Academic literature on the topic 'Roth, Philip. Human Stain'

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Journal articles on the topic "Roth, Philip. Human Stain"

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Alfandary, Isabelle. "La passion du secret dans The Human Stain de Philip Roth." Revue française d’études américaines N° 166, no. 1 (April 26, 2021): 33–45. http://dx.doi.org/10.3917/rfea.166.0033.

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McNally, L. "DAVID GOOBLAR, The Major Phases of Philip Roth. * Debra Shostak (ed.), Philip Roth: American Pastoral, The Human Stain, The Plot Against America." Notes and Queries 60, no. 3 (July 17, 2013): 472–74. http://dx.doi.org/10.1093/notesj/gjt120.

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Trabelsi, Mabrouk. "Figures de l’altérité dans le roman de Philip Roth The Human Stain." Le Philosophoire 55, no. 1 (March 24, 2021): 157–72. http://dx.doi.org/10.3917/phoir.055.0157.

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Dumas, Frédéric. "L’Étrange cas de Coleman Silk, le Jewbird de The Human Stain de Philip Roth." Revue LISA / LISA e-journal, Vol. VII – n°2 (February 1, 2009): 24–40. http://dx.doi.org/10.4000/lisa.236.

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Mayné, Gilles. "Transgression de l’espace et espace de la transgression dans The Human Stain de Philip Roth." Caliban, no. 19 (June 1, 2006): 197–209. http://dx.doi.org/10.4000/caliban.2450.

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Glaser, Jennifer. "The Jew in the Canon: Reading Race and Literary History in Philip Roth's The Human Stain." PMLA/Publications of the Modern Language Association of America 123, no. 5 (October 2008): 1465–78. http://dx.doi.org/10.1632/pmla.2008.123.5.1465.

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The evolving political landscape of a multicultural America grown disenchanted with the mythology of the melting pot had vast repercussions for the Jewish American literary imagination. Nonetheless, critical race theory has yet to take full stock of the role of Jewish writers in the debates over canonicity, representation, and multicultural literary genealogies occurring in the United States during the 1980s and 1990s. Philip Roth's The Human Stain, published in 2000, directly engages questions of literary history, race, and the position of the Jewish writer and intellectual in the canon wars. By depicting the tragedy of an African American man who passes into whiteness by passing for a Jewish professor, Roth uses the trope of passing to simultaneously critique the puritan impulse he perceives at the heart of the multicultural academy and write himself into the multicultural canon taking shape at the time.
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Barnard, Lianne. "Is Philip Roth 'against political correctness'? : 'Whiteness' as desired norm and invisible terror in The Human Stain." Brno studies in English, no. 1 (2017): [107]—125. http://dx.doi.org/10.5817/bse2017-1-6.

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노종진. "Passing and Political Correctness in Philip Roth’s The Human Stain." New Korean Journal of English Lnaguage & Literature 52, no. 2 (May 2010): 75–95. http://dx.doi.org/10.25151/nkje.2010.52.2.004.

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Göncüoğlu, M. Önder. "Discoursal Formation of Identity in Philip Roth’s The Human Stain." Gaziantep University Journal of Social Sciences 18, no. 3 (July 2, 2019): 1015–27. http://dx.doi.org/10.21547/jss.487186.

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Muhamed Banimansoor, Abdullah Jassim, and Longhai Zhang. "Petrifying Impact of Capitalism in Philip Roth’s The Human Stain." INTERNATIONAL JOURNAL OF RESEARCH IN SOCIAL SCIENCES & HUMANITIES 12, no. 02 (2022): 119–28. http://dx.doi.org/10.37648/ijrssh.v12i02.007.

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This study sheds light on impact of capitalism on American society and how it enforces racial discrimination to subject the majority of people and use them as a commodity in the hands of fewer as portrayed in Philip Roth’s The Human Stain. This article also attempts to focus on the effect of war on society as capitalist’s tool. It raises a question as to what extent capitalism is successful in deforming the American society. It aims to reveal the role of capitalism in planting social discrimination in American society. It also discusses the atmosphere of racial discrimination at the time of writing this article.
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Dissertations / Theses on the topic "Roth, Philip. Human Stain"

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Britt, Michelle L. "Culture and identity : the academic setting in Philip Roth's The Human Stain and Francine Prose's Blue angel /." Electronic version (PDF), 2003. http://dl.uncw.edu/etd/2003/brittm/michellebritt.pdf.

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Potkalitsky, Nicolas J. "Refracted Realism and the Ethical Dominant in Contemporary American Fiction." The Ohio State University, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1563283222402333.

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Hsin-YuanWang and 王新元. "The Man of Reason and His Suffering in Philip Roth’s The Human Stain." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/50054603083251183664.

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碩士
國立成功大學
外國語文學系
104
The thesis reads Philip Roth’s The Human Stain (2000) as a critique of different forms of relativism. In the novel, holders of relativist views on culture, race and politics often denounce Coleman Silk, Roth’s protagonist, as an immoralist unfit for social life. Cultural relativists abhor Coleman’s antisocial tendencies. Racial relativists detest Coleman for his being non-identitarian. Political relativists, then, abominate Coleman’s rationalism. It is here contended that Roth’s novel shows how such beliefs in cultural, racial and political relativisms fail to substantiate the many charges brought against Coleman as a man of reason. The thesis comprises three main chapters with each chapter devoted to Roth’s critique of a specific form of relativism. Chapter One examines how Roth criticizes cultural relativism by characterizing Delphine Roux as a cultural relativist. Chapter Two explores how Roth condemns racial relativism as racism by portraying characters who mistake racial relativism for an innocuous idea. Chapter Three looks into how Roth defines and criticizes political relativism as anti-intellectualism by making Nathan Zuckerman a relativist.
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Books on the topic "Roth, Philip. Human Stain"

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Graham, Sarah, and Debra Shostak. Philip Roth: American Pastoral, the Human Stain, the Plot Against America. Bloomsbury Publishing Plc, 2011.

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Roth, Philip A. Bookclub-in-a-Box Discusses The Human Stain, the Novel by Philip Roth (Bookclub in a Box Discusses). 2nd ed. Bookclub-in-a-Box, 2005.

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Book chapters on the topic "Roth, Philip. Human Stain"

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Hornung, Alfred. "Roth, Philip: The Human Stain." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_18611-1.

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Badir, Yasmine. "“He” Who Knows Better Than “I”: Reactivating Unreliable Narration in Philip Roth’s Human Stain and Jean Echenoz’ Nous trois." In Narratologia, 259–80. Berlin, New York: Walter de Gruyter, 2008. http://dx.doi.org/10.1515/9783110209389.259.

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Connolly, Andy. "Philip Roth and the American “Underclass” in The Human Stain." In A Political Companion to Philip Roth, 238–62. The University Press of Kentucky, 2017. http://dx.doi.org/10.2307/j.ctt1pc5ftb.16.

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Schryer, Stephen. "Who Belongs in the University?" In Maximum Feasible Participation. Stanford University Press, 2018. http://dx.doi.org/10.11126/stanford/9781503603677.003.0007.

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This chapter focuses on Philip Roth’s late 1990s novel, The Human Stain, arguing that the novel draws an analogy between the university and the Democratic Party. In early War on Poverty–era novels like Portnoy’s Complaint, Roth developed an antiprocess conception of art and welfare politics, one that conceived of works of art and public institutions as products that require audiences to appreciate them on their own terms. In The Human Stain, Roth extends this conception to the postmodern academy, using it to criticize multicultural education and affirmative action. Linking the university and New Deal liberal coalition, Roth insists that both are under assault by cultural and ideological outsiders. This analogy leads Roth to embrace a strategic conservatism, one that echoes the politics of Bill Clinton, whose impeachment trial recurs throughout The Human Stain.
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"Vom erklärungsbedürftigen Erwachsensein erzählen: Philip Roths The Human Stain (2000)." In Vom Erwachsensein und seinen Grenzen, 239–94. Wilhelm Fink Verlag, 2020. http://dx.doi.org/10.30965/9783846764930_006.

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"6. Being Game in The Human Stain." In Philip Roth's Rude Truth, 193–235. Princeton: Princeton University Press, 2008. http://dx.doi.org/10.1515/9781400827343.193.

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"3 Autoimmunity and Ante-Racism: Philip Roth’s The Human Stain." In Bestial Traces, 74–112. Fordham University Press, 2022. http://dx.doi.org/10.1515/9780823291014-005.

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"Color-Blindness and the Trouble of Depiction in Philip Roth’s The Human Stain." In The American Novel After Ideology, 1961–2000. Bloomsbury Academic, 2020. http://dx.doi.org/10.5040/9781501361890.ch-004.

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Mukhopadhyay, Averi, and Rashmi Gaur. "Remapping Identity via Race and Language: A Reading of Philip Roth’s The Human Stain." In Linguistic Foundations of Identity, 112–22. Routledge, 2020. http://dx.doi.org/10.4324/9781003106807-8.

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Cinquegrani, Alessandro. "Imprese e letteratura." In Imprese letterarie. Venice: Edizioni Ca' Foscari, 2019. http://dx.doi.org/10.30687/978-88-6969-356-4/001.

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Two recent books try to redefine the economic and financial systems bringing them back to documents (Ferraris) and to instinctive drives (Mazzarella). This essay reviews some of the most important novels of the third millennium about entrepreneurs to test the cogency of these concepts. From American Pastoral by Philip Roth to Beautiful You by Chuck Palahniuk, from The Human Resources Manager by Abraham Yehoshua to Zero K by Don DeLillo, the essay describes the present world as a society of wasted desire and the life of the company as a constant search for meaning.
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