Journal articles on the topic 'Russian Part songs'
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Kozlova, Irina, and Elena Levochskaya. "“I Felt Frightened and Then I Started Singing”: Songs at Russian Protest Actions." FOLKLORICA - Journal of the Slavic, East European, and Eurasian Folklore Association 27 (December 18, 2023): 51–80. http://dx.doi.org/10.17161/folklorica.v27i.21550.
Full textSemen, Natalia. "MODERN RUSSIAN MUSIC AS A TOOL FOR THE SPREAD OF PRO-RUSSIAN NARRATIVES: FEATURES AND WAYS OF COUNTERACTION FROM UKRAINE." Bulletin of Lviv Polytechnic National University: journalism 2, no. 8 (2024): 65–70. http://dx.doi.org/10.23939/sjs2024.02.065.
Full textUrsegova, N. A. "WEDDING MUSIC AND POETRY FOLKLORE OF THE RUSSIAN POPULATION OF THE SOUTHERN URALS." Arts education and science 1, no. 3 (2020): 183–88. http://dx.doi.org/10.36871/hon.202003022.
Full textRepina, Anastasija S. "Folk Adaptation of the Sentimental Romance by M. V. Zubova “I`m Going to the Desert." Vestnik slavianskikh kul’tur [Bulletin of Slavic Cultures] 68 (2023): 181–89. http://dx.doi.org/10.37816/2073-9567-2023-68-181-189.
Full textKovtun, Kateryna. "Oi u luzi chervona kalyna (“Oh, the Red Viburnum in the Meadow”) as an Anthem-Song: Social Roles and Genre Transformations in the Time of War." ARTISTIC CULTURE. TOPICAL ISSUES, no. 19(2) (November 29, 2023): 74–79. http://dx.doi.org/10.31500/1992-5514.19(2).2023.294625.
Full textZhurkova, Daria A. "Soundtrack’s Genre Patterns of the Russian Retro-series about Soviet Pop Artists." Vestnik slavianskikh kul’tur [Bulletin of Slavic Cultures] 69 (2023): 37–55. http://dx.doi.org/10.37816/2073-9567-2023-69-37-55.
Full textKrasnikova, Tatiana. "KIRILL VOLKOV CREATIVITY IN THE ASPECT INTERACTION OF THE CONCEPTS «FOLKLORE AND STYLE»." Ученые записки Российской академии музыки имени Гнесиных, no. 45 (2023): 26–31. http://dx.doi.org/10.56620/2227-9997-2023-2-45-26-31.
Full textUrsegova, Natalia A. "WEDDING MUSICAL AND POETIC FOLKLORE OF RUSSIAN POPULATION OF THE SOUTHERN URAL." Vestnik slavianskikh kul’tur [Bulletin of Slavic Cultures] 58 (2020): 258–67. http://dx.doi.org/10.37816/2073-9567-2020-58-258-267.
Full textEnukidze, Natela I. "“In Her Own Repertoire”: Ksenia Kourakina on the Stage of the Cameo Theater Krivoe Zerkalo [Distorted Mirror]." Problemy muzykal'noi nauki / Music Scholarship, no. 2 (July 2023): 128–39. http://dx.doi.org/10.56620/2782-3598.2023.2.128-139.
Full textŽičkienė, Aušra. "Let Us Raise and Clang Our Glasses! Tracing the History of the Student Songs." Tautosakos darbai 50 (December 28, 2015): 153–82. http://dx.doi.org/10.51554/td.2015.28995.
Full textLassan, Eleonora. "The Contemporary Russian Patriotic Song as a Phenomenon of a Post-Traumatic Society’s Condition." Slavistica Vilnensis 67, no. 2 (December 30, 2022): 110–25. http://dx.doi.org/10.15388/slavviln.2022.67(2).99.
Full textTymoshenko, A. V. "Comprehension of specifics of lyricism in Ukrainian and French songs as a component of work with the students-vocalists of Popular Music and Jazz specialization." Aspects of Historical Musicology 14, no. 14 (September 15, 2018): 74–91. http://dx.doi.org/10.34064/khnum2-14.06.
Full textChernysheva, Ekaterina N., and Svetlana A. Tyaglova. "FORMATION OF CULTURAL VALUES OF STUDENTS IN THE PROCESSING OF RUSSIAN FOLK SONGS." Vestnik Tomskogo gosudarstvennogo universiteta. Kul'turologiya i iskusstvovedenie, no. 42 (2021): 223–30. http://dx.doi.org/10.17223/22220836/42/19.
Full textPivnitskaya, Olga V. "The Peculiarities of Intonational Approach Realization within the Course of Folk Solfeggio Based on Russian Traditional Culture." Musical Art and Education 7, no. 1 (2019): 120–31. http://dx.doi.org/10.31862/2309-1428-2019-7-1-120-131.
Full textВоробьев, В. А. "“Within the First Few Minutes God Created Universities”: Collective Memory and Personal Narrative." ТРАДИЦИОННАЯ КУЛЬТУРА 25, no. 1 (March 29, 2024): 92–108. http://dx.doi.org/10.26158/tk.2024.25.1.006.
Full textBurmatov, Maksim Andreevich. "The theme of labor in the Soviet mass song of the 1930s." PHILHARMONICA. International Music Journal, no. 6 (June 2021): 9–19. http://dx.doi.org/10.7256/2453-613x.2021.6.36655.
Full textOrlitsky, Yu B. "Siberian Free Verse of the 1920s – 1930s: General and Special in a New Poetic Form." Studies in Theory of Literary Plot and Narratology 15, no. 2 (2020): 129–55. http://dx.doi.org/10.25205/2410-7883-2020-2-129-155.
Full textЗолотова, Татьяна Аркадьевна, Наталья Игоревна Ефимова, and Екатерина Андреевна Плотникова. "Traditions of Russian Folklore in Mari El Republic (Folk Calendar of Russian Migrants)." ТРАДИЦИОННАЯ КУЛЬТУРА, no. 5 (December 10, 2019): 35–52. http://dx.doi.org/10.26158/tk.2019.20.5.003.
Full textDeryugina, Lyudmila V. "M.A. Maksimovich as the Addresse of N.V. Gogol's Letters (From the Commentary)." Literary Fact, no. 2 (28) (2023): 89–102. http://dx.doi.org/10.22455/2541-8297-2023-28-89-102.
Full textBukhogolova, S. B., and B. L. Tushinov. "Folklore of Olkhon Buryats in the S. P. Baldaev fond of The Center of oriental manuscripts and xylographs of IMBT of SB of RAS." Orientalistica 6, no. 3-4 (November 19, 2023): 705–27. http://dx.doi.org/10.31696/2618-7043-2023-6-3-4-705-727.
Full textMelichárek, Maroš. "War Song in a Service of Ideology. Comparative Essay on the Example of Yugoslav and Ukrainian-Russian Conflicts." Balkanistic Forum 30, no. 3 (October 5, 2021): 148–68. http://dx.doi.org/10.37708/bf.swu.v30i3.7.
Full textZhang, Min. "The concepts of “Motherland” and “State” in Russian language." Litera, no. 1 (January 2024): 312–21. http://dx.doi.org/10.25136/2409-8698.2024.1.69218.
Full textPeno, Vesna. "Communion songs not regulated by the typicon in the recent tradition of Serbian church singing." Muzikologija, no. 4 (2004): 121–52. http://dx.doi.org/10.2298/muz0404121p.
Full textВоропаева, Валентина A. "Певец кыргызского комуза." Studia Orientalne 6, no. 2 (2014): 241–54. http://dx.doi.org/10.15804/so2014214.
Full textAbdokov, Yuri B. "A Lurking Terrain by Margarita Kuss: Orchestral Style and Timbral Poetics." ТЕАТР. ЖИВОПИСЬ. КИНО. МУЗЫКА, no. 3 (2023): 62–78. http://dx.doi.org/10.35852/2588-0144-2023-3-62-78.
Full textSafonova, Victoria V. "Creative Writing as Part and Parcel of Developing Communicative & Intellectual FL Learners’ Powers." European Journal of Social Science Education and Research 5, no. 1 (April 1, 2018): 130–41. http://dx.doi.org/10.2478/ejser-2018-0014.
Full textShumkina, I. V. "Linguopragmatic capability of quotes and sayings from the bard songs (based on media articles)." Vestnik of Samara University. History, pedagogics, philology 27, no. 4 (December 30, 2021): 190–97. http://dx.doi.org/10.18287/2542-0445-2021-27-4-190-197.
Full textДжанумов, Сейран Акопович, and Ирина Николаевна Райкова. "Peter the Great and His Time in Russian Song and Prose Folklore." ТРАДИЦИОННАЯ КУЛЬТУРА, no. 3 (September 25, 2021): 11–25. http://dx.doi.org/10.26158/tk.2021.22.3.001.
Full textFinkelshtein, Yulia A. "Igor Stravinsky and Academic Guitar Music." Observatory of Culture, no. 1 (February 28, 2015): 40–45. http://dx.doi.org/10.25281/2072-3156-2015-0-1-40-45.
Full textBalmatova, T. M. "Plant and Animal Names in the Flamenco Poetry." Linguistics & Polyglot Studies 8, no. 1 (March 29, 2022): 103–13. http://dx.doi.org/10.24833/2410-2423-2022-1-30-103-113.
Full textZhurkova, D. "Soviet Pop Artists in Russian TV Series: Integration of Dramatic Models of Psycho- and Socio-Biography." Versus 2, no. 5 (August 8, 2023): 91–110. http://dx.doi.org/10.58186/2782-3660-2022-2-5-91-110.
Full textSokolova, Marianna E., and Marina V. Artamonova. "Heroes, Antiheroes of Modern Russian Youth." Общество: социология, психология, педагогика, no. 11 (November 29, 2023): 17–22. http://dx.doi.org/10.24158/spp.2023.11.1.
Full textTolkacheva, Svetlana Viktorovna. "Hair symbolism in the Russian wedding folklore of Udmurtia." Philology. Issues of Theory and Practice 16, no. 11 (November 21, 2023): 3939–48. http://dx.doi.org/10.30853/phil20230601.
Full textBugrysheva, Ekaterina, and Andrey Moiseev. "Realia (culturally specific lexical units) as «ours» and «theirs» in rapper Oxxxymiron’s texts." Philology & Human, no. 3 (September 7, 2021): 183–88. http://dx.doi.org/10.14258/filichel(2021)3-15.
Full textIvanauskaitė-Šeibutienė, Vita. "The Great Songbooks: Origins of the Academic Lithuanian Folksong Edition in Folklore Publications by Brothers Juška." Tautosakos darbai 57 (June 1, 2019): 200–223. http://dx.doi.org/10.51554/td.2019.28433.
Full textТеплова, И. Б., and Ю. А. Карась. "Kostroma Folklore as Recorded by Sergey Lyapunov and Fyodor Istomin: To the 130th Anniversary of the Second Scientific Expedition of the Song Commission of the Russian Geographical Society." OPERA MUSICOLOGICA 16/2, no. 2024 (June 26, 2024): 18–41. http://dx.doi.org/10.26156/operamus.2024.16.2.002.
Full textMazo, Margarita. "Stravinsky's Les Noces and Russian Village Wedding Ritual." Journal of the American Musicological Society 43, no. 1 (1990): 99–142. http://dx.doi.org/10.2307/831407.
Full textДолгова, Д. К. "Folk Ural Melodies in Sergei Prokofiev’s Ballet “The Tale of the Stone Flower”." OPERA MUSICOLOGICA 16/2, no. 2024 (June 26, 2024): 138–65. http://dx.doi.org/10.26156/operamus.2024.16.2.008.
Full textDavitadze, А. G. "Ukrainian song «Ikhav Kozak za Dunaj» arranged by L. van Beethoven for piano trio and voice: genre and stylistic metamorphoses." Aspects of Historical Musicology 13, no. 13 (September 15, 2018): 60–73. http://dx.doi.org/10.34064/khnum2-13.05.
Full textRatcliffe, Jonathan. "The Epic Legacy of Shono-Baatar." Inner Asia 24, no. 2 (October 12, 2022): 279–302. http://dx.doi.org/10.1163/22105018-02302030.
Full textJia, Jinhua. "The Yaochi ji and three Daoist Priestess-Poets in Tang China." NAN NÜ 13, no. 2 (2011): 205–43. http://dx.doi.org/10.1163/156852611x602629.
Full textПашина, О. А. "History of Russian Musical Folklore Studies through the Eyes of Eugene W. Hippius: To the 120th Anniversary of the Scientist’s Birth." OPERA MUSICOLOGICA 16/2, no. 2024 (June 26, 2024): 42–59. http://dx.doi.org/10.26156/operamus.2024.16.2.003.
Full textСтроганов, Михаил Викторович. "The image of the Karelian in Russian humorous folk rhymes (chastushkas) of the Karelians to the problem of Karelian-Russian cultural interference." ТРАДИЦИОННАЯ КУЛЬТУРА, no. 5 (December 10, 2019): 53–64. http://dx.doi.org/10.26158/tk.2019.20.5.004.
Full textMeleshchenko, Oleksandr. "Gender in the Land of the Rising Sun (based on the Russian specialists’ researches on Japan). Part 1." Scientific notes of the Institute of Journalism, no. 1 (74) (2019): 124–35. http://dx.doi.org/10.17721/2522-1272.2019.74.11.
Full textTymoshenko, A. V. "The embodiment of mater’s archetype in song genre (on repertoire material by master students of Popular Music and Jazz Department)." Aspects of Historical Musicology 13, no. 13 (September 15, 2018): 153–66. http://dx.doi.org/10.34064/khnum2-13.12.
Full textTrukhanova, Alexandra G. "The Characteristic Features of Vassily Titov’s Choral Music." ICONI, no. 1 (2021): 61–67. http://dx.doi.org/10.33779/2658-4824.2021.1.061-067.
Full textGasparyan, Luiza A., and Zaruhi G. Hayryan. "Sayat-Nova’s Oeuvre in the Light of Interpretation and Translation by V. Bryusov." Studia Litterarum 9, no. 1 (2024): 168–85. http://dx.doi.org/10.22455/2500-4247-2024-9-1-168-185.
Full textНеклюдов, С. Ю. "“Bublichki” Between Folklore and Pop Music." ТРАДИЦИОННАЯ КУЛЬТУРА 25, no. 1 (March 29, 2024): 61–80. http://dx.doi.org/10.26158/tk.2024.25.1.004.
Full textGavrikov, V. A. "Visualization in Song and Poetry Culture." Art & Culture Studies, no. 4 (December 2023): 604–27. http://dx.doi.org/10.51678/2226-0072-2023-4-604-627.
Full textKHAKIMYANOVA, A. M. "PATRIOTIC WAR OF 1812 IN BASHKIR FOLKLORE." Izvestia Ufimskogo Nauchnogo Tsentra RAN, no. 3 (September 11, 2023): 61–67. http://dx.doi.org/10.31040/2222-8349-2023-0-3-61-67.
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