Academic literature on the topic 'Rosamond Jacob'

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Journal articles on the topic "Rosamond Jacob"

1

Hill, Myrtle. "Rosamond Jacob: third person singular." Irish Studies Review 19, no. 4 (November 2011): 447–48. http://dx.doi.org/10.1080/09670882.2011.623437.

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2

Meaney, Gerardine. "Rosamond Jacob and the Hidden Histories of Irish Writing." New Hibernia Review 15, no. 4 (2011): 70–74. http://dx.doi.org/10.1353/nhr.2011.0051.

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3

Lane, Leeann. "Rosamond Jacob: An “Ordinary” Woman in the Early Free State." New Hibernia Review 15, no. 4 (2011): 64–69. http://dx.doi.org/10.1353/nhr.2011.0048.

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4

Weihman, Lisa. "Leeann Lane. Rosamond Jacob: Third Person Singular. Dublin: University College Dublin Press, 2010. Pp. 334. €30.00 (paper)." Journal of British Studies 51, no. 2 (April 2012): 506–7. http://dx.doi.org/10.1086/663849.

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5

Redmond, Jennifer. "Rosamond Jacob: Third Person Singular. By Leeann Lane. Pp x, 324. Dublin: University College Dublin Press. 2010. €30." Irish Historical Studies 37, no. 148 (November 2011): 652–53. http://dx.doi.org/10.1017/s0021121400003473.

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6

Paseta, S. "Rosamund Jacob: Third Person Singular, by Leeann Lane." English Historical Review CXXVII, no. 525 (February 29, 2012): 483–84. http://dx.doi.org/10.1093/ehr/ces041.

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Books on the topic "Rosamond Jacob"

1

Rosamond Jacob: Third person singular. Dublin: University College Dublin Press, 2010.

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Book chapters on the topic "Rosamond Jacob"

1

Brady, Deirdre F. "Women Writers in Irish Print Culture, 1930–1960." In Literary Coteries and the Irish Women Writers' Club (1933-1958), 127–48. Liverpool University Press, 2021. http://dx.doi.org/10.3828/liverpool/9781789622461.003.0005.

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Abstract:
This chapter draws on book history theory to conceptualises how literature is made in terms of where ideas originate, who decides what gets published and how work is disseminated. Specifically, it offers evidence of the significant contribution of women writers to the fortunes of the main publishing houses and periodicals of the period. The evolution of ideas, the exchange of information and the production of texts all take place within a myriad of socio-cultural events and moments. This chapter presents the first history of the first Irish Book Fair (1941) and the web of interrelated relationships and motivations behind these events. Lastly, it examines reading patterns of the period drawing on lists in the diary of the intellectual and writer Rosamond Jacob to yield rich insights into the life of a woman writer, social mores, and attitudes, banned books, and the impact of reading on the overall craft of writing.
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2

"Gumby, Frankenstein, Jakob, Rosamund." In Because You Have To, 116–20. University of Notre Dame Press, 2012. http://dx.doi.org/10.2307/j.ctvpj74n2.18.

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