Relevant bibliographies by topics / SACAE / Dissertations / Theses
To see the other types of publications on this topic, follow the link: SACAE.

Dissertations / Theses on the topic 'SACAE'

Author: Grafiati
Published: 4 June 2021
Last updated: 9 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 dissertations / theses for your research on the topic 'SACAE.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse dissertations / theses on a wide variety of disciplines and organise your bibliography correctly.

1

Ledo, Wietske, and n/a. "Information needs of external students: a survey of the information needs of external students enrolled at the South Australian College of Advanced Education and resident in Whyalla, South Australia." University of Canberra. Library and Information Management, 1993. http://erl.canberra.edu.au./public/adt-AUC20050629.113625.

Full text
Abstract:
The main purpose of the study was to investigate the library needs and library usage of external students in remote areas. The study emphasised external students' perception of their own library needs. Four distinct areas of research evolved from the purpose of the study: to identify the library service needs of external students; to identify library use by external students; to identify external students' perceptions of library needs; and to identify student status in relation to library use. Information was collected by an interview with former external students, a questionnaire to the libraries involved in the study and by Nominal Group Technique (NGT) sessions with external students. The primary instrument was a questionnaire to the external students in the population under investigation requesting information of their library usage and needs. The population under investigation were external students enrolledin the South Australian College of Advanced Education (SACAE) and resident in Whyalla, South Australia. It was decided to survey the total population rather than a sample because of the small numbers involved. Thirty-five responses were received out of a population of 52, representing a response rate of 69 percent. The results of the survey were analysed using a Statview SE statistical package and a spreadsheet and graphics package, Excel. Frequency distributions were computed to determine the number of respondents who selected each option. The study found that the external students who used libraries tended to use a variety of libraries. Students used not only their own institution's library, but the a range of libraries accessible to them in Whyalla. The study concludes by identifying issues, recommending possible solutions, and identifying areas for further research.
APA, Harvard, Vancouver, ISO, and other styles
2

Streit, Thilo. "Entscheidung in eigener Sache /." Berlin : Duncker & Humblot, 2006. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=014984076&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Potucek, Michael. "Pulsation signatures on SANAE magnetometers." Thesis, KTH, Rymd- och plasmafysik, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-91826.

Full text
Abstract:
The newest station in the South African National Antarctic Expedition, the SANAE IV, hostsnumerous research programmes. One is AMIGO which aims to establish the correlationbetween the solar wind and the magnetosphere. A magnetometer, located at a geographicposition of2.83°W, 71.67°S, consisting of two perpendicular coil sensors is installed to detectgeomagnetic field motions, also known as pulsations, in the North-South and East-Westdirections. ([7])The data, treated in this report, cover the years 2003 and 2004 with the exception of the 20first days in January 2003 and another randomly scattered 22 dates during both 2003 and2004 when the data are corrupt or simply just nonexistent.The data consist of detected pulses that are recorded as a voltage, unit m V, which aretransformed into corresponding magnetic flux density amplitudes. The interesting pulsationfrequencies are extracted from the respective powerspectra for certain time intervals. Toconduct this operation a MA TLAB-program that extracts these frequencies is later used toproduce statistics to provide a graspable view of the frequency distribution.The statistics show that the pulsations within the Pc4 range, and specifically the ones close toPc5, are most represented in the data, closely followed by the Pc5 and with a small but yetsignificant representation of frequencies from the Pc3 range. Pc 1 and Pc2 frequencies aredetected sporadically but their existence is negligible at the whole.It is also established that the daytime pulsations are scattered over a wider frequency spectrumthan during evening or morning, with the widest spectrum somewhere around noon ± 2 hours.Some of the results are in acceptable correlation with the theoretical assumptions such aswhere and when the different sources set up the pulsations.
APA, Harvard, Vancouver, ISO, and other styles
4

Frank, Dana Gavin. "Sacre-Coeur On Shifting Soil." Ann Arbor, Mich. : ProQuest, 2006. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:1434189.

Full text
Abstract:
Thesis (M.A. in English)--S.M.U.
Title from PDF title page (viewed July 5, 2007). Source: Masters Abstracts International, Volume: 44-05, page: 2097. Adviser: Charles W. Smith. Includes bibliographical references.
APA, Harvard, Vancouver, ISO, and other styles
5

Böttger, Daniela. "Mit Herzblut für die Sache." SLUB Dresden, 2017. https://slub.qucosa.de/id/qucosa%3A7941.

Full text
Abstract:
Im Rathaus Meinersdorf, einem Ortsteil der Gemeinde Burkhardtsdorf, gibt es eine kleine Bibliothek, die bereits nach dem Krieg und auch während der DDR-Zeit einen festen Stamm an Lesern bediente. Aspekte wie Zeit-, Geld- und Platzmangel haben eine weitergehende Entwicklung der Bibliothek allerdings bislang verhindert. Im August 2013 nahm erstmalig ein Ehrenamtler die Einrichtung unter seine Fittiche. Manfred Fischer, zu jenem Zeitpunkt bereits seit mehreren Jahren ehrenamtlich tätig bei der Vermittlung von Computerkenntnissen an Bürger über 50, übernahm die Absicherung der Öffnungszeiten und die Betreuung des Buchbestandes. Nach seinem Tod im März 2015 startete die Gemeinde einen Aufruf im Amtsblatt, um neue ehrenamtlich Engagierte zu gewinnen. Gleichzeitig sollte auch ein neuer Leiter für den Computerkurs 50+ gefunden werden.
APA, Harvard, Vancouver, ISO, and other styles
6

DENIS, JEAN-PIERRE. "La glossolalie : du sacre au poietique." Paris 7, 1986. http://www.theses.fr/1986PA070050.

Full text
Abstract:
Ma recherche porte sur le phenomene de la glossolalie et cherche a expliquer son apparition puis a decrire ses manifestations dans le champ de la poesie moderne. Ma premiere demarche a d'abord consiste a en retracer l'histoire : absence au sein de la civilisation et de la culture grecque anciennes chez qui le mythe de babel est inexistant, apparition soudaine au sein de l'eglise chretienne primitive, discours prophetiques (ou glossolalies?) chez les petits prophetes des cevennes au xviie siecle, revivalisme et pentecotisme modernes (surtout chez les americains). Le second volet de ce survol historique, tenant compte d'un net "deplacement" de ce phenomene dans le domaine de l'occultisme et du spiritisme a la fin du xixe siecle, considere les interpretations qui ont commence alors a surgir a la lumiere des nouveaux instruments que developpait la science (surtout psychanalytiques). Ma seconde partie traite de son apparition dans le champ poetique lui-meme a partir des annees 1909-1915. J'y ai considere successivement le futurisme italien et russe (marinetti, khlebnikov), le dadaisme zurichois (hugo ball, tzara), le surrealisme (breton, eluard, desnos), antonin artaud, le lettrisme (i. Isou), et enfin son eclatement dans le mouvement international de poesie sonore au cours des annees 50 (dufrene, chopin, lemaitre, altagor, etc. ).
APA, Harvard, Vancouver, ISO, and other styles
7

Streit, Thilo [Verfasser]. "Entscheidung in eigener Sache. / Thilo Streit." Berlin : Duncker & Humblot, 2011. http://d-nb.info/1238354149/34.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Daboul, Lina. "L'imagination du sacre chez Leconte de Lisle." Tours, 1993. http://www.theses.fr/1993TOUR2007.

Full text
Abstract:
Tous les désirs de s'échapper du monde cruel de la réalité afin d'atteindre un monde spirituel et idéal, tous les désirs de l'absolu et du divin peuvent être trouvés à un très haut niveau chez Leconte de Lisle. Pour comprendre l'impassibilité de Leconte de Lisle et son air hautain il faut le voir, comme il se voit, un prêtre-poète. Leconte de Lisle avait fondé une religion qui lui était propre, et par laquelle il espérait profondément devenir immortel comme un dieu et s'éterniser par son évangile, c'est-a-dire sa poésie. Dans cette nouvelle religion on tourne le dos au présent, on se plonge dans l'étude du passé le plus lointain, et on va chercher les formes de beauté aux origines mêmes de l'humanité primitive. Lui, le poète, le prêtre de cette nouvelle religion a une fonction supérieure, au sein de l'humanité, c'est travailler en martyr du présent pour la postérité, c'est aussi réaliser le beau, car c'est la beauté de l'œuvre d'art qui fait sa vérité et sa moralité. Dans cette religion on offre des sacrifices car la douleur et la souffrance divinisent l'homme. On sacrifie nos passions en les contrariant, et notre amour pour qu'on meurt "d'avoir trop aimé". Aussi on glorifie la force, l'orgueil et la virilité. Enfin, la mort est l'ultime fin, le moyen le plus sur pour conquérir immortalité et divinité. Le livre sacré de cette religion est une œuvre d'art, des poèmes parfaits, des vers écrits après méditation et avec mesure
All the desires to escape the cruel world of the reality in order to reach a spiritual and ideal world, all the desires of the absolute and the divine can be found at a very high level in Leconte de Lisle. In order to understand the impassibility of Leconte de Lisle and his haughty look, we must see him as he imagines him self, a poet priest. Leconte de Lisle founded a new religion of his, and by it be wished deeply become and immortal as a god and to take ages by his gospel which is his poetry. In this new religion, we turne back on the present, and we bury in the study of the dist ant past, and we will seeking for the formal beauty, in the origines of the primitives humanity. The poet, the priest of this new religion has a superior function, in the bosom of the humanity, that is to work as martyr of the present for the posterity. It’s also ralising the beauty, because, beauty of the artistic work makes its truth and its morality. In the new religion we offer sacrifices, because pain and suffering deify the man. We sacrifice our passions and love in order to die "from having loved too much". Also we glorify blood, who draws us the way of the absolute and the eternity. We glorify force, pride and virility. At last death is the ultimate end, the most sure way to win immortality and divinity. The holy book of this religion is an artistic work, a perfect poems and verses written after meditation and with measure
APA, Harvard, Vancouver, ISO, and other styles
9

Hiyadutuje, Alicreance. "Ionospheric disturbances during magnetic storms at SANAE." Thesis, Rhodes University, 2017. http://hdl.handle.net/10962/54956.

Full text
Abstract:
The coronal mass ejections (CMEs) and solar flares associated with extreme solar activity may strike the Earth's magnetosphere and give rise to geomagnetic storms. During geomagnetic storms, the polar plasma dynamics may influence the middle and low-latitude ionosphere via travelling ionospheric disturbances (TIDs). These are wave-like electron density disturbances caused by atmospheric gravity waves propagating in the ionosphere. TIDs focus and defocus SuperDARN signals producing a characteristic pattern of ground backscattered power (Samson et al., 1989). Geomagnetic storms may cause a decrease of total electron content (TEC), i.e. a negative storm effect, or/and an increase of TEC, i.e. a positive storm effect. The aim of this project was to investigate the ionospheric response to strong storms (Dst < -100 nT) between 2011 and 2015, using TEC and scintillation measurements derived from GPS receivers as well as SuperDARN power, Doppler velocity and convection maps. In this study the ionosphere's response to geomagnetic storms is determined by the magnitude and time of occurrence of the geomagnetic storm. The ionospheric TEC results of this study show that most of the storm effects observed were a combination of both negative and positive per storm per station (77.8%), and only 8.9% and 13.3% of effects on TEC were negative and positive respectively. The highest number of storm effects occurred in autumn (36.4%), while 31.6%, 28.4% and 3.6% occurred in winter, spring and summer respectively. During the storms studied, 71.4% had phase scintillation in the range of 0.7 - 1 radians, and only 14.3% of the storms had amplitude scintillations near 0.4. The storms studied at SANAE station generated TIDs with periods of less than an hour and amplitudes in the range 0.2 - 5 TECU. These TIDs were found to originate from the high-velocity plasma flows, some of which are visible in SuperDARN convection maps. Early studies concluded that likely sources of these disturbances correspond to ionospheric current surges (Bristow et al., 1994) in the dayside auroral zone (Huang et al., 1998).
APA, Harvard, Vancouver, ISO, and other styles
10

Ziegler, Thomas Ulrich. "Immobilieninvestitionen in Brasilien, Russland, Indien und China Growing with BRICs? /." St. Gallen, 2008. http://www.biblio.unisg.ch/org/biblio/edoc.nsf/wwwDisplayIdentifier/02606739002/$FILE/02606739002.pdf.

Full text
APA, Harvard, Vancouver, ISO, and other styles
11

Mackay, James S. "Contrapuntal strategies in William Byrd's 1589 Cantiones Sacrae." Thesis, McGill University, 2000. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=36644.

Full text
Abstract:
v.1. Text (246 leaves) -- v.2. Figures and musical examples (145 leaves)
William Byrd's motets with Latin text are a little-known contribution to the sacred vocal repertoire. Most important among these works are three books of Cantiones Sacrae, published 1575, 1589 and 1591, respectively. The 1589 Cantiones Sacrae was Byrd's first harvest from a backlog of motets that had been accumulating since 1575. This collection lies at a midpoint between Byrd's earliest published works and his full maturity, as seen in the Masses of 1592--95.
This study will describe the contrapuntal strategies that characterize Byrd's 1589 Cantiones. I will examine Byrd's deeper-level tonal organization and its derivation from cantus firmus technique. I will show how Byrd uses musical material in cantus firmus values (the breve and semibreve) to shape his subject material and his cadence points, and how this shaping plays out over the course of an imitative point.
I will then examine Byrd's introductory gestures in the 1589 Cantiones, identifying 24 presentation types that characterize different degrees of beginning. These types contain one or more melodic subjects in a recurring temporal relationship, and form a vertical interval pattern or harmonic motive. Next, I will discuss Byrd's variation techniques by which he develops these presentation types: textural change, transposition, melodic inversion and invertible counterpoint. Byrd's presentation and variation of subject material divides an imitative point into distinct phases of tonal and contrapuntal activity, providing insight into its overall form and tonal design.
Finally, I will apply these analytical tools to a complete analysis of Tristitia et anxietas, from the 1589 Cantiones, thereby showing how Byrd establishes central pitches in the middleground. Through this analysis, I will summarize Byrd's contrapuntal strategies, both long-range and local, that typify his middle-period sacred vocal style, as viewed through the lens of the 1589 Cantiones Sacrae.
APA, Harvard, Vancouver, ISO, and other styles
12

Ferraz, Simha Cláudia. "SACRE : Système d'aide au contrôle de résultats expérimentaux /." Paris : Université Paris 13 : diff. Ed. Technip, 1993. http://catalogue.bnf.fr/ark:/12148/cb356480198.

Full text
APA, Harvard, Vancouver, ISO, and other styles
13

Dimmer, Roland. "Für saubere Gewässer in Sachsen: Eine gemeinsame Sache." Sächsisches Landesamt für Umwelt, Landwirtschaft und Geologie, 2017. https://slub.qucosa.de/id/qucosa%3A21286.

Full text
Abstract:
Die Broschüre »Für saubere Gewässer in Sachsen« zeigt, welch große Bedeutung das Wasser für den Menschen hat. Saubere und naturnahe Gewässer dienen uns in vielfältiger Weise, z. B. als Lebensmittel, zur Erholung, beim Hochwasserschutz oder als Rohstoff. Die Landwirtschaft, die Fischerei, die Energiewirtschaft und die Industrie sind auf Wasser angewiesen. Etwa drei Viertel aller Arbeitsplätze weltweit sind abhängig von Wasser. Die europäische Wasserrahmenrichtlinie aus dem Jahr 2000 definiert die komplexen Anforderungen an einen modernen, nachhaltigen Gewässerschutz, der überall in der Europäischen Union praktiziert werden soll. Diese Vorgaben werden auf den folgenden Seiten vorgestellt.
APA, Harvard, Vancouver, ISO, and other styles
14

RAMOND, MACHABEIS JACQUELINE. "La tentation du sacre dans l'oeuvre d'andre malraux." Paris 4, 1987. http://www.theses.fr/1987PA040198.

Full text
Abstract:
Combinant l'etude lexicologique des mots relatifs au sacre dans l'oeuvre de malraux, et l'analyse d'un reseau de symboles recurrents apparaissant dans certaines sequences de texte, cette these demontre le caractere a la fois explicite et implicite des manifestations du sacre malrucien. Historiquement, le sacre evolue depuis son etat originel, correspondant a la phase archaique de l'histoire de l'humanite, jusqu'a une forme humanisee refletant l'aptitude de l'homme a maitriser ce qui le depasse. Realisee par les moyens de l'art, cette mise en forme montre le reflux du sacre proportionnellement a l'affirmation des valeurs autonomes de l'artiste. On saisit ce phenomene en suivant l'evolution de l'espace sacre architectural qu'accompagne l'humanisation de la sculpture monumentale. Une seconde approche definit le sacre comme une composante intrinseque de la nature humaine qui se perpetue, par l'inconscient dans lequel il s'enracine, dans sa forme originelle. L'homme doit discipliner la tendance negative de son etre pour acceder a la conscience dont sa race a l'apanage. Le sacre malrucien se resume dans le parallelismede deux evolutions: celle dont attestent les formes artistiques en accord avec la transformation du sentiment a l'egard de la transcendance, et celle dont fait preuve la constitution de l'humanisme depuis le heros revolutionnaire jusqu'a l'artiste pacifiste. La "tentation" du sacre se comprend de deux manieres: elle retrace l'experience vecue de l'homme s'affranchissant des contraintes alienantes du destin originel du monde; elle decrit le processus de conquete menee par le civilisateur qui a pour mission d'organiser le chaos. Par sa structure, l'oeuvre de malraux illustre la permanence de cette conquete qui se developpe selon un schema contrapuntique dont le temps du mepris fournit le modele cache
By combining a lexicological study of words relating to the sacred in the works of malraux, with an analysis of the network of recurring symboles which appear in certain textual sequences, this thesis illustrates the implicit at the same time explicit nature of the expression of the sacred of malraux. Historicaly speaking. The sacred evolves from its original state, which corresponds to the archaic phase of human history; it attains a "humanised" form which reflects man's aptitude to gain a mastery of that which is beyond his own existence. Expressed by artistic means, this manifestation shows the reflux of the sacred in proportion to the artist's confirmation of his individual values. This phenomen can be grasped by following the evolution of the sacred architectural space accompagnied by the humanisation of monumental sculpting. A second approach defines the sacred as an intrinsic element of human nature which is perpetuated in its original form by the inconscious mind in which it has its roots. Man must discipline the negative tendency of his nature so as to gain access to that consciousness which is the prerogative of his race. The malraux concept of the sacred is summed up in two parallel developments: one attested to by artistic forms in accordance with the transformation of feeling with regard to transcendency, and one expressed by the constitution of humanism from the revolutionary hero to the pacifist artist. The "temptation" of the sacred is understood in two ways: it follows the experiences lived by man when he shakes himself free from the alienating constraints of the primeval destiny of the world; it describes the conquering process wageg by the civilizing force whose mission is to create order from chaos. In its structure the work of malraux illustrates the permanence of this conquest which unfolds according to a contrapuntal scheme whose hidden model is furnished by le temps du mepris
APA, Harvard, Vancouver, ISO, and other styles
15

Ferraz, Simha Cláudia. "Sacre : Système d'aide au contrôle de résultats expérimentaux." Paris 13, 1993. http://www.theses.fr/1993PA132031.

Full text
Abstract:
L'objectif principal de ce travail est l'utilisation des techniques de l'intelligence artificielle pour la modélisation du raisonnement d'un ingénieur procédé. Les techniques de représentation des connaissances utilisées sont les règles de production et la programmation objet. L'utilisation des techniques de l'intelligence artificielle, plus particulièrement, des systèmes à base des connaissances, pour la surveillance de la qualité est une approche assez récente et nous observons un intérêt croissant des différents secteurs de l'industrie. Dans le premier chapitre de la thèse, nous faisons une analyse technique des procédés de reformage catalytique. Nous présentons les principales réactions et les différents types de procédés de reformage catalytique incluant l'unité pilote. Dans le chapitre ii nous consacrons la première partie à l'étude des travaux existants en intelligence artificielle concernant la supervision des procédés et l'aspect temps réel du domaine. La deuxième partie du chapitre est dédiée à la validation des données, les méthodes existantes et leur association avec les systèmes à base de connaissances. Dans le chapitre iii nous présentons les différents types d'informations disponibles sur une unité pilote, incluant les connaissances exploitées par un ingénieur lors de l'évaluation de l'état du procédé et nous montrons quelques exemples de méthodes permettant la réalisation du diagnostic de l'état d'un procédé. Dans le chapitre iv nous traitons de l'implémentation des méthodes discutées antérieurement dans SACRE et de la stratégie adoptée pour faire collaborer ces méthodes afin d'atteindre les objectifs du système.
APA, Harvard, Vancouver, ISO, and other styles
16

Dietz, Thorsten. "Wiederherbeigeschaffte versicherte Sachen : Anzeigepflichten, Rettungskosten und Entschädigung /." Karlsruhe : VVW, 1993. http://www.gbv.de/dms/spk/sbb/recht/toc/271906030.pdf.

Full text
APA, Harvard, Vancouver, ISO, and other styles
17

Keller, Marco. "Reverse Mortgage Perspektiven auf dem Schweizer Markt /." St. Gallen, 2008. http://www.biblio.unisg.ch/org/biblio/edoc.nsf/wwwDisplayIdentifier/01707033002/$FILE/01707033002.pdf.

Full text
APA, Harvard, Vancouver, ISO, and other styles
18

Giesbert, Lisa. "Immobilien Investitionsverhalten von Schweizerischen Pensionskassen und Lebensversicherungen /." St. Gallen, 2008. http://www.biblio.unisg.ch/org/biblio/edoc.nsf/wwwDisplayIdentifier/02603587002/$FILE/02603587002.pdf.

Full text
APA, Harvard, Vancouver, ISO, and other styles
19

Stöcklin, Eric. "Immobilien im Portfolio Eine Betrachtung für Schweizer Privathaushalte /." St. Gallen, 2007. http://www.biblio.unisg.ch/org/biblio/edoc.nsf/wwwDisplayIdentifier/04605481001/$FILE/04605481001.pdf.

Full text
APA, Harvard, Vancouver, ISO, and other styles
20

Lye, Mark A. [Verfasser]. "Der gutgläubige Erwerb der streitbefangenen Sache / Mark A. Lye." Frankfurt a.M. : Peter Lang GmbH, Internationaler Verlag der Wissenschaften, 2016. http://d-nb.info/1122004079/34.

Full text
APA, Harvard, Vancouver, ISO, and other styles
21

MacKay, James Scott. "Contrapuntal strategies in William Byrd's 1589 "Cantiones Sacrae" (England)." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/NQ64610.pdf.

Full text
APA, Harvard, Vancouver, ISO, and other styles
22

Buchegger, Ludwig. "De origine sacrae christianorum poeseos UB Freiburg, Hs. 689 /." Freiburg i. Br. : Univ.-Bibl, 2007. http://www.manuscripta-mediaevalia.de/hs/katalogseiten/HSK0547%5Fb119%5Fjpg.htm.

Full text
APA, Harvard, Vancouver, ISO, and other styles
23

Kunkel, Felix Robert Eberhard. "Bloßer Verkehrsschutz statt widerspruchsfreier Dogmatik? : zur Entstehung, Begründung und Entwicklung der [section][section]932-935 BGB /." Frankfurt am Main [u.a.] : Lang, 2009. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=017556633&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.

Full text
APA, Harvard, Vancouver, ISO, and other styles
24

Neuenschwander, Fabian. "Performancevergleich von Immobiliengesellschaften Schweiz - Ausland." St. Gallen, 2007. http://www.biblio.unisg.ch/org/biblio/edoc.nsf/wwwDisplayIdentifier/01652833002/$FILE/01652833002.pdf.

Full text
APA, Harvard, Vancouver, ISO, and other styles
25

Kunz, Stephan. "Wertgenerierung mit Immobilien Altbeständen Spezialimmobilien /." St. Gallen, 2007. http://www.biblio.unisg.ch/org/biblio/edoc.nsf/wwwDisplayIdentifier/03603073002/$FILE/03603073002.pdf.

Full text
APA, Harvard, Vancouver, ISO, and other styles
26

Martinovic, Martina. "Demografische Entwicklung und Immobilienmarkt in der Schweiz." St. Gallen, 2008. http://www.biblio.unisg.ch/org/biblio/edoc.nsf/wwwDisplayIdentifier/02600336002/$FILE/02600336002.pdf.

Full text
APA, Harvard, Vancouver, ISO, and other styles
27

Espenhahn, Richard. "Der Strukturwandel im Kreditmarkt und die Auswirkungen auf den Leasingmarkt /." Göttingen : Cuvillier, 2003. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=010626459&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.

Full text
APA, Harvard, Vancouver, ISO, and other styles
28

Stumptner, Pascale. "Aspects gynécologiques et obstétricaux de la méningocèle sacrée antérieure : à propos de trois observations familiales." Université Louis Pasteur (Strasbourg) (1971-2008), 1992. http://www.theses.fr/1992STR1M160.

Full text
APA, Harvard, Vancouver, ISO, and other styles
29

Caillol, Michel. "Dieu n'est pas chirurgien : un cheminement éthique à la recherche des traces du sacré en chirurgie." Phd thesis, Université Paris-Est, 2012. http://tel.archives-ouvertes.fr/tel-00826536.

Full text
Abstract:
La différence entre Dieu et un chirurgien, réplique-t-on classiquement à celui-ci lorsque il s'estime comme créateur de son opéré, c'est que Dieu, lui, ne se prend pas pour un chirurgien. Qu'y a-t-il dans cette action qui soit si spécifique que son agent, le chirurgien, puisse à ce point risquer de s'idolâtrer ?Il semble bien, tout d'abord, qu'il y ait dans la chirurgie une réelle dimension religieuse c'est-à-dire un rapport certain avec le sacré - l'interdit -, ce que l'on ne doit pas profaner. Le questionnement sur le chirurgien et la chirurgie éclaire cet aspect. Si tout chirurgien est d'abord un médecin, et comme tel s'il a bien pour mission de soulager une personne humaine lorsqu'elle est affectée par la maladie ou le traumatisme, pour autant son mode " opératoire " est particulier. La chirurgie, malgré la prégnance de plus en plus forte de l'appareil techno-scientifique à son service, reste encore une activité manuelle et particulièrement immédiate. Elle nécessite certes une connaissance scientifique, mais sa technicité se nourrit de l'expérience pratique. C'est ici qu'elle recèle l'autre dimension sacrée que représente le sacrifice, de manière sans doute plus aboutie que la médecine purement clinicienne. Mais elle est surtout agressive, parce que douloureuse et sanglante, et transgressive, parce qu'elle autorise son agent à inter-venir, à rentrer dans un corps humain. Cette intervention ne se fait jamais sans un rituel quasi religieux qui semble attester de la sacralité de son champ : le corps-personne de l'opéré. Malgré la profonde influence de la Modernité qui, avec Descartes en particulier, vise à dissocier radicalement le corps de l'esprit, une analyse rigoureuse de la pratique chirurgicale tend à infirmer cette illusion, même s'il y a nécessité d'objectivation pour parvenir à assumer la transgression qui consiste à ouvrir un corps. La phénoménologie nous éclaire sur la subjectivité transcendantale du chirurgien qui, en même temps qu'il vise son opéré comme l'objet de son faire, ne peut pas être complètement extérieur à cet opéré et à son intervention. Le chirurgien ne saurait être le simple réparateur d'un objet, ni même un vétérinaire, obligé qu'il est de par la spécificité morale de l'être humain qu'il prend en charge. Il devient alors plus que la cause efficiente de l'opération chirurgicale, pour être nécessairement concerné par sa finalité. Cette obligation de viser à la restauration du pouvoir-être au monde de son opéré, plus que de le re-mettre dans une norme arbitraire, fait en effet de la chirurgie une action morale. Car oublier cette finalité, cherchant à s'exonérer de cette responsabilité qui dépasse le pur faire, ce serait réduire la chirurgie à une simple fabrication. La démesure alors guetterait celui qui pourrait se prendre pour Dieu, mais au mauvais sens du concept, puisque s'ouvriraient subrepticement les portes de la barbarie. Etre instrumentalisé par le désir jamais assouvi de son patient, comme être prisonnier de sa pure technicité, sont alors les deux écueils, intimement liés, qui empêchant le chirurgien de décider, ferait perdre toute dimension morale à son action. D'autant que le lent " désenchantement du corps " présent dans nos sociétés occidentales contemporaines, semble participer de ce déni. La question de la contribution de la chirurgie au vaste désir de transformation de l'homme, véhiculé par le transhumanisme, s'abreuve peut-être à la source d'une insidieuse barbarie.Retrouver la nature spirituelle de l'homme reste alors sans doute le point d'appui le plus sûr pour parer à une telle dérive, en sacralisant ainsi, et la personne de l'opéré, et le geste d'y intervenir, lui rendant peut-être son véritable sens._____
APA, Harvard, Vancouver, ISO, and other styles
30

Alves, Thiago José Costa. "Agroecossistemas familiares no Complexo Ambiental Sacaí, Baixo rio Branco, Roraima." Universidade Federal do Amazonas, 2016. http://tede.ufam.edu.br/handle/tede/5580.

Full text
Abstract:
Submitted by Divisão de Documentação/BC Biblioteca Central (ddbc@ufam.edu.br) on 2017-03-14T11:25:56Z No. of bitstreams: 2 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Reprodução Não Autorizada.pdf: 47716 bytes, checksum: 0353d988c60b584cfc9978721c498a11 (MD5)
Approved for entry into archive by Divisão de Documentação/BC Biblioteca Central (ddbc@ufam.edu.br) on 2017-03-14T11:26:21Z (GMT) No. of bitstreams: 2 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Reprodução Não Autorizada.pdf: 47716 bytes, checksum: 0353d988c60b584cfc9978721c498a11 (MD5)
Approved for entry into archive by Divisão de Documentação/BC Biblioteca Central (ddbc@ufam.edu.br) on 2017-03-14T11:26:37Z (GMT) No. of bitstreams: 2 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Reprodução Não Autorizada.pdf: 47716 bytes, checksum: 0353d988c60b584cfc9978721c498a11 (MD5)
Made available in DSpace on 2017-03-14T11:26:37Z (GMT). No. of bitstreams: 2 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Reprodução Não Autorizada.pdf: 47716 bytes, checksum: 0353d988c60b584cfc9978721c498a11 (MD5) Previous issue date: 2016-07-28
CAPES - Coordenação de Aperfeiçoamento de Pessoal de Nível Superior
The amazonic agroecosystems are part of the Amazon complex structure, with heterogeneous and diversified processes of human intelectual work practiced in the environment. These agroecosystems have temporo-spatial structures related to the lived environment and to the imaterial knowledge of the farmers which play an important role to make these unique and unrepeatable as a whole. This research aimed to undestand the conservational movement of life autopoiesis in Sacaí Environmental Complex, Caracaraí, Roraima, Brazil, starting from the anthitetic processes of social (re)production and life (re)programation. The theorical-methodological structure was based in the System to the Paradigm of Complexity responsible to give to the research the malleability needed to the comprehension of the real. The analytic categories were structured to the comprehension of this real, by the multiple cases design. Techniques as interview with previous guide, questionnaire census, focal groups, mental maps, sketches and photos were used. Fourty one (41) families were subject of this study. The results show that the agroecosystems in the Sacaí Environmental Complex emerge from the complementarity assuming the family organization and become undissociable in their recursive process of autopoiesis. They are, at the same time, a nuclear family, a troncal extensive family and a community extensive family, it constituting a family agroecosystems. The family agroecosystems are temporo-spatial delineated by the water pulse which are manifested by the dried and flooded landscape. The link between the feeling and the landscape is revealed through the organization in productions unit, as work places, which are linked to the environmental knowledge kept by the farmers. Therefore the work process diversity joined to the knowledge kept by the farmers are the base to the (re)production of the family agroecosystems in the Sacaí Environmental Complex. As part of this environmental system it was possible to reveal the insertion of new interactions promoted by the external action of the Sacaí Environmental Complex. In this sense the interactions between government actions and the agroecosystems are responsible to create a dialectical relation of (in)visibility. This relation regards to the possibility of the farmers to (re)program themselves in the system making visible only the necessary to their social reproduction keeping invisible what is responsible to conserve the autos in the (re)construction processes of the Sacaí Environmental Complex.
Os agroecossistemas amazônicos são parte de uma estrutura complexa, a Amazônia, os quais compreendem processos heterogêneos e diversos de trabalho humano intelectual empreendido no ambiente. Estes agroecossistemas apresentam estruturas têmporo-espaciais diretamente relacionadas ao ambiente vivificado e ao saber imaterial dos agricultores responsáveis por tornar cada agroecossitema único e impossível de ser replicado em sua totalidade. Este estudo teve por objetivo a compreensão do movimento de conservação da autopoiese da vida no Complexo Ambiental Sacaí, Caracaraí, Roraima, Brasil, a partir dos processos antitéticos de (re)produção social e (re)programação da vida. A estrutura teórico-metodológica teve como base o paradigma da complexidade sistêmica, responsável por dar à pesquisa a plasticidade necessária para compreensão do real. As categorias de análise foram estruturadas como meio para compreensão desse real, a partir do desenho da pesquisa como estudo de múltiplos casos. Foram aplicadas técnicas como entrevistas com roteiro prévio, questionário censitário, grupos focais, reuniões espontâneas de validação nas varandas (REVV), mapas cognitivos, croquis e fotografias. Participaram deste estudo 41 famílias. Os resultados dão condição de afirmar que os agroecossistemas no Complexo Ambiental Sacaí revelam-se como fruto da complementaridade, e assumem organização familiar, sendo assim, indissociável no seu processo recursivo da autopoiese. Apresentam-se ao mesmo tempo, como família nuclear, família extensa troncal e família extensa comunitária, constituindo-se como agroecossistemas familiares. Os agroecossistemas familiares delineiam-se têmporo-espacialmente pelo pulso das águas, os quais encontram-se manifestos a partir das paisagens de seca e de cheia. O elo entre o sentimento e a paisagem se revela a partir da organização das unidades de produção como lugares de trabalho, os quais estão diretamente vinculados ao saber ambiental constituído pelos agricultores. Assim, a diversidade de processos de trabalho juntamente com os saberes constituídos pelos agricultores são base necessária para a (re)produção dos agroecossistemas familiares no Complexo Ambiental Sacaí. Como parte inerente ao sistema ambiental foi possível identificar a inserção de novos caracteres gerados externamente ao Complexo Ambiental Sacaí. Nesse sentido as interações entre o Estado e os agroecossistemas apresentaram-se como responsáveis por criar uma relação dialética de (in)visibilidade. Esta relação corresponde à possibilidade dos agricultores de (re)programar-se no sistema, tornando visível o necessário para se reproduzir socialmente naquele instante e deixando invisível a parte responsável por conservar o autos no processo de (re)construção do Complexo Ambiental Sacaí.
APA, Harvard, Vancouver, ISO, and other styles
31

Ondrusch, Stefan. "Notleidende Immobilien Entwicklung einer alternativen Exitstrategie." Hamburg Diplomica-Verl, 2007. http://d-nb.info/987716859/04.

Full text
APA, Harvard, Vancouver, ISO, and other styles
32

Kohlheim, Andreas. "Ein neuer wirtschaftlicher Fremdheitsbegriff im Strafrecht : strafrechtliche Folgen einer zivilrechtlichen Neuerung /." Hamburg : Kovač, 2007. http://www.verlagdrkovac.de/978-3-8300-2983-0/.

Full text
APA, Harvard, Vancouver, ISO, and other styles
33

Siegle, Claudia. "Revitalisierung und Entwicklung von Brachflächen ein Vergleich zwischen den USA und Deutschland /." [S.l. : s.n.], 2005. http://www.bsz-bw.de/cgi-bin/xvms.cgi?SWB11730114.

Full text
APA, Harvard, Vancouver, ISO, and other styles
34

Harasgama, Manojkumar. "Real Estate Private Equity Investments The advantages and disadvantages of REPE /." St. Gallen, 2008. http://www.biblio.unisg.ch/org/biblio/edoc.nsf/wwwDisplayIdentifier/01650647002/$FILE/01650647002.pdf.

Full text
APA, Harvard, Vancouver, ISO, and other styles
35

Charette, Éric. "Du sacre au nom de qualité : approche théorique et description grammaticale." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0020/MQ46716.pdf.

Full text
APA, Harvard, Vancouver, ISO, and other styles
36

Weck, Monika Christine. "Vom Mensch zur Sache? : Der Schutz des Lebens an seinen Grenzen /." Aachen : Shaker, 2003. http://www.gbv.de/dms/spk/sbb/recht/toc/376350008.pdf.

Full text
APA, Harvard, Vancouver, ISO, and other styles
37

Charette, Éric. "Du sacre au nom de qualité : approche théorique et description grammaticale." Sherbrooke : Université de Sherbrooke, 1999.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
38

Linnerhed, Anton. "I nysakighetens air : Reflektioner kring en era inom svensk Musica Sacrae." Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-3187.

Full text
Abstract:
Via denna uppsats, vilken behandlar tre utvalda orgelkompositioner av de svenska tonsättarna Valdemar Söderholm, Torsten Sörenson och Gunnar Thyrestam, alla i sin profession också aktiva kyrkomusiker och pedagoger, vill jag fästa uppmärksamheten på en idag något negligerad era, nämligen den nysakliga perioden inom Musica Sacrae. Dessutom vill jag med dessa tämligen tidiga verk i deras respektive opuslistor påvisa att just denna musik något oriktigt och måhända även fördomsfullt bundits till ett senare ”orgelrörelse-ideal”, till en instrumenttyp som inte är att betrakta som kongenial och själsbefryndad med kompositionerna.

Jan Pieterson Sweelinck (1562-1621): Allein Gott in der Höh sei Ehe

Hugo Distler(1908-1942): Orgelpartita över "Jesus Christus, unser Heiland, der von uns den Gotteszorn wandt" Choral - Bicinium - Ricercare

Torsten Sörenson (1908-1992): Toccata (a-moll)

Valdemar Söderholm (1909-1990): Toccata och Fuga d-moll

Gunnar Thyrestam (1900-1984): Preludium ocg Fuga B-dur

Felix Mendelssohn Bartholdy (1809-1847): Orgelsonat nr. 6: Choarl mit Vartiationen - Fuga - Finale

Anton Linnerhed, orgel

APA, Harvard, Vancouver, ISO, and other styles
39

Thönnissen, Albert. "Das römische Recht der Vermischung und Vermengung von Sachen und sein Nachleben in den heutigen Zivilrechtsordnungen Spaniens und Deutschlands /." Berlin : Lit, 2008. http://opac.nebis.ch/cgi-bin/showAbstract.pl?u20=9783825814731.

Full text
APA, Harvard, Vancouver, ISO, and other styles
40

Dreier, Ralf [Verfasser], and Hans J. [Akademischer Betreuer] Wolff. "Zum Begriff der ‚Natur der Sache’ / Ralf Dreier ; Betreuer: Hans J. Wolff." Münster : Universitäts- und Landesbibliothek Münster, 2007. http://d-nb.info/1140737139/34.

Full text
APA, Harvard, Vancouver, ISO, and other styles
41

Hellgermann, Andreas. "Vom Design zur Sache : eine fundamentaltheologische Untersuchung zum Umgang mit den Dingen /." Berlin : Lit, 2006. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=014973254&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.

Full text
APA, Harvard, Vancouver, ISO, and other styles
42

Bubel, Grzegorz. "Die Sache zur Sprache bringen : das Christusereignis in der Schriftauslegung Heinrich Schliers /." Frankfurt am Main : J. Knecht, 2002. http://catalogue.bnf.fr/ark:/12148/cb41340897c.

Full text
APA, Harvard, Vancouver, ISO, and other styles
43

Hentschel, Rüdiger. "Sache selbst und Nichtdenkungsgedanke : Husserls phänomenlogische Region bei Schreber, Adorno und Derrida /." Wien : Turia und Kant, 1992. http://catalogue.bnf.fr/ark:/12148/cb35577300w.

Full text
APA, Harvard, Vancouver, ISO, and other styles
44

Vandermarliere, Sandrine. "Sade ou les limites du langage | entre atheisme et persistance du sacre." Thesis, University of Colorado at Boulder, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10792390.

Full text
Abstract:

Even though Sade’s reputation as an “athée exacerbé”(1) seems to dominate the critics, this dissertation argues that his atheism is not as obvious as it seems. Through an analysis of the correlation between language and religion in the marquis’ work, this study demonstrates that it is through his mistrust of language that Sade presents his ideas. While his libertines seem to profess the superiority of atheism, their discourse is undermined by their rhetoric. Through the use of sophisms, Sade is able to present the dispute between philosophers and apologists, which dominated the second half of the XVIII century, as sterile. The presentation of the libertines’ materialist ideas is equally problematic since the moral relativism they express is incompatible with the foundation of the Enlightenment’s ethical values. Moreover, Sade’s libertine novels profess the refusal of any acknowledgment of an ethic based solely on men, while his pessimism towards human nature puts him closer to the apologists. By undermining the foundations of any secular ethic, Sade places himself against both philosophers and apologists who, for once, agreed on the idea that virtue was the truest way to happiness.

Sade’s novels therefore undermine both apologists and philosophers’ ideas by showing their contradictions. By presenting all of the prevailing religious thoughts of his time, Sade multiplies them in order to reduce them to binary notions that ultimately cancel each other out. Sade uses atheism to underscore the contradictions of his time. He presents a world in which all reference points have disappeared and in which every discourse seems to be a deception waiting to be exposed. Confronted with the unequivocal representations of both the philosophers and the apologists, whether triumphant or disparaging, Sade proves that one needs to push back with skepticism.

The discourse on religion in Sade’s work could therefore be summed-up by the dying man: “You compose, you construct, you dream, you magnify and complicate; I sift, I simplify. You accumulate errors, pile one atop the other; I combat them all”(2).

APA, Harvard, Vancouver, ISO, and other styles
45

Steinbeck, Wolfram. "Der Instrumentalcharakter bei Schütz. Zur Bedeutung der Instrumente in den ”Symphoniae sacrae”." Bärenreiter Verlag, 1987. https://slub.qucosa.de/id/qucosa%3A37194.

Full text
APA, Harvard, Vancouver, ISO, and other styles
46

Esparza, Eric Peché. "The motets of Francesco Cavalli's Musiche Sacre: performing edition with critical commentary." Thesis, Boston University, 2012. https://hdl.handle.net/2144/12364.

Full text
Abstract:
Thesis (D.M.A.)--Boston University
Francesco Cavalli was the most renowned composer of opera in seventeenth-century Venice. Though Cavalli's operas have enjoyed a surge in popularity and interest in recent years, his sacred works remain largely unknown. Cavalli published only a small portion of his compositional output, and his Musiche Sacre Concernenti of 1656 contains the largest source of his acred music in concertato style, representing a fusion of his sacred and secular compositional worlds. The purpose of this study is threefold. The first is to provide a modern performing edition of each motet governed by the same editorial principles that will serve scholars and performers by providing a performing edition based on the Gesamtausgabe tradition of complete works of a single composer. The second is to explore the musical, liturgical, and historical context and significance of his motets as pertains to executing an informed performance. The third is to promote the music of Francesco Cavalli in general. The motets of the collection include eleven psalms, five hymns, the Magnificat, and the four Marion antiphons, employable in various Vesper services of the liturgical year. Part I of this study will serve as the Critical Commentary to the edition. Chapter 1 examines Cavalli's life and work. Chapter 2 contains analyses of the motets. Chapter 3 discusses the liturgical contexts of the motets as well as the historical background of the collection in relation to Seicento Venice. Chapter 4 explores issues of performance practice such as ensemble size, voicing, the appropriate choice of instruments, pitch center, continuo practice, tempo, metric relationships, coronas, dynamics, and missing verses. Part II will present the performing edition of each motet in full score with a critical report. Sources and editorial methods will be discussed, and detailed critical notes will be provided. Appendices including the motets' texts, translations, and instrumental parts are provided.
APA, Harvard, Vancouver, ISO, and other styles
47

Porczyk, Anna Malgorzata. "Erri De Luca e la Bibbia : un autore formatosi sulle sacre scritture." Thesis, Dijon, 2016. http://www.theses.fr/2016DIJOL004.

Full text
Abstract:
Cette étude vise à fournir une vision de la poétique de l'auteur contemporain Erri De Luca, à travers l'étude des éléments et des motifs empruntés aux Écritures particulièrement prégnants dans son œuvre. De tels éléments, renvoyant aux sources bibliques, fournissent une clef pour la lecture et pour l'interprétation de l'œuvre deluchienne dans sa complexité. L'insertion de l'imagery biblico-littéraire, chargée d'éléments qui depuis des siècles sont ancrés dans l'imaginaire collectif confère une unité à l'écriture de cet auteur, en dépit de sa variété. Le terme imagery est utilisé pour exprimer un ensemble d'images auxquelles appartiennent les symboles, les métaphores, les comparaisons, les thèmes, les conventions, ainsi que les archétypes, appartenant aux Saintes Écritures. La poétique de De Luca est analysée ici au moyen de l'identification des images qui constituent les principaux éléments de la narration des auteurs de la Bible, comme de l'auteur napolitain.En prenant comme objectif l'étude de l’œuvre deluchienne du point de vue de l'imagery des Saintes Écritures, ce travail se divise en quatre parties. La première partie vise à fournir un cadre général des échos bibliques dans la littérature italienne contemporaine, en proposant une brève description des thèmes et motifs qui ont inspiré, et continuent d'inspirer, les romanciers et poètes italiens. En outre, dans cette partie nous traitons les principales tendances que l'on peut dégager dans les différents écrits littéraires d'inspiration biblique, en nous appuyant sur quelques exemples. Ainsi, il est possible de déterminer la place qu'occupe la poétique de De Luca dans le contexte de la littérature italienne du XXième siècle, où la présence de la Bible est considérable. L'auteur napolitain, bien que dépourvu de sentiments religieux, non seulement comprend les Saintes Écritures à travers leur sens métaphorique, mais en fait également la matrice conceptuelle de ses propres œuvres littéraires, en créant un univers biblico-littéraire cohérent et entièrement personnel.Dans le deuxième chapitre, nous parcourons brièvement la biographie de De Luca, et en particulier certains aspects de sa vie personnelle en référence à ses œuvres. De telles références, récurrentes dans l'écriture deluchienne, forment un des deux macrotextes où l'écrivain puise pour créer sa propre poétique, celui de la vie. Dans cette partie, nous évoquons les concepts et les mots-clés forgés par De Luca lui-même, à travers le prisme desquels il semble souhaiter être lu et interprété. Le premier de ces concepts est la nostalgie des racines, idée à laquelle se rattachent les réflexions sur l'autre possibilité, ainsi que sur l'extranéité au monde. Il découle de cette analyse une description du militantisme politique de l'auteur. Enfin, on abordera l'expression utilisée par l'auteur pour définir son rapport avec la religion, à savoir sa condition de non-croyant. Dans la troisième partie, nous décrivons l'évolution de l'intérêt de De Luca pour la littérature, la traduction et l'interprétation des Saintes Écritures. Nous commençons par évoquer sa passion pour la culture et pour l'histoire juive, indissociable de l'étude de la langue de l'Ancien Testament, cette dernière ayant été apprise en vue de lire le texte biblique dans sa forme originaire. Cela a ensuite mené l'auteur vers un approfondissement des pratiques cabalistiques qui, à leur tour, lui ont permis de se lancer dans l'exégèse biblique. Ensuite, nous passons à une brève description des traductions deluchienne de certains livres de la Bible dans lesquelles l'auteur tente de restituer le plus fidèlement possible la forme originaire, en utilisant la langue italienne comme un simple moyen de faire entrevoir l'original. C'est pour cette raison que les traductions sont abordées dans cette analyse comme étant des connecteurs, ainsi qu'un moyen pour arriver du texte d'origine vers l'écriture, plus dans le sens conceptuel que séquentiel
The aim of the dissertation is to analyze the prose of the modern Italian writer Erri De Luca through the lens of biblical motifs and references, which bind his works together. Such references to biblical sources are the key to understanding and interpreting the author's writings, which, despite their multifaceted character, nonetheless remain grounded in biblical-literary imagery; one rich in references rooted in the human imagination since centuries past. The term imagery encompasses the entire set of biblical images including symbols, metaphors, comparisons, motifs, and archetypes. The analysis of De Luca's writings consists in foregrounding those images which constitute the fundamental elements of the narration both in the case of biblical authors, as in the case of the Neapolitan writer himself. The dissertation comprises four parts. Chapter One attempts to present the general framework of biblical references in modern Italian literature in the form of a short description of the themes and motifs taken up by Italian poets and prose writers alike. Furthermore, the chapter discusses and exemplifies the main tendencies in literary references to biblical imagery, which will then allow us to observe the ways in which De Luca's works partake in the larger body of 20th century Italian literature with visible biblical influences. Despite his declared lack of religious faith, the Neapolitan writer not only decodes the metaphorical sense of the Bible, but also adopts the Bible as the framework for his writings, thus creating a personal, unified, and unique biblical-literary universe. Chapter Two includes a short biographical note on the writer with a strong emphasis on those aspects of his life which are reflected in his writings. And because such references are numerous indeed, they comprise one of the two macrotexts that the writer refers to in his poetics, i.e. the life (vita) macrotext. This section also presents keywords introduced by De Luca himself. It can be assumed that the author wanted to point his readers and critics to a specific method of reading and interpreting his art. The first keyword of this kind refers to the concept of a longing for the return to the source, which is tied to reflections on the so-called other possibility (altra possibilità) and one's alienation from the exterior world. The later part of the chapter describes the author's political engagement and reflects on the meaning that De Luca ascribes to the word non-believer (non-credente), which the author uses to describe his personal approach to religion. Chapter Three describes the author's interest in reading, translating, and interpreting the Bible, starting with his interest for Jewish history and culture, the roots of which may be traced back to De Luca's study of the Hebrew language. The author undertook the study in order to be able to read biblical texts in their original language, which, in turn, has led him to acquaint himself with Cabalistic practices, enabling him to employ his own biblical exegesis. The chapter then provides an overview of De Luca's own translations of selected biblical texts, a distinguishing feature of which is the author's attempt to remain as faithful as possible to the original text. In this regard, De Luca treats the Italian language as a mere tool and does not consider the process of translation to be an end in and of itself. For this reason, the dissertation treats his translations as a “connector” of sorts, as well as a stepping stone in the journey from the source text to writing itself – more so in a conceptual sense than a temporal sense. The further part of the chapter will consist of an analysis of those of De Luca's works which could be described as “rewriting” biblical tales (riscritture), a process which is not only considered to be a distinct kind of translation, but even the next stage in the work of the translator
APA, Harvard, Vancouver, ISO, and other styles
48

Camacho, Passuni Cristina, Barrera Teresa Dioses, Purizaca Narciso Espinoza, and Ubillús Amelia Herrera. "Desmotivación de los colaboradores de ventas de la empresa Gaston Sacaze e.i.r.l." Bachelor's thesis, Universidad Peruana de Ciencias Aplicadas (UPC), 2016. http://hdl.handle.net/10757/614068.

Full text
Abstract:
Identifica las oportunidades de mejora en la empresa Gaston Sacaze EIRL, una agencia de viajes mayorista dedicada al turismo receptivo, con sede en Lima, y que atiende preferentemente a los mercados francófonos (Francia, Bélgica, Canadá, Suiza) y a las personas de la tercera edad. El diagnóstico de la empresa, realizado a través de entrevistas a profundidad, encuestas y revisión de fuentes secundarias, señaló que la desmotivación de los colaboradores es una de las causas más importantes de la problemática que preocupa a los principales stakeholders de la empresa (propietario, clientes, colaboradores). Mientras que el problema fue ¿Cómo incrementar la motivación de los colaboradores de ventas de Gastón Sacaze EIRL?, y al cual le correspondió la hipótesis de que un plan de incentivos incrementará la motivación de los colaboradores de ventas de Gastón Sacaze EIRL. Por otro lado, la motivación del trabajador es un tema de transcendencia en las organizaciones, al ser el recurso humano un activo fundamental; y esto es de principal importancia en las empresas de servicios como es Gaston Sacaze EIRL.
Tesis
APA, Harvard, Vancouver, ISO, and other styles
49

Schulze, Jürgen. "Die fiktive Widmung durch Verkehrsübergabe /." Frankfurt am Main ;Berlin [u.a.] : Lang, 1994. http://www.gbv.de/dms/spk/sbb/recht/toc/27182798X.pdf.

Full text
APA, Harvard, Vancouver, ISO, and other styles
50

AGYEMANG, AKEB. "Le sens du sacre et son expression dans le roman de l'afrique noire francophone. (1921-1984)." Montpellier 3, 1990. http://www.theses.fr/1990MON30037.

Full text
Abstract:
Les romanciers du sacre de l'afrique noire francophone depeignent en une vaste fresque religieuse des peuples noirs a la recherche de leur identite et de leur ame. Les scenes remontes a l'epoque de l'esclavage ; elles indiquent les chemins des esclaves hors du continent africain, bien avant la colonisation, et ceux des tribus migrantes dans les regions sub-sahariennes. L'oeuvre revele qu'en s'organisant en tribus, en royaumes ou en empires, les peuples noirs africains ont developpe dans la pratique de l'animisme, d'une part la croyance en un dieu supreme, createur invisible, et d'autre part la foi en des divinites tres proches des hommes et qui rappellent celles de l'egypte ancienne. L'adoration de ces dieux comprend des rituels censes empecher l'aneantissement total des peuples noirs. Mais il s'agit aussi d'une descente en enfer ou regnent des puissances nuisibles au progres de l'homme. Par la suite, des musulmans et plus tard les chretiens tentent de faire voir les lumieres de leurs religions a ces peuples noirs. Ceux-ci se convertissent et entreprennent a leur tour de purifier les pratiques des deux religions. De ce drame emerge un mouvement de liberation du soi pour faire triompher une religion universelle, celle de l'amour, de la solidarite et de la fraternite
Novelists writing about the sacred in french-speaking black africa depict, in a vast religious fresco, black peoples searching for their identity and their soul. The scenes go back to the time of slavery ; they show the paths of slaves from the african continent long before colonisation, and those of migrating tribes in sub-saharan areas. The work reveals that by organising themselves into tribues, black peoples' kingdoms or their empires have developped, in the practice of animism, on the one hand a belief in a supreme god, the unseen creator, and on the other hand a faith in divinities very closely related to men, which recall those of ancient egypt. Worshipping of these gods entails rituals, the purpose of which is to prevent the total extinction of black african peoples, but it involves also descending into hell, realm of powers harmfull to man's progress. Eventually, muslims and later christians, attempt to demonstrate the truth of their religious to these black peoples. The latter undergo conversion and in their turn undertake the task of purification of the practice of the two religious. From this drama there emerges a movement towards the liberation of the self so as to bring about the triumph of a universal religion, that of love, solidarity and brotherhood
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the bibliographies on the topic 'SACAE' for other source types:
Journal articles Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography