Relevant bibliographies by topics / Rosenstrasse (Berlin, Germany) History

Academic literature on the topic 'Rosenstrasse (Berlin, Germany) History'

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Published: 10 December 2022
Last updated: 29 January 2023

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Journal articles on the topic "Rosenstrasse (Berlin, Germany) History"

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Hammer, Jessica, and Moyra Turkington. "Designing Role-Playing Games that Address the Holocaust." International Journal of Designs for Learning 12, no. 1 (April 12, 2021): 42–53. http://dx.doi.org/10.14434/ijdl.v12i1.31265.

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Role-playing games offer powerful opportunities for players to engage with history, such as allowing players to fictionally situate themselves in a historical period. When it comes to the Holocaust, however, games face serious issues such as the potential trivialization of the Holocaust or players learning to blame the victims. In this design case, we show one way that these issues can be addressed through game design techniques. We bring together the literature on games and Holocaust education to define a set of design challenges for Holocaust-related historical role-playing games; we describe Rosenstrasse, a role-playing game in which players adopt the roles of Jewish and non-Jewish Germans in mixed marriages in Berlin between 1933 and 1943; and we illustrate specific game design decisions within Rosenstrasse that address the challenges identified in this paper. This work aims to help other designers address the same set of challenges in their own game design process.
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Gruner, Wolf. "The Factory Action and the Events at the Rosenstrasse in Berlin: Facts and Fictions about 27 February 1943 — Sixty Years Later." Central European History 36, no. 2 (June 2003): 179–208. http://dx.doi.org/10.1163/156916103770866112.

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On 27 February 1943 in Nazi Germany the Gestapo brutally arrested more than ten thousand Jewish men and women. Martin Riesenburger, later the Chief Rabbi of the German Democratic Republic, recalled that day as “the great inferno.” This large-scale raid marked the beginning of the final phase of the mass deportations, which had been under way since October 1941. Also interned in Berlin were people who, according to NS terminology, lived in so-called mixed marriages. But new documents show that no deportation of this special group was planned by the Gestapo. In the past decade, in both the German as well as the American public, quite a bit of attention has been paid to the fact that non-Jewish relatives publicly demonstrated against the feared deportation of their Jewish partners. The scholarly literature as well has pictured this protest as a unique act of resistance that prevented the deportation of these Jews living in mixed marriages. The fact that during this raid an untold number of Jews, both women and men, fled and went underground has so far been ignored. Since we still know much too little, the following article will discuss all the events of the spring of 1943 and their background.
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Stoltzfus, Nathan. "Historical Evidence and Plausible History: Interpreting the Berlin Gestapo's Attempted “Final Roundup” of Jews (also known as the “Factory Action”)." Central European History 38, no. 3 (September 2005): 450–59. http://dx.doi.org/10.1163/156916105775563616.

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Most historians who address it agree that the street protest by non-Jews for their Jewish family members constitutes the most plausible explanation for the Gestapo's release of intermarried Jews incarcerated at Berlin's Rosenstrasse. Had the women not protested, the Jews (or the overwhelming majority) most likely would have been deported to either death or labor camps. This view holds that regime leaders released the Jews for tactical reasons, not because it was cowed or had moral scruples. Although Wolf Gruner has characterized this long-established interpretation as “legend,’ his evidence on balance supports rather than challenges it.
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Gruner, Wolf. "A Historikerstreit? A Reply to Nathan Stoltzfus's Response." Central European History 38, no. 3 (September 2005): 460–64. http://dx.doi.org/10.1163/156916105775563599.

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During the brutal factory raid at the end of February 1943, the Gestapo rounded up thousands of Berlin Jews at their forced labor sites and brought them to various collection points. The Gestapo immediately singled out two thousand Jews in “mixed marriages” and transferred them to a separate building in the Rosenstrasse. The traditional view of the events, which Stoltzfus promotes, is that after a week-long demonstration by their relatives, Goebbels ordered the release of the inmates on March 6, 1943. Based on a variety of hitherto overlooked documents, I provided the reader with a different interpretation in my Central European History article: that special Gestapo orders at this point still exempted the Jews in mixed marriages from deportation. I argue that the real purpose of the arrest was to facilitate the deportation of hundreds of employees of Berlin's Jewish institutions who would be replaced by the Jews in mixed marriages. This interpretation forces us to reconsider key elements of the traditional account.
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Anderson, Ben. "Three Germanies: West Germany, East Germany and the Berlin Republic." European Review of History: Revue europeenne d'histoire 19, no. 4 (August 2012): 637–39. http://dx.doi.org/10.1080/13507486.2012.702067.

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Fenemore, M. "Death in Berlin: From Weimar to Divided Germany." German History 29, no. 4 (May 27, 2011): 681–82. http://dx.doi.org/10.1093/gerhis/ghr010.

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Kundnani, Hans. "Germany Rethinks Its Role in the World." Current History 114, no. 770 (March 1, 2015): 115–17. http://dx.doi.org/10.1525/curh.2015.114.770.115.

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Sackett, Robert E., and Thomas J. Saunders. "Hollywood in Berlin: American Cinema and Weimar Germany." American Historical Review 100, no. 3 (June 1995): 918. http://dx.doi.org/10.2307/2168675.

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Hodgin, Nick. "Berlin is in Germany and good bye Lenin!" Debatte: Journal of Contemporary Central and Eastern Europe 12, no. 1 (May 2004): 25–45. http://dx.doi.org/10.1080/0965156042000230106.

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Augustine, Dolores L. "The Business Elites of Hamburg and Berlin." Central European History 24, no. 2-3 (June 1991): 132–46. http://dx.doi.org/10.1017/s0008938900018902.

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In many respects, Hamburg and Berlin represent two societal models at work in Wilhelmian Germany. Hamburg and the other Hanseatic cities, Lübeck and Bremen, have traditionally been thought to represent bourgeois society as it might have been in Germany as a whole: self-assured, liberal, and antiaristocratic. Historians are generally in agreement with Richard J. Evans in his assertion that “neither the economic activity nor the social world nor finally the political beliefs and actions of the Hamburg merchants corresponded to anything that has ever been defined, however remotely, as ‘feudal.’” Berlin, on the other hand, was dominated by the imperial court and the aristocracy, which, it is said, seduced and fatally weakened not only the business elite of the capital, but in fact the most influential segment of the German bourgeoisie as a whole.
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Dissertations / Theses on the topic "Rosenstrasse (Berlin, Germany) History"

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Grözinger, Elvira. "Die Jüdischen Salons in Berlin." Universität Potsdam, 1995. http://opus.kobv.de/ubp/volltexte/2008/1847/.

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Aus dem Inhalt: Die Jahre 1780-1806 gelten als die Epoche der ersten, nunmehr weltbekannten jüdischen Salons von Berlin. Während die amerikanische Forscherin Deborah Hertz insgesamt neun jüdische Salons aufzählt, werden üblicherweise als die drei wichtigsten die folgenden genannt: die der Henriette Herz, Rahel Varnhagen und Dorothea Schlegel. Diese drei Frauen haben - als Frauen und Jüdinnen - die doppelte Leistung des Ausbruchs aus ihrer gesellschaftlichen Stellung vollbracht, der später Emanzipation genannt wurde, zugleich haben sie durch Taufe die Emanzipation überschritten und dadurch die - zumindest äußere - Assimilation vollzogen. Unter Historikern gab es über sie geteilte Meinungen: Den jüdischen waren sie zu wenig, den nicht-jüdischen zu sehr jüdisch gewesen. Wer sich aber mit der deutsch-jüdischen Geschichte der Aufklärung und der Romantik befaßt, kann an ihren kurzen Schöpfungen, den kulturprägenden Salons, kaum vorbei.
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Schuppener, James Gregory. "Felix Mendelssohn-Bartholdy, director of music for the Berlin Court: Influences upon his unaccompanied compositions written for the Berlin "Domchor"." Diss., The University of Arizona, 1991. http://hdl.handle.net/10150/185735.

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This study discusses Felix Mendelssohn-Bartholdy's appointment to the Prussian Court of King Friedrich Wilhelm IV, Mendelssohn's relationship with the Court (both personal and professional) and the numerous difficulties encountered with this appointment. In addition, Mendelssohn's musical responsibilities and personal feelings toward the cities of Leipzig and Berlin, Berlin's choral traditions (including a brief history of the Berlin Domchor) will also be discussed. Mendelssohn's op. 78, op. 79 and Die deutsche Liturgie written for the Berlin Domchor reflect the sometimes competing demands of the traditional liturgical genres (e.g. Masses, psalms, motets), which are more "objective" in nature and the far more "subjective" elements inherent in the Romantic "ideal" of expression. This study deals exclusively with the unaccompanied choral compositions written for the Berlin Domchor with particular emphasis given to op. 78 - Drei Psalmen, and op. 79 - Sechs Spruche.
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Rieche, Alexandra Hughes. "The political manipulation of history : the 750th anniversary celebrations in East and West Berlin in 1987." Thesis, University of Oxford, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.670294.

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Hambridge, Katherine Grace. "The performance of history : music, identity and politics in Berlin, 1800-1815." Thesis, University of Cambridge, 2013. https://www.repository.cam.ac.uk/handle/1810/283937.

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Brooke, Magdalene A. "Mauerkunst, lebenskunst: an anlysis of the art on the Berlin Wall." Scripps College, 2007. http://ccdl.libraries.claremont.edu/u?/stc,8.

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The art on the Berlin Wall has been looked at often for its social and political meaning. Instead, I intend to look at the artwork and text which appeared on the Berlin Wall as art. In this paper I will discuss the formal aspects of the art on the Berlin Wall as well as its import as an example of public art and as a forum created through visual representation.
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Reynolds, Kenneth W. ""Der Richter ist konservativ.": the German Reichsgericht and the Reichstag Fire Trial of 1933." Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=61064.

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For almost sixty years the Reichstag fire of 27 February 1933 and the events that followed have been the subjects of historical inquiry. The criminal trial against those accused of starting the fire was held before the German Supreme Court, the Reichsgericht.
This thesis examines the conduct of the Reichsgericht during the Reichstagsbrandprozess of September to December 1933. It shows that the trial was conducted by an independent but conservative Supreme Court which managed the proceedings according to its own historical antecedents and precedents. The evidence is based on published government documents and other primary and secondary sources.
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Schor, Ruth. "Eine alltägliche Tätigkeit : performing the everyday in the avant-garde theatre scene of late nineteenth-century Berlin." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:f182a548-e450-4efa-a3a0-478461d44ab6.

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This dissertation situates late nineteenth-century Berlin's reception of naturalist drama in contemporary discourse about European modernism, which to date has disregarded the significant impact of this cultural environment. Examining the Berlin avant-garde's demand for "truth" and "authenticity," this study highlights its legacy of promoting more honest and dynamic forms of human interaction. Sketching the historical background, Chapter 1 demonstrates how the reception of Henrik Ibsen in Berlin fuelled creative strategies for a more honest approach to theatre. From literary matinees to more egalitarian ways of directing theatre, this moment in cultural history significantly shaped people's understanding of theatre as a tool for social criticism and as a means of creating a sense of intimacy. Two important figures are highlighted here: literary critic and theatre director Otto Brahm, central to the promotion of naturalism, and his more prominent protégé Max Reinhardt, who developed Brahm's legacy. Situating these developments in a theoretical framework, Chapter 2 draws on the concept of "the everyday" as set out by Toril Moi, Stanley Cavell, and Ludwig Wittgenstein to link the role of the ordinary on stage to the avant-garde's search for authenticity and truthfulness. Through this framework, Ibsen's social dramas from A Doll's House to Hedda Gabler (Chapter 3) can be seen perfectly to exemplify this shift in perspective from the 1880s through the 1890s, revealing the complexity of truthfulness in communications. Tracing these themes in other dramatic works, innovative readings of Arthur Schnitzler's Liebelei (Chapter 4) and Rainer Maria Rilke's Das tägliche Leben (Chapter 5) shed new light on these two fin-de-siècle authors. By highlighting these authors' previously unrecognised connections with Berlin's avant-garde theatre scene and their dramatic exploration of interpersonal connection, this study shows both how theatre functioned as a tool to examine human relationships and to what extent twentieth-century literature was grounded in this way of thinking.
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Templeton, Inez H. "What's so German about it? : cultural identity in the Berlin hip hop scene." Thesis, University of Stirling, 2006. http://hdl.handle.net/1893/75.

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Literature on the appropriation of hip hop culture outside of the United States maintains that hip hop engenders local interpretations no longer reliant on African-American origins, and this research project is an attempt to determine the extent to which this is the case in a specific local context. My thesis is an effort to move beyond the rhetoric of much of what constitutes the debates surrounding globalisation, by employing a research strategy combining theoretical analysis and direct engagement with the Berlin hip hop scene. My project not only aims to uncover the meanings young people in Berlin give to their hip hop practices, but intends to do so within a framework that does not ignore the discursive spaces in which these young people are operating. This is particularly relevant because of the complex ways in which race and ethnicity are related to German national identity. Furthermore, this thesis is concerned with the ways in which the spaces and places collectively known as Berlin shape the cultural practices found there. While hip hop belongs to global culture, it is also the case that the city of Berlin plays a significant role in determining how hip hop is understood and reproduced by young people there.
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Magerski, Christine 1969. "The constitution of the literary field in Germany after 1871 : Berlin modernism, literary criticism and the beginnings of the sociology of literature." Monash University, German Studies, 2002. http://arrow.monash.edu.au/hdl/1959.1/8724.

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Boetzkes, Amanda. "Berlin in disorder : the representation of nature in the works of George Grosz." Thesis, McGill University, 2002. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=79288.

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George Grosz's paintings and drawings of Berlin during the Weimar period demonstrate a complex matrix of tensions between nature and the urban experience. In his work, mechanization, sexuality, gender and animality are recurring themes that cue the viewer to the profound anxiety that modernity had unleashed a chaotic force into the city. Using an ecofeminist analysis, I show how the disorder of the city was imagined as a primordial human condition in which a previously disavowed connection to nature was suddenly foregrounded. Though Grosz's renditions of Berlin scenes are ironic, they also revel in the demise of social order. In this thesis, I argue that Grosz's art deploys the conceptual force of unmastered nature as a critical tool, at the same time showing how nature was integrated into the cultural fabric of urban life.
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Books on the topic "Rosenstrasse (Berlin, Germany) History"

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Hitlers unbeugsame Gegnerinnen: Der Frauenaufstand in der Rosenstrasse. München: W. Heyne, 1997.

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Frauenprotest in der Rosenstrasse: "Gebt uns unsere Männer wieder". Berlin: Hentrich, 1993.

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Stoltzfus, Nathan. Resistance of the heart: Intermarriage and the Rosenstrasse protest in Nazi Germany. New York: W.W. Norton, 1996.

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Widerstand in der Rosenstrasse: Die Fabrik-Aktion und die Verfolgung der "Mischehen" 1943. Frankfurt am Main: Fischer Taschenbuch Verlag, 2005.

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Jochheim, Gernot. Frauenprotest in der Rosenstrasse, Berlin 1943: Berichte, Dokumente, Hintergründe. Teetz: Hentrich & Hentrich, 2002.

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MacDonogh, Giles. Berlin. London: Sinclar-Stevenson, 1997.

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Alan, Balfour, ed. Berlin. London: Academy Editions, 1995.

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Berlin. Wien: Brandstätter, 2011.

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Berlin. [Brentwood]: Oxygen Books, 2009.

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Ayer, Eleanor H. Berlin. New York: New Discovery Books, 1992.

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Book chapters on the topic "Rosenstrasse (Berlin, Germany) History"

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Mori, Takahito. "Communal Unemployment Insurance in Wilhelminian Germany: A Case Study of the Greater Berlin Administration Union." In Monograph Series of the Socio-Economic History Society, Japan, 67–85. Singapore: Springer Singapore, 2017. http://dx.doi.org/10.1007/978-981-10-4097-9_3.

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Blokland, Talja, and Robert Vief. "Making Sense of Segregation in a Well-Connected City: The Case of Berlin." In The Urban Book Series, 249–70. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-64569-4_13.

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AbstractThis chapter analyses socioeconomic segregation and segregation by migration background for Berlin, Germany. Berlin’s history of division and reunification affected suburbanization patterns and the unequal economic restructuring of the city over time. Within this historical context, we present our empirical results on segregation, and we reflect on the implications of segregation for the daily use of the city. Arguments that segregation affects access to amenities (as in the literature on ‘food deserts’) or reduces access to jobs (as in spatial mismatch theories) are not so useful for Berlin with its strong public transport infrastructure. We find that socioeconomic segregation was moderate and stable for the working-age population between 2007 and 2016, whereas segregation of poor children increased. At the same time, segregation of foreigners and segregation by migration background strongly declined. And yet, even though segregation levels are low and public services are present everywhere, the social use of the city, we argue, may be more segregated than statistical indicators suggest. Drawing on various case studies, we suggest that the use of the overall city reflects segregation patterns of the use of space for other reasons than commonly suggested.
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"DIASPORIC SPATIAL POLITICS WITH BLACK HISTORY MONTH IN BERLIN." In Mobilizing Black Germany, 130–56. University of Illinois Press, 2020. http://dx.doi.org/10.5406/j.ctv1f884c1.10.

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Caplan, Jane. "3. From Munich to Berlin (via Weimar)." In Nazi Germany: A Very Short Introduction, 21–39. Oxford University Press, 2019. http://dx.doi.org/10.1093/actrade/9780198706953.003.0003.

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The ‘Nationalsozialistische Deutsche Arbeiterpartei’ (National Socialist German Workers’ Party), was a product of the new political and social universe of post-war Germany. ‘From Munich to Berlin (via Weimar)’ traces the history of the NSDAP from its early base in Munich to the appointment of Hitler as chancellor in January 1933, paying particular attention to the party’s regional base. It explains the popular appeal of the Nazi party beyond the core of believers; the impact of the Depression; and the crisis of elite politics that brought the party to power.
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Fuechtner, Veronika. "Agnes Smedley between Berlin, Bombay, and Beijing." In Global History of Sexual Science, 1880-1960. University of California Press, 2017. http://dx.doi.org/10.1525/california/9780520293373.003.0018.

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This chapter examines how the global circulation of sexology intertwined with communism and national independence by focusing on the writings of American journalist Agnes Smedley as well as the letters written to her by the Indian revolutionary Bakar Ali Mirza. More specifically, it considers sexual science's connections to leftist psychoanalysis and to the Indian independence movement during the 1920s. It discusses Smedley's self-conscious mobilization of the language of sexual science as a path toward revolution and modern selfhood, doing so by shuttling between India, Germany, China, and the United States. The Berlin–India nexus and Mirza's correspondence with Smedley highlight the intrinsic interrelationships among the liberational rhetoric of leftist politics, feminism, sexual rights, national independence, and psychoanalytic introspection. The chapter also considers how Smedley and her Indian revolutionary interlocutors negotiated new definitions of femininity, masculinity, and sexuality emerging from the global movements of sexual science, radical politics, and psychoanalysis.
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Watanabe-O'Kelly, Helen. "Staging Empire as History and Allegory in Austria and Germany." In Projecting Imperial Power, 256–70. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198802471.003.0011.

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Theatrical presentations of the foundational myths of the Austrian and German empires, either as costumed processions and pageants or as specially commissioned plays for the theatre, were staged on anniversaries and important jubilees. In Austria, the most important was Franz Joseph’s Diamond Jubilee in 1908, when a pageant of 12,000 lay participants took place in Vienna, while other elements of the national myth were presented on the stage. Wilhelm II played an active part in promoting the imperial theatre festival in Wiesbaden between 1896 and 1914, for which parts of the Hohenzollern myth were dramatized. In 1897, on Wilhelm I’s hundredth birthday, Ernst von Wildenbruch’s Willehalm was performed in Berlin, a verse drama presenting Wilhelm I in allegorical form as the hero who rescued Germany from the evil French.
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Endelman, Todd M. "The Englishness of Jewish Modernity in England." In Broadening Jewish History, 65–81. Liverpool University Press, 2010. http://dx.doi.org/10.3828/liverpool/9781904113010.003.0004.

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This chapter talks about the Jewish historians who looked to the German Jewish experience as the paradigm for the transformation of European Jewry. It reviews the pioneers of Reform Judaism and practitioners of Wissenschaft des Judentums as the key actors in Jewish development. It also explains how Jewish historians constructed a model of change in which new ideas radiated outwards from Berlin and slowly diffused throughout Europe. The chapter considers Jewish historians who looked at developments in Germany from the perspective of liberal states like Britain, France, and the Netherlands, which was problematic as the German states were not in the vanguard of change. It describes the course of Jewish transformation in central Europe that reflected the backward nature of the states in the region.
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"Locarno Diplomacy. Germany and the West, 1925-Jildisches Lexikon. Ein enzyklopàdisches Handbuch des jüdischen Wissens in vier Bànden, Berlin: Jüdischer Verlag, 1927 (Reprint: Franfurt a.M.: Die religionsgeschichtliche Forschung an der Kulturwissen-." In Art History as Cultural History, 214. Routledge, 2014. http://dx.doi.org/10.4324/9781315078571-38.

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Cohen, Judah M. "Transplanting the Heart Back East." In Rethinking European Jewish History, 221–44. Liverpool University Press, 2008. http://dx.doi.org/10.3828/liverpool/9781904113560.003.0012.

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This chapter ponders the cultural significance of performances of American Jewish music and musical artists in contemporary European Jewish communities. It explains how performances of liturgical and secular music expressing a European Jewish heritage could nourish the ongoing 'liberal Jewish renaissance' in Germany, such as the appearances of the Reform cantor Rebecca Garfein in Berlin in the late 1990s. It also mentions the 'Klezmaniacs' in Poland and Ukraine in 2000 that awoke enthusiasm among Jewish youth and resentment among their non-Jewish neighbours. The chapter demonstrates how performers were both ambassadors and pilgrims of American Jewish culture. It discusses the twentieth-century American Jewry that used sound to build bridges and facilitated a transnational Jewish exchange.
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Eckert, Astrid M. "Introduction." In West Germany and the Iron Curtain, 1–13. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190690052.003.0001.

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The introduction explains how a study of the volatile inter-German border can afford us fresh perspectives on the history of the “old” Federal Republic. It makes the case for why the Iron Curtain should not only be explored as part of East German and Eastern European history, as is frequently done, but also be interrogated for its tangible consequences for West Germany as well. Addressing current scholarship, the introduction argues that as a historiographical subject, the inter-German border is finally moving out of the shadow of the better known Berlin Wall.
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Conference papers on the topic "Rosenstrasse (Berlin, Germany) History"

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Tegel, Oliver. "Flexible Computer Support of Systematic Design Processes: A View Back." In ASME 1999 Design Engineering Technical Conferences. American Society of Mechanical Engineers, 1999. http://dx.doi.org/10.1115/detc99/eim-9011.

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Abstract A cradle for systematic approaches to product development processes, the Institute for Engineering Design at Technical University Berlin, Germany was one of the first trying to achieve a continuous and flexible computer support throughout the whole product development process. The history of the development of concepts and implementations is presented in this paper, and the major lessons learned during 15 years of research are presented.
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Pillay, Nischolan, and Yashaen Luckan. "The Practicing Academic: Insights of South African Architectural Education." In 2019 ACSA Teachers Conference. ACSA Press, 2019. http://dx.doi.org/10.35483/acsa.teach.2019.22.

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Architectural education, in the past had a grounding in a strict apprentice or pupillage method of training architects. The apprentice was someone who worked or trained under a master that transferred skill through a “hands on” approach. Architecture was regarded as one of the arts and there was no formal training to qualify one as an architect. It was through the acclaimed Vitruvius that the architectural profession was born. Vitruvius had published “Ten Books on Architecture” that led to an attempt to summarize professional knowledge of architecture and in doing so became the first recognizable architect. The architectural profession spread throughout Europe in the mid-16th century and the builder and architect became two distinct characters. Although architecture had become a profession, it wasn’t up until the late 17th century that architecture became an academic pursuit through an institutionalized educational system known as École des Beaux Arts, however the pursuit of a strict academic scholar was not the focus. At the beginning of the 1800’s, The University of Berlin in Germany forged the fundamental research and scholarly pursuit. Architecture, like the professions of medicine, law etc. became a system of academic pursuit where professors concentrated deeply on academics first and professional work second. It is through the lens of history we can decipher how architecture became an academic discipline almost de-voiding it of its vocational nature. In its current standing, various universities place a high emphasis on research output from their academic staff. Presently, architecture schools in South Africa recruit lecturers on their academic profiles, rather than their vocational experience. The approach of which has devalued the input of industry into education. It has been noted that there has been an increase in an academic pursuit rather than a professional one for the lecturers that teach architecture. This research explores the views of academics on architectural education, teaching methods and the importance of practice at South African universities. The authors of this research provide an auto-ethnographic insight into their invaluable experience of being academics at two large Universities in South Africa and concurrently run successful practices. The research makes use of a mixed method approach of secondary data from literature and semi-structured interviews posed to academics. Initial findings reveal that academics are pushing the industry to play a part in the education of architects; however, the extent must be determined. If industry plays a role in the education of architects, what factors are considered and how does this inter-twine with the academic nature of training? What strategies are academics employing to make sure students are vocationally well trained and academically capable? Another important question to ask is what qualities make an academic architect in the 21st century?
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