Academic literature on the topic 'Sad music'
Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles
Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Sad music.'
Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.
You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.
Journal articles on the topic "Sad music"
Vuoskoski, Jonna K., William F. Thompson, Doris McIlwain, and Tuomas Eerola. "Who Enjoys Listening to Sad Music and Why?" Music Perception 29, no. 3 (December 2011): 311–17. http://dx.doi.org/10.1525/mp.2012.29.3.311.
Full textGupta, Ashish, Braj Bhushan, and Laxmidhar Behera. "Neural response to sad autobiographical recall and sad music listening post recall reveals distinct brain activation in alpha and gamma bands." PLOS ONE 18, no. 1 (January 6, 2023): e0279814. http://dx.doi.org/10.1371/journal.pone.0279814.
Full textHuron, David. "Why is Sad Music Pleasurable? A Possible Role for Prolactin." Musicae Scientiae 15, no. 2 (July 2011): 146–58. http://dx.doi.org/10.1177/102986491101500202.
Full textHuron, David. "Why is sad music pleasurable? A possible role for prolactin." Musicae Scientiae 15, no. 2 (July 2011): 146–58. http://dx.doi.org/10.1177/1029864911401171.
Full textTaruffi, Liila. "Sad music and self-reflection." Physics of Life Reviews 25 (August 2018): 131–33. http://dx.doi.org/10.1016/j.plrev.2018.03.007.
Full textZiv, Naomi, and Maya Goshen. "The effect of ‘sad’ and ‘happy’ background music on the interpretation of a story in 5 to 6-year-old children." British Journal of Music Education 23, no. 3 (November 2006): 303–14. http://dx.doi.org/10.1017/s0265051706007078.
Full textStratton, Valerie N., and Annette H. Zalanowski. "Affective Impact of Music Vs. Lyrics." Empirical Studies of the Arts 12, no. 2 (July 1994): 173–84. http://dx.doi.org/10.2190/35t0-u4dt-n09q-lqhw.
Full textBullack, Antje, Niklas Büdenbender, Ingo Roden, and Gunter Kreutz. "Psychophysiological Responses to “Happy” and “Sad” Music." Music Perception 35, no. 4 (April 1, 2018): 502–17. http://dx.doi.org/10.1525/mp.2018.35.4.502.
Full textTaruffi, Liila, Stavros Skouras, Corinna Pehrs, and Stefan Koelsch. "Trait Empathy Shapes Neural Responses Toward Sad Music." Cognitive, Affective, & Behavioral Neuroscience 21, no. 1 (January 20, 2021): 231–41. http://dx.doi.org/10.3758/s13415-020-00861-x.
Full textNaranjo Sánchez, Beatriz. "Moving music for moving source texts." Translation, Cognition & Behavior 1, no. 2 (September 27, 2018): 319–40. http://dx.doi.org/10.1075/tcb.00014.nar.
Full textDissertations / Theses on the topic "Sad music"
Taruffi, Liila [Verfasser]. "Why We Listen to Sad Music: Effects on Emotion and Cognition / Liila Taruffi." Berlin : Freie Universität Berlin, 2017. http://d-nb.info/1137509910/34.
Full textAsquith, Mark Simeon. "The 'Sad Music of Humanity' : metaphysics and musical aesthetics in the novels of Thomas Hardy." Thesis, King's College London (University of London), 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.369131.
Full textMitterschiffthaler, Martina Theresia. "The sound of music, the appeal of pictures and the colour of words : neural correlates of happy and sad affect processing in healthy and depressed individuals." Thesis, King's College London (University of London), 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.428083.
Full textAleksandra, Prodanović Stamenović. "Компаративни ефекти музичких фестивала на локалну заједницу и туризам EXIT versus SZIGET." Phd thesis, Univerzitet u Novom Sadu, Prirodno-matematički fakultet u Novom Sadu, 2015. https://www.cris.uns.ac.rs/record.jsf?recordId=95004&source=NDLTD&language=en.
Full textPo istraživanju Turističke organizacije Srbije (TOS) događaji su prvi na listi turističkih motiva za dolazak stranih turista u našu zemlju. Manifestacioni turizam je zbog toga istaknut u „Strategiji razvoja turizma Srbije“ kao veoma značajan segment razvoja turizma u Srbiji, ali i kao komparativna prednost domaćeg turizma. Prema podacima Turističke organizacije Vojvodine, u Vojvodini se godišnje održi 1382 manifestacije. Jedna od najvažnijih manifestacija je EXIT festival koji se već 15 godina održava u Novom Sadu. Ovaj festival je uvršten u 10 najboljih evropskih festivala. Marketing strategija Vojvodine predlaže da se u razvoju turizma sledi primer Mađarske. U Mađarskoj se u toku godine održi višeod 3000 festivala koji privlače 18-20 miliona posetilaca iz Mađarske iinostranstva, što govori o značaju koji turizam događaja ima na turizam Mađarske. Budimpešta je glavni grad Republike Mađarske. Nalazi se na 300 km od Novog Sada i izuzetno je posećena turistička destinacija. Jedan od značajnijih turističkih događaja u Budimpešti je muzički festival SZIGET, koji okuplja veliki broj izvođača i posetioce iz preko 70 različitih zemalja, čime doprinosi pozitivnom imidžu Budimpešte na turističkoj mapi Evrope.Lokalno stanovništvo je bitan stejkholder u razvoju turističe destinacije. U vezi sa određenim područjem i životnom sredinom, ima mnogo bolji osećaj za to št a su realne potrebe tog područja, kao i jasniju viziju budućeg razvoja, nego centralna uprava. Zbog navedenog je potrebno uključiti vizije, želje i potrebe, potencijale i entuzijazam lokalne zajednice u planove za budući razvoj S obzirom da je vrlo malo istraživanja o efektima muzičkih festivala na lokalnu zajednicu naših prostora, anketirani su stanovnici Novog Sada i Budimpešte, o efektima koje EXIT i SZIGET festivali ostvaruju, primenom modifikovane FSIAS skale. Sakupljeno je ukupno 505 validnih upitnika koji su dalje korišćeni u statističkim analizama. Primenom eksplorativne faktorske analize utvrđena je dvofaktorska struktura modifikovane FSIAS skale, a faktori su imenovani na sledeći način: F1 pozitivni efekti - društvene koristi i F2 negativni efekti -društveni troškovi festivala.Istraživanjem se došlo do saznanja da lokalno stanovništvo Novog Sada iBudimpešte više percipira pozitivne nego negativne efekte festivala na lokalnu zajednicu, pri čemu ispitanici iz Novog Sada obe grupe efekata ocenjuju višim prosečnim ocenama u odnosu na ispitanike iz Budimpešte. Takođe, istraživanjem je potvrđeno da festivali doprinose razvoju turizma, promociji i imidžu destinacije. Utvrđeno je koje su i jake tačke oba festivala, a na koje stavke bi menadžmet trebao više uticati kako bi se pozitivni efekti multiplikovali, kao i koji efekti mogu biti zanemareni po mišljenju lokalnog stanovništva, a da festival ne gubi na kvalitetu.Socijalni uticaji na lokalnu zajednicu nisu univerzalni, ono što ima važan uticaj u jednoj zajednici može imati zanemarljiv uticaj u drugoj zajednici.
According to Tourist Organization of Serbia (TOS) research events are the first motive forarrival of foreign tourists in our country. Event tourism is therefore one of the pillars in„Tourism Development Strategy of Serbia" as a very important segment, as a comparativeadvantage of domestic tourism. According to Tourist Organization of Vojvodina, 1382 events are annually held in Vojvodina. One of the most important manifestations is theEXIT festival, held in Novi Sad for 15 years. This festival has been listed as one of the top10 European festivals. In development of tourism Marketing Strategy of Vojvodina suggestsfollowing the example of Hungary. In period of one year more than 3000 festivals are heldin Hungary which are attracting 18-20 million of visitors from Hungary and abroad, that factindicates importance of events in Hungarian tourism. Budapest is the capital of Republic ofHungary. It is 300 km away from Novi Sad and it is highly visited tourist destination. Oneof the most important tourism events in Budapest is Sziget music festival, which gathers alarge number of performers and visitors from more than 70 different countries. ThereforeSziget festival is contributing to the positive image of Budapest on European tourist map.Local population is an important stakeholder in development of tourist destinations. Inrelation to specific area and environment local population can have better sense of what arereal needs, what is more sustainable and can gain more benefit in future development, thanthe central government. As result it is necessary to include vision, desires and needs,potentials and enthusiasm of local community in plans for future development.As there are no studies on effects of music festivals on local community in our area, thisscientific research investigated local population perception on effects of music festivals. Thesurvey about effects of Exit and Sziget festival sampled residents from Novi Sad andBudapest. Appropriate sampling collected total of 505 valid surveys that are used instatistical analysis. Modified FSIAS scale showed positive and negative effects of festivaland what significance these effects have on local community.The results of the study show that local population from Novi Sad and Budapest perceivesmore positive effects from festivals than negative effects. Respondents from Novi Sad gavehigher average grades for both groups of effects. Also, the results confirmed that festivalscontibute to tourism development, promotion and image of destination.Strong points or strengths of both festivals were determined as well as areas that should bemore influenced by management so positive effects could be multiplied. Also low priorityor possible overkill points are defined and can be ignored, as they are not influencingquality of festival.Social impacts on local community are not universal, those that have important impact onone community may have a negligible effect on the other.
Andersson, Sofie. "I left my scat in San Francisco : Strategier för att stärka förmågan att improvisera vokalt inom jazzgenren." Thesis, Luleå tekniska universitet, Institutionen för konst, kommunikation och lärande, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:ltu:diva-74037.
Full textVickhoff, Björn. "A perspective theory of music perception and emotion /." Göteborg : Göteborgs Universitet, 2008. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=016671611&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.
Full textSanoshy, Bryan. "And God Said." Digital Commons @ Butler University, 2018. https://digitalcommons.butler.edu/grtheses/499.
Full textFair, Laura. "Music, memory and meaning." Universitätsbibliothek Leipzig, 2012. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-92319.
Full textGaviola, Natalia. "De azufre y sal." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/mq37296.pdf.
Full textMorrison, Craig. "Psychedelic music in San Francisco : style, context, and evolution." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp02/NQ54392.pdf.
Full textBooks on the topic "Sad music"
Frazer, Paula. Leave the sad things behind. Los Angeles, CA: Birdman, 2005.
Find full textFurlong, Nicola. The sad clown affair. Carmel, N.Y: Guideposts, 2002.
Find full textGarrido, Sandra. Why Are We Attracted to Sad Music? Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-39666-8.
Full textill, Juan Ana, ed. Bibi and the sad ballerinas. New York: Atheneum Books for Young Readers, 2006.
Find full textBavilʹskiĭ, Dmitriĭ. Sad kamneĭ: Khudozhestvennyĭ dnevnik 2007-2010. Moskva: Novoe literaturnoe obozrenie, 2011.
Find full textBaba, Ileana Ocolișan. Lexiconul soliștilor vocali și instrumentiști ai postului de Radio Novi Sad: Radio Novi Sad la 60 de an. Panciova: Editura Libertatea, 2013.
Find full textSerbia) Konferencia muzikológov a hudobných odborníkov (1st 2005 Novi Sad. Slovenská hudba vo Vojvodine: Zborník prác I. konferencie muzikológov a hudobných odborníkov : Nový Sad, 16. apríla 2005. Edited by Sklabinská Milina. Nový Sad]: Národnostná rada slovenskej národnostnej menšiny v Srbsku a Čiernej Hore, 2006.
Find full textSerbia) Konferencia muzikológov a hudobných odborníkov (4th 2008 Novi Sad. Slovenská hudba vo Vojvodine 2008: Zborník prác 4. konferencie muzikológov a hudobných odborníkov, Nový Sad 15. Novembra 2008. Edited by Sklabinská Milina. Nový Sad: Ústav pre kultúru vojvodinnských Slovákov, 2008.
Find full textKonferencia muzikológov a hudobných odborníkov (5th 2009 Novi Sad, Serbia). Slovenská hudba vo Vojvodine 2009: Zborník prác 5. konferencie muzikológov a hudobných odborníkov, Nový Sad 14. Novembra 2009. Edited by Sklabinská Milina. Nový Sad: Ústav pre kultúru vojvodinnských Slovákov, 2010.
Find full textNo more sad refrains: The life and times of Sandy Denny. London: Omnibus Press, 2011.
Find full textBook chapters on the topic "Sad music"
Garrido, Sandra. "What Is Sad Music?" In Why Are We Attracted to Sad Music?, 7–31. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-39666-8_2.
Full textDavies, Stephen. "11. Why Listen to Sad Music If It Makes One Feel Sad?" In Music and Meaning, edited by Jenefer Robinson, 242–54. Ithaca, NY: Cornell University Press, 2019. http://dx.doi.org/10.7591/9781501729737-013.
Full textShechner, Mark. "Malamud: The Still, Sad Music." In The Conversion of the Jews and Other Essays, 77–84. London: Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-21020-6_7.
Full textGarrido, Sandra. "Physiological Effects of Sad Music." In Why Are We Attracted to Sad Music?, 51–66. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-39666-8_4.
Full textDraper, R. P. "Wordsworth: ‘The still, sad music of humanity’." In Lyric Tragedy, 89–110. London: Palgrave Macmillan UK, 1985. http://dx.doi.org/10.1007/978-1-349-17916-9_4.
Full textGarrido, Sandra. "The Role of Sad Music in Grief." In Why Are We Attracted to Sad Music?, 233–51. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-39666-8_13.
Full textTaruffi, Liila, and Stefan Koelsch. "Why We Listen to Sad-Sounding Music." In The Routledge Companion to Music, Mind and Well-Being, 235–48. New York, NY : Routledge, 2019. |: Routledge, 2018. http://dx.doi.org/10.4324/9781315164717-17.
Full textGarrido, Sandra. "The Addiction of Love: Sad Music and Heartbreak." In Why Are We Attracted to Sad Music?, 213–32. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-39666-8_12.
Full textGarrido, Sandra. "Towards A Model for Understanding Sad Music Listening." In Why Are We Attracted to Sad Music?, 253–66. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-39666-8_14.
Full textGarrido, Sandra. "The Role of Sad Music in Mood Regulation." In Why Are We Attracted to Sad Music?, 87–99. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-39666-8_6.
Full textConference papers on the topic "Sad music"
Ma, Benjamin, Timothy Greer, Matthew Sachs, Assal Habibi, Jonas Kaplan, and Shrikanth Narayanan. "Predicting Human-Reported Enjoyment Responses in Happy and Sad Music." In 2019 8th International Conference on Affective Computing and Intelligent Interaction (ACII). IEEE, 2019. http://dx.doi.org/10.1109/acii.2019.8925463.
Full textSerrano Soliva, Miriam, and Conrado Enrique Carrascosa López. "Live music, the new, safer and more effective pill on the market. A case study with hemodialysis patients in a hospital." In 3rd International Conference. Business Meets Technology. Valencia: Editorial Universitat Politècnica de València, 2021. http://dx.doi.org/10.4995/bmt2021.2021.13688.
Full textQin, Jiwei, and Wendong Zhang. "Connotative space for music affective recommendation." In 2016 SAI Computing Conference (SAI). IEEE, 2016. http://dx.doi.org/10.1109/sai.2016.7556027.
Full textCiuonzo, Domenico, Gianmarco Romano, and Raffaele Solimene. "On MSE performance of time-reversal MUSIC." In 2014 IEEE 8th Sensor Array and Multichannel Signal Processing Workshop (SAM). IEEE, 2014. http://dx.doi.org/10.1109/sam.2014.6882326.
Full textJang, Sunggun, and DongMin Kim. "Distance music." In SA '20: SIGGRAPH Asia 2020. New York, NY, USA: ACM, 2020. http://dx.doi.org/10.1145/3414686.3427134.
Full textKaneko, Kazumasa, and Akira Sano. "Music-like iterative DOA estimation in multipath environments." In 2008 IEEE Sensor Array and Multichannel Signal Processing Workshop (SAM). IEEE, 2008. http://dx.doi.org/10.1109/sam.2008.4606857.
Full textAl-Taee, Majid A., and Ahmad K. Aiy. "Dynamic segmentation approach for efficient Arabian music transcription." In 2012 IEEE 9th International Multi-Conference on Systems, Signals and Devices (SSD). IEEE, 2012. http://dx.doi.org/10.1109/ssd.2012.6197966.
Full textHudák, Henrietta, and László Varga. "The strength properties of chemically bonded sand mixtures." In MultiScience - XXXII. microCAD International Multidisciplinary Scientific Conference. University of Miskolc, 2018. http://dx.doi.org/10.26649/musci.2018.018.
Full textZoltowski, Michael D., Gregory M. Kautz, and Seth D. Silverstein. "Multifrequency beamspace Root-MUSIC: an experimental evaluation." In San Diego, '91, San Diego, CA, edited by Franklin T. Luk. SPIE, 1991. http://dx.doi.org/10.1117/12.49844.
Full textCarpentier, Kevin. "Immersive Music Painter." In SA '11: SIGGRAPH Asia 2011. New York, NY, USA: ACM, 2011. http://dx.doi.org/10.1145/2077355.2425793.
Full textReports on the topic "Sad music"
Wang, Lili, Xuesong Wang, Yin Wu, Lingxiao Ye, Yahua Zheng, and Rui Fan. The Effects of Non-Pharmacological Therapies for Psychological State of Medical Staff in the Post-epidemic Era: A Protocol Network Meta-Analysis. INPLASY - International Platform of Registered Systematic Review and Meta-analysis Protocols, February 2022. http://dx.doi.org/10.37766/inplasy2022.2.0080.
Full text