Journal articles on the topic 'Sacred vocal music'
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Ward, M. "Renaissance sacred vocal music." Early Music 40, no. 1 (February 1, 2012): 137–39. http://dx.doi.org/10.1093/em/cas010.
Full textGosine, C. Jane. "François Couperin: sacred vocal music." Early Music XXVI, no. 1 (February 1998): 153–56. http://dx.doi.org/10.1093/earlyj/xxvi.1.153.
Full textTunley, David. "Sacred Vocal Works, and: Three Sacred Cantatas: Esther, Susanne, Judith, and: Secular Vocal Works (review)." Notes 64, no. 1 (2007): 141–44. http://dx.doi.org/10.1353/not.2007.0131.
Full textVella, Francesca. "Bridging Divides: Verdi's Requiem in Post-Unification Italy." Journal of the Royal Musical Association 140, no. 2 (2015): 313–42. http://dx.doi.org/10.1080/02690403.2015.1075809.
Full textPhillips, Peter, and Byrd's. "Byrd's Nest. Peter Phillips on Performing Byrd's Sacred Vocal Music." Musical Times 134, no. 1809 (November 1993): 628. http://dx.doi.org/10.2307/1002799.
Full textTalbot, Michael. "Maurice Greene's Vocal Chamber Music on Italian Texts." Royal Musical Association Research Chronicle 48 (2017): 91–124. http://dx.doi.org/10.1080/14723808.2016.1271573.
Full textIrlandini, Luigi Antonio. "An introduction to the poetics of sacred sound in twentieth-century music." Revista Vórtex 1, no. 2 (December 30, 2013): 65–86. http://dx.doi.org/10.33871/23179937.2013.1.2.430.
Full textRoche, Jerome. "Alessandro Grandi: A Case Study in the Choice of Texts for Motets." Journal of the Royal Musical Association 113, no. 2 (1988): 274–305. http://dx.doi.org/10.1093/jrma/113.2.274.
Full textMcmahon, Paul. "Tudor and Jacobean England: Observations on Secular and Sacred Vocal Music." Musicology Australia 37, no. 1 (January 2, 2015): 85–89. http://dx.doi.org/10.1080/08145857.2015.1035203.
Full textZhumagazin, Zhanbolat. "Evolution of opera at early stages of development as a musical theater." Pedagogy and Psychology 42, no. 1 (March 30, 2020): 230–36. http://dx.doi.org/10.51889/2020-1.2077-6861.29.
Full textLeverett, Adelyn Peck. "Song masses in the Trent Codices: the Austrian connection." Early Music History 14 (October 1995): 205–56. http://dx.doi.org/10.1017/s0261127900001479.
Full textHulková, Marta. "Central European Connections of Six Manuscript Organ Tablature Books of the Reformation Era from the Region of Zips (Szepes, Spiš)." Studia Musicologica 56, no. 1 (March 2015): 3–37. http://dx.doi.org/10.1556/6.2015.56.1.1.
Full textReuland, Jamie. "Voicing the Doge’s Sacred Image." Journal of Musicology 32, no. 2 (2015): 198–245. http://dx.doi.org/10.1525/jm.2015.32.2.198.
Full textCharteris, R. "A Neglected Anthology of Sacred Vocal Music Dating from the Sixteenth Century." Music and Letters 90, no. 1 (February 1, 2009): 1–34. http://dx.doi.org/10.1093/ml/gcn047.
Full textBertolino, Luca. "„Bach in die Synagogen!“. Erlösende Noten in Franz Rosenzweig." Naharaim 14, no. 2 (December 16, 2020): 209–23. http://dx.doi.org/10.1515/naha-2019-0009.
Full textChatterjee, Sebanti. "Performing Bollywood Broadway: Shillong Chamber Choir as Bollywood’s Other." Society and Culture in South Asia 6, no. 2 (July 2020): 304–27. http://dx.doi.org/10.1177/2393861720923812.
Full textBowers, Roger. "The ‘votive antiphon’ among other sacred textual forms." Early Music 48, no. 2 (May 2020): 147–55. http://dx.doi.org/10.1093/em/caaa021.
Full textVégh, Mónika. "Antecedents, and Development of the Sacred Choral Concerto in Russia." Studia Universitatis Babeş-Bolyai Musica 65, no. 2 (December 21, 2020): 173–92. http://dx.doi.org/10.24193/subbmusica.2020.2.12.
Full textShreffler, Anne C. ""Mein Weg geht jetzt vorüber": The Vocal Origins of Webern's Twelve-Tone Composition." Journal of the American Musicological Society 47, no. 2 (1994): 275–339. http://dx.doi.org/10.2307/3128880.
Full textBeck, Guy. "Sacred Music and Hindu Religious Experience: From Ancient Roots to the Modern Classical Tradition." Religions 10, no. 2 (January 29, 2019): 85. http://dx.doi.org/10.3390/rel10020085.
Full textLinfield, Eva, Diane Parr Walker, and Paul Walker. "German Sacred Polyphonic Vocal Music between Schutz and Bach: Sources and Critical Editions." Notes 50, no. 2 (December 1993): 563. http://dx.doi.org/10.2307/898455.
Full textCharteris, Richard. "An Early-Seventeenth-Century Collection of Sacred Vocal Music and Its Augsburg Connections." Notes 58, no. 3 (2002): 511–35. http://dx.doi.org/10.1353/not.2002.0011.
Full textMissfelder, Jan-Friedrich. "From Choir to Chamber: Negotiating Vocal Music in the Zurich Reformation." Journal of Early Modern Christianity 10, no. 2 (November 1, 2023): 187–214. http://dx.doi.org/10.1515/jemc-2023-2044.
Full textBurtsev, Mуkyta. "Christian images in chamber vocal music of Western Europe of the 19–20th centuries." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 66, no. 66 (April 9, 2023): 27–41. http://dx.doi.org/10.34064/khnum1-66.02.
Full textAQUILINA, FREDERICK. "A SHORT BIOGRAPHY OF BENIGNO ZERAFA (1726-1804): A MID-EIGHTEENTH-CENTURY MALTESE COMPOSER OF SACRED MUSIC." Eighteenth Century Music 4, no. 1 (March 2007): 107–18. http://dx.doi.org/10.1017/s1478570607000723.
Full textJudd, Cristle Collins. "Modal Types and Ut, Re, Mi Tonalities: Tonal Coherence in Sacred Vocal Polyphony from about 1500." Journal of the American Musicological Society 45, no. 3 (1992): 428–67. http://dx.doi.org/10.2307/831714.
Full textJudd, Cristle Collins. "Modal Types and "Ut, Re, Mi" Tonalities: Tonal Coherence in Sacred Vocal Polyphony from about 1500." Journal of the American Musicological Society 45, no. 3 (October 1992): 428–67. http://dx.doi.org/10.1525/jams.1992.45.3.03a00030.
Full textГирфанова, М. Е. "The Small Imitation Form in the Sacred Chorale Concertos by Samuel Scheidt." OPERA MUSICOLOGICA, no. 5 (December 31, 2020): 107–19. http://dx.doi.org/10.26156/om.2020.12.5.007.
Full textLaferrière, Carolyn M. "Sacred Sounds: The Cult of Pan and the Nymphs in the Vari Cave." Classical Antiquity 38, no. 2 (October 1, 2019): 185–216. http://dx.doi.org/10.1525/ca.2019.38.2.185.
Full textKarpf, Juanita. "The Possibility of Theomusicology: William Bradbury’s Esther, the Beautiful Queen." Religion and the Arts 16, no. 1-2 (2012): 1–28. http://dx.doi.org/10.1163/156852912x615865.
Full textTALBOT, MICHAEL. "RECOVERING VIVALDI’S LOST PSALM." Eighteenth Century Music 1, no. 1 (March 2004): 61–77. http://dx.doi.org/10.1017/s1478570604000041.
Full textШтром, А. А. "On Tone-Painting Elements of Music Language in Vocal Chamber Music by Nikolai Medtner." Музыкальная академия, no. 1(769) (March 29, 2020): 14–23. http://dx.doi.org/10.34690/32.
Full textCrosby, Brian. "Private Concerts on Land and Water: The Musical Activities of the Sharp Family, c.1750–c. 1790." Royal Musical Association Research Chronicle 34 (2001): 1–118. http://dx.doi.org/10.1080/14723808.2001.10540993.
Full textGRIMMINGER, DANIEL JAY. "EIGHTEENTH- AND NINETEENTH-CENTURY SACRED VOCAL MUSIC IN PENNSYLVANIA CULTURE, SCHWENKFELDER LIBRARY AND HERITAGE CENTER, PENNSBURG, PENNSYLVANIA, 20 JUNE 2009." Eighteenth Century Music 7, no. 1 (January 21, 2010): 187–89. http://dx.doi.org/10.1017/s1478570609990820.
Full textMailes, Alana. "Singing Nuns and Soft Power: British Diplomats as Music Tourists in Seicento Venice." Religions 13, no. 4 (April 6, 2022): 330. http://dx.doi.org/10.3390/rel13040330.
Full textŠtefancová, Dagmar. "The Cantional of Ondřej Kopydlanský of Sedlčany in a New Context." Musicalia 14, no. 1-2 (2022): 56–95. http://dx.doi.org/10.37520/muscz.2022.002.
Full textSTOCKIGT, JANICE B., and MICHAEL TALBOT. "TWO MORE NEW VIVALDI FINDS IN DRESDEN." Eighteenth Century Music 3, no. 1 (March 2006): 35–61. http://dx.doi.org/10.1017/s1478570606000480.
Full textAzarova, Valentina Vladimirovna. "On the organization of sound space in "The Tidings brought by Mary" by Paul Claudel, 1912 edition." Культура и искусство, no. 4 (April 2022): 141–63. http://dx.doi.org/10.7256/2454-0625.2022.4.37912.
Full textHidayatullah, Panakajaya. "GLUNDHÂNGAN AND PIGEON IN SOCIOCULTURAL PRACTICES OF MADURESE PEOPLE." Journal of Urban Society's Arts 6, no. 1 (August 9, 2019): 39–55. http://dx.doi.org/10.24821/jousa.v6i1.2575.
Full textTyler, Linda. "Aria as drama: A sketch from Mozart's Der Schauspieldirektor." Cambridge Opera Journal 2, no. 3 (November 1990): 251–67. http://dx.doi.org/10.1017/s095458670000327x.
Full textKyfenko, Anna, and Khrystyna Holian. "METHODS OF PARALITURGICAL CHORAL COMPOSITIONS IN STUDENT CHOIR CLASSES." Modern Higher Education Review, no. 7 (2022): 80–89. http://dx.doi.org/10.28925/2518-7635.2022.76.
Full textShmiher, Taras V. "MUSICAL DIMENSIONS OF QUALITY JUDGEMENTS IN LITURGICAL TRANSLATION." Scientific Journal of National Pedagogical Dragomanov University. Series 9. Current Trends in Language Development, no. 23 (July 17, 2022): 88–96. http://dx.doi.org/10.31392/npu-nc.series9.2022.23.08.
Full textFont-Navarrete, David. "Writing Orisha Music: Text, Tradition, and Creativity in Afro-Cuban Liturgy." Religions 12, no. 11 (November 3, 2021): 964. http://dx.doi.org/10.3390/rel12110964.
Full textAleksandrova, Oksana, and Mariia Chertoryzhska. "Spiritual-semantic approach as a methodological basis for the analysing religious music (on the example of V. Stepurko’s cycle “Monologues of the Ages”)." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 69, no. 69 (December 28, 2023): 56–86. http://dx.doi.org/10.34064/khnum1-69.03.
Full textPetrov, Aleksei K. "“ALL-NIGHT VIGIL” BY S. V. RACHMANINOFF: PERFORMANCE ASPECTS OF “HISTORICAL RECONSTRUCTION”." Arts education and science 3, no. 36 (2023): 105–12. http://dx.doi.org/10.36871/hon.202303105.
Full textRickards, Guy. "New Releases of music by Women Composers." Tempo 59, no. 231 (January 2005): 74–80. http://dx.doi.org/10.1017/s0040298205260072.
Full textSarno, Megan. "Reflection, Representation, Religion: André Caplet’s Le Miroir de Jésus." 19th-Century Music 44, no. 1 (2020): 36–58. http://dx.doi.org/10.1525/ncm.2020.44.1.36.
Full textProkopov, S. "J. S. Bach and G. F. Handel’s works performed by the choir of the Kharkiv National Kotlyarevsky University of Arts students." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 52, no. 52 (October 3, 2019): 22–37. http://dx.doi.org/10.34064/khnum1-52.02.
Full textGodziemba-Trytek, Szymon. "The Symbolism of the Caravaca Cross in the Work “Crux Christi Salva Nos” by Szymon Godziemba-Trytek." Scientific herald of Tchaikovsky National Music Academy of Ukraine, no. 132 (November 29, 2021): 139–51. http://dx.doi.org/10.31318/2522-4190.2021.132.249996.
Full textКлимбус Ірина Михайлівна. "ЦИКЛ «ПАРНАС» ВІТАЛІЯ МАНИКА ДЛЯ СКРИПКИ СОЛО: ПРОГРАМНИЙ СЮЖЕТ ІЗ АНТИЧНОЇ МІФОЛОГІЇ В СУЧАСНІЙ ІНТЕРПРЕТАЦІЇ." World Science 3, no. 8(48) (August 31, 2019): 54–57. http://dx.doi.org/10.31435/rsglobal_ws/31082019/6648.
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