Journal articles on the topic 'Roots (Botany) – Songs and music'
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Vergano, Rina, and Roxana Vilk. "Songs that live in the bones." British Journal of Music Education 39, no. 3 (November 2022): 286–91. http://dx.doi.org/10.1017/s0265051722000328.
Full textGraebner, Werner. "Whose music? The songs of Remmy Ongala and Orchestra Super Matimila." Popular Music 8, no. 3 (October 1989): 243–58. http://dx.doi.org/10.1017/s0261143000003548.
Full textTang, Jing, and Phiphat Sornyai. "The Cultural Treasures of Baima Tibetan Folk Songs in Gansu Province, China, as a Resource for Literacy Education in Chinese Music History." International Journal of Education and Literacy Studies 11, no. 3 (July 31, 2023): 234–43. http://dx.doi.org/10.7575/aiac.ijels.v.11n.3p.234.
Full textEvans, David. "Music Makers: Portraits and Songs from the Roots of America (review)." Notes 61, no. 2 (2004): 469–71. http://dx.doi.org/10.1353/not.2004.0134.
Full textGÖK, Emre, and İsmet DOĞAN. "COMPILATION WORKS OF BELA BARTOK IN ANATOLIA." Zeitschrift für die Welt der Türken / Journal of World of Turks 14, no. 2 (August 15, 2022): 113–30. http://dx.doi.org/10.46291/zfwt/140206.
Full textBernstein, Tamara. "The Vocal Music of Ana Sokolović: Love Songs for the Twenty-First Century." Circuit 22, no. 3 (February 20, 2013): 19–35. http://dx.doi.org/10.7202/1014226ar.
Full textCox, Gordon. "Towards the National Song Book: The History of an Idea." British Journal of Music Education 9, no. 3 (November 1992): 239–53. http://dx.doi.org/10.1017/s0265051700009128.
Full textDomokos, Mária, and Katalin Paksa. "The Hungarian folk song in the 18th century." Studia Musicologica 49, no. 1-2 (March 1, 2008): 105–25. http://dx.doi.org/10.1556/smus.49.2008.1-2.6.
Full textDuinker, Ben. "Song Form and the Mainstreaming of Hip-Hop Music." Current Musicology 107 (January 27, 2021): 93–135. http://dx.doi.org/10.52214/cm.v107i.7177.
Full textZadorozhna, Tetyana. "THE SEMANTICS OF THE ACADEMIC SONGS AS A SIGNIFICANT FORM OF UKRAINIAN MUSIC COMPOSITION: EPISTEMOLOGICAL ASPECT." Baltic Journal of Legal and Social Sciences, no. 2 (October 25, 2022): 65–70. http://dx.doi.org/10.30525/2592-8813-2022-2-11.
Full textCoppi, Antonella, and Johann van der Sandt. "Andrá tutto bene! Musicking together and apart: The role of popular music and singing during the COVID-19 period in Italy." Journal of Popular Music Education 6, no. 1 (March 1, 2022): 65–80. http://dx.doi.org/10.1386/jpme_00075_1.
Full textCoppi, Antonella, and Johann van der Sandt. "Andrá tutto bene! Musicking together and apart: The role of popular music and singing during the COVID-19 period in Italy." Journal of Popular Music Education 6, no. 1 (March 1, 2022): 65–80. http://dx.doi.org/10.1386/jpme_00075_1.
Full textChaloupková, Lenka. "The Chinese Art Song, yishu gequ: Between Tradition and Modernity." AUC PHILOLOGICA 2021, no. 3 (February 15, 2022): 29–46. http://dx.doi.org/10.14712/24646830.2022.2.
Full textAkhmetova, A. K., and L. U. Brimgazina. "PROBLEMS IN THE DEVELOPMENT OF CREATIVE ABILITIES OF STUDENTS OF PRIMARY CLASSES THROUGH A.ESBAEV SONGS." BULLETIN Series of Pedagogical Sciences 68, no. 4 (December 30, 2020): 232–39. http://dx.doi.org/10.51889/2020-4.1728-5496.34.
Full textCusimano, Christophe. "« The two old bachelors » de Edward Lear: étude sémantique et traductologique." Journal for Foreign Languages 11, no. 1 (December 30, 2019): 291–302. http://dx.doi.org/10.4312/vestnik.11.291-302.
Full textRegmi, Aarati. "Redefining the Society in Hip-Hop Music: A Nepali Perspective." SCHOLARS: Journal of Arts & Humanities 3, no. 1 (March 1, 2021): 18–25. http://dx.doi.org/10.3126/sjah.v3i1.35355.
Full textTOPÇU, Ömer Yusuf. "OVERVIEW OF POLYPHONY AND NATIONALISM IN EUROPE, OTTOMAN AND OTTOMAN TÜRKİYE." International Refereed Journal of Humanities and Academic Sciences, no. 30 (2023): 57–72. http://dx.doi.org/10.17368/uhbab.2023.30.04.
Full textTemperley, David. "The origins of syncopation in American popular music." Popular Music 40, no. 1 (February 2021): 18–41. http://dx.doi.org/10.1017/s0261143021000283.
Full textGibbs, Levi S. "“Forming Partnerships”: Extramarital Songs and the Promotion of China's 1950 Marriage Law." China Quarterly 233 (December 26, 2017): 211–29. http://dx.doi.org/10.1017/s0305741017001692.
Full textGrimshaw, Michael. "‘Redneck religion and shitkickin' saviours?’: Gram Parsons, theology and country music." Popular Music 21, no. 1 (January 2002): 93–105. http://dx.doi.org/10.1017/s0261143002002052.
Full textBeck, Guy. "Sacred Music and Hindu Religious Experience: From Ancient Roots to the Modern Classical Tradition." Religions 10, no. 2 (January 29, 2019): 85. http://dx.doi.org/10.3390/rel10020085.
Full textApanavičius, Romualdas. "Upowszechnianie się polskiej etnicznej kultury muzycznej na Litwie w XVI–XX wieku." Analecta Cracoviensia 40 (January 4, 2023): 323–44. http://dx.doi.org/10.15633/acr.4021.
Full textGarcia, Marcelo Velloso, and Vítor Castelões Gama. "Brazilian native metal and the experience of transculturation." Metal Music Studies 7, no. 1 (March 1, 2021): 171–77. http://dx.doi.org/10.1386/mms_00041_1.
Full textSzczepaniak, Colette, and Aleksander Cywiński. "Pedagogia intelektualisty publicznego na przykładzie życia i twórczości Gordona Matthew Sumnera (Sting)." Parezja. Czasopismo Forum Młodych Pedagogów przy Komitecie Nauk Pedagogicznych PAN, no. 1(19) (2023): 67–78. http://dx.doi.org/10.15290/parezja.2023.19.06.
Full textJOUBERT, ESTELLE. "SONGS TO SHAPE A GERMAN NATION: HILLER’S COMIC OPERAS AND THE PUBLIC SPHERE." Eighteenth Century Music 3, no. 2 (September 2006): 213–30. http://dx.doi.org/10.1017/s1478570606000583.
Full textZhumagazin, Zhanbolat. "Evolution of opera at early stages of development as a musical theater." Pedagogy and Psychology 42, no. 1 (March 30, 2020): 230–36. http://dx.doi.org/10.51889/2020-1.2077-6861.29.
Full textButler, Mark. "Taking it seriously: intertextuality and authenticity in two covers by the Pet Shop Boys." Popular Music 22, no. 1 (January 2003): 1–19. http://dx.doi.org/10.1017/s0261143003003015.
Full textMuntean, Loredana. "THEORETICAL PERSPECTIVE ON THE THERAPEUTIC ROLE OF CHILDREN'S FOLK SONGS." Különleges Bánásmód - Interdiszciplináris folyóirat 6, no. 1 (March 30, 2020): 75–81. http://dx.doi.org/10.18458/kb.2020.1.75.
Full textManeliuk, Oksana. "CHAPEL “BESKYD” (IVANO-FRANKIVSK CITY) – POPULARIZER OF LEMKO SONGS." Scientific Issues of Ternopil National Pedagogical Volodymyr Hnatiuk University. Specialization: Art Studies, no. 2 (May 23, 2023): 24–33. http://dx.doi.org/10.25128/2411-3271.19.2.4.
Full textBODURIAN, Agota. "The evolution of Armenian liturgical music." Bulletin of the Transilvania University of Braşov. Series VIII:Performing Arts 13(62), no. 1 (June 20, 2020): 39–48. http://dx.doi.org/10.31926/but.pa.2020.13.62.1.4.
Full textSanfratello, Giuseppe. "A Byzantine Chant Collection From Sicily. A Cοllaboration Between Cοpenhagen and Piana degli Albanesi (Palermo)." Kulturstudier 7, no. 1 (July 14, 2016): 80. http://dx.doi.org/10.7146/ks.v7i1.24055.
Full textWeinreich, Matthias, and Mikhail Pelevin. "The Songs of the Taliban: Continuity of Form and Thought in an Ever-Changing Environment." Iran and the Caucasus 16, no. 1 (2012): 45–70. http://dx.doi.org/10.1163/160984912x13309560274055.
Full textBohlman, Andrea F. "Solidarity, Song, and the Sound Document." Journal of Musicology 33, no. 2 (2016): 232–69. http://dx.doi.org/10.1525/jm.2016.33.2.232.
Full textCooper, B. Lee. "Rock; Greatest Hits; Songs Our Daddy Taught Us: A Journey into the Roots of the Everly Brothers … and American Music." Rock Music Studies 3, no. 1 (July 17, 2014): 122–24. http://dx.doi.org/10.1080/19401159.2014.939454.
Full textRahmawati, Aulia, Syafrida Nurrachmi Febriyanti, and Ririn Puspita Tutiasri. "Young, Noisy and Angry: Voice of Baceprot and Feminism in Metal Band." Journal of Gender, Culture and Society 3, no. 2 (November 13, 2023): 55–63. http://dx.doi.org/10.32996/jgcs.2023.3.2.5.
Full textMukherjee, Kamalini. "Bangla Rock: exploring the counterculture and dissidence in post-colonial Bengali popular music." International Journal of Pedagogy, Innovation and New Technologies 4, no. 2 (December 28, 2017): 35–47. http://dx.doi.org/10.5604/01.3001.0011.5843.
Full textMorgan, Elizabeth. "Combat at the Keys: Women and Battle Pieces for the Piano during the American Civil War." 19th-Century Music 40, no. 1 (2016): 7–19. http://dx.doi.org/10.1525/ncm.2016.40.1.7.
Full textChomsky, Aviva. "Rewriting Gender in the New Revolutionary Song." Radical History Review 2020, no. 136 (January 1, 2020): 142–55. http://dx.doi.org/10.1215/01636545-7857319.
Full textJaime, Karen. "“I’m A Stripper, Ho": The Sonics of Cardi B’s Ratchet, Diasporic Feminism." Performance Matters 8, no. 1 (June 9, 2022): 83–96. http://dx.doi.org/10.7202/1089680ar.
Full textWatulo, Aggrey Wafula. "Figurative language and Symbolism Manifested in Bukusu Cultural Songs and Proverbs." Sociometry Journal of Social Science, Art and Humanity 1, no. 1 (July 31, 2021): 26–34. http://dx.doi.org/10.24127/sociometry.v1i1.1342.
Full textBurtsev, Mуkyta. "Christian images in chamber vocal music of Western Europe of the 19–20th centuries." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 66, no. 66 (April 9, 2023): 27–41. http://dx.doi.org/10.34064/khnum1-66.02.
Full textSpyra, Piotr. "Religijne inspiracje w twórczości muzyków jazzowych." Annales Universitatis Mariae Curie-Sklodowska, sectio L – Artes 14, no. 2 (January 12, 2017): 119. http://dx.doi.org/10.17951/l.2016.14.2.119.
Full textKELL, JODIE, and STEVEN GAGAU. "Songs of the Solomon Islands. 2017. A Tree With Roots Music. Recorded and produced by Andrew Murphy and David Bettencourt. Accompanied by video report available at https://atreewithrootsmusic.wordpress.com/. CD, 21 tracks (61:03)." Yearbook for Traditional Music 53 (December 2021): 181–83. http://dx.doi.org/10.1017/ytm.2021.18.
Full textEdwards, Leigh H. "The Songs of Jimmie Rodgers: A Legacy in Country Music by Jocelyn R. Neal�Meeting Jimmie Rodgers: How America's Original Roots Music Hero Changed the Pop Sounds of a Century by Mazor, Barry." Journal of Popular Music Studies 22, no. 1 (March 2010): 111–14. http://dx.doi.org/10.1111/j.1533-1598.2010.01227.x.
Full textPurik, Elsa E., Marina G. Shakirova, Mars L. Akhmadullin, and Vilur R. Shakirov. "The Melody of Form and Space: Music as a Source of Inspiration." ICONI, no. 2 (2020): 97–107. http://dx.doi.org/10.33779/2658-4824.2020.2.097-107.
Full textDi Santo, Federico. "Sull’origine della poesia romanza: ipotesi andalusa e mediolatina alla luce del rapporto fra rima e melodia." Zeitschrift für romanische Philologie 135, no. 2 (June 5, 2019): 535–82. http://dx.doi.org/10.1515/zrp-2019-0029.
Full textHarris, Rachel. "China's New Voices: Popular Music, Ethnicity, Gender, and Politics, 1978–1997. By Nimrod Baranovitch. [Berkeley, Los Angeles and London: University of California Press, 2003. xiv+332 pp. £16.95; $24.95. ISBN 0-520-23450-2.]." China Quarterly 178 (June 2004): 518–19. http://dx.doi.org/10.1017/s0305741004270291.
Full textOsameka Oyindamola Mercy and Eze Mabel Nkechinyere. "The Influence of Western Drama on Contemporary African Drama." International Journal of Sustainable Applied Sciences 2, no. 3 (April 1, 2024): 185–98. http://dx.doi.org/10.59890/ijsas.v2i3.1481.
Full textKumar, Om Prakash, and Amit Soni. "Socio-Cultural Lifestyle of Tri-Natives: Gond, Bhil and Santhal." Indian Journal of Research in Anthropology 8, no. 2 (February 26, 2023): 97–105. http://dx.doi.org/10.21088/ijra.2454.9118.8222.5.
Full textGelažiūtė-Pranevičienė, Eglė. "Shifts in Authenticity: Electronic Dance Music as Environment for Contemporary Folklore Forms." Tautosakos darbai 61 (June 1, 2021): 122–40. http://dx.doi.org/10.51554/td.21.61.05.
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