the dragon, even if it was only later included in his legends, can be interpreted as an important archetypal image, embodying some of the basic tendencies of the human psyche. The current article focuses on this issue in the context of the visual art of a short period – the second decade of the sixteenth century – and of the geographical area of Central Europe. It is an attempt to compare several ways in which narratives about the saint were constructed and used for the purposes of political or religious propaganda. The construction of narratives was closely associated with the unwritten rules of a system of representation, valid in a particular medium.
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NIKONENKO, Sergey. "Representations of Antique Arms and Armour in the Architectural decor of St. Petersburg." Historia i Świat 6 (September 14, 2017): 267–76. http://dx.doi.org/10.34739/his.2017.06.25.

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The matter of the article is the representation of ancient arms and armour in Saint Petetrburg’s architecture. Classisism style (1770-1840) and New Classicism style (1905-1915) are studied. The main point of the article is the representation of helmets in military décor. The article contains: 1. Typology of ancient military décor; 2. The full list of buildings with ancient military décor of Saint Petersburg; 3. Examples of ancient helmets in military décor of Saint Petersburg; 4. Aesthetical Analysis of the art, symbolic and ideological reasons for using ancient military décor in Saint Petersburg’s buildings; 5. The attempt to prove that archaic helmets are the most frequent kind of Saint Petersburg’s military décor; 6. The attempt to prove that Russian architects and sculptors did not copy ancient helmets and other arms but they created new samples according to the canons of Classicism art.
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Pigin, Alexander. "POETICS OF LIKENESS IN ANCIENT RUSSIAN HAGIOGRAPHY: ALEXANDER OSHEVENSKY VS ALEXIS THE MAN OF GOD." Проблемы исторической поэтики 19, no. 1 (February 2021): 39–54. http://dx.doi.org/10.15393/j9.art.2021.8642.

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The article offers a comparative analysis of two hagiographic works — the ancient Russian Life of Alexander Oshevensky (XVI century) and the Byzantine Life of Alexis the Man of God, known in ancient Russia since the pre-Mongol era. The author attempts to substantiate the hypothesis that Alexis the Man of God served as one of the hagiographic prototypes of Alexander Oshevensky. The connection between these saints was initially pointed out by the famous Russian hagiologist Nikodim (Kononov), who included in his akathist to Alexander Oshevensky (1897) the likening of Saint Alexander to Alexis the Man of God. The association with Alexis the Man of God is instigated by the worldly name of Alexander Oshevensky — Alexis, or Alexey (the Saint was born on March 17, on the day of memory of ‘the Man of God’). The two Lives share common hagiographic topoi, the textual proximity of mothers’ cries, and so on. The fates of hagiographic characters who had left their relatives, but subsequently returned to them (one as a fool, the other as a monk), are also similar. At the same time, the family theme is resolved in two Lives in different ways: while the ‘Man of God’ remains indifferent to the grief of his relatives, Alexander Oshevensky is portrayed both as a perfect monk and as a loving son. The article also considers the Life of Alexander Oshevensky in the context of other ancient Russian literature works.
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Dissertations / Theses on the topic "Saint Art"

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Spangler, Ashley Kay. "Hon's Anatomy: The Heart of Niki de Saint Phalle's Oeuvre." Bowling Green State University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1555591478935112.

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Starzyk, Mary Celeste. "Bernini: The Magic Art." Kent State University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=kent1571831670841782.

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Dimakis, Dimitrios. "Un honnête homme philosophe, Saint-Evremond : libre pensée et art de vivre." Aix-Marseille 1, 1991. http://www.theses.fr/1991AIX10021.

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Un honnete homme philosophe, saint-evremond : libre pensee et art de vivre. Saint-evremond est surtout connu en tant qu'aimable epicurien et tres souvent cite comme le vieil amoureux de la duchesse de mazarin, ou comme l'un des meilleurs et fideles amis de ninon de lenclos, la fameuse courtisane spirituelle. Cette opinion parait depassee et peu acceptable pour l'honneur de cet honnete homme du dixseptieme siecle qui se presente avant tout dans l'histoire litteraire comme l'un des philosophes les plus pragmatiques, un precurseur de la philosophie du siecle des lumieres. On se consacrera donc a synthetiser ses idees philosophiques et a les mettre en rapport avec sa conduite mondaine et sociale. Comment saint-evremond parvient-il a construire sa propre doctrine ? par quel moyen reussit-il a se liberer du savoir preconcu ? que propose sa philosophie qui s'accomplit principalement dans l'homme mondain ? sa conduite contredit-elle ses enseignements philosophiques ou saint-evremond jouit-il d'un equilibre intellectuel ? pour satisfaire a toutes ces questions, on a cru necessaire de commencer cette enquete par l'etude de la formation intellectuelle et pholosophique de saint-evremond avant d'analyser le personnage dans sa plus complete maturite. Cette approche de saint-evremond, qui consiste a comparer les differents philosophes ou personnages qui l'ont influence, demontrera combien il est redevable a certaines ideologies et a certains courants de pensee. Ayant atteint l'elevation spirituelle, philosophe accompli, saintevremond evolue avec elegance et intelligence dans les milieux mondains, cosmopolites
Saint-evremond is most of all known as a kind epicurien and has often been quoted as the lover of the dutchess de mazarin or as one of the best and faithful friend of ninon de lenclos, the famous spiritual courtesan. This opinion seems past beyond and rather acceptable for the honour of this seventeenth century "honnete homme" who has a share in the litterary history as one of the most pragmatical philosophers, a precurseur of the philosophy of the "siecle des lumieres". Whe shall so devote, on synthesizing his philosophical ideas liking them to his mundane and social behaviour. How did saint-evremond manage to built his own doctrine ? how did he free himself from preconceived knowledge ? what does propund his philosophy which mainly achieves itself in the "man about town" ? dies his behaviour contradict his philosophical teachings or does he enjoy an intellectual balance ? to satisfy to all these questions, it has been believed necessary to start this inquiry by studing saint-evremond's intellectual et philosophical formation before analysing the presonnage in his complete maturity. This saint-evremond's approach, which consists in comparing the different philosophers or personnalities who influenced him, will demonstrate how much he owes to certain ideologies or current ways of thinking. Having reached spiritual elevation, accompliched philosopher, saint-evremond, evolves with elegance and intelligence in the mundaine and cosmopolitan spheres, in
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Renoue, Marie. "L'abbatiale Sainte Foy de Conques : de nouveaux vitraux et une nouvelle lumière : une approche sémiotique d'oeuvres d'art." Toulouse 2, 1995. http://www.theses.fr/1995TOU20017.

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En nous inspirant des travaux recents de la semiotique greimasienne et de la theorie phenomenologique qui la sous-tend, nous proposons une etude semiotique d'oeuvres d'art, situes dans leur contexte paradigmatique et syntagmatique, les vitraux concus en 1994 par p. Soulages par l'abbatiale romane sainte foy de conques et la lumiere qu'ils diffusent. Nous en offrons une analyse descriptive, ou etudes du plan de l'expression, interpretations narratives et semantiques se croisent, et tenton de les aborder sous un angle esthertique, en les considerant en interaction avec une instance observatrice-esthete presupposee.
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Raynor, Rebecca Elizabeth. "In the image of Saint Luke : the artist in early Byzantium." Thesis, University of Sussex, 2013. http://sro.sussex.ac.uk/id/eprint/45102/.

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This thesis discusses the role and place of artists who painted icons in Early Byzantium. To date, they have not been the focus of much academic attention. Instead, information about artists is spread across a range of discussions concerning Byzantium and the history of art. This thesis collates and interprets the empirical and theoretical evidence to concentrate on the people who produced religious portraits before Iconoclasm. In so doing, I seek to further our understanding of these individuals, and offer a more nuanced view of their socio-cultural context, their practices, and the images they painted. This thesis is structured around two definitions of what the Early Byzantine artist could be: ideal and real. I start with the legend that St Luke painted portraits of Christ and the Virgin from life. Part One, ‘The Ideal Artist', considers in turn: the legend of St Luke as an artist and its origins; Luke as an ideal artist; and two other ideal artists: God and the emperor. Part Two, ‘The Real Artist', considers in turn: icons; literary and legislative texts; and finally the motivation for producing religious imagery before the eighth century. The anonymity of artists working in the Early Byzantine period seems to have delayed scholarly interest in them. In this thesis, however, I consider their anonymity as crucial evidence for who artists were: believers. Christian faith in Byzantium is a recurrent theme in this thesis. I argue that artists practiced humility by not signing their work and painted icons to demonstrate, develop, and deepen their love for God. Further, I argue that artists who depicted Mary and Jesus as Mother and Child, as Luke had done, imitated the Evangelist and participated in his image.
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Dobrynin, Laura. "Bulgarini, Saint Francis, and the Beginning of a Tradition." Ohio University / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1149520563.

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Ionescu, Daniela. "The Romanian Blouse| From Matisse to Queen Marie of Romania and Yves Saint Laurent." Thesis, California State University, Long Beach, 2019. http://pqdtopen.proquest.com/#viewpdf?dispub=10979593.

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Between 1937 and 1943 the Romanian blouse plays a more pivotal role than previously acknowledged in Matisse's development of a pictorial sign language. Its embroidered oak leaf motif eventually evolves into an abstract symbol of élan vital that animates the artist's late cutouts. By tracking the Romanian blouse, this thesis offers a counter-narrative to the standard monographic study or formal reading of Matisse’s work. We learn the back story of how the blouse becomes a fashion trend set by Queen Marie of Romania who used her celebrity and national dress to promote the welfare of the Romanian people following WWI. We also see how appropriation turns into misappropriation when fashion designer Yves Saint Laurent’s 1981 collection inspired by Matisse’s images of the blouse introduce a broadly defined ethnic fashion into haute couture.

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Perez, Abraham B. "Film d'Art and Saint-Saens| Pioneers in creating art through silent film and music." Thesis, California State University, Long Beach, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=1572846.

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Film d'Art, the French production company responsible for the development of Henri Lavédan's L'Assassinat du Duc de Guise (1908), demonstrated a forward-thinking vision for film and music. Through their innovations, the company combined many elements of cinematography with new standards for quality productions. This project report will investigate the goals of Film d'Art and its unusually high ambitions, standard music practices in the silent film era, the issues revolving around the instrumentation to Saint-Saëns' score to Henri Lavédan's L'Assassinat de Duc de Guise (1908), and the performance of my arrangement in a graduate recital.

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Drapeau, Samuel. "L'église Saint-Michel, la fabrique d'un monument : étude historique, artistique et archéologique de l'église Saint-Michel de Bordeaux." Thesis, Bordeaux 3, 2016. http://www.theses.fr/2016BOR30041.

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L’église Saint-Michel de Bordeaux est construite à la fin du Moyen Âge au centre d’une paroisse urbaine très dynamique. L’activité portuaire et commerciale fait vivre de nombreux artisans et enrichit les puissants marchands du quartier de la Rousselle. Ils sont investis dans le gouvernement de la commune et financent copieusement le chantier de leur église paroissiale. Leurs pratiques pieuses et leur activité à la tête de l’administration de la fabrique et des confréries sont représentatives de la religion civique à la fin du Moyen Âge. L’église accueille depuis la fin du XVe siècle un collège de prêtres-bénéficiers, au service des nombreuses fondations pieuses et des confréries installées dans les chapelles latérales. Elles sont construites durant le second chantier gothique, qui met en œuvre à partir du second quart du XVe siècle une vaste église flamboyante de plan basilical. Celle-ci succède à une première église gothique menée à son terme durant le XIVe siècle selon un parti-pris architectural de type « halle ». Le chantier de la cathédrale, qui introduit à Bordeaux les formes du gothique rayonnant du Nord de la France, est une source d’inspiration à Saint-Michel, dans le domaine de la modénature et de la sculpture monumentale. Le chantier flamboyant voit l’arrivée de maîtres-maçons dont l’œuvre a pu être identifiée. Elle se réfère aux chantiers normands, parisiens ou financés par le roi de France. Les Lebas de Saintes apportent leur culture artistique et leur technique à l’accomplissement du transept, à la conception de la nef et du clocher isolé. La faible influence de l’œuvre de Saint-Michel sur la création artistique locale est compensée par le rayonnement de son clocher-tour, un des plus hauts clochers du royaume. Son chantier exceptionnel est très bien renseigné par 11 années de comptes de la fabrique. Ils illustrent les conditions de travail et l’équipement nécessaire à la construction à grande hauteur. Un des autres chefs-d’œuvre de l’église, le portail nord, est probablement réalisé vers 1520 par Imbert Boachon, maître-maçon, imagier, menuisier, selon la nature des travaux et selon les villes ou il travaille. Aujourd’hui, la silhouette de l’église et du clocher, tous deux isolés au milieu de plusieurs places, ne reflète plus totalement la morphologie de l’œuvre médiévale. Des faiblesses structurelles obligent les hommes du XIXe siècle à reconstruire le chevet. Le clocher est rénové par Paul Abadie et l’église reçoit une esthétique gothique influencée par l’archéologie monumentale et les doctrines de la restauration patrimoniale de l’époque
The church of St Michael of Bordeaux has been built in the late Middle Ages, in a very dynamic urban parish. The fluvial and commercial activities of the port generate work for craftsmen and enrich the powerful merchants from the borough of La Rousselle. These merchants are invested in the communal government and finance the building of their parish church. Their pious practices and their activity at the head of the parish fabric and friaries are good examples of the late medieval civic religion. From the end of the fifteenth century, the church receives a college of priest provided by religious benefits. They are in the service of many pious foundations and friaries which are established in the lateral chapels. These chapels are built during the second gothic construction, which makes a big Flamboyant style church with the plan of a basilica. This building follows a first gothic church, conducted at its term during the fourteenth century in accordance to a “halle” architectural volume. The construction of the cathedral of Bordeaux, which introduces the gothic style from the north of France, is an inspiration for St Michael, in the domain of modenature and monumental sculpture. The Flamboyant construction induces the arrival of some master mason, whose work can be identified. That work is influenced by Norman, Parisian and French king’s financed buildings. The Lebas from Saintes give their artistic culture and their technique to the accomplishment of the transept, to the conception of the nave and the isolated bell tower. The low influence of the work of St Michael of Bordeaux on the local artistic creation is balanced with the bell tower, one of the tallest in the French kingdom. Its constructions are well informed thanks to an eleven years’ register for the fabric accounting. It illustrates the work conditions and the necessary equipment for high tall building. One of the masterworks of the church, the north portal, is probably made around 1520 by Imbert Boachon, master mason, sculptor or joiner according to the kind of the work or the town where he works. Nowadays, the silhouette of the church and the bell tower are isolated in the middle of many places and are not totally representative of the medieval made morphology. Some structural frailties oblige the nineteenth century men to rebuild the chevet. The bell tower is renovated by Paul Abadie and the church receives a gothic aesthetic which is influenced by monumental archaeology and the patrimonial restorations doctrines of that period
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Radway, Robyn Dora. "In the name of Saint George : ivory saddles from the fifteenth century." Honors in the Major Thesis, University of Central Florida, 2009. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/1311.

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This item is only available in print in the UCF Libraries. If this is your Honors Thesis, you can help us make it available online for use by researchers around the world by following the instructions on the distribution consent form at http://library.ucf.edu/Systems/DigitalInitiatives/DigitalCollections/InternetDistributionConsentAgreementForm.pdf You may also contact the project coordinator, Kerri Bottorff, at kerri.bottorff@ucf.edu for more information.
Bachelors
Arts and Humanities
Art
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Books on the topic "Saint Art"

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Paris, Jean. Saint Jérôme. Paris: Editions du Regard, 1999.

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Henri, Claude. Saint Nicolas. Woippy: Klopp, 1998.

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Chantal, Julie. Le patrimoine religieux à Lille: Églises Saint-Maurice, Saint-Etienne, Sainte-Catherine, Saint-André. Lille]: Voix du nord, 2003.

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Christine, Lakah, ed. Paysages de Saint-Denis. Saint-Denis: Editions PSD, 1996.

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Saint Martin dans l'art en Europe. Tours: C.L.D., 2001.

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de, Ayala Roselyne, and Zielonka Anthony, eds. Saint Exupéry: Art, writing and musings. New York, N.Y: Rizzoli International, 2004.

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Svanberg, Jan. Saint George and the dragon. Stockholm: Rabén Prisma, 1998.

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Olier, Ronan. Saint-Malo. Brest: Télégramme, 2007.

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Orange como como: L'évènement d'art actuel de Saint-Hyacinthe = [Contemporary art event of Saint-Hyacinthe]. [Montréal, Québec]: Expression, 2008.

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Saint Joseph in Spanish American colonial images of the Holy Family: Saint Joseph's Day lecture, March 19, 1992, Saint Joseph's University, Haub Executive Center. Philadelphia, Pa: Saint Joseph's University Press, 1992.

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Book chapters on the topic "Saint Art"

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Rylance, Kelie Erin. "Saint Luis Beltrán in Valencian Art and Pageantry." In Memory & Oblivion, 685–90. Dordrecht: Springer Netherlands, 1999. http://dx.doi.org/10.1007/978-94-011-4006-5_79.

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McCann, Janet. "Constructing Saint Francis for the Twenty-First Century." In Finding Saint Francis in Literature and Art, 139–48. New York: Palgrave Macmillan US, 2009. http://dx.doi.org/10.1057/9780230623736_10.

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Cook, William R. "Finding Francis: An Invitation." In Finding Saint Francis in Literature and Art, 1–20. New York: Palgrave Macmillan US, 2009. http://dx.doi.org/10.1057/9780230623736_1.

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Bowers, John. "Capturing the Gravity and Grace of St. Francis of Assisi on Stage: A Meditation on Word and Image." In Finding Saint Francis in Literature and Art, 149–62. New York: Palgrave Macmillan US, 2009. http://dx.doi.org/10.1057/9780230623736_11.

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Hart, John. "St. Francis in the Twenty-First Century." In Finding Saint Francis in Literature and Art, 163–81. New York: Palgrave Macmillan US, 2009. http://dx.doi.org/10.1057/9780230623736_12.

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Downey, John K. "Canticle of Memory: Political Theology and Francis of Assisi." In Finding Saint Francis in Literature and Art, 183–201. New York: Palgrave Macmillan US, 2009. http://dx.doi.org/10.1057/9780230623736_13.

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Mulvaney, Beth A. "Standing on the Threshold: Beholder and Vision in the Assisi Crib at Greccio." In Finding Saint Francis in Literature and Art, 23–34. New York: Palgrave Macmillan US, 2009. http://dx.doi.org/10.1057/9780230623736_2.

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Snyder, Janet. "Bearing Witness: The Physical Expression of the Spiritual in the Narrative Cycle at Assisi." In Finding Saint Francis in Literature and Art, 35–45. New York: Palgrave Macmillan US, 2009. http://dx.doi.org/10.1057/9780230623736_3.

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Ibrahim, Mahmood. "Francis Preaching to the Sultan: Art and Literature in the Hagiography of the Saint." In Finding Saint Francis in Literature and Art, 47–61. New York: Palgrave Macmillan US, 2009. http://dx.doi.org/10.1057/9780230623736_4.

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Payne, Rodger M. "The Wolf in the Forest: St. Francis and the Italian Eremitical Tradition." In Finding Saint Francis in Literature and Art, 63–77. New York: Palgrave Macmillan US, 2009. http://dx.doi.org/10.1057/9780230623736_5.

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Conference papers on the topic "Saint Art"

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"[Cover art]." In 2010 10th IEEE/IPSJ International Symposium on Applications and the Internet (SAINT). IEEE, 2010. http://dx.doi.org/10.1109/saint.2010.113.

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"[Cover art]." In 2008 International Symposium on Applications and the Internet. IEEE, 2008. http://dx.doi.org/10.1109/saint.2008.10.

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"[Cover art]." In 2009 Ninth Annual International Symposium on Applications and the Internet (SAINT 2009). IEEE, 2009. http://dx.doi.org/10.1109/saint.2009.84.

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"Cover Art." In 2011 IEEE/IPSJ 11th International Symposium on Applications and the Internet (SAINT). IEEE, 2011. http://dx.doi.org/10.1109/saint.2011.126.

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Fadeyeva, Lyudmila. "The Church of Saint Clement, the Pope: Sources and the Symbolism of the Image in Russian Folklore." In 2017 International Conference on Art Studies: Science, Experience, Education (ICASSEE 2017). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/icassee-17.2018.25.

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Petrashen, Eugenia, John Dennis Rich, Kirill Alferovskii, Varvara Speranskaja, Ivan Uralov, Irina Tsymbal, and Maria Shemetova. "ART RESIDENCE “DACHA BENOIS” IN PETERHOF AS AN INNOVATIVE EDUCATIONAL AND CULTURAL PROJECT OF SAINT-PETERSBURG UNIVERSITY." In 13th International Conference on Education and New Learning Technologies. IATED, 2021. http://dx.doi.org/10.21125/edulearn.2021.1657.

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Morozova, K. I. "CONTEMPORARY ART IN A CLASSICAL MUSEUM (BASED ON THE RESULTS OF A SURVEY OF MUSEUM VISITORS IN SAINT PETERSBURG)." In Месмахеровские чтения - 2022. Санкт-Петербург: Федеральное государственное бюджетное образовательное учреждение высшего образования «Санкт-Петербургская государственная художественно-промышленная академия имени А.Л. Штиглица», 2022. http://dx.doi.org/10.54874/9785604789377_579.

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Tselikova, Aleksandra. "ITALIAN PAINTING 14TH-16TH CENTURIES IN THE COLLECTION OF THE STATE HERMITAGE (SAINT PETERSBURG, RUSSIA): THE HISTO-RY AND SOLUTIONS OF THE EXHIBITION." In 8th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH Proceedings 2021. SGEM World Science, 2021. http://dx.doi.org/10.35603/sws.iscah.f2021/s05.03.

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Pigulevskiy, V., and L. Mirskaya. "AMPLIFICATION OF THE PLOT «THE TEMPTATION OF SAINT ANTHONY»." In Aesthetics and Hermeneutics. LCC MAKS Press, 2022. http://dx.doi.org/10.29003/m2555.978-5-317-06726-7/97-101.

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Attention is focused on the art of sketching meaning, amplifying the plot of “the Temptation of St. Anthony”. Starting in the late middle Ages, the plot becomes the occasion for developing the problem of the miraculous. For centuries, the artist's attention has been focused on horrors and torments, then on temptations and longing. The bestiary serves as an occasion for developing the wonderful, the terrible, and the ugly. If in the Renaissance the attention is focused on torment and horror, in the New age the interest is shifted to seduction and vicious beauty. The interest in hallucinations poses the problem of combining the charming and the disgusting to Surrealists. Over the course of the epochs, the aesthetic meaning of the “Temptation” story is transformed from the frightening infernal, invading reality as le merveilleux, to the psychosexual energy of the unconscious, generating le merveilleux sexuel.
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Fuentes, O., and G. Pincon. "PARIETAL AND MOBILE ART OF ROC-AUX-SORCIERS ROCK SHELTER (MIDDLE MAGDALENIAN, VIENNE, FRANCE)." In Знаки и образы в искусстве каменного века. Международная конференция. Тезисы докладов [Электронный ресурс]. Crossref, 2019. http://dx.doi.org/10.25681/iaras.2019.978-5-94375-308-4.15-16.

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The rock shelter of the Roc-aux-Sorciers at Angles-sur-lAnglin (Vienne, France) is one of the archaeological reference sites for the Upper Paleolithic. The sculpted, painted and engraved frieze was gradually brought to light in its archaeological context by Susanne Cassou de Saint-Mathurin and Dorothy Garrod from 1949 onwards (Saint-Mathurin, Garrod, 1950). A wealth of archaeological material was discovered alongside the parietal art, comprising numerous works of portable art, tools made of animal bone, jewellery, etc. It was very rapidly observed that the portable art and the parietal art shared the same graphic and thematic conventions. For example, images of female bodies are rendered in high relief, in a monumental way, but also in the form of small statuettes. Our research has demonstrated the undeniable intra-site links between the portable art and the parietal art (Pinon, 2012). Here we propose to broaden this analysis within a well-identified culture of the Middle Magdalenian known as the Magdalenian of Lussac-Angles spearpoints. At the time of the discovery of the Magdalenian site of La Marche in 1937 (Vienne) (Lwoff, Pricard, 1940), some similarities had been identified between this site and that of Le Roc-aux-Sorciers, where the discoveries dated back to 1927 (Rousseau, 1933). These similarities are also perceptible in shared techniques (Chehmana, Beyries, 2010), as well as in the production of objects in hard organic materials such as the Lussac-Angles spearpoints (Pinon, 1988), the jewellery in fossil mammoth ivory (Dujardin, Pinon, 2000), the engraved horse incisors (Mazire, 2009) and the figurative art (Bourdier et al., 2016 Fuentes, 2016). We propose to further explore the links between these two sites through the analysis of the dynamic processes of reworking images. In particular we examine the engraved plaquettes of La Marche and the parietal art of Le Roc-aux-Sorciers to bring these links into perspective. This could shed light on some common ways of seeing the world in this Magdalenian group. Bourdier, C., Pinon, G., Bosselin, B. (2016). Norme et individualit au Rocaux-Sorciers (Vienne, France): approches des mains du registre animalier au travers de la forme. In M. Groenen, M.-Ch. Groenen (Eds.), Style, Techniques and Graphic expression in Rock Art (pp. 1735). BAR S2787. Chehmana, L., Beyries, S. (2010). Lindustrie lithique du Roc-aux-Sorciers (collection Rousseau). In J. Buisson-Catil, J. Primault (Eds.), Prhistoire entre Электронная библиотека ИА РАН: https://www.archaeolog.ru/ru/el-bib 16 Vienne et Charente. Hommes et socit du Palolithique (pp. 453460). Association des publications Chauvinoises, mmoire XXXVIII. Dujardin, V., Pinon, G. (2000). Le Magdalnien dans la Vienne et la Charente. In G. Pion (Dir.), Le Palolithique suprieur rcent: nouvelles donnes sur le peuplement et lenvironnement (pp. 213222). Actes de la table ronde de Chambry, 12-13 mars 1999, Mmoire de la Socit prhistorique franaise 28. Fuentes, O. (2016). The social dimension of human depiction in Magdalenian rock art (16,500 cal. BP 12.000 Cal. BP): the case of the Roc-aux-Sorciers rockshelter. Quaternary International, 430, 97113. https://doi.org/10.1016/ j.quaint.2016.06.023 Pericard, L., Lwoff, S. (1940). La Marche. Commune de Lussac-les-Chteaux (Vienne). Premier atelier de Magdalnien III dalles graves mobiles. Bulletin de la Socit Prhistorique franaise, 37(79), 155180. Pinon, G. (1988). Fiche sagaie de Lussac-Angles. In H. Camps Fabrer (Dir.), Fiches typologiques de lindustrie osseuse prhistorique. Commission de nomenclature sur lindustrie de los prhistorique. Cahier I: sagaies (fiche 3bis). Universit de Provence. Pinon, G. (2012). Art mobilier et art parital du Roc-aux-Sorciers (Angles-surlAnglin, Vienne, France): disparits ou sens communs In J. Clottes (Ed.), Lart plistocne dans le monde / Pleistocene art of the world / Arte pleistoceno en el mundo (pp. 15491558). Bulletin Socit Prhistorique Arige-Pyrnes. Mazire, G. (2009). Les incisives de chevaux graves. In G. Pinon (Dir.), Le Roc-aux-Sorciers: art et parure du Magdalnien. Runion des Muses Nationaux. http://www.catalogue-roc-aux-sorciers.fr Rousseau, L. (1933). Le Magdalnien dans la Vienne. Dcouverte et fouille dun gisement du Magdalnien, Angles-sur-lAnglin (Vienne). Bulletin de la Socit Prhistorique franaise, 30, 239256. Saint-Mathurin (de), S., Garrod, D. (1950). Une frise sculpte du Magdalnien ancien dcouverte Angles-sur-lAnglin, dans la Vienne. Acadmie des Inscriptions et Belles Lettres, 94(2), 123128.
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Reports on the topic "Saint Art"

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Moráis Morán, José Alberto. The Romanesque Casket of Saints Adrian and Natalia (The Art Institute of Chicago): Cultural Context and Artistic Analysis. Edicions de la Universitat de Lleida, 2018. http://dx.doi.org/10.21001/itma.2018.12.05.

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Cain, Rachel Louise, Marcus Goll, Tyler Hood, Colton Lauer, Matthew McDonough, Brett Miller, Shea Pearson, Scott Rodriguez, and Travis Riley. Groundwater Laws and Regulations: A Preliminary Survey of Thirteen U.S. States (First Edition). Edited by Gabriel Eckstein. Texas A&M University School of Law Program in Natural Resources Systems, August 2017. http://dx.doi.org/10.37419/eenrs.usstategroundwaterlaws.2017.

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This report presents preliminary results of a study investigating the groundwater laws and regulations of thirteen U.S. states. The purpose of the project is eventually to compile and present the groundwater laws and regulations of every state in the United States that could then be used in a series of comparisons of groundwater governance principles, strategies, issues, and challenges. Professor Gabriel Eckstein at Texas A&M University School of Law and Professor Amy Hardberger at Saint Mary’s University Law School developed a matrix to ascertain chief components and characteristics of the groundwater legal regime of each state. Student researchers then used the matrix to respond to a standardized set of questions about the groundwater laws and regulations of a selection of states. Before continuing with assessments of the remaining states, Professors Eckstein and Hardberger present in this report the results developed thus far, and now seek feedback about the overall project, including its objectives, methodology, and preliminary results.
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Bennett, Alexander, Contessa Gay, Ashley Graves, Thomas Long, Erin Milliken, Margaret Reed, Laura Smith, and Lauren Thomas. Groundwater Laws and Regulations: A Preliminary Survey of Thirteen U.S. States (Second Edition). Edited by Gabriel Eckstein. Texas A&M University School of Law Program in Natural Resources Systems, April 2020. http://dx.doi.org/10.37419/eenrs.usstategroundwaterlaws.2020.

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This report presents results of a study investigating the groundwater laws and regulations of thirteen U.S. states. The report is actually the second edition of the study following amendments made to the first edition in response to extensive feedback and reviews solicited from practitioners, academics, and other professionals working in the field of water law from across the country. The purpose of the project is to compile and present the groundwater laws and regulations of every state in the United States that could then be used in a series of comparisons of groundwater governance principles, strategies, issues, and challenges. Professor Gabriel Eckstein at Texas A&M University School of Law and Professor Amy Hardberger at Saint Mary’s University Law School developed a matrix to ascertain chief components and characteristics of the groundwater legal regime of each state. Student researchers then used the matrix to respond to a standardized set of questions about the groundwater laws and regulations of a selection of states. In the near future, additional volumes with surveys of other U.S. states will be issued.
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Lamontagne, M. Macroseismic information for the 1935 moment magnitude 6.1 earthquake, near Témiscamingue, Quebec. Natural Resources Canada/CMSS/Information Management, 2021. http://dx.doi.org/10.4095/329136.

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The November 1st, 1935, Témiscaming earthquake occurred within 20 km of the town of Témiscaming, Quebec. This earthquake was felt west to Fort William (now part of Thunder Bay), Ontario, east to Saint John, New Brunswick, and south to Kentucky and Virginia. Damaged chimneys were reported in Témiscaming, Quebec, and North Bay and Mattawa, Ontario. In the epicentral region, rockfalls were observed as well as cracks in gravel and sand along the shores of islands and lakes. Some 350 km away from the epicentre, near Parent, Quebec, earthquake vibrations triggered a 30 metre slide of railroad embankment. Numerous aftershocks were felt in Témiscaming and Kipawa during the following months, the largest rated as magnitude ML 5.4 (or mN 4.9). For the main shock and its largest aftershock, this Open File Report provides the available macroseismic information interpreted on the Modified Mercalli Intensity Scale using newspaper accounts as the main source of information for Canada. Macroseismic information from total of 126 localities in Canada and nearly 900 communities in the US (from the NOAA database of intensities) are tabulated in a Microsoft Excel spreadsheet. When available, newspaper clippings are included, together with some original damage accounts, photographs and scientific reports. The Open File also includes a Google Earth kmz file that allows the felt information reports to be viewed in a spatial tool.
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Desbarats, A. J., and J. B. Percival. Hydrogeochemistry of mine tailings from a carbonatite-hosted Nb-REE deposit, Oka, Quebec, Canada. Natural Resources Canada/CMSS/Information Management, 2023. http://dx.doi.org/10.4095/331256.

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Environmental impacts associated with the mining of carbonatite deposits are an emerging concern due to the demand for critical metals. This study investigates the chemistry of tailings seepage at the former Saint Lawrence Columbium mine near Oka, Québec, Canada, which produced pyrochlore concentrate and ferroniobium from a carbonatite-hosted Nb-REE deposit. Its objectives are to characterize the mineralogy of the tailings and their pore water and effluent chemistries. Geochemical mass balance modeling, constrained by aqueous speciation modeling and mineralogy, is then used to identify reactions controlling the chemical evolution of pore water along its flow path through the tailings impoundment. The tailings are composed mainly of REE-enriched calcite (82 wt. %), biotite (12 wt. %) and fluorapatite (4 wt. %). Minor minerals include chlorite, pyrite, sphalerite, molybdenite and unrecovered pyrochlore. Secondary minerals include gypsum, barite and strontianite. Within the unsaturated zone, pore water chemistry is controlled by sulfide oxidation and calcite dissolution with acid neutralization. With increasing depth below the water table, pore water composition reflects gypsum dissolution followed by sulfate reduction and FeS precipitation driven by the oxidation of organic carbon in the tailings. Concomitantly, incongruent dissolution of biotite and chlorite releases K, Mg, Fe, Mn, Ba and F, forming kaolinite and Ca-smectite. Cation exchange reactions further remove Ca from solution, increasing concentrations of Na and K. Fluoride concentrations reach 23 mg/L and 8 mg/L in tailings pore water and effluent, respectively. At a pH of 8.3, Mo is highly mobile and reaches an average concentration of 83 µg/L in tailings effluent. Although U also forms mobile complexes, concentrations do not exceed 16 µg/L due to the low solubility of its pyrochlore host. Adsorption and the low solubility of pyrochlore limit concentrations of Nb to less than 49 µg/L. Cerium, from calcite dissolution, is strongly adsorbed although it reaches concentrations (unfiltered) in excess of 1 mg/L and 100 µg/L in pore water and effluent, respectively. Mine tailings from carbonatite deposits are enriched in a variety of incompatible elements with mineral hosts of varying reactivity. Some of these elements, such as F and Mo, may represent contaminants of concern because of their mobility in alkaline tailings waters.
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Deb, Robin, Paramita Mondal, and Ardavan Ardeshirilajimi. Bridge Decks: Mitigation of Cracking and Increased Durability—Materials Solution (Phase III). Illinois Center for Transportation, December 2020. http://dx.doi.org/10.36501/0197-9191/20-023.

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Type K cement offers a lower slump than conventional concrete, even at a higher water-to-cement ratio. Therefore, a suitable chemical admixture should be added to the Type K concrete mix design at a feasible dosage to achieve and retain target slump. In this project, a compatibility study was performed for Type K concrete with commercially available water-reducing and air-entraining admixtures. Slump and air content losses were measured over a period of 60 minutes after mixing and a particular mid-range water-reducing admixture was found to retain slump effectively. Furthermore, no significant difference in admixture interaction between conventional and Type K concrete was observed. Another concern regarding the use of Type K concrete is that its higher water-to-cement ratio can potentially lead to higher permeability and durability issues. This study also explored the effectiveness of presoaked lightweight aggregates in providing extra water for Type K hydration without increasing the water-to-cement ratio. Permeability of concrete was measured to validate that the use of presoaked lightweight aggregates can lower water adsorption in Type K concrete, enhancing its durability. Extensive data analysis was performed to link the small-scale material test results with a structural test performed at Saint Louis University. A consistent relation was established in most cases, validating the effectiveness of both testing methods in understanding the performance of proposed shrinkage-mitigation strategies. Stress analysis was performed to rank the mitigation strategies. Type K incorporation is reported to be the most effective method for shrinkage-related crack mitigation among the mixes tested in this study. The second-best choice is the use of Type K in combination with either presoaked lightweight aggregates or shrinkage-reducing admixtures. All mitigation strategies tested in this work were proved to be significantly better than using no mitigation strategy.
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Kukreja, Prateek, Havishaye Puri, and Dil Rahut. Creative India: Tapping the Full Potential. Asian Development Bank Institute, January 2023. http://dx.doi.org/10.56506/kcbi3886.

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We provide the first reliable measure on the size of India’s creative economy, explore the many challenges faced by the creative industries, and provide recommendations to make India one of the most creative societies in the world. India’s creative economy—measured by the number of people working in various creative occupations—is estimated to contribute nearly 8% of the country’s employment, much higher than the corresponding share in Turkey (1%), Mexico (1.5%), the Republic of Korea (1.9%), and even Australia (2.1%). Creative occupations also pay reasonably well—88% higher than the non-creative ones and contribute about 20% to nation’s overall GVA. Out of the top 10 creative districts in India, 6 are non-metros—Badgam, Panipat (Haryana), Imphal (Manipur), Sant Ravi Das Nagar (Uttar Pradesh), Thane (Maharashtra), and Tirupur (Tamil Nadu)—indicating the diversity and depth of creativity across India. Yet, according to the United Nations Conference on Trade and Development, India’s creative exports are only one-tenth of those of the People’s Republic of China. To develop the creative economy to realize its full potential, Indian policy makers would like to (i) increase the recognition of Indian culture globally; (ii) facilitate human capital development among its youth; (iii) address the bottlenecks in the intellectual property framework; (iv) improve access to finance; and (v) streamline the process of policy making by establishing one intermediary organization. India must also leverage its G20 Presidency to put creative economy concretely on the global agenda.
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Barbuscia, Anna, and Chiara Comolli. Gender and socioeconomic inequalities in health and wellbeing across age in France and Switzerland. Verlag der Österreichischen Akademie der Wissenschaften, June 2021. http://dx.doi.org/10.1553/populationyearbook2021.res2.2.

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There is increasing evidence that wellbeing is unequally distributed across sociodemographicgroups in contemporary societies. However, less is known about thedivergence across social groups of trajectories of wellbeing across age groups.This issue is of great relevance in contexts characterised by changing populationstructures and growing imbalances across and within generations, and in whichensuring that everyone has the opportunity to have a happy and healthy life courseis a primary welfare goal. In this study, we investigate wellbeing trends in Franceand Switzerland across age, gender, and socioeconomic status groups. We use twohousehold surveys (the Sant´e et Itin´eraires Professionnels and the Swiss HouseholdPanel) to compare the unfolding inequalities in health and wellbeing across agegroups in two rich countries. We view wellbeing as multidimensional, followingthe literature highlighting the importance of considering different dimensions andmeasures of wellbeing. Thus, we investigate a number of outcomes, includingdifferent measures of physical and mental health, as well as of relational wellbeing,using a linear regression model and a linear probability model. Our findings showinteresting country and dimension-specific heterogeneities in the development ofhealth and wellbeing over age. While our results indicate that there are gender andeducational inequalities in both Switzerland and France, and that gender inequalitiesin mental health accumulate with age in both countries, we also find that educationalinequalities in health and wellbeing remain rather stable across age groups.
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Allen, Kathy, Andy Nadeau, and Andy Robertston. Natural resource condition assessment: Salinas Pueblo Missions National Monument. National Park Service, May 2022. http://dx.doi.org/10.36967/nrr-2293613.

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The Natural Resource Condition Assessment (NRCA) Program aims to provide documentation about the current conditions of important park natural resources through a spatially explicit, multi-disciplinary synthesis of existing scientific data and knowledge. Findings from the NRCA will help Salinas Pueblo Missions National Monument (SAPU) managers to develop near-term management priorities, engage in watershed or landscape scale partnership and education efforts, conduct park planning, and report program performance (e.g., Department of the Interior’s Strategic Plan “land health” goals, Government Performance and Results Act). The objectives of this assessment are to evaluate and report on current conditions of key park resources, to evaluate critical data and knowledge gaps, and to highlight selected existing stressors and emerging threats to resources or processes. For the purpose of this NRCA, staff from the National Park Service (NPS) and Saint Mary’s University of Minnesota – GeoSpatial Services (SMUMN GSS) identified key resources, referred to as “components” in the project. The selected components include natural resources and processes that are currently of the greatest concern to park management at SAPU. The final project framework contains nine resource components, each featuring discussions of measures, stressors, and reference conditions. This study involved reviewing existing literature and, where appropriate, analyzing data for each natural resource component in the framework to provide summaries of current condition and trends in selected resources. When possible, existing data for the established measures of each component were analyzed and compared to designated reference conditions. A weighted scoring system was applied to calculate the current condition of each component. Weighted Condition Scores, ranging from zero to one, were divided into three categories of condition: low concern, moderate concern, and significant concern. These scores help to determine the current overall condition of each resource. The discussions for each component, found in Chapter 4 of this report, represent a comprehensive summary of current available data and information for these resources, including unpublished park information and perspectives of park resource managers, and present a current condition designation when appropriate. Each component assessment was reviewed by SAPU resource managers, NPS Southern Colorado Plateau Network (SCPN) staff, or outside experts. Existing literature, short- and long-term datasets, and input from NPS and other outside agency scientists support condition designations for components in this assessment. However, in some cases, data were unavailable or insufficient for several of the measures of the featured components. In other instances, data establishing reference condition were limited or unavailable for components, making comparisons with current information inappropriate or invalid. In these cases, it was not possible to assign condition for the components. Current condition was not able to be determined for six of the ten components due to these data gaps. For those components with sufficient available data, the overall condition varied. Two components were determined to be in good condition: dark night skies and paleontological resources. However, both were at the edge of the good condition range, and any small decline in conditions could shift them into the moderate concern range. Of the components in good condition, a trend could not be assigned for paleontological resources and dark night skies is considered stable. Two components (wetland and riparian communities and viewshed) were of moderate concern, with no trend assigned for wetland and riparian communities and a stable trend for viewshed. Detailed discussion of these designations is presented in Chapters 4 and 5 of this report. Several park-wide threats and stressors influence the condition of priority resources in SAPU...
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Barg, Rivka, Erich Grotewold, and Yechiam Salts. Regulation of Tomato Fruit Development by Interacting MYB Proteins. United States Department of Agriculture, January 2012. http://dx.doi.org/10.32747/2012.7592647.bard.

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Background to the topic: Early tomato fruit development is executed via extensive cell divisions followed by cell expansion concomitantly with endoreduplication. The signals involved in activating the different modes of growth during fruit development are still inadequately understood. Addressing this developmental process, we identified SlFSM1 as a gene expressed specifically during the cell-division dependent stages of fruit development. SlFSM1 is the founder of a class of small plant specific proteins containing a divergent SANT/MYB domain (Barg et al 2005). Before initiating this project, we found that low ectopic over-expression (OEX) of SlFSM1 leads to a significant decrease in the final size of the cells in mature leaves and fruits, and the outer pericarp is substantially narrower, suggesting a role in determining cell size and shape. We also found the interacting partners of the Arabidopsis homologs of FSM1 (two, belonging to the same family), and cloned their tomato single homolog, which we named SlFSB1 (Fruit SANT/MYB–Binding1). SlFSB1 is a novel plant specific single MYB-like protein, which function was unknown. The present project aimed at elucidating the function and mode of action of these two single MYB proteins in regulating tomato fruit development. The specific objectives were: 1. Functional analysis of SlFSM1 and its interacting protein SlFSB1 in relation to fruit development. 2. Identification of the SlFSM1 and/or SlFSB1 cellular targets. The plan of work included: 1) Detailed phenotypic, histological and cellular analyses of plants ectopically expressing FSM1, and plants either ectopically over-expressing or silenced for FSB1. 2) Extensive SELEX analysis, which did not reveal any specific DNA target of SlFSM1 binding, hence the originally offered ChIP analysis was omitted. 3) Genome-wide transcriptional impact of gain- and loss- of SlFSM1 and SlFSB1 function by Affymetrix microarray analyses. This part is still in progress and therefore results are not reported, 4) Search for additional candidate partners of SlFSB1 revealed SlMYBI to be an alternative partner of FSB1, and 5) Study of the physical basis of the interaction between SlFSM1 and SlFSB1 and between FSB1 and MYBI. Major conclusions, solutions, achievements: We established that FSM1 negatively affects cell expansion, particularly of those cells with the highest potential to expand, such as the ones residing inner to the vascular bundles in the fruit pericarp. On the other hand, FSB1 which is expressed throughout fruit development acts as a positive regulator of cell expansion. It was also established that besides interacting with FSM1, FSB1 interacts also with the transcription factor MYBI, and that the formation of the FSB1-MYBI complex is competed by FSM1, which recognizes in FSB1 the same region as MYBI does. Based on these findings a model was developed explaining the role of this novel network of the three different MYB containing proteins FSM1/FSB1/MYBI in the control of tomato cell expansion, particularly during fruit development. In short, during early stages of fruit development (Phase II), the formation of the FSM1-FSB1 complex serves to restrict the expansion of the cells with the greatest expansion potential, those non-dividing cells residing in the inner mesocarp layers of the pericarp. Alternatively, during growth phase III, after transcription of FSM1 sharply declines, FSB1, possibly through complexing with the transcription factor MYBI serves as a positive regulator of the differential cell expansion which drives fruit enlargement during this phase. Additionally, a novel mechanism was revealed by which competing MYB-MYB interactions could participate in the control of gene expression. Implications, both scientific and agricultural: The demonstrated role of the FSM1/FSB1/MYBI complex in controlling differential cell growth in the developing tomato fruit highlights potential exploitations of these genes for improving fruit quality characteristics. Modulation of expression of these genes or their paralogs in other organs could serve to modify leaf and canopy architecture in various crops.
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You might also be interested in the extended bibliographies on the topic 'Saint Art' for particular source types:
Journal articles Dissertations / Theses Books
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