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Journal articles on the topic 'Roth, Philip. Human Stain'

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Author: Grafiati

Published: 10 December 2022

Last updated: 28 January 2023

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1

Alfandary, Isabelle. "La passion du secret dans The Human Stain de Philip Roth." Revue française d’études américaines N° 166, no. 1 (April 26, 2021): 33–45. http://dx.doi.org/10.3917/rfea.166.0033.

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2

McNally, L. "DAVID GOOBLAR, The Major Phases of Philip Roth. * Debra Shostak (ed.), Philip Roth: American Pastoral, The Human Stain, The Plot Against America." Notes and Queries 60, no. 3 (July 17, 2013): 472–74. http://dx.doi.org/10.1093/notesj/gjt120.

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3

Trabelsi, Mabrouk. "Figures de l’altérité dans le roman de Philip Roth The Human Stain." Le Philosophoire 55, no. 1 (March 24, 2021): 157–72. http://dx.doi.org/10.3917/phoir.055.0157.

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Dumas, Frédéric. "L’Étrange cas de Coleman Silk, le Jewbird de The Human Stain de Philip Roth." Revue LISA / LISA e-journal, Vol. VII – n°2 (February 1, 2009): 24–40. http://dx.doi.org/10.4000/lisa.236.

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5

Mayné, Gilles. "Transgression de l’espace et espace de la transgression dans The Human Stain de Philip Roth." Caliban, no. 19 (June 1, 2006): 197–209. http://dx.doi.org/10.4000/caliban.2450.

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6

Glaser, Jennifer. "The Jew in the Canon: Reading Race and Literary History in Philip Roth's The Human Stain." PMLA/Publications of the Modern Language Association of America 123, no. 5 (October 2008): 1465–78. http://dx.doi.org/10.1632/pmla.2008.123.5.1465.

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The evolving political landscape of a multicultural America grown disenchanted with the mythology of the melting pot had vast repercussions for the Jewish American literary imagination. Nonetheless, critical race theory has yet to take full stock of the role of Jewish writers in the debates over canonicity, representation, and multicultural literary genealogies occurring in the United States during the 1980s and 1990s. Philip Roth's The Human Stain, published in 2000, directly engages questions of literary history, race, and the position of the Jewish writer and intellectual in the canon wars. By depicting the tragedy of an African American man who passes into whiteness by passing for a Jewish professor, Roth uses the trope of passing to simultaneously critique the puritan impulse he perceives at the heart of the multicultural academy and write himself into the multicultural canon taking shape at the time.

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7

Barnard, Lianne. "Is Philip Roth 'against political correctness'? : 'Whiteness' as desired norm and invisible terror in The Human Stain." Brno studies in English, no. 1 (2017): [107]—125. http://dx.doi.org/10.5817/bse2017-1-6.

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8

노종진. "Passing and Political Correctness in Philip Roth’s The Human Stain." New Korean Journal of English Lnaguage & Literature 52, no. 2 (May 2010): 75–95. http://dx.doi.org/10.25151/nkje.2010.52.2.004.

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9

Göncüoğlu, M. Önder. "Discoursal Formation of Identity in Philip Roth’s The Human Stain." Gaziantep University Journal of Social Sciences 18, no. 3 (July 2, 2019): 1015–27. http://dx.doi.org/10.21547/jss.487186.

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10

Muhamed Banimansoor, Abdullah Jassim, and Longhai Zhang. "Petrifying Impact of Capitalism in Philip Roth’s The Human Stain." INTERNATIONAL JOURNAL OF RESEARCH IN SOCIAL SCIENCES & HUMANITIES 12, no. 02 (2022): 119–28. http://dx.doi.org/10.37648/ijrssh.v12i02.007.

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This study sheds light on impact of capitalism on American society and how it enforces racial discrimination to subject the majority of people and use them as a commodity in the hands of fewer as portrayed in Philip Roth’s The Human Stain. This article also attempts to focus on the effect of war on society as capitalist’s tool. It raises a question as to what extent capitalism is successful in deforming the American society. It aims to reveal the role of capitalism in planting social discrimination in American society. It also discusses the atmosphere of racial discrimination at the time of writing this article.

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11

Boddy, Kasia. "Philip Roth's Great Books: A Reading of The Human Stain." Cambridge Quarterly 39, no. 1 (March 1, 2010): 39–60. http://dx.doi.org/10.1093/camqtly/bfp025.

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12

Basu. "Remembering Roth: The Sharp Mustard Flavor of The Human Stain." Philip Roth Studies 15, no. 1 (2019): 33. http://dx.doi.org/10.5703/philrothstud.15.1.0033.

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13

Omry, Keren. "Composing Identities: Passing and Jazz in Philip Roth’s THE HUMAN STAIN." Explicator 77, no. 2 (April 3, 2019): 73–77. http://dx.doi.org/10.1080/00144940.2019.1604488.

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14

Parrish, Timothy L. "Ralph Ellison: The Invisible Man in Philip Roth's "The Human Stain"." Contemporary Literature 45, no. 3 (2004): 421. http://dx.doi.org/10.2307/3593533.

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15

Parrish, Timothy. "Ralph Ellison: The Invisible Man in Philip Roth's The Human Stain." Contemporary Literature 45, no. 3 (2004): 421–59. http://dx.doi.org/10.1353/cli.2004.0026.

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16

Mohdeb, Assia, and Sofiane Mammeri. "Self-Abdication and Otherness in Philip Roth’s The Human Stain (2000)." Arab World English Journal For Translation and Literary Studies 3, no. 1 (February 15, 2019): 178–89. http://dx.doi.org/10.24093/awejtls/vol3no1.14.

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17

Kabideepa Handique, Kabideepa Handique. "Secrecy and Self-Invented Identity in Philip Roth’s Novel the Human Stain." International Journal of English and Literature 9, no. 6 (2019): 1–8. http://dx.doi.org/10.24247/ijeldec20191.

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18

Vrčko, Miha. "Philip Roth's The human stain and the destruction of the American dream." Acta Neophilologica 39, no. 1-2 (December 1, 2006): 51–61. http://dx.doi.org/10.4312/an.39.1-2.51-61.

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The paper dissects the notion of the American Dream in Philip Roth's The Human Stain. It looks at how individual tenets of the Dream are carved into the protagonist Coleman Silk, a black man who goes through life pretending to be white. The analysis shows how these same principles are questioned through various incidents in Silk's life and ultimately by his violent death. The result of Roth's scrutinizing is that, as all the underminings come together, the whole concept of the American Dream is symbolically crushed.

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19

Dyanne K. Martin. "Racial Passing and Double Consciousness in Philip Roth's The Human Stain." Philip Roth Studies 14, no. 1 (2018): 55. http://dx.doi.org/10.5703/philrothstud.14.1.0055.

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20

Antoszek, Patrycja. "The phantom in American Arcadia: Rethinking race in Philip Roth’s The Human Stain." Roczniki Humanistyczne 64, no. 11 (2016): 149–58. http://dx.doi.org/10.18290/rh.2016.64.11-9.

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21

Sarah Yoon. "Rethinking Political Correctness in the Age of #MeToo: Philip Roth’s The Human Stain." American Fiction Studies 26, no. 1 (April 2019): 49–69. http://dx.doi.org/10.34240/amf.2019.26.1.003.

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22

Emerick, Ronald. "Archetypal Silk: Wily Trickster, Tragic Mulatto, and Schlemiel in Philip Roth's “The Human Stain”." Studies in American Jewish Literature (1981-) 26 (January 1, 2007): 73–80. http://dx.doi.org/10.2307/41206072.

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23

Emerick, Ronald. "Archetypal Silk: Wily Trickster, Tragic Mulatto, and Schlemiel in Philip Roth's “The Human Stain”." Studies in American Jewish Literature (1981-) 26 (January 1, 2007): 73–80. http://dx.doi.org/10.5325/studamerjewilite.26.2007.0073.

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24

Dong-wook, Noh. "Passing and Circumcision in Philip Roth’s The Human Stain: ‘Differentiation’ of the New Millennium." Literature and Religion 24, no. 2 (June 30, 2019): 1–26. http://dx.doi.org/10.14376/lar.2019.24.2.1.

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25

Samarini, Francesco. "“This Speaks Volumes About How Deeply I Know the Human Soul”: Philip Roth and Primo Levi." Philip Roth Studies 17, no. 2 (2021): 44–67. http://dx.doi.org/10.1353/prs.2021.0014.

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26

Whitehead. "Coleman Silk and the Collective Trauma of America: Philip Roth's The Human Stain." Philip Roth Studies 15, no. 2 (2019): 66. http://dx.doi.org/10.5703/philrothstud.15.2.0066.

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27

Rankine, Patrice D. "Passing as Tragedy: Philip Roth'sThe Human Stain, the Oedipus Myth, and the Self-Made Man." Critique: Studies in Contemporary Fiction 47, no. 1 (October 2005): 101–12. http://dx.doi.org/10.3200/crit.47.1.101-112.

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28

Maslan, M. "The Faking of the Americans: Passing, Trauma, and National Identity in Philip Roth's Human Stain." Modern Language Quarterly 66, no. 3 (September 1, 2005): 365–90. http://dx.doi.org/10.1215/00267929-66-3-365.

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29

Royal, Derek Parker. "Plotting the Frames of Subjectivity: Identity, Death, and Narrative in Philip Roth's The Human Stain." Contemporary Literature 47, no. 1 (2006): 114–40. http://dx.doi.org/10.1353/cli.2006.0017.

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30

Hoovestol. "Secret Sins, Honest Hypocrites, and Secular Sermons: Hawthorne's Human Stain in Philip Roth's Twice-Told Tale." Philip Roth Studies 12, no. 1 (2016): 33. http://dx.doi.org/10.5703/philrothstud.12.1.33.

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31

Edholm, Roger. "The Narrator Who Wasn't There: Philip Roth's The Human Stain and the Discontinuity of Narrating Characters." Narrative 26, no. 1 (2018): 17–38. http://dx.doi.org/10.1353/nar.2018.0001.

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32

Badley, Graham Francis. "“Manifold Creatures”: A Response to the Posthumanist Challenge." Qualitative Inquiry 24, no. 6 (September 12, 2017): 421–32. http://dx.doi.org/10.1177/1077800417729839.

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“Manifold creatures” is a description used by Philip Roth to characterize who we are as human beings. The essay that follows first examines our manifoldness and our creatureliness as well as our attempts to become more humane and humanistic in our lives and views. However, the recent surge in interest in notions of transhumanism and posthumanism may be seen as direct challenges or even threats to humanism as a viable political and social stance. The essay concludes with the claim that a humanized humanism or an actively self-critical humanism is sufficiently strong to resist any of the challenges thrown down by militant posthumanists.

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33

Meng, Fanbin, and Fengjuan Liu. "Coleman Silk : A Tragic Hero in a Contrived Myth: An Interpretation of Philip Roth’s The Human Stain." Journal of International Education and Development 5, no. 3 (2021): 75–81. http://dx.doi.org/10.47297/wspiedwsp2516-250013.20210503.

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34

GODFREY, MOLLIE. "Passing as Post-Racial: Philip Roth’s The Human Stain , Political Correctness, and the Post-Racial Passing Narrative." Contemporary Literature 58, no. 2 (2017): 233–61. http://dx.doi.org/10.3368/cl.58.2.233.

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35

Yang, Zheng. "Identity Transplantation: A Psychoanalysis of “Puppetness” in the Novel of Sabbath’s Theater." English Language and Literature Studies 7, no. 1 (February 8, 2017): 65. http://dx.doi.org/10.5539/ells.v7n1p65.

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Set against the backdrop of the lower class in America, the novel Sabbath’s Theater, which can be interpreted as a “memory’s museum of earthly blight” (Roth, 1996, p. 353), unveils a panorama of how an innocent and ingenuous boy degenerates into a dissolute and lascivious puppeteer. Mickey Sabbath, the protagonist of the novel, is described as a decadent libertine whose lustful cupidity does not subdue in the wake of his ongoing senility. Working as a puppeteer, Sabbath shrewdly turns his fingers into a pragmatic tool of subsistence and more sardonically, a licentious hook of sexuality. He epitomizes every desperate and listless loser who languishes in a dilemma between life and death. However, the law of nature has no mercy for the defeated. Like “one of billions who has grown old, ugly and embittered” (Roth, 1996, p. 143), Sabbath, at the age of sixty four, is confronted with a battery of crises—he becomes “wifeless, mistressless, penniless, vocationless and homeless” (Roth, 1996, p. 142). Enveloped in desperation and fatalism, Sabbath sets foot upon a journey toward the ultimate destination of death, during which he recalls his “motherless” childhood, his disillusioned adolescence, his youthful debauchery in whorehouses, and his irrevocable self-abandonment to puppets and women. Philip Roth compares puppetry into a “faultlessly rendered duet” (Roth, 1996, p. 438), shedding light on the cohesive juxtaposition of two divergent identities in a puppet show. This research focuses on why and how Mickey Sabbath’s outrageous abuse of identity transplantation becomes a scourge of his perversion. The concept of “puppetness” is introduced in this paper to account for the quasi-human attributes of puppets and the trinity relationship among puppets, puppeteers, and audiences. The distinctive power of puppets in emotional appeal makes them a soul-stirring agent that mediate through performers and audiences. Psychoanalysis is expected to be an optimal theory to approach to “puppetness” in this empathetic scenario.

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36

Dreisinger, Baz. "Dying to Be Black: White-to-Black Racial Passing in Chesnutt's “Mars Jeems's Nightmare,” Griffin's Black Like Me, and Van Peebles's Watermelon Man." Prospects 28 (October 2004): 519–42. http://dx.doi.org/10.1017/s0361233300001599.

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Is racial passing passé? Not according to contemporary book sales. The theme remains central to at least three recent best sellers: Danzy Senna's Caucasia, Colson Whitehead's The Intuitionist, and Philip Roth's The Human Stain. Roth's novel made it to the big screen this fall, just as Devil in a Blues Dress, the adaptation of Walter Mosley's novel starring Denzel Washington, did in 1995. Renewed academic attention is being paid, of late, to “classic” passing narratives; once-ignored ones, including Charles Chesnutt's The House Behind the Cedars, are being revived; and still others being reread in the context of passing.

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37

Faisst, Julia. ""Delusionary Thinking, Whether White or Black or in Between": Fictions of Race in Philip Roth's The Human Stain." Philip Roth Studies 2, no. 2 (October 1, 2006): 121–37. http://dx.doi.org/10.3200/prss.2.2.121-137.

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38

Scherr, Arthur. "Mistaken Identities: The Uses of Matthew Henson and Chares Drew in Philip Roth's The Human Stain." Philip Roth Studies 3, no. 2 (September 1, 2007): 83–100. http://dx.doi.org/10.3200/prss.3.2.83-100.

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39

O’Brien, Dan. "‘Why will you Jews not accept our culture, our religion and our language?’: James Joyce’s Jew through the Eyes of Jewish America." Boolean: Snapshots of Doctoral Research at University College Cork, no. 2014 (January 1, 2014): 119–22. http://dx.doi.org/10.33178/boolean.2014.23.

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Just as James Joyce is the most important writer since Shakespeare, his Jewish-Irish character, Ulysses’ Leopold Bloom, is the most fascinating fictional Jew since Shylock. All authors must struggle with Joyce’s overwhelming legacy, but what of writers who are themselves Jewish? How do they envisage Bloom and relate to his complex sense of identity—as a Jew, as an Irishman, but most fundamentally as a human being? The three greatest Jewish American writers of the twentieth century, Philip Roth, Bernard Malamud, and Saul Bellow, were all deeply influenced by Joyce. Each of them responded to Joyce’s masterpiece by rewriting it from the perspective of an American Jew—just as Ulysses itself is an Irish rewriting of Homer’s Odyssey. What draws these authors to Joyce? Is it their shared heritage of exile and a lost homeland, or Joyce’s powerful use of language? When asked how one can tell if a novel is Jewish ...

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40

Hezser, Catherine. "Freak, not Sage: An Exploration into Freakishness in Modern Jewish Culture." Culture and Dialogue 3, no. 1 (June 14, 2015): 51–71. http://dx.doi.org/10.1163/24683949-00301006.

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The images of the clown and the freak and representations of the grotesque body are recurrent motifs in modern Jewish literature, film, art, theatre and dance. Kafka’s novella Metamorphosis is an early prototype of the changeling who leaves conventional human appearance behind and is gradually transformed into an insect-like creature. The story served as a prototype for Woody Allen’s film Zelig, in which the main protagonist adopts a variety of different personas, amongst them a Nazi in the Third Reich. The theme of morphing into a freak, clown, or grotesque body reappears in various forms in contemporary Jewish culture and art: The American Jewish writer Philip Roth declared in the 1960s that he was not a Jewish sage but a Jewish freak. Freakishness, clowns, and the circus have a subversive potential: they constitute a digression from what is considered normal appearance and behaviour and play with presumptions, expectations, and social values. A study of this subject reveals the constant dialogue between religion and culture as far as Judaism is concerned.

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41

Iracheta-Vellve, Arvin, Hakimeh Ebrahimi-Nik, Thomas R. Davis, Kira E. Olander, Sarah Y. Kim, Mitchell D. Yeary, James C. Patti, et al. "Abstract 606: Targeting the immune checkpoint PTPN2 with ABBV-CLS-484 inflames the tumor microenvironment and unleashes potent CD8+ T cell immunity." Cancer Research 82, no. 12_Supplement (June 15, 2022): 606. http://dx.doi.org/10.1158/1538-7445.am2022-606.

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Abstract Immune checkpoint blockade is effective for a subset of patients across many cancers, but most patients are refractory to current immunotherapies and new approaches are needed to overcome resistance. The protein tyrosine phosphatase PTPN2 is a central regulator of inflammation, and genetic deletion of PTPN2 on either tumor cells or host immune cells promotes anti-tumor immunity. However, inhibitors of PTPN2 have not been described. Here, we present the validation of ABBV-CLS-484, a potent catalytic inhibitor of PTPN2 and the closely related phosphatase PTPN1. ABBV-CLS-484 treatment of tumor cells in vitro phenocopies the genetic deletion of PTPN2/N1, causing both amplified transcriptional responses to IFNg and reduced cell viability across human cancer cell lines. Monotherapy ABBV-CLS-484 treatment generates robust anti-tumor immunity in several murine cancer models with efficacy comparable to anti-PD-1 treatment. Through genetic studies, we show that while ABBV-CLS-484 can act on both tumor cells and the host immune system, IFN sensing and PTPN2/N1 expression on tumor cells are not always required for efficacy, suggesting that PTPN2/N1 inhibition on host immune cells may be sufficient for activity of the drug. Through scRNAseq profiling of TILs from both ABBV-CLS-484-treated and anti-PD-1-treated tumors, we show that ABBV-CLS-484 induces unique transcriptional changes to both myeloid and lymphoid populations in the tumor microenvironment which are dominated by enhanced IFN sensing and a shift from suppressive to pro-inflammatory phenotypes. ABBV-CLS-484 treatment enhances the activation and effector functions of CD8+ T cells while decreasing the expression of genes classically associated with T cell exhaustion and dysfunction such as Tox. The efficacy of ABBV-CLS-484 is critically dependent on CD8+ T cells and treatment with ABBV-CLS-484 results in greater levels of T cell infiltration into tumors and a more diverse repertoire of expanded T cell clones relative to anti-PD-1. Thus, the PTPN2/N1 inhibitor ABBV-CLS-484 is a highly effective immunotherapy with monotherapy efficacy across mouse tumor models. Small molecule inhibitors of PTPN2 offer a promising new strategy for cancer immunotherapy by targeting an IFN signaling checkpoint and are currently being evaluated clinically in patients with advanced solid tumors (NCT04777994). Citation Format: Arvin Iracheta-Vellve, Hakimeh Ebrahimi-Nik, Thomas R. Davis, Kira E. Olander, Sarah Y. Kim, Mitchell D. Yeary, James C. Patti, Ian C. Kohnle, Christina K. Baumgartner, Keith M. Hamel, Kathleen A. McGuire, Cun Lan Chuong, Zhaoming Xiong, Elliot P. Farney, Jennifer M. Frost, Matthew Rees, Andrew Boghossian, Melissa Ronan, Jennifer A. Roth, Todd R. Golub, Gabriel K. Griffin, Clay Beauregard, Philip R. Kym, Kathleen B. Yates, Robert T. Manguso. Targeting the immune checkpoint PTPN2 with ABBV-CLS-484 inflames the tumor microenvironment and unleashes potent CD8+ T cell immunity [abstract]. In: Proceedings of the American Association for Cancer Research Annual Meeting 2022; 2022 Apr 8-13. Philadelphia (PA): AACR; Cancer Res 2022;82(12_Suppl):Abstract nr 606.

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42

Cittadino, Gisele. "Liberdade, Identidade e Direito: sobre a Indelével marca Humana em Philip Roth." Cadernos do Programa de Pós-Graduação em Direito – PPGDir./UFRGS 10, no. 3 (December 31, 2015). http://dx.doi.org/10.22456/2317-8558.60191.

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LIBERDADE, IDENTIDADE E DIREITO:SOBRE A INDELÉVEL MARCA HUMANA EM PHILIP ROTH FREEDOM, IDENTITY, AND LAW: ON THE INDELIBLE HUMAN STAIN IN PHILIP ROTH Gisele Cittadino* RESUMO: A partir do romance A Marca Humana, de Philip Roth, esse texto pretende discutir como o direito pode assegurar às pessoas a possibilidade de redefinirem sua identidade, especialmente diante das múltiplas formas de discriminação racial, social e religiosa existentes nas sociedades contemporâneas. Partindo da configuração moderna de que o indivíduo é sujeito capaz de autorreflexão e crítica, escolhemos o protagonista de Philip Roth para mostrar que o homem das democracias atuais tem a capacidade de se comportar reflexivamente em relação à própria subjetividade, endossando valores ou libertando-se de compromissos. Nessa última hipótese, é preciso garantir-lhe o direito de “pular fora”. PALAVRAS-CHAVE: Identidade. Discriminação Racial. Direito de “pular fora”. ABSTRACT: From the Human Stain, a novel written by Philip Roth, this text intends to discuss how law can assure people the possibility to redefine their identity, especially considering the multiples forms of racial, social, and religious discriminations that exists in the contemporary societies. Starting from the modern configuration that the individual is a subject capable of self-reflection and criticism, we choose the leading figure of Philip Roth’s novel to show that the human being in the modern democracies has the ability to behave reflectively regarding their own subjectivity, endorsing values or freeing up from commitments. In this latter hypothesis, it is needed to ensure him the right to “step out”. KEYWORDS: Identity. Racial Discrimination. Right to Step Out. * Professora do Programa de Pós-Graduação em Direito da Pontifícia Universidade Católica do Rio de Janeiro (PUC-Rio). Doutora em Ciência Política pelo Instituto Universitário de Pesquisas do Rio de Janeiro (IUPERJ), em 1998.

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43

"Philip Roth: American pastoral, The human stain, The plot against America." Choice Reviews Online 49, no. 07 (March 1, 2012): 49–3733. http://dx.doi.org/10.5860/choice.49-3733.

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44

Basbøll, Thomas. "The Archives of Babel A Wikipedia - Workshop." Nordic Journal of Information Literacy in Higher Education 11, no. 1 (February 28, 2019). http://dx.doi.org/10.15845/noril.v11i1.2778.

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In September of 2012, the American novelist Philip Roth published an open letter to Wikipedia in The New Yorker. “I am Philip Roth,” it began, and proceeded to explain how the editors of Wikipedia had gotten the inspiration for his novel The Human Stain wrong. Though the article had in fact only mentioned a theory about his sources, Roth was adamant that it did not belong anywhere in a discussion of his novel. He wanted the idea removed entirely. This, it turns out, was a profound misunderstanding of the editorial practices of Wikipedia, and the theory that Roth would prefer we forget remains in the article to this day. His letter in The New Yorker, of course, is duly cited. How well should librarians understand the editorial process behind Wikipedia’s articles? In this workshop, we will take a practical approach to the problem and have a look at what goes on behind the scenes, even edit some pages if we feel so inclined. The workshop will be led by Thomas Basbøll, a philosopher and writing consultant who has spent a few years working as a volunteer editor at Wikipedia and even has even been banned from editing certain pages for a time. The overall goal of the workshop is to demystify one of the most accessed sources of knowledge in the world and help librarians decide how to best help people like Philip Roth, and his readers, make sense of its “authority”. Thomas Basbøll is the resident writing consultant at the Copenhagen Business School Library. He holds an MA in philosophy from the University of Copenhagen, and a PhD from the Copenhagen Business School. He works closely with students, teachers and researchers in their attempts to master “the craft of research” and is an avid blogger (blog.cbs.dk/inframethodology/).

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45

Nayak, Sarojakanta. "Problematizing Familial Relationship: A Study of American Pastoral by Philip Roth." SMART MOVES JOURNAL IJELLH, January 28, 2022, 55–61. http://dx.doi.org/10.24113/ijellh.v10i1.11238.

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This study is an attempt to show the familial relationship and racial conflicts in Philip Roth’s novel, American Pastoral. The study mainly focuses on the treatment of family-relationship and racial conflicts. It intends to find out the way Roth has made an attempt to explore different facets of human relationship through this novel. Being a great artist with exceptional vision, Roth has harped upon some of the most important issues of human relationship. American society and Jewish identity always serve as the main subject matter of his writings. The prime concern of Philip Roth is to bring about reformation in American society in particular and the entire human relationship in general.

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46

SHARMA, Dr SHIVANI, and Dr SONIA SHARMA. "Postmodernist Paradoxical Expression and Originality in Philip Roth’s “Deception”." Kaav International Journal of Arts, Humanities & Social Science: A Refereed Peer Review Quarterly Journal 9, no. 2 (2022). http://dx.doi.org/10.52458/23484349.2022.v9.iss2.kp.a2.

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The works of Philip Roth are no doubt outstanding and brilliant examples of denial of traditional and established Judaism. Just like the non-Jewish contemporaries as well as the predecessors, the Jewish writers in the last half of the twentieth century have contributed a great arrangement to the secularization of Jewish and American life. His novels present the enormity of the American Jewish trouble in relation to Israel and Arab conflict over the Promised Land. The works of Roth mark a new current in Jewish American fiction. Deception is an admirable and penetrative work of self-representation. These works exceeds the ordinary levels of living and touches the real meaning of postmodernist paradoxical existence. They also contribute to the postmodernist beliefs of chaotic, disordered relationships and confused requirements of the human self.

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Mohdeb, Assia, and Sofiane Mammeri. "Self-Abdication and Otherness in Philip Roth’s The Human Stain (2000)." SSRN Electronic Journal, 2019. http://dx.doi.org/10.2139/ssrn.3337263.

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"IDENTITY ADVERSITY INTO THE MULTICULTURAL MANOEUVRE IN PHILIP ROTH’S THE HUMAN STAIN." Journal of critical reviews 7, no. 04 (February 1, 2020). http://dx.doi.org/10.31838/jcr.07.04.111.

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Thiyagarajan, Dr K. "Exploring the Issues and Challenges of Human Existence in Philip Roth's Novel 'Nemesis'." International Journal For Multidisciplinary Research 04, no. 05 (2022). http://dx.doi.org/10.36948/ijfmr.2022.v04i05.024.

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Philip Roth’s Nemesis is a unique novel which categorically lays stress on powerful and burning existential outrage of the writer through the character, Bucky Cantor. Nemesis perfectly portrays the anxiety, fear and the hopelessness created by the polio epidemic in the Newark Jewish community through the character of the twenty-three-years-old, Bucky Cantor. In his writing, Roth explores the terrible impacts of the epidemic, the explanation of which resemble with that of the current coronavirus pandemic. As the epidemic kills people and leave the survivors with permanent disability; the protagonist himself is getting affected by it. Roth deals deeply with the protagonist’s inner conflicts and the existential angst experienced by him, as he becomes more and more disillusioned with his own beliefs. It is not so arduous a task to notice even in the first reading of the novel, the recurring instances of the protagonist reeling under the burden of existential crisis and who is apparently seen to be in a perpetual conflict with himself, to the extent that he feels, “the only way to save a remnant of his honour was in denying himself everything he had ever wanted for himself” (262). Though existentialism as a philosophy became popular during the twentieth century after the World War I and continued to have its sway through the Great Depression and the World War II, its relevance in the contemporary times cannot be ignored, especially when humanity as a whole is still stuck in the trauma of the irreparable devastation caused by the COVID-19 pandemic, which again perfectly parallels the plot of Nemesis where the impetus which initiates the existential crisis in the protagonist is the tragic event of the polio epidemic. Regarded as one of the ‘fathers of existentialism’ along with Friedrich Nietzsche (Flynn 3), Kierkegaard’s philosophical concepts which constructs on the human condition and his views on notions such as self-realization, anxiety, despair, tragedy and the search for meaning are particularly inviting to apply those concepts to Roth’s Nemesis which would eventually render a new dimension and appreciation for the novel.

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Shaimaa Mohamed Hassanin. "Retracing the Tragic Hero in Sophocles' Oedipus Rex and Philip Roth's The Human Stain: تتبع البطل المأساوي في سوفوكليس الملك أوديب وفيليب روث وصمة عار الإنسان." Journal of Humanities & Social Sciences 3, no. 11 (June 25, 2020). http://dx.doi.org/10.26389/ajsrp.s080719.

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This paper reevaluates the fundamental status of Coleman Silk in Philip Roth’s The Human Stain and Oedipus in Sophocles' Oedipus Rex by testing their characters against Aristotelian tragic hero's elements. In spite of the verifiable comparisons to Oedipus, Coleman is not a neglected figure, but a subverted one that underpins Roth's proposal of "the different nature" of inconceivable postmodern American tragedy. In Philip Roth’s The Human Stain, the protagonist Coleman Silk is implicitly linked to Sophocles' classical figure Oedipus in Oedipus Rex. The plot is interwoven with allusions to Greek tragedies, but in The Human Stain Coleman lacks the stature and the real character of Oedipus. In addition, Coleman lacks, to some extent, the real elements of a tragic hero that constitute the Catharsis: the process of releasing and providing relief; a conflict which raises the question; is Coleman really a tragic hero? According to Aristotle, the tragic hero should experience a dilemma and a massive transformation from valuable standards to lower depth, and this person should suffer particularly after committing a mistake, or even thinking about his past deeds. The tragic hero should be relatively a commendable person whose comeuppance is brought about by his own fallacies which he did not commit out of defect or wickedness, but out of his own serendipity. Following the ancient Greek concept which asserts that fluke is associated with actions, Coleman is a fortuitous man at first, unlike Oedipus, despite being born as a black man. Because of this unlucky fact, he is capable of changing his identity and rising up to the level of preeminence.

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