Books on the topic 'Rubbra'

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1

Grover, Ralph Scott. The music of Edmund Rubbra. Aldershot: Scolar, 1993.

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2

Benedict Rubbra: Point of balance. Wellington: Halstar, 2008.

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3

Choudhury, Namita Roy, Prajna P. De, and Naba K. Dutta. Thermal analysis of rubbers and rubbery materials. Edited by Knovel (Firm) and Ebooks Corporation. Shrewsbury, UK: iSmithers Rapra Pub., 2010.

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4

Groves, Sally. Stability and adhesion studies on natural rubber and modified rubbers. Birmingham: University of Birmingham, 1991.

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5

Fontes, Manuel Francisco. Rubra Rosa. Cape Verde: Editora & Jackye, 2005.

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6

Pimenta, Alberto. Planta rubra. Lisboa: &etc, 2007.

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7

Caiafa, Janice. Neve rubra: Poemas. Rio de Janeiro, RJ: Sette Letras, 1996.

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8

Müller, Ingo, and Peter Strehlow, eds. Rubber and Rubber Balloons. Berlin, Heidelberg: Springer Berlin Heidelberg, 2004. http://dx.doi.org/10.1007/b93853.

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9

Belloni, Lanfranco. Da Fermi a Rubbia. Milano: Rizzoli, 1988.

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10

Rubble. Accra: Letters and Marks Pre Pub., 2008.

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11

Levete, Sarah. Rubber. North Mankato, MN: Chrysalis Education, 2006.

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12

Rubber. Brighton: Young Library, 1987.

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13

Amaral, Maria João. Rubena. Lisboa: Quimera, 1991.

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14

Mayer, Cassie. Rubber. Oxford: Heinemann Library, 2008.

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15

1909-, Webster C. C., and Baulkwill W. J. 1919-, eds. Rubber. Burnt Mill, Harlow, Essex, England: Longman Scientific & Technical, 1989.

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16

Mayer, Cassie. Rubber. Oxford: Heinemann Library, 2009.

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17

Mayer, Cassie. Rubber. Chicago, Ill: Heinemann Library, 2008.

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18

Mayer, Cassie. Rubber. Chicago, Ill: Heinemann Library, 2008.

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19

Rubber. London: Raintree, 2013.

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20

Rubble. Lagos: Oracle, 2000.

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21

Cosner, Shaaron. Rubber. New York: Walker, 1986.

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22

Ruth, Thomson. Rubber. London: Franklin Watts, 2009.

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23

Dineen, Jacqueline. Rubber. Hillside, N.J: Enslow Publishers, 1988.

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24

Rubber. North Mankato, MN: Smart Apple Media, 2006.

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25

Rubber. Hillside, N.J: Enslow Publishers, 1988.

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26

Rubbed out. New York: Berkeley Prime Crime, 2013.

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27

Edmund Rubbra: Symphonist. Boydell Press, 2008.

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28

Black, Leo. Edmund Rubbra: Symphonist. Boydell & Brewer, Incorporated, 2014.

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29

Rubbra, Benedict, and David Messum Fine Art Staff. Benedict Rubbra 2022. Messum Fine Paintings, Limited, David, 2022.

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30

Black, Leo. Edmund Rubbra: Symphonist. Boydell & Brewer, Incorporated, 2012.

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31

Benedict Rubbra Paintings 1998. Art Books International, 1998.

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32

Cantores, Gloriae Dei. Edmund Rubbra: The Sacred Muse. Paraclete Pr, 1997.

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33

The Music of Edmund Rubbra. Ashgate Publishing, 1993.

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34

Rubbra, Edmund. Rubbra on Music (Musicians on Music). Toccata Press, 2009.

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35

Cradduck, Lucinda. Spiritual Dimensions in the Music of Edmund Rubbra. Taylor & Francis Group, 2022.

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36

Cradduck, Lucinda. Spiritual Dimensions in the Music of Edmund Rubbra. Routledge, Chapman & Hall, Incorporated, 2022.

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37

Cradduck, Lucinda. Spiritual Dimensions in the Music of Edmund Rubbra. Taylor & Francis Group, 2022.

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38

Spiritual Dimensions in the Music of Edmund Rubbra. Taylor & Francis Group, 2022.

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39

De, P., and V. M. Litvinov. Spectroscopy of Rubber and Rubbery Materials. Rapra Technology, 2002.

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40

Litvinov, V. M. Spectroscopy of Rubber and Rubbery Materials. Rapra Technology, 2002.

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41

Ruberg, Bo. Sex Dolls at Sea. The MIT Press, 2022. http://dx.doi.org/10.7551/mitpress/13822.001.0001.

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Investigating and reimagining the origin story of the sex doll through the tale of the sailor's dames de voyage. The sex doll and its high-tech counterpart the sex robot have gone mainstream, as both the object of consumer desire and the subject of academic study. But sex dolls, and sexual technology in general, are nothing new. Sex dolls have been around for centuries. In Sex Dolls at Sea, Bo Ruberg explores the origin story of the sex doll, investigating its cultural implications and considering who has been marginalized and who has been privileged in the narrative. Ruberg examines the generally accepted story that the first sex dolls were dames de voyage, rudimentary figures made of cloth and leather scraps by European sailors on long, lonely ocean voyages in centuries past. In search of supporting evidence for the lonesome sailor sex doll theory, Ruberg uncovers the real history of the sex doll. The earliest commercial sex dolls were not the dames de voyage but the femmes en caoutchouc: “women” made of inflatable vulcanized rubber, beginning in the late nineteenth century. Interrogating the sailor sex doll origin story, Ruberg finds beneath the surface a web of issues relating to gender, sexuality, race, and colonialism. What has been lost in the history of the sex doll and other sex tech, Ruberg tells us, are the stories of the sex workers, women, queer people, and people of color whose lives have been bound up with these technologies.
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42

G, Messineo, and Agneni M. L, eds. Saxa Rubra. Roma: Libreria dello Stato, Istituto poligrafico e Zecca dello Stato, 2007.

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43

Galambos, Imre. BuddhistRoad Paper 4.4 "Avalokiteśvara and the Longing to Return Home: Stein Painting 3 from Dunhuang". Center for Religious Studies (CERES), Ruhr-Universität Bochum, 2022. http://dx.doi.org/10.46586/rub.br.232.204.

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Stein painting 3 in the British Museum is a silk painting with a symmetrical composition of two Avalokiteśvara figures side by side. At 147.3×105.3 cm in size, this is one of the larger portable paintings from Dunhuang. At the top of the centre of the composition, between and above the heads of the two figures, is a yellow cartouche with a donor inscription. Although the inscription itself contains no date, it has been dated to the mid-9th century on the basis of a supposed reference to the Tibetan control of Dunhuang (787–848). This paper re-examines the inscription and argues that the part in question is unrelated to the Tibetan rule of the region and simply refers to a more generic situation of donors living away from their native land. By moving a detached piece of the silk to its original position, we can also possibly improve the reading of the inscription and, ultimately, its translation. A comparison with other similar inscriptions and colophons from Dunhuang demonstrates that the painting probably dates to the 920s, about seven decades later than previously assumed. In Dunhuang, this falls within the rule of the Guiyijun (851–1036?, 歸義軍, Return-to-Allegiance Army), when the region was separate from both Tibet and the Chinese states.
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44

Williams, Florence White. Parva Gallina Rubra. Lulu.com, 2019.

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45

Lock, R. H. Rubber and Rubber Planting. Cambridge University Press, 2016.

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46

Bhowmick, Anil K., and Dinesh Kumar Kotnees. Rubber to Rubber Adhesion. Wiley & Sons, Incorporated, John, 2021.

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47

Bhowmick, Anil K., and Dinesh Kumar Kotnees. Rubber to Rubber Adhesion. Wiley & Sons, Incorporated, John, 2021.

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48

Bhowmick, Anil K., and Dinesh Kumar Kotnees. Rubber to Rubber Adhesion. Wiley & Sons, Limited, John, 2021.

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49

Bhowmick, Anil K., and Dinesh Kumar Kotnees. Rubber to Rubber Adhesion. Wiley & Sons, Incorporated, John, 2021.

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50

Klinger, Paul. Rubble Paper, Paper Rubble. Further Other Book Works, 2013.

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