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Books on the topic 'Sad music'

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Author: Grafiati

Published: 10 December 2022

Last updated: 28 January 2023

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1

Frazer, Paula. Leave the sad things behind. Los Angeles, CA: Birdman, 2005.

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2

Furlong, Nicola. The sad clown affair. Carmel, N.Y: Guideposts, 2002.

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3

Garrido, Sandra. Why Are We Attracted to Sad Music? Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-39666-8.

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4

ill, Juan Ana, ed. Bibi and the sad ballerinas. New York: Atheneum Books for Young Readers, 2006.

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5

Bavilʹskiĭ, Dmitriĭ. Sad kamneĭ: Khudozhestvennyĭ dnevnik 2007-2010. Moskva: Novoe literaturnoe obozrenie, 2011.

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6

Baba, Ileana Ocolișan. Lexiconul soliștilor vocali și instrumentiști ai postului de Radio Novi Sad: Radio Novi Sad la 60 de an. Panciova: Editura Libertatea, 2013.

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7

Serbia) Konferencia muzikológov a hudobných odborníkov (1st 2005 Novi Sad. Slovenská hudba vo Vojvodine: Zborník prác I. konferencie muzikológov a hudobných odborníkov : Nový Sad, 16. apríla 2005. Edited by Sklabinská Milina. Nový Sad]: Národnostná rada slovenskej národnostnej menšiny v Srbsku a Čiernej Hore, 2006.

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Serbia) Konferencia muzikológov a hudobných odborníkov (4th 2008 Novi Sad. Slovenská hudba vo Vojvodine 2008: Zborník prác 4. konferencie muzikológov a hudobných odborníkov, Nový Sad 15. Novembra 2008. Edited by Sklabinská Milina. Nový Sad: Ústav pre kultúru vojvodinnských Slovákov, 2008.

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9

Konferencia muzikológov a hudobných odborníkov (5th 2009 Novi Sad, Serbia). Slovenská hudba vo Vojvodine 2009: Zborník prác 5. konferencie muzikológov a hudobných odborníkov, Nový Sad 14. Novembra 2009. Edited by Sklabinská Milina. Nový Sad: Ústav pre kultúru vojvodinnských Slovákov, 2010.

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10

No more sad refrains: The life and times of Sandy Denny. London: Omnibus Press, 2011.

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11

Heylin, Clinton. No more sad refrains: The life and times of Sandy Denny. London: Helter Skelter Pub., 2000.

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12

1962-, Kajtez Miodrag, and Mamula Nedeljko 1955-, eds. Novosadski jazz festival: 15-18. novembar 2006. Novi Sad: Kulturni centar Novog Sada, 2006.

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13

Seshadri, Hiramalini. Sai kriti sangraha: Carnatic music with the mudra "Sai". Chennai: Sai Kriti and Literature Trust, 2000.

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14

Muzički brevijar Novog Sada. Novi Sad: The author, 1994.

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15

Ray Chaudhuri, S. K., translator, ed. S.D. Burman: The world of his music. New Delhi: Rupa Publications India, 2013.

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16

Tsuji, Shinʾichi. Burakku myūjikku sae are ba: BM. Tōkyō: Seikyūsha, 1995.

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17

Wang, Yao-hua. Chūgoku to ryūkyū no sangen ongaku. Tōkyō: Daiichi Shobō, 1998.

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18

Jaldati, Lin. Sag nie, du gehst den letzten Weg: Erinnerungen. Berlin: Buchverlag Der Morgen, 1986.

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19

Fujimura, Steve. Sad Asian Music. FLP Media Group, 2022.

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20

Li, Lykke. So sad so sexy. 2018.

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21

Mazey, Alex. Sad Boy Aesthetics. Broken Sleep Books, 2021.

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22

Dolmatz, Steven J. Still, sad music: A collection of verse. 1986.

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23

Garrido, Sandra. Why Are We Attracted to Sad Music? Springer International Publishing AG, 2016.

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24

Garrido, Sandra. Why Are We Attracted to Sad Music? Springer International Publishing AG, 2016.

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25

Garrido, Sandra. Why Are We Attracted to Sad Music? Palgrave Macmillan, 2018.

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26

Heylin, Clinton. No More Sad Refrains. Helter Skelter Publishing, 2005.

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27

Winner, Ellen. Feeling From Music. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190863357.003.0004.

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This chapter addresses the emergence of feelings in the music listener. We hear a sad piece and feel sad, but we are not sad about the music, and nothing bad has happened to us. Some philosophers have therefore concluded that music cannot elicit emotion. Instead, perhaps we are confusing the emotion we hear expressed in the music with the emotion we feel. But research shows that people do feel emotions from music, and they distinguish the emotions they hear in the music from the emotions the music makes them feel. There is no empirical support for the philosophical position that we do not experience emotion from music. However, emotions from music are softened by aesthetic distance—we know these emotions are caused by the music and not by a life event. The chapter concludes with a consideration of some conflicting evidence about whether the emotional response to music is innate or influenced by one’s musical culture.

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28

Fenstermacher, Brigitte. Composition Notebook: Music! - Sad Japanese Aesthetic Journal Notebook Blank Lined Ruled 6x9 100 Pages. Independently Published, 2020.

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29

Edosomwan, Harmony, and Eloho Obaro-Best. Sad Black Girl: An interactive book, filled with poetry, music, art, tips, and exercises. Independently published, 2019.

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30

Clarke, Rebecca. Weep You No More, Sad Fountains: For Unaccompanied Mixed Chorus (Satb) (Oxford Choral Music). Oxford University Press, 2003.

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31

Heylin, Clinton. No More Sad Refrains: The Life and Times of Sandy Denny. Helter Skelter Publishing, 2002.

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32

Hear my sad story: The true tales that inspired Stagolee, John Henry, and other traditional American folk songs. 2015.

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33

Polenberg, Richard. Hear My Sad Story: The True Tales That Inspired Stagolee, John Henry, and Other Traditional American Folk Songs. Cornell University Press, 2015.

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34

David, McKee. The sad story of Veronica who played the violin: Being an explanation of why the streets are not full of happy dancing people. 2013.

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35

Winner, Ellen. Wordless Sounds. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190863357.003.0003.

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Philosophers have worried that music cannot be sad or happy. Only sentient creatures can have emotions. However, empirical studies show that people do perceive emotions in music, including music from unfamiliar traditions. The question then becomes how music conveys emotion. Research shows that structural features in music mirror how emotions are conveyed by prosodic features of speech. When we are sad we speak slowly, softly, and in a low register; and when music is slow and soft and low, we perceive it as sad. Other emotional properties (like the link between the minor mode and sadness, the major mode and happiness) may be learned, but this matter remains in dispute. The research provides no support for the claim that music does not express emotions. The conventional wisdom that music is the language of the emotions holds up very well.

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36

Publications, Tedys. Funny Sad Music Makes Me Happy Sketchbook: Music Lover Gag Gift - Sketch Book with Blank Paper for Drawing Painting Creative Doodling Sketching Pad - 8. 5 X 11 Inch 120 Pages Notebook - Music Lovers Journal and Sketch Pad for Drawing. Independently Published, 2021.

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37

Urbanowicz, Alicja. SAD Piano Songs That Everyone Loves: Easy Piano Sheet Music Book I Simplified Arranged for Beginners and Intermediate Pianists I Funeral Songs I Big Notes I Video Tutorial. Independently Published, 2021.

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38

Sankar, Shreya. Sai Samarpan: Sheet Music for Sathya Sai Devotional Songs. Independently Published, 2020.

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39

Sai Samarpan: Sheet Music for Sathya Sai Devotional Songs. Independently Published, 2020.

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40

Sade. The essential Sade. 2014.

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41

Publishing, Frank H. Make Country Music Sad Again- Notebook 120 Pages : 6''x 9'' Checkerd Graph Paper: Perfekt As a Log Notebook, Diarys, Day Planner, Journal and to-Do List for Work, University or at School. Independently Published, 2021.

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42

Sade. Best of Sade. Hal Leonard Corporation, 1994.

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43

Winner, Ellen. Drawn to Pain. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190863357.003.0007.

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Aristotle said we don’t like to look at painful things in life but get pleasure from seeing these things in art. This chapter examines what research tells us about why we willingly expose ourselves to sad music, paintings of suffering, horror movies, and tragic narratives. Studies show that the sadder we feel when experiencing these forms of art, the more we enjoy the experience and the more moved we feel. Thus, when we experience art with painful content, we experience positive as well as negative emotions. The positive emotions are made possible because of aesthetic distance. That is, we know that our emotions are caused by art, not “real life.” In addition, the experience of negative emotions promotes meaning making as we try to make something positive out of a painful experience. And meaning making is an important function of art.

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44

group), Sade (Musical. The best of Sade. 2016.

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45

Sade. Sade - Soldier of Love. Leonard Corporation, Hal, 2010.

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46

Sade. The Best of Sade. Hal Leonard Publishing Corporation, 1995.

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47

L'Estrange, Alexander. Siyahamba: SAB, Choral Octavo. Faber Music, Limited, 2013.

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48

Sai Samarpan, Vol 2: Sheet Music for Sathya Sai Devotional Songs. Independently Published, 2020.

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49

Sankar, Shreya. Sai Samarpan, Vol 4: Sheet Music for Sathya Sai Devotional Songs. Independently Published, 2020.

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50

Sankar, Shreya. Sai Samarpan, Vol 1: Sheet Music for Sathya Sai Devotional Songs. Independently Published, 2020.

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