Relevant bibliographies by topics / Sad music

Academic literature on the topic 'Sad music'

Author: Grafiati
Published: 10 December 2022
Last updated: 28 January 2023

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Contents

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Sad music.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Sad music"

1

Vuoskoski, Jonna K., William F. Thompson, Doris McIlwain, and Tuomas Eerola. "Who Enjoys Listening to Sad Music and Why?" Music Perception 29, no. 3 (December 2011): 311–17. http://dx.doi.org/10.1525/mp.2012.29.3.311.

Full text
Abstract:
although people generally avoid negative emotional experiences in general, they often enjoy sadness portrayed in music and other arts. The present study investigated what kinds of subjective emotional experiences are induced in listeners by sad music, and whether the tendency to enjoy sad music is associated with particular personality traits. One hundred forty-eight participants listened to 16 music excerpts and rated their emotional responses. As expected, sadness was the most salient emotion experienced in response to sad excerpts. However, other more positive and complex emotions such as nostalgia, peacefulness, and wonder were also evident. Furthermore, two personality traits – Openness to Experience and Empathy – were associated with liking for sad music and with the intensity of emotional responses induced by sad music, suggesting that aesthetic appreciation and empathetic engagement play a role in the enjoyment of sad music.
APA, Harvard, Vancouver, ISO, and other styles
2

Gupta, Ashish, Braj Bhushan, and Laxmidhar Behera. "Neural response to sad autobiographical recall and sad music listening post recall reveals distinct brain activation in alpha and gamma bands." PLOS ONE 18, no. 1 (January 6, 2023): e0279814. http://dx.doi.org/10.1371/journal.pone.0279814.

Full text
Abstract:
Although apparently paradoxical, sad music has been effective in coping with sad life experiences. The underpinning brain neural correlates of this are not well explored. We performed Electroencephalography (EEG) source-level analysis for the brain during a sad autobiographical recall (SAR) and upon exposure to sad music. We specifically investigated the Cingulate cortex complex and Parahippocampus (PHC) regions, areas prominently involved in emotion and memory processing. Results show enhanced alpha band lag phase-synchronization in the brain during sad music listening, especially within and between the Posterior cingulate cortex (PCC) and (PHC) compared to SAR. This enhancement was lateralized for alpha1 and alpha2 bands in the left and right hemispheres, respectively. We also observed a significant increase in alpha2 brain current source density (CSD) during sad music listening compared to SAR and baseline resting state in the region of interest (ROI). Brain during SAR condition had enhanced right hemisphere lateralized functional connectivity and CSD in gamma band compared to sad music listening and baseline resting state. Our findings show that the brain during the SAR state had enhanced gamma-band activity, signifying increased content binding capacity. At the same time, the brain is associated with an enhanced alpha band activity while sad music listening, signifying increased content-specific information processing. Thus, the results suggest that the brain’s neural correlates during sad music listening are distinct from the SAR state as well as the baseline resting state and facilitate enhanced content-specific information processing potentially through three-channel neural pathways—(1) by enhancing the network connectivity in the region of interest (ROI), (2) by enhancing local cortical integration of areas in ROI, and (3) by enhancing sustained attention. We argue that enhanced content-specific information processing possibly supports the positive experience during sad music listening post a sad experience in a healthy population. Finally, we propose that sadness has two different characteristics under SAR state and sad music listening.
APA, Harvard, Vancouver, ISO, and other styles
3

Huron, David. "Why is Sad Music Pleasurable? A Possible Role for Prolactin." Musicae Scientiae 15, no. 2 (July 2011): 146–58. http://dx.doi.org/10.1177/102986491101500202.

Full text
Abstract:
A hedonic theory of music and sadness is proposed. Some listeners report that nominally sad music genuinely makes them feel sad. It is suggested that, for these listeners, sad affect is evoked through a combination of empathetic responses to sad acoustic features, learned associations, and cognitive rumination. Among those listeners who report sad feelings, some report an accompanying positive affect, whereas others report the experience to be solely negative. Levels of the hormone prolactin increase when sad – producing a consoling psychological effect suggestive of a homeostatic function. It is proposed that variations in prolactin levels might account for the variability in individual hedonic responses. Specifically, it is conjectured that high prolactin concentrations are associated with pleasurable music-induced sadness, whereas low prolactin concentrations are associated with unpleasant music-induced sadness.
APA, Harvard, Vancouver, ISO, and other styles
4

Huron, David. "Why is sad music pleasurable? A possible role for prolactin." Musicae Scientiae 15, no. 2 (July 2011): 146–58. http://dx.doi.org/10.1177/1029864911401171.

Full text
Abstract:
A hedonic theory of music and sadness is proposed. Some listeners report that nominally sad music genuinely makes them feel sad. It is suggested that, for these listeners, sad affect is evoked through a combination of empathetic responses to sad acoustic features, learned associations, and cognitive rumination. Among those listeners who report sad feelings, some report an accompanying positive affect, whereas others report the experience to be solely negative. Levels of the hormone prolactin increase when sad – producing a consoling psychological effect suggestive of a homeostatic function. It is proposed that variations in prolactin levels might account for the variability in individual hedonic responses. Specifically, it is conjectured that high prolactin concentrations are associated with pleasurable music-induced sadness, whereas low prolactin concentrations are associated with unpleasant music-induced sadness.
APA, Harvard, Vancouver, ISO, and other styles
5

Taruffi, Liila. "Sad music and self-reflection." Physics of Life Reviews 25 (August 2018): 131–33. http://dx.doi.org/10.1016/j.plrev.2018.03.007.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Ziv, Naomi, and Maya Goshen. "The effect of ‘sad’ and ‘happy’ background music on the interpretation of a story in 5 to 6-year-old children." British Journal of Music Education 23, no. 3 (November 2006): 303–14. http://dx.doi.org/10.1017/s0265051706007078.

Full text
Abstract:
Children hear music in the background of a large variety of situations and activities. Throughout development, they acquire knowledge both about the syntactical norms of tonal music, and about the relationship between musical form and emotion. Five to six-year-old children heard a story, with a background ‘happy’, ‘sad’ or no melody. Results show that background music affected children's interpretation of the story: ‘happy’ background music led to positive interpretations, whereas ‘sad’ background music led to more negative interpretations of the story. The effect of ‘happy’ music was stronger than that of ‘sad’ music. Implications for education are discussed.
APA, Harvard, Vancouver, ISO, and other styles
7

Stratton, Valerie N., and Annette H. Zalanowski. "Affective Impact of Music Vs. Lyrics." Empirical Studies of the Arts 12, no. 2 (July 1994): 173–84. http://dx.doi.org/10.2190/35t0-u4dt-n09q-lqhw.

Full text
Abstract:
Three experiments were conducted to examine the relative impact of lyrics vs. music on mood. In Experiment 1, the lyrics, music, or lyrics plus music of a sad song were presented to college students. While the music alone increased positive affect and decreased depression, the lyrics plus music had the opposite effect. In Experiment 2, the sad lyrics plus music also increased depression and decreased positive affect even when performed in an up-beat style. Experiment 3 showed that pairing the melody with the sad lyrics led subjects to rate the melody alone as less pleasant one week later. Lyrics, thus, appear to have greater power to direct mood change than music alone and can imbue a particular melody with affective qualities.
APA, Harvard, Vancouver, ISO, and other styles
8

Bullack, Antje, Niklas Büdenbender, Ingo Roden, and Gunter Kreutz. "Psychophysiological Responses to “Happy” and “Sad” Music." Music Perception 35, no. 4 (April 1, 2018): 502–17. http://dx.doi.org/10.1525/mp.2018.35.4.502.

Full text
Abstract:
Lundqvist, Carlsson, Hilmersson, and Juslin (2009) presented evidence of differential autonomic emotional responses to “happy” and “sad” music in healthy adult listeners. The present study sought to replicate and extend these findings by employing a similar research design and measurement instruments. Therefore, we used instrumental film music instead of vocal music, and assessed listeners’ music expertise. The present results show similarities and differences in patterns of psychological and physiological responses as compared to the previous work. Happy music evoked more happiness, higher skin conductance level, higher respiratory rate, and more zygomatic facial muscle activity than sad music, whereas sad music generated higher corrugator muscle activity than happy music. Influences of music sophistication as well as of sex were negligible. Taken together, these results further support the hypothesis that music induces differential autonomic emotional responses in healthy listeners. They also highlight the importance of replication or multi-site studies to strengthen the empirical basis of fundamental issues in music psychological research.
APA, Harvard, Vancouver, ISO, and other styles
9

Taruffi, Liila, Stavros Skouras, Corinna Pehrs, and Stefan Koelsch. "Trait Empathy Shapes Neural Responses Toward Sad Music." Cognitive, Affective, & Behavioral Neuroscience 21, no. 1 (January 20, 2021): 231–41. http://dx.doi.org/10.3758/s13415-020-00861-x.

Full text
Abstract:
AbstractIndividuals with a predisposition to empathize engage with sad music in a compelling way, experiencing overall more pleasurable emotions. However, the neural mechanisms underlying these music-related experiences in empathic individuals are unknown. The present study tested whether dispositional empathy modulates neural responses to sad compared with happy music. Twenty-four participants underwent fMRI while listening to 4-min blocks of music evoking sadness or happiness. Using voxel-wise regression, we found a positive correlation between trait empathy (with scores assessed by the Interpersonal Reactivity Index) and eigenvector centrality values in the ventromedial prefrontal cortex (vmPFC), including the medial orbitofrontal cortex (mOFC). We then performed a functional connectivity (FC) analysis to detect network nodes showing stronger FC with the vmPFC/mOFC during the presentation of sad versus happy music. By doing so, we identified a “music-empathy” network (vmPFC/mOFC, dorsomedial prefrontal cortex, primary visual cortex, bilateral claustrum and putamen, and cerebellum) that is spontaneously recruited while listening to sad music and includes brain regions that support the coding of compassion, mentalizing, and visual mental imagery. Importantly, our findings extend the current understanding of empathic behaviors to the musical domain and pinpoint sad music as an effective stimulus to be employed in social neuroscience research.
APA, Harvard, Vancouver, ISO, and other styles
10

Naranjo Sánchez, Beatriz. "Moving music for moving source texts." Translation, Cognition & Behavior 1, no. 2 (September 27, 2018): 319–40. http://dx.doi.org/10.1075/tcb.00014.nar.

Full text
Abstract:
Abstract Based on previous findings about the role of music as an emotional stimulus, as well as the potential benefits of music-driven emotional engagement in written production and creative behaviour, the present study investigates the impact of emotional background music on translation quality and creativity. A translation experiment in two different conditions (music vs. silence) was conducted in a controlled environment. Participants translated two literary texts of opposing emotional contents (happy vs. sad) while they listened to an emotionally-matching soundtrack. Statistical analysis of within- and between-group comparisons only revealed conclusive results for the sad condition, showing a positive effect of sad music on translation creativity and a negative effect on accuracy.
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "Sad music"

1

Taruffi, Liila [Verfasser]. "Why We Listen to Sad Music: Effects on Emotion and Cognition / Liila Taruffi." Berlin : Freie Universität Berlin, 2017. http://d-nb.info/1137509910/34.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Asquith, Mark Simeon. "The 'Sad Music of Humanity' : metaphysics and musical aesthetics in the novels of Thomas Hardy." Thesis, King's College London (University of London), 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.369131.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Mitterschiffthaler, Martina Theresia. "The sound of music, the appeal of pictures and the colour of words : neural correlates of happy and sad affect processing in healthy and depressed individuals." Thesis, King's College London (University of London), 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.428083.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Aleksandra, Prodanović Stamenović. "Компаративни ефекти музичких фестивала на локалну заједницу и туризам EXIT versus SZIGET." Phd thesis, Univerzitet u Novom Sadu, Prirodno-matematički fakultet u Novom Sadu, 2015. https://www.cris.uns.ac.rs/record.jsf?recordId=95004&source=NDLTD&language=en.

Full text
Abstract:
По истраживању Туристичке организације Србије (ТОС) догађаји  су први  на листи туристичких мотива за долазак страних туриста у нашу земљу. Манифестациони туризам  је због тога истакнут у „Стратегији развоја туризма Србије“  као веома значајан сегмент развоја туризма у Србији, али и као компаративна предност домаћег туризма.  Према подацима Туристичке организације Војводине, у Војводини се годишње одржи 1382 манифестације. Једна од најважнијих манифестација је  EXIT фестивал који се већ 15 година одржава у Новом Саду.  Овај фестивал је уврштен у 10 најбољих европских фестивала. Маркетинг стратегија Војводине предлаже да се у развоју туризма следи пример Мађарске. У Мађарској се у току године одржи  вишеод 3000 фестивала који привлаче 18-20 милиона посетилаца из Мађарске  ииностранства,  што говори о значају који туризам догађаја има на туризам Мађарске. Будимпешта је главни град Републике Мађарске. Налази се на 300  km  од Новог Сада и изузетно је посећена туристичка дестинација. Један од значајнијих туристичких догађаја у  Будимпешти је музички фестивал  SZIGET,  који окупља велики број извођача и посетиоце из преко 70 различитих земаља, чиме доприноси позитивном имиџу Будимпеште на туристичкој мапи Европе.Локално становништво  је битан стејкхолдер у развоју туристиче дестинације. У  вези са одређеним подручјем и животном средином, има много бољи осећај за то шт а су реалне потребе тог подручја, као и јаснију визију будућег развоја, него централна управа.  Због наведеног је потребно укључити визије, жеље и потребе, потенцијале и ентузијазам локалне заједнице у планове за будући развој  С обзиром да  је врло мало  истраживања о ефектима музичких фестивала на локалну заједницу  наших простора, анкетирани су становници Новог Сада и Будимпеште, о ефектима које  EXIT  и  SZIGET  фестивали  остварују, применом модификоване  FSIAS скале.  Сакупљено је укупно  505  валидних  упитника  који  су даље  коришћени  у статистичким анализама.  Применом експлоративне факторске анализе утврђена је  двофакторска структура модификоване  FSIAS  скале, а фактори су именовани на следећи начин: Ф1  позитивни  ефекти  -  друштвене користи  и  Ф2  негативни ефекти  -друштвени трошкови фестивала.Истраживањем се дошло до сазнања да локално становништво  Новог Сада иБудимпеште више перципира позитивне него негативне ефекте фестивала на локалну заједницу, при чему испитаници из Новог Сада обе групе ефеката оцењују вишим просечним оценама у односу на испитанике из Будимпеште. Такође, истраживањем је потврђено да  фестивали доприносе развоју туризма, промоцији и имиџу дестинације. Утврђено  је које су  и  јаке тачке оба фестивала, а на које ставке би менаџмет требао више утицати како би се позитивни ефекти мултипликовали, као и који  ефекти  могу бити занемарени  по мишљењу локалног становништва, а да фестивал не губи на квалитету.Социјални утицаји на локалну заједницу нису универзални, оно што има важан утицај у једној заједници може имати занемарљив утицај у другој заједници.
Po istraživanju Turističke organizacije Srbije (TOS) događaji  su prvi  na listi turističkih motiva za dolazak stranih turista u našu zemlju. Manifestacioni turizam  je zbog toga istaknut u „Strategiji razvoja turizma Srbije“  kao veoma značajan segment razvoja turizma u Srbiji, ali i kao komparativna prednost domaćeg turizma.  Prema podacima Turističke organizacije Vojvodine, u Vojvodini se godišnje održi 1382 manifestacije. Jedna od najvažnijih manifestacija je  EXIT festival koji se već 15 godina održava u Novom Sadu.  Ovaj festival je uvršten u 10 najboljih evropskih festivala. Marketing strategija Vojvodine predlaže da se u razvoju turizma sledi primer Mađarske. U Mađarskoj se u toku godine održi  višeod 3000 festivala koji privlače 18-20 miliona posetilaca iz Mađarske  iinostranstva,  što govori o značaju koji turizam događaja ima na turizam Mađarske. Budimpešta je glavni grad Republike Mađarske. Nalazi se na 300  km  od Novog Sada i izuzetno je posećena turistička destinacija. Jedan od značajnijih turističkih događaja u  Budimpešti je muzički festival  SZIGET,  koji okuplja veliki broj izvođača i posetioce iz preko 70 različitih zemalja, čime doprinosi pozitivnom imidžu Budimpešte na turističkoj mapi Evrope.Lokalno stanovništvo  je bitan stejkholder u razvoju turističe destinacije. U  vezi sa određenim područjem i životnom sredinom, ima mnogo bolji osećaj za to št a su realne potrebe tog područja, kao i jasniju viziju budućeg razvoja, nego centralna uprava.  Zbog navedenog je potrebno uključiti vizije, želje i potrebe, potencijale i entuzijazam lokalne zajednice u planove za budući razvoj  S obzirom da  je vrlo malo  istraživanja o efektima muzičkih festivala na lokalnu zajednicu  naših prostora, anketirani su stanovnici Novog Sada i Budimpešte, o efektima koje  EXIT  i  SZIGET  festivali  ostvaruju, primenom modifikovane  FSIAS skale.  Sakupljeno je ukupno  505  validnih  upitnika  koji  su dalje  korišćeni  u statističkim analizama.  Primenom eksplorativne faktorske analize utvrđena je  dvofaktorska struktura modifikovane  FSIAS  skale, a faktori su imenovani na sledeći način: F1  pozitivni  efekti  -  društvene koristi  i  F2  negativni efekti  -društveni troškovi festivala.Istraživanjem se došlo do saznanja da lokalno stanovništvo  Novog Sada iBudimpešte više percipira pozitivne nego negativne efekte festivala na lokalnu zajednicu, pri čemu ispitanici iz Novog Sada obe grupe efekata ocenjuju višim prosečnim ocenama u odnosu na ispitanike iz Budimpešte. Takođe, istraživanjem je potvrđeno da  festivali doprinose razvoju turizma, promociji i imidžu destinacije. Utvrđeno  je koje su  i  jake tačke oba festivala, a na koje stavke bi menadžmet trebao više uticati kako bi se pozitivni efekti multiplikovali, kao i koji  efekti  mogu biti zanemareni  po mišljenju lokalnog stanovništva, a da festival ne gubi na kvalitetu.Socijalni uticaji na lokalnu zajednicu nisu univerzalni, ono što ima važan uticaj u jednoj zajednici može imati zanemarljiv uticaj u drugoj zajednici.
According to Tourist Organization of Serbia (TOS) research events are the first motive forarrival of foreign tourists in our country. Event  tourism is therefore one of the pillars in„Tourism Development Strategy of Serbia" as a very important segment, as a comparativeadvantage of domestic tourism. According to Tourist Organization of Vojvodina, 1382 events are annually held in Vojvodina. One  of the most important manifestations is theEXIT festival, held in Novi Sad for 15 years. This festival has been listed as one of the top10 European festivals. In development of tourism Marketing Strategy of Vojvodina suggestsfollowing the example of Hungary. In period of one year more than 3000 festivals are heldin Hungary which are attracting 18-20 million of visitors from Hungary and abroad, that factindicates importance of events in Hungarian tourism. Budapest is the capital of Republic ofHungary.  It is 300 km away from Novi Sad and it is highly visited tourist destination. Oneof the most important tourism events in Budapest is Sziget music festival, which gathers alarge number of performers and visitors from more than 70 different countries. ThereforeSziget festival is contributing to the positive image of Budapest on European tourist map.Local population is an important stakeholder in development of tourist destinations. Inrelation to specific area and environment local population can have better sense of what arereal needs, what is more sustainable and can gain more benefit in future development, thanthe central government. As result it is necessary to include vision, desires and needs,potentials and enthusiasm of local community in plans for future development.As there are no studies on effects of music festivals on local community in our area, thisscientific research investigated local population perception on effects of music festivals. Thesurvey about effects of Exit and Sziget festival sampled residents from Novi Sad andBudapest. Appropriate sampling collected total of 505 valid surveys that are used instatistical analysis. Modified FSIAS scale showed positive and negative effects of festivaland what significance these effects have on local community.The  results of the  study  show  that local population from Novi Sad and Budapest  perceivesmore positive effects from festivals than negative effects. Respondents from Novi Sad  gavehigher average grades for both groups of effects. Also, the results confirmed that festivalscontibute to tourism development, promotion and image of destination.Strong points  or strengths  of both festivals were determined as well as areas that should bemore influenced by management so positive effects could be multiplied. Also low priorityor possible overkill  points  are defined  and  can be ignored, as they are not  influencingquality of festival.Social impacts on local community are not universal, those that have important impact onone community may have a negligible effect on the other.
APA, Harvard, Vancouver, ISO, and other styles
5

Andersson, Sofie. "I left my scat in San Francisco : Strategier för att stärka förmågan att improvisera vokalt inom jazzgenren." Thesis, Luleå tekniska universitet, Institutionen för konst, kommunikation och lärande, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:ltu:diva-74037.

Full text
Abstract:
Syftet med arbetet är att undersöka olika övningsstrategier för attutveckla improvisationsförmågan inom jazzgenren. Jag har idag förmågan attimprovisera över låtar, men det jag eftersträvar är att utveckla den föratt få improvisationerna mer varierade. Avsikten med arbetet är attutveckla förmågan att improvisera i form av fler rytmiska och harmoniskaidéer.Jag har använt mig av ett flertal olika gehör- samt notläsningsövningar somjag tror kan påverka ens improvisationsförmåga positivt. Jag har spelat innär jag improviserar före, under samt efter övningsperioden. Jag har äventranskriberat och analyserat mina improvisationer för att undersöka meringående vad jag gör melodiskt och rytmiskt.Undersökningen har resulterat i att jag är mer medveten i minaimprovisationer och gör enligt mig mer intressanta och friaimprovisationer. Förmågan att improvisera har påverkats positivt med hjälpav dessa gehörs- och notläsningsövningar.
APA, Harvard, Vancouver, ISO, and other styles
6

Vickhoff, Björn. "A perspective theory of music perception and emotion /." Göteborg : Göteborgs Universitet, 2008. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=016671611&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Sanoshy, Bryan. "And God Said." Digital Commons @ Butler University, 2018. https://digitalcommons.butler.edu/grtheses/499.

Full text
Abstract:
And God Said… is a modern interpretation of the well-known Biblical story about the creation of the world. Scriptures tell us that the entire world was formed in mere seven-day span. Each movement is very unique and specific to the corresponding day they represent.
APA, Harvard, Vancouver, ISO, and other styles
8

Fair, Laura. "Music, memory and meaning." Universitätsbibliothek Leipzig, 2012. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-92319.

Full text
Abstract:
I his paper examines the music and career of Siti binti Saadi, a famous taarab musician who performed in Zanzibar during the 1920s and 1930s. Relying on four distinctive types of evidence: her recorded music, written documentation produced in East Africa, interviews with men and women who heard her perform and records of company executives I compare perspectives regarding the source of power and authority attributed to her voice as well as the meaning of her music. Siti binti Saadi was the first East African to have her voice captured and reproduced on 78 rpm gramophone disks. The production of these records enhanced her status and imbued her voice with a sense of authority that it otherwise may never have attained. Written histories of taarab, particularly those authored in the 1950s and 1960s, often memorialize her as literally, `giving voice to the voiceless,´ allowing the voice of East Afiica to be heard internationally.
APA, Harvard, Vancouver, ISO, and other styles
9

Gaviola, Natalia. "De azufre y sal." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/mq37296.pdf.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Morrison, Craig. "Psychedelic music in San Francisco : style, context, and evolution." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp02/NQ54392.pdf.

Full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Books on the topic "Sad music"

1

Frazer, Paula. Leave the sad things behind. Los Angeles, CA: Birdman, 2005.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Furlong, Nicola. The sad clown affair. Carmel, N.Y: Guideposts, 2002.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Garrido, Sandra. Why Are We Attracted to Sad Music? Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-39666-8.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

ill, Juan Ana, ed. Bibi and the sad ballerinas. New York: Atheneum Books for Young Readers, 2006.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Bavilʹskiĭ, Dmitriĭ. Sad kamneĭ: Khudozhestvennyĭ dnevnik 2007-2010. Moskva: Novoe literaturnoe obozrenie, 2011.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Baba, Ileana Ocolișan. Lexiconul soliștilor vocali și instrumentiști ai postului de Radio Novi Sad: Radio Novi Sad la 60 de an. Panciova: Editura Libertatea, 2013.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

Serbia) Konferencia muzikológov a hudobných odborníkov (1st 2005 Novi Sad. Slovenská hudba vo Vojvodine: Zborník prác I. konferencie muzikológov a hudobných odborníkov : Nový Sad, 16. apríla 2005. Edited by Sklabinská Milina. Nový Sad]: Národnostná rada slovenskej národnostnej menšiny v Srbsku a Čiernej Hore, 2006.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Serbia) Konferencia muzikológov a hudobných odborníkov (4th 2008 Novi Sad. Slovenská hudba vo Vojvodine 2008: Zborník prác 4. konferencie muzikológov a hudobných odborníkov, Nový Sad 15. Novembra 2008. Edited by Sklabinská Milina. Nový Sad: Ústav pre kultúru vojvodinnských Slovákov, 2008.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Konferencia muzikológov a hudobných odborníkov (5th 2009 Novi Sad, Serbia). Slovenská hudba vo Vojvodine 2009: Zborník prác 5. konferencie muzikológov a hudobných odborníkov, Nový Sad 14. Novembra 2009. Edited by Sklabinská Milina. Nový Sad: Ústav pre kultúru vojvodinnských Slovákov, 2010.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

No more sad refrains: The life and times of Sandy Denny. London: Omnibus Press, 2011.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "Sad music"

1

Garrido, Sandra. "What Is Sad Music?" In Why Are We Attracted to Sad Music?, 7–31. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-39666-8_2.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Davies, Stephen. "11. Why Listen to Sad Music If It Makes One Feel Sad?" In Music and Meaning, edited by Jenefer Robinson, 242–54. Ithaca, NY: Cornell University Press, 2019. http://dx.doi.org/10.7591/9781501729737-013.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Shechner, Mark. "Malamud: The Still, Sad Music." In The Conversion of the Jews and Other Essays, 77–84. London: Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-21020-6_7.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Garrido, Sandra. "Physiological Effects of Sad Music." In Why Are We Attracted to Sad Music?, 51–66. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-39666-8_4.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Draper, R. P. "Wordsworth: ‘The still, sad music of humanity’." In Lyric Tragedy, 89–110. London: Palgrave Macmillan UK, 1985. http://dx.doi.org/10.1007/978-1-349-17916-9_4.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Garrido, Sandra. "The Role of Sad Music in Grief." In Why Are We Attracted to Sad Music?, 233–51. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-39666-8_13.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Taruffi, Liila, and Stefan Koelsch. "Why We Listen to Sad-Sounding Music." In The Routledge Companion to Music, Mind and Well-Being, 235–48. New York, NY : Routledge, 2019. |: Routledge, 2018. http://dx.doi.org/10.4324/9781315164717-17.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Garrido, Sandra. "The Addiction of Love: Sad Music and Heartbreak." In Why Are We Attracted to Sad Music?, 213–32. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-39666-8_12.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Garrido, Sandra. "Towards A Model for Understanding Sad Music Listening." In Why Are We Attracted to Sad Music?, 253–66. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-39666-8_14.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Garrido, Sandra. "The Role of Sad Music in Mood Regulation." In Why Are We Attracted to Sad Music?, 87–99. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-39666-8_6.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Sad music"

1

Ma, Benjamin, Timothy Greer, Matthew Sachs, Assal Habibi, Jonas Kaplan, and Shrikanth Narayanan. "Predicting Human-Reported Enjoyment Responses in Happy and Sad Music." In 2019 8th International Conference on Affective Computing and Intelligent Interaction (ACII). IEEE, 2019. http://dx.doi.org/10.1109/acii.2019.8925463.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Serrano Soliva, Miriam, and Conrado Enrique Carrascosa López. "Live music, the new, safer and more effective pill on the market. A case study with hemodialysis patients in a hospital." In 3rd International Conference. Business Meets Technology. Valencia: Editorial Universitat Politècnica de València, 2021. http://dx.doi.org/10.4995/bmt2021.2021.13688.

Full text
Abstract:
Abstract People are more vulnerable to presenting anxiety, depression, nervousness, unfavorable quality of life, when they face situations that can threaten their life. Among these situations we find the disease, medical treatments and surgical interventions as the main ones on the list. When people get sick they endure very big and sudden changes in their lives, income, aggressive treatments, endure physical pain, these changes usually generate an unfavorable mood situation to face the disease, and in most cases worsen the previous clinical situation . Throughout history there has always been an awareness of the positive effects that music produces on people and society. Music is applied in education, in the expression of emotions, and also in the healing of patients and in many other situations. We can say that music and medicine are two closely related disciplines, with music being increasingly used as an adjuvant in different pathologies. The objective of our study was to verify the effect of classical music heard live on patients, in this case kidney patients undergoing hemodialysis (HD), who have listened to live music while receiving treatment at the Manises hospital.
APA, Harvard, Vancouver, ISO, and other styles
3

Qin, Jiwei, and Wendong Zhang. "Connotative space for music affective recommendation." In 2016 SAI Computing Conference (SAI). IEEE, 2016. http://dx.doi.org/10.1109/sai.2016.7556027.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Ciuonzo, Domenico, Gianmarco Romano, and Raffaele Solimene. "On MSE performance of time-reversal MUSIC." In 2014 IEEE 8th Sensor Array and Multichannel Signal Processing Workshop (SAM). IEEE, 2014. http://dx.doi.org/10.1109/sam.2014.6882326.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Jang, Sunggun, and DongMin Kim. "Distance music." In SA '20: SIGGRAPH Asia 2020. New York, NY, USA: ACM, 2020. http://dx.doi.org/10.1145/3414686.3427134.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Kaneko, Kazumasa, and Akira Sano. "Music-like iterative DOA estimation in multipath environments." In 2008 IEEE Sensor Array and Multichannel Signal Processing Workshop (SAM). IEEE, 2008. http://dx.doi.org/10.1109/sam.2008.4606857.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Al-Taee, Majid A., and Ahmad K. Aiy. "Dynamic segmentation approach for efficient Arabian music transcription." In 2012 IEEE 9th International Multi-Conference on Systems, Signals and Devices (SSD). IEEE, 2012. http://dx.doi.org/10.1109/ssd.2012.6197966.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Hudák, Henrietta, and László Varga. "The strength properties of chemically bonded sand mixtures." In MultiScience - XXXII. microCAD International Multidisciplinary Scientific Conference. University of Miskolc, 2018. http://dx.doi.org/10.26649/musci.2018.018.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Zoltowski, Michael D., Gregory M. Kautz, and Seth D. Silverstein. "Multifrequency beamspace Root-MUSIC: an experimental evaluation." In San Diego, '91, San Diego, CA, edited by Franklin T. Luk. SPIE, 1991. http://dx.doi.org/10.1117/12.49844.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Carpentier, Kevin. "Immersive Music Painter." In SA '11: SIGGRAPH Asia 2011. New York, NY, USA: ACM, 2011. http://dx.doi.org/10.1145/2077355.2425793.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Reports on the topic "Sad music"

1

Wang, Lili, Xuesong Wang, Yin Wu, Lingxiao Ye, Yahua Zheng, and Rui Fan. The Effects of Non-Pharmacological Therapies for Psychological State of Medical Staff in the Post-epidemic Era: A Protocol Network Meta-Analysis. INPLASY - International Platform of Registered Systematic Review and Meta-analysis Protocols, February 2022. http://dx.doi.org/10.37766/inplasy2022.2.0080.

Full text
Abstract:
Review question / Objective: To compare and rank the clinical effects of Non-Pharmacological Therapies for Psychological State of Medical Staff in the Post-epidemic Eradifferent. Eligibility criteria: The published randomized controlled trials (RCT) of non-Pharmacological Therapies for Psychological State of Medical Staff in the Post-epidemic Era, regardless of age and gender. Patients had clear diagnostic criteria to be diagnosed. Interventions in the treatment group included were various types of non-pharmacological therapies, including various types of acupuncture therapies (such as simple acupuncture, electroacupuncture, warm acupuncture, acupuncture catgut embedding, Auricular therapy, or the combination of acupuncture and other Non-Pharmacological Therapies), meditation, Baduanjin, Tai Chi, aerobic exercise, yoga, psychotherapy, music therapy, etc.; the control group was conventional treatment groups or different non-pharmacological therapies compared with each other. The results of the report are required to include at least one of the following outcome indicators: The self-Rating Anxiety Scale (SAS), the Self-Rating Depression Scale (SDS), the Pittsburgh sleep quality index (PSQI), and effectiveness rate. The language of the publication is limited to Chinese or English.
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'Sad music' for particular source types:
Journal articles Dissertations / Theses Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography