Books: 'Safe moving'

1

Moving in: Tales of an unlicensed marriage. Lexington, KY: The author, 2013.

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2

Judi, McManus, ed. Safer handling and moving techniques with patients: A training handbook. Leeds: William Merritt Disabled Living Centre, 2000.

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3

The United States, Japan, and free trade: Moving in the same direction? Santa Monica, CA: RAND, 2012.

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4

Conference, United Nations Institute for Disarmament Research Annual. Space security 2009: Moving towards a safer space environment : conference report 15-16 June 2009. New York: United Nations, 2009.

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United Nations Institute for Disarmament Research. Annual Conference. Space security 2009: Moving towards a safer space environment : conference report 15-16 June 2009. New York: United Nations, 2009.

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United Nations Institute for Disarmament Research, ed. Space security 2009: Moving towards a safer space environment : conference report 15-16 June 2009. New York: United Nations, 2009.

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7

Leonard, Matthews, and Sephton Ken, eds. The Movie book: The 1940's. New York: Crescent Books, 1988.

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8

Beatles: At the movies. New York, NY: HarperPerennial, 1996.

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9

Arthur, Lavin, ed. Who's the boss?: Moving families from conflict to collaboration : a parent's guide to raising children and staying sane. Beachwood, OH: Collaboration Press, 2006.

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10

Sexuality in the Land of Oz: Searching for safer sex at the movies. Lanham, Md: University Press of America, 1994.

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11

Rainey, Buck. Sweethearts of the sage: Biographies and filmographies of 258 actresses appearing in western movies. Jefferson, N.C: McFarland, 1992.

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12

Commission, Toronto Transit. Moving forward: Making transit safer for women : a joint study of security on the rapid transit system relative to sexual assaults. [Toronto: The Commission, 1989.

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13

Chisholm, Darlene C. Product differentiation and film programming choice: Do first-run movie theatres show the same films? Cambridge, Mass: National Bureau of Economic Research, 2006.

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14

Grgic, Ana. Early Cinema, Modernity and Visual Culture. NL Amsterdam: Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463728300.

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At the end of the nineteenth century, the Balkans were animated by cultural movements and socio-political turmoil with the onset of the collapse of the empires. Around the same period, the proliferation of print media and the arrival of moving images gradually transformed urban life, and played an important role in the creation of national and regional cultures. Based on archival research that explores previously overlooked footage and early press materials, Early Cinema, Modernity and Visual Culture: The Imaginary of the Balkans is the first study on early cinema in the region from a transnational and cross-cultural perspective. This book investigates how the unique geopolitical positioning of the Balkan space and the multicultural identity of its communities influenced and shaped visual culture and the development of early cinema until World War I. It highlights how early moving images and foreign film productions contributed to the construction of Balkanist and semi-colonial discourses. Building on approaches such as ‘new cinema history’, ‘vernacular modernity’ and ‘polycentric multiculturalism’ to counter Eurocentric modernity paradigms and to reframe hierarchical relations between centres and peripheries, this monograph adopts an alternative methodology for interstitial spaces. Using the notion of the haptic, it examines the relationship between the new medium and regional visual culture. By doing so, it establishes new connections between moving image artefacts and print media, early film practitioners and intellectuals, the socio-cultural context and cultural responses to the new visual medium in the Balkan region.

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15

United States. Congress. Senate. Committee on Banking, Housing, and Urban Affairs. Subcommittee on Housing, Transportation, and Community Development. New ideas to address the glut of foreclosed properties: Hearing before the Subcommittee on Housing, Transportation, and Community Development of the Committee on Banking, Housing, and Urban Affairs, United States Senate, One Hundred Twelfth Congress, first session, on exploring new ideas to address the glut of foreclosed properties and moving the nation's housing market forward, September 20, 2011. Washington: U.S. G.P.O., 2012.

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16

Wang, Chao, Alexey S. Matveev, Andrey V. Savkin, and Michael Hoy. Safe Robot Navigation among Moving and Steady Obstacles. Elsevier Science & Technology Books, 2015.

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17

Safe Robot Navigation Among Moving and Steady Obstacles. Elsevier, 2016. http://dx.doi.org/10.1016/c2014-0-04846-0.

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18

PhD, Nelson Audrey, Motacki Kathleen, and Menzel Nancy Nivison, eds. The illustrated guide to safe patient handling and movement. New York, NY: Springer Pub., 2009.

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19

Yard Sale. Candlewick, 2015.

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20

Money Tree (Rocky River, Ohio). Sixteenth mail bid sale of numismatic literature, featuring the Bowers & Merena moving sale. 1993.

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21

Cassidy, Sara, and Helen Flook. Not for Sale. Orca Book Publishers, 2015.

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22

Cassidy, Sara. Not for sale. 2015.

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23

Authority, Greater London, ed. On magazine: Ken: getting London moving : Ken: making London safer. London: Greater London Authority, 2002.

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24

From Warrior to Sage: A guide for moving beyond the ego. AuthorHouse, 2006.

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25

Grebey, James F. Moving On: Getting the Most from the Sale of Your Small Business. De Gruyter, Inc., 2018.

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26

Grebey, James F. Moving On: Getting the Most from the Sale of Your Small Business. De Gruyter, Inc., 2018.

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27

When Buyers Say No Essential Strategies For Keeping A Sale Moving Forward. Little, Brown, 2014.

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28

Brysk, Alison. Expanding Rights. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190901516.003.0009.

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Chapter 9 turns to the gendered impact of public policy and the potential of rights-based public policy as a response to violence. First, we will chronicle the diffusion of global models of gendered public policy on urban planning, transportation, sanitation, and social services. Next, we will trace the emergence of new models of policing and social services to address family violence in Turkey, Brazil, South Africa, Mexico, and El Salvador. Moving from protection to prevention, we will examine how transnational programs and coalitions for urban safety, sanitation, and transportation respond to the sexual violence tracked above in India, South Africa, Colombia, and Mexico, as well as similar problems in slum areas in Kenya. We will also consider burgeoning efforts to ensure safe schools and refugee protection.

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29

Lloyd, Ann. Movie Book: The 1940s. Crescent, 1988.

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30

Piatkowski, Marcin. Conclusions and the Way Forward. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198789345.003.0011.

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In this chapter I summarize the main conclusions of the book and describe scenarios for the future. I provide twelve lessons from Poland’s economic success, including the difficulty of moving from an extractive to an inclusive society, the importance of a strong and efficient state, and the need for a more interdisciplinary study of economics. I argue that Poland has never been more prosperous, humane, safe, civilized, and happy than today, and that progress will continue. Poland might reach the level of income of Spain, but is not likely to reach the levels of the core of Europe, Germany, France, or the Netherlands. This would require that Poland becomes a creator rather than an absorber of ideas. It would necessitate further changes in the country’s developmental DNA, in its institutions, and culture. Poland has made a great start. But it has only reached the end of the beginning.

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31

Rocher, Vincent, and Sam Azimi, eds. Effectiveness of Disinfecting Wastewater Treatment Plant Discharges. IWA Publishing, 2021. http://dx.doi.org/10.2166/9781789062106.

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Cultural aversion to microbes, healthiness or desire for safe bathing, the applications for water disinfection are varied and the technologies used to achieve this goal are numerous. The authors looked at a simple solution to implement: the use of a reagent called performic acid. Consequently, more than two years of applied research, observations and analyzes were necessary to demonstrate its harmlessness towards the natural environment. The strength of the demonstration lies in the cross-vision of many researchers and scientists from different backgrounds who shared their studies and observations. The strength of this testimony also lies in the diversity of the application cases, including notable and sensitive receiving environments as different as the Seine, the Atlantic Ocean or the Venice lagoon. Through its intentions and results, this work is a step, moving forward the 2030 Agenda for Sustainable Development, particularly SDG 6 “clean water and sanitation” relying on the lever of SDG 17 “partnerships for the goals”. Denis Penouel, Deputy CEO in charge of Prospective

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32

Whouley, Kate. Cottage for Sale--Must Be Moved: A Woman Moves a House to Make a Home. Commonwealth Editions, 2004.

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33

Whouley, Kate. Cottage for Sale, Must Be Moved: A Woman Moves a House to Make a Home. Ballantine Books, 2005.

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34

Lu, Zhong-Lin, and George Sperling. Second-Order Reversed Phi. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780199794607.003.0071.

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A second-order reversed-phi stimulus is composed of moving features (areas filled with texture) whose overall amount of texture-contrast is reversed between successive frames. In peripheral vision, the stimulus is perceived as moving in the reversed direction (opposite to the feature displacement). In central vision, it is perceived in the forward direction at low temporal frequencies but in the reversed direction at high temporal frequencies. Moving the observer away from the displays has the same effect as changing from central to periphery vision: reversed motion becomes more dominant. The illusion demonstrates the different properties of the second- and third-order motion systems.

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35

Kane-Meddock, Derek. Trash Comes Home. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036613.003.0015.

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This chapter demonstrates the structural link between gender and genre in John Waters' work by examining three of the director's films: Pink Flamingos (1972), representing his early career; Polyester (1981), which marks his transition to Hollywood; and Serial Mom (1994), a movie from what has been called Waters' “safe and formulaic” period. Despite their stylistic and thematic differences, these three movies each expose the inconsistencies inherent in gendered and generic representation. The theory of disidentification offers an explanatory link between the director's resistance to the rules of both gender and genre. Disidentification is defined as a response to the failure of dominant forms of representation to include unconventional perspective.

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36

Sperling, George, and Zhong-Lin Lu. Objectless Motion. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780199794607.003.0079.

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The sum of two sine waves of the same frequency is yet another sine wave. When a moving sinewave grating (e.g., continuously translating from left to right) is added to (superimposed on) a stationary sinewave grating (the pedestal) with twice the amplitude, the sum is a sine-wave grating that wobbles back and forth. Remarkably, the left–right direction of the moving grating can be perceived just as accurately in pedestalled motion as in normal motion. At temporal frequencies of 10 Hz and greater, the wobble is too quick to be perceived. The moving pedestalled sine-wave grating is perceived as an invisible left-to-right horizontal wind above the summed sine-wave grating that wobbles back and forth at low temporal frequencies of motion but appears to be absolutely stationary at high temporal frequencies.

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37

Rainey, Buck. Sweethearts of the Sage: Biographies and Filmographies of 258 Actresses Appearing in Western Movies. McFarland & Company, Incorporated Publishers, 2012.

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38

Wittman, David M. A First Look at Relativity. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199658633.003.0001.

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The heart of relativity is the supposition that the laws of physics are the same in all coordinate systems. This chapter builds a foundation by defining coordinate systems (also called frames of reference or simply frames) and examining some quantities that are coordinate‐dependent and others that are coordinate‐independent; the latter turn out to be more physically meaningful. Galileo first considered relationships between coordinate systems moving at different veloCities; in modern terms this could relate a coordinate system attached to the ground to one attached to a moving train. Given your velocity relative to the train, and the train‐ground relative velocity, Galileo developed a law for inferring your velocity relative to the ground. If this Galilean velocity addition law is correct, there are profound implications: nature must have no speed limit, and the laws of motion must be the same in any constant‐velocity frame.

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39

Cohan, Steven. Movie-Struck Hollywood. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190865788.003.0004.

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This chapter looks at female star narratives of the 1920s and 1930s, from The Extra Girl (1923) and Souls for Sale (1923) to Alice in Movieland (1940) and Star Dust (1940), discussing their historical if increasingly anachronistic basis in the problematic figure of “the movie-struck girl.” This was the figuration of the female fan of the silent era who went to Hollywood in search of economic, emotional, and sexual independence. The contradictions raised by the “movie-struck girl” were inherent in the institutionalization of female stardom. Thus, these tensions structure early star narratives, which equate Hollywood with stardom. But far from simply catering to fan girls as a means of reinforcing their investment in Hollywood stardom, these backstudio pictures feature strong, active, and desiring young women set in counterpoint to the manipulative or paternal-minded men running the industry and for whom female stars are commodities.

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40

Free, Christine. Ladies Keep It Movin': 10 Steps for Staying Sane & Fabulous with Kids, Your Man, and a Dream. Belfrey Publishing, 2012.

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41

Grassi, Walter, Tadashi Okano, and Emilio Filippucci. Ultrasound in osteoarthritis and crystal-related arthropathies. Oxford University Press, 2016. http://dx.doi.org/10.1093/med/9780199668847.003.0017.

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Ultrasonography (US) is a safe and cheap imaging technique which in experienced hands allows for a multiplanar and multisite high-resolution assessment of both morphological and structural features of bone, cartilage, and intra- or periarticular soft tissues. This chapter describes the main applications of US in patients with osteoarthritis (OA) and crystal-related arthropathies. Imaging plays a key role for diagnosis, prognosis, and follow-up in patients with OA. Although conventional radiography is still the gold standard imaging technique in daily clinical practice, US has been revealed to be capable of detecting a wide spectrum of otherwise undetectable details, including cartilage damage, joint effusion, synovial hypertrophy, osteophyte formation, and meniscal protrusion. Crystal visualization by US has the potential to change the diagnostic approach in patients with suspicion of crystal-related arthropathies. The double-contour sign, due to urate crystal deposits on the chondrosynovial interface of the hyaline cartilage, is a highly specific finding for gout as well as the hyperechoic spots within the hyaline cartilage for calcium pyrophosphate dihydrate crystal deposition disease. The potential applications of US in the management of patients with OA and crystal-related arthropathies are not only limited to diagnosis and monitoring. Finally, US guidance allows the real-time visualization of the needle moving through different tissues and reaching the target to aspirate and/or inject. The correct placement of the tip of the needle plays a key role in improving efficacy and reducing side effects of the injection.

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42

Scholz, Luca. Borders and Freedom of Movement in the Holy Roman Empire. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198845676.001.0001.

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Abstract: Borders and Freedom of Movement in the Holy Roman Empire tells the history of free movement in the Holy Roman Empire of the German Nation, one of the most fractured landscapes in human history. The boundaries that divided its hundreds of territories make the Old Reich a uniquely valuable site for studying the ordering of movement. The focus is on safe conduct, an institution that was common throughout the early modern world but became a key framework for negotiating free movement and its restriction in the Old Reich. The book shows that attempts to escort travellers, issue letters of passage, or to criminalize the use of ‘forbidden’ roads served to transform rights of passage into excludable and fiscally exploitable goods. Mobile populations—from emperors to peasants—defied attempts to govern their mobility with actions ranging from formal protest to bloodshed. Newly designed maps show that restrictions upon moving goods and people were rarely concentrated at borders before the mid-eighteenth century, but unevenly distributed along roads and rivers. In addition, the book unearths intense intellectual debates around the rulers’ right to interfere with freedom of movement. The Empire’s political order guaranteed extensive transit rights, but apologies of free movement and claims of protection could also mask aggressive attempts of territorial expansion. Drawing on sources discovered in more than twenty archives and covering the period between the late sixteenth to the early nineteenth century, the book offers a new perspective on the unstable relationship of political authority and human mobility in the heartlands of old-regime Europe.

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43

Palmer, Landon. Rock Star/Movie Star. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190888404.001.0001.

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When midcentury Hollywood found itself struggling to compete within an expanding entertainment media landscape, certain producers and studios saw an opportunity in making films that showcased performances by rock ’n’ roll stars. Such stars eventually found cinema to be a useful space to extend their creative practices, and the motion picture and recording industries increasingly saw cinematic rock stardom as a profitable means to connect multiple media properties. This book examines how casting rock stars for film provided a tool for bridging new relationships across media industries and practices. Rock Star/Movie Star offers a new perspective on the role of stardom within the convergence of media industries. While hardly the first popular music culture to see its stars making the transition to screen, the timing of rock’s emergence and its staying power within popular culture proved fortuitous for a motion picture business searching for its place in the face of continuous technological and cultural change. At the same time, a post-star-system film industry provided a welcoming context for rock stars who have valued authenticity, creative autonomy, and personal expression. Examining stars from Elvis Presley to Madonna, this book uses illuminating archival resources to demonstrate how rock stars have often proven themselves to be prominent film workers exploring this terrain of platforms old and new—ideal media laborers whose power lies in the fact that they are rarely recognized as such.

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44

Mordden, Ethan. The Revival and the Third Movie. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190651794.003.0010.

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This chapter discusses the revival of Chicago as well as its movie adaptation. At the same time, the chapter refers to the infamous O. J. Simpson trial in describing Watkins’ own feeling that the press was shaping public reaction to murder trials to exculpate the guilty. Considering the show-biz aspect of the whole Simpson chronicle, the lesson everyone took from this case was that high-profit justice is show business by other means: the very message of Chicago. With the nation more or less transfixed by this staged miscarriage of due process, the musical’s lesson was at last learned. Finally, the chapter examines further themes and lessons from the film, as well as the national art of the musical as a whole.

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45

Palmer, Evan M., and Philip J. Kellman. The Aperture Capture Illusion. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780199794607.003.0102.

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Perception of object shape is typically accurate and robust, even when objects move behind occluding surfaces, thus fragmenting their visible regions across space and over time. However, when an object is seen moving behind an occluding surface with only two misaligned apertures, a striking perceptual illusion occurs. The object appears distorted in the same direction as the offset of the apertures. This “aperture capture illusion” reveals the limits of spatiotemporal object formation and gives clues as to how the human visual system perceives dynamically occluded objects under normal circumstances. These concepts as well as related factors are explored in this chapter.

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46

Healey, Richard. Causation and Locality. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198714057.003.0010.

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By moving to the context of relativistic space-time structure, this chapter completes the argument of Chapter 4 that we can use quantum theory locally to explain correlations that violate Bell inequalities with no instantaneous action at a distance. Chance here must be relativized not just to time but to a space-time point, so that an event may have more than one chance at the same time—it may even be certain relative to one space-time point but ‘at the same time’ completely uncertain relative to another. This renders Bell’s principle of Local Causality either inapplicable or intuitively unmotivated. Counterfactual dependence between the outcomes of measurements on systems assigned an entangled state is not causal since neither outcome is subject to intervention: but it may still be appealed to in a non-causal explanation of one in terms of the other.

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47

Radner, Hilary, and Alistair Fox. The Digital Challenge: From the Theater to the Gallery. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474422888.003.0003.

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This chapter demonstrates how Bellour’s work on video art (or what was later termed moving-image installation art), while a product of his own preoccupations, is situated firmly within more general speculations about spectatorship. Confronting this new medium, or media, as it turned out, Bellour introduced the notion of “le spectateur pensif,” the pensive spectator, or the spectator engaged in thought – who is not an entirely rational spectator, nor one who is completely sutured into the narrative as some scholars felt was the case with the spectator of classical cinema. He also sees the emergence of new relations between images which he calls “l’entre-images,” the between-images, complicating his initial ideas about the “défilement,” a concept, at least initially, referred to the movement of the celluloid print through the projector’s mechanism and the filing past of the cinema images in front of the spectator. In this same period, Bellour, along with film critics such as Serge Daney and filmmakers like Jean-Luc Godard, began to speculate about the death of cinema due to the changing situations (or dispositifs) in which the spectator encounters the moving image. An important influence on his thinking as this time was the film theorist turned video artist Thierry Kuntzel.

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48

Lange, Paul. Composition Notebook: You're Just As Sane As I Am Movie Notebook Journal Notebook Blank Lined Ruled 6x9 100 Pages. Independently Published, 2020.

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49

Winnicott, D. W. The Collected Works of D. W. Winnicott. Edited by Lesley Caldwell and Helen Taylor Robinson. Oxford University Press, 2016. http://dx.doi.org/10.1093/med:psych/9780190271336.001.0001.

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The collected works and letters of Donald Winnicott Volume 1 (1911-39) gathers together early memorabilia, his earliest medical writings and his first complete book, Clinical Notes on the Disorders of Childhood. The volume shows Winnicott the paediatrician at work at the same time as Winnicott the psychoanalyst, feeling his way into a deeper acquaintance with psychoanalysis through his analysis with James Strachey, his training at the British Society and his encounter with Melanie Klein. The volume includes his BPAS membership paper, ‘The Manic Defence’. Some papers written after he became a member show Winnicott deploying Kleinian terminology while moving towards his own account of early development. Volume 1 includes an introduction by Ken Robinson.

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50

Cockett, J. R. B., and R. A. G. Seely. Proof Theory of the Cut Rule. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198748991.003.0010.

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This chapter describes the categorical proof theory of the cut rule, a very basic component of any sequent-style presentation of a logic, assuming a minimum of structural rules and connectives, in fact, starting with none. It is shown how logical features can be added to this basic logic in a modular fashion, at each stage showing the appropriate corresponding categorical semantics of the proof theory, starting with multicategories, and moving to linearly distributive categories and *-autonomous categories. A key tool is the use of graphical representations of proofs (“proof circuits”) to represent formal derivations in these logics. This is a powerful symbolism, which on the one hand is a formal mathematical language, but crucially, at the same time, has an intuitive graphical representation.

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Books on the topic 'Safe moving'

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