Academic literature on the topic 'Sacred vocal duets with instrumental ensemble – Scores'

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Dissertations / Theses on the topic "Sacred vocal duets with instrumental ensemble – Scores"

1

Yang, Chuan-Tsing. "The Crucifixion." Thesis, University of North Texas, 1993. https://digital.library.unt.edu/ark:/67531/metadc501140/.

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The Crucifixion, a composition for three vocal soloists, four-part mixed chorus, and instrumental ensemble, is a setting of passages taken from the four Gospels of the Holy Bible. It describes the mocking of Christ and includes the Seven Last Words of Christ on the cross. It uses serial technique in the structuring of pitches and rhythm. Special attention is paid in designing and combining pitch and rhythm to create monophonic, homophonic and polyphonic textures. Besides traditional performance techniques, the work employs some modern vocal and instrumental techniques.
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Books on the topic "Sacred vocal duets with instrumental ensemble – Scores"

1

Weckmann, Matthias. Four sacred concertos. Madison, [Wis.]: A-R Editions, 1985.

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Vierdanck, Johann. Geistliche Konzerte: Zweiter Teil. Kassel: Bärenreiter, 1990.

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Vierdanck, Johann. Geistliche Konzerte: Erster Teil. Kassel: Bärenreiter, 1988.

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Bryars, Gavin. Cadman requiem: For four male voices (alto, two tenors, and baritone), two violas, cello, and double bass (optional). London: Schott, 1996.

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Sterling, Robert. Songs in the key of love: 12 arrangements for vocal ensemble or contemporary choir. Nashville, TN: Word Music, 1996.

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6

Wolff, Christian. From leaning forward: For soprano, with baritone, clarinet/bass clarinet, cello. New York, N.Y: C.F. Peters, 1989.

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7

Kovalev, A. B. Dukhovnai︠a︡ muzyka N.S. Golovanova: Monografii︠a︡. Tambov: Muzeĭ-usadʹba S.V. Rakhmaninova "Ivanovka", 2019.

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Charpentier, Marc-Antoine. In nativitatem Domini canticum: Soli (SATB), coro (SATB) e strumenti (2 flauti, 2 violini e basso continuo). Stuttgart: Carus-Verlag, 1994.

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Rutter, John. Te Deum. Chapel Hill, N.C: Hinshaw Music, 1989.

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Vesper and Compline Music for Two Principal Voices (Seventeenth-Century Italian Sacred Music). Routledge, 1996.

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