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Journal articles on the topic 'Roots and routes'

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Author: Grafiati
Published: 18 May 2024

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1

Swanson, Dalene M. "Roots/Routes." Qualitative Inquiry 15, no. 1 (August 25, 2008): 49–57. http://dx.doi.org/10.1177/1077800408321631.

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2

Swanson, Dalene M. "Roots/Routes." Qualitative Inquiry 15, no. 1 (August 25, 2008): 58–78. http://dx.doi.org/10.1177/10778004090150010402.

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3

Alvarez, Natalie. "Roots, Routes, RUTAS." Theatre Research in Canada 40, no. 1_2 (November 2019): 27–41. http://dx.doi.org/10.3138/tric.40.1_2.27.

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4

Alvarez, Natalie. "Roots, Routes, RUTAS." Theatre Research in Canada 40, no. 1-2 (March 20, 2020): 27–41. http://dx.doi.org/10.7202/1068256ar.

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In this article, author Natalie Alvarez examines how the Caminos and RUTAS festivals of Toronto’s Aluna Theatre harness the interactional, mass gathering of the festival and its high visibility to form a theatrical commons grounded in a heterogeneous and intercultural Americas, one that includes Latin American, Latinx, Indigenous, and Afro-Caribbean artists that have historically been excluded both from the Eurocentric vision of “Latin America” and Canadian performance histories. With a producing mandate to foster Canadian-hemispheric cultural exchanges, Beatriz Pizano’s and Trevor Schwellnus’s curatorial practices aim to generate alternate genealogical routes of Canadian performance history for a new generation of artists to travel. The performance routes of these festivals speak to the critical role festivals can play in directing—and redirecting—transnational flows of knowledge and artistic production. But Pizano and Schwellnus’s curatorial aims are also driven by an interest in how festivals like RUTAS and Caminos can generate a structural shift in the kinds of artistic traditions that are sustained on Toronto’s stages and the ways in which they are sustained by fostering hemispheric collaborations and co-productions. The RUTAS and Caminos festivals demonstrate very powerfully the work that a theatrical commons can do to advance alternative producing structures and transnational coalitional politics.
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5

DeGrasse-Johnson, Nicholeen, and Christopher A. Walker. "Roots to Routes." Cultural and Pedagogical Inquiry 11, no. 3 (December 13, 2019): 13–30. http://dx.doi.org/10.18733/cpi29500.

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Presented as a retrospective dialogue between the two co-authors, this essay highlights the history of the National Dance Theatre Company (NDTC), and the Visual and Performing Arts School of Dance, Edna Manley College (EMCVPA). The essay traces the post-independence evolution of modern dance in Jamaica. Furthermore, it examines the intersections, the respective roles, functions and contributions of the two major institutions which have shaped Jamaica’s distinctive, modern dance teaching and public performances. By concentrating on their lived experiences, the co-authors explore themes of identity, educational modern dance’s history and philosophies, and Jamaican dance’s cultural and aesthetic dimensions. Finally, the essay invites a reimagining of the Caribbean contemporary dance which values folk, traditional and popular dance as sources for art and scholarship.
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6

McClelland, Arthur G. W. "Routes to Roots." Acquisitions Librarian 16, no. 31-32 (February 2, 2004): 67–76. http://dx.doi.org/10.1300/j101v16n31_06.

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7

Gustafson, Per. "Roots and Routes." Environment and Behavior 33, no. 5 (September 2001): 667–86. http://dx.doi.org/10.1177/00139160121973188.

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8

Mack, Mehammed Amadeus. "ROUTES ARE ROOTS." GLQ: A Journal of Lesbian and Gay Studies 25, no. 2 (April 1, 2019): 366–69. http://dx.doi.org/10.1215/10642684-7367863.

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9

Lim, Merlyna. "Roots, Routes, and Routers: Communications and Media of Contemporary Social Movements." Journalism & Communication Monographs 20, no. 2 (May 24, 2018): 92–136. http://dx.doi.org/10.1177/1522637918770419.

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This monograph is an interdisciplinary analysis of the complexity of communications and media as they are embedded in the making and development of contemporary social movements, in three parts. The first part, Roots, provides a broad context for analyzing communications and media of contemporary social movements by tracing varied and multifaceted roots of the wave of global protests since 2010. The second part, Routes, maps out the routes that social movements take, trace how communications and media are entangled in these routes, and identify various key mechanisms occurring at various junctures of movements’ life cycles. The last part, Routers, explores roles of human and nonhuman, fixed and mobile, traditional and contemporary, digital and analog, permanent and temporal routers in the making and development of social movements. These analyses of roots, routes, and routers are mutually intertwined in broadening and deepening our understanding of the complexity of communications and media in contemporary social movements.
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10

Linden, R. Ruth, and Susan Rubin Suleiman. "Old Roots, New Routes." Women's Review of Books 14, no. 3 (December 1996): 21. http://dx.doi.org/10.2307/4022586.

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11

Epstein, Julia, and Sandra Patton. "From Roots to Routes." Women's Review of Books 18, no. 12 (September 2001): 10. http://dx.doi.org/10.2307/4023687.

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12

Ferguson, Kathy E., Ann Bookman, Sandra Morgen, and Anne Witte Garland. "Grass Roots, New Routes." Women's Review of Books 6, no. 6 (March 1989): 13. http://dx.doi.org/10.2307/4020491.

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13

Friedman, Jonathan. "From roots to routes." Anthropological Theory 2, no. 1 (March 2002): 21–36. http://dx.doi.org/10.1177/1463499602002001286.

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14

Pauwels, Heidi. "Conclusion: roots and routes." South Asian History and Culture 11, no. 1 (January 2, 2020): 110–12. http://dx.doi.org/10.1080/19472498.2020.1719757.

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15

DaCosta, Kimberly. "New Routes to Mixed “Roots”." Genealogy 6, no. 3 (July 1, 2022): 60. http://dx.doi.org/10.3390/genealogy6030060.

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Developments in reproductive (e.g., assisted reproduction, surrogacy) and genetic technologies (commercial DNA ancestry testing) have opened new routes to mixedness that disrupt the relationship between multiracialism and family. Discussions of racial mixedness, both academic and lay, tend to refer to persons born to parents of different racialized ancestry. Multiracialism is also understood as an outcome of extended generational descent—a family lineage comprised of ancestors of varied “races”. Both modes of mixed subjectivity rely on a notion of race as transmitted through sexual reproduction, and our study of them has often focused on the implications of this boundary crossing for families. These routes to mixedness imply a degree of intimacy and “knownness” between partners, with implications for the broader web of relationships into which one is born or marries. Assisted reproduction allows for the intentional creation of mixed-race babies outside of sexual reproduction and relationship. These technologies make possible mixed race by design, in which one can choose an egg or sperm donor on the basis of their racial difference, without knowing the donor beyond a set of descriptive characteristics. Commercial DNA testing produces another route to mixedness—mixed by revelation—in which previously unknown mixed ancestry is revealed through genetic testing. Ancestry tests, however, deal in estimations of biogenetic markers, rather than specific persons. To varying degrees, these newer routes to mixedness reconfigure the nexus of biogenetic substance and kinship long foregrounded in American notions of mixedness, expand the contours of mixed-race subjectivity, and reshape notions of interracial relatedness.
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16

CANNING, CHARLOTTE M. "Editorial: Theatre's Itinerant Routes/Roots." Theatre Research International 40, no. 2 (June 2, 2015): 137–39. http://dx.doi.org/10.1017/s0307883315000012.

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These four articles are very different in subject, geography, methodology and evidence. Despite these significant divergences, their presence in a single issue is fortuitous. What these articles offer as a single entity is an important reminder of how theatre is always concerned with and emerging from exchange and movement. Sometimes the movement is across global geopolitical boundaries; sometimes it is only across counties in a single nation. Sometimes the movement is the global circulation of ideas, and artists of very different cultures may be approaching similar subjects in similar ways although they have never met. Sometimes those routes may be traced on a map; sometimes they are roots only revealed as pathways through the transformative act of performance. Sometimes, of course, the movement is simply that of the body in representation. In all these essays the routes/roots involve challenges to collaboration and understanding, and results may come from achieving the goal of connection and/or from falling far short. Through comparing these articles with one another, we can enrich our own work as scholars and artists because they remind us to re-examine how we define even our most basic terms and assumptions.
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17

Thomas, Anish. "Roots and routes of resistance." Science Translational Medicine 8, no. 329 (March 9, 2016): 329ec42. http://dx.doi.org/10.1126/scitranslmed.aaf3864.

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18

Mackinnon, Nick. "73.25 Four Routes to Matrix Roots." Mathematical Gazette 73, no. 464 (June 1989): 135. http://dx.doi.org/10.2307/3619676.

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19

Schotman, Peter C., and Herman K. Van Dijk. "On Bayesian routes to unit roots." Journal of Applied Econometrics 6, no. 4 (October 1991): 387–401. http://dx.doi.org/10.1002/jae.3950060407.

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20

Vekemans, Tine. "Roots, Routes, and Routers: Social and Digital Dynamics in the Jain Diaspora." Religions 10, no. 4 (April 6, 2019): 252. http://dx.doi.org/10.3390/rel10040252.

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In the past three decades, Jains living in diaspora have been instrumental in the digital boom of Jainism-related websites, social media accounts, and mobile applications. Arguably, the increased availability and pervasive use of different kinds of digital media impacts how individuals deal with their roots; for example, it allows for greater contact with family and friends, but also with religious figures, back in India. It also impacts upon routes—for example, it provides new ways for individual Jains to find each other, organize, coordinate, and put down roots in their current country of residence. Using extensive corpora of Jainism-related websites and mobile applications (2013–2018), as well as ethnographic data derived from participant observation, interviews, and focus groups conducted in the United States, United Kingdom, and Belgian Jain communities (2014–2017), this article examines patterns of use of digital media for social and religious purposes by Jain individuals and investigates media strategies adopted by Jain diasporic organizations. It attempts to explain commonalities and differences in digital engagement across different geographic locations by looking at differences in migration history and the layout of the local Jain communities.
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21

Cavalcanti. "Utopian Studies in Brazil: Roots and Routes." Utopian Studies 27, no. 2 (2016): 210. http://dx.doi.org/10.5325/utopianstudies.27.2.0210.

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22

Shekhar, Vibhanshu. "South Asian diaspora narratives: roots and routes." Diaspora Studies 13, no. 2 (May 6, 2020): 215–17. http://dx.doi.org/10.1080/09739572.2020.1759199.

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23

Zipp, Samuel. "The Roots and Routes of Urban Renewal." Journal of Urban History 39, no. 3 (December 6, 2012): 366–91. http://dx.doi.org/10.1177/0096144212467306.

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24

Graeme Whimp. "Interdisciplinarity and Pacific Studies: Roots and Routes." Contemporary Pacific 20, no. 2 (2008): 397–421. http://dx.doi.org/10.1353/cp.0.0009.

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25

Dittmann, Elke, David P. Fewer, and Brett A. Neilan. "Cyanobacterial toxins: biosynthetic routes and evolutionary roots." FEMS Microbiology Reviews 37, no. 1 (January 2013): 23–43. http://dx.doi.org/10.1111/j.1574-6976.2012.12000.x.

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26

Feldman, Jeffrey D. "The Jewish Roots and Routes of Anthropology." Anthropological Quarterly 77, no. 1 (2004): 107–25. http://dx.doi.org/10.1353/anq.2004.0003.

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27

Dakshta Arora & Prof. Anjana Das. "Roots, Routes and Fruits: Feminism and Ecofeminism." Creative Saplings 1, no. 12 (March 26, 2023): 1–13. http://dx.doi.org/10.56062/gtrs.2023.1.12.227.

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Ecofeminism is the missing link that connects woman and nature, while tracing out the patriarchal structures of exploitation and oppression. This paper searches for the origination of ‘Ecofeminism’ that lies somewhere in the fusion of ‘Feminism’ and ‘Ecology.’ While defining the concept of ‘Feminism’, it explores its different forms along with its chronological order through wave metaphor. Feminism nurtures the sapling of Ecofeminism, and with the passage of time, it turns into a tree that bears fruits of the various forms which can be viewed through different perspectives. It presents roots, routes and fruits that come out of ‘Feminism’ and ‘Ecofeminism.’ Knowing nature leads to knowing woman, and knowing woman, leads to knowing nature. The real emancipation lies in saving the earth and woman from exploitation and oppression.
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28

Vatamanescu, Elena-Madalina. "Roots and Routes of Similarity in Virtual Communities." International Journal of Interdisciplinary Social Sciences: Annual Review 4, no. 8 (2009): 173–80. http://dx.doi.org/10.18848/1833-1882/cgp/v04i08/52964.

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29

Bhambra, Gurminder K. "Introduction – Roots, routes, and reconstruction: Travelling ideas/theories." Sociological Review 68, no. 3 (January 14, 2020): 455–60. http://dx.doi.org/10.1177/0038026119899361.

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30

Linhard, Tabea Alexa. "No solid ground: Max Aub’s roots and routes." Journal of Iberian and Latin American Studies 23, no. 2 (May 4, 2017): 217–31. http://dx.doi.org/10.1080/14701847.2017.1334891.

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31

Goldman, Michael. "Tracing the roots/routes of World Bank power." International Journal of Sociology and Social Policy 25, no. 1/2 (January 2005): 10–29. http://dx.doi.org/10.1108/01443330510791270.

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32

Brancato, Sabrina. "From Routes to Roots: Afrosporic Voices in Italy." Callaloo 30, no. 2 (2007): 653–61. http://dx.doi.org/10.1353/cal.2007.0181.

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33

Vestad, Ingeborg Lunde. "Musical Roots and Routes and Senses of Belonging." Journal of the History of Childhood and Youth 11, no. 1 (2018): 94–101. http://dx.doi.org/10.1353/hcy.2018.0011.

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34

Munro, Rolland. "Unfolding Social Construction: Sociological Routes and Political Roots." Sociological Review 58, no. 2_suppl (December 2010): 1–21. http://dx.doi.org/10.1111/j.1467-954x.2011.01974.x.

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35

Ashcroft, Shaka. "Roots and Routes: Krio Identity in Postcolonial London." Black Theology 13, no. 2 (August 2015): 102–25. http://dx.doi.org/10.1179/1476994815z.00000000051.

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36

Sharif, Aditi, and Mahima Ferdousy Mithila. "Digging The ‘Dirt’: Roots and Routes of Stigma." South Asian Journal of Social Sciences and Humanities 5, no. 2 (April 5, 2024): 1–20. http://dx.doi.org/10.48165/sajssh.2024.5.2.01.

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Historically, Dalit identity is associated with different stereotypical notions. In this article, we have attempted to explore the underlying factors behind the stigma associated with them from the micro perspective in a small Muslim-dominated context of Bangladesh based on a series of intensive fieldwork. It reveals that Dalit cleaners are widely considered impure, dirty, strange, chaotic, alcoholic, and inferior. We combined two theoretical perspectives to interpret the matter systematically: Douglas’s notion of purity and pollution and Foucauldian discourse. The apparent reasons for the stigma associated with Dalit cleaners at Bhairab are association with ‘Dirty jobs, pig rearing, pork consumption, liquor consumption, and business. However, the empirical pieces of evidence show that different historical, religious, and socio-political factors (such as ideological domination of Hindu scriptures, the intervention of British colonialism, and the negative role of media and local influential businessmen) contribute significantly to the stigma.
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37

Wiemann, Dirk. "Layer after layer: Aerial roots and routes of translation." Thesis Eleven 162, no. 1 (January 29, 2021): 33–45. http://dx.doi.org/10.1177/0725513621990772.

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When the Royal Botanic Gardens at Kew in South London were opened to the general public in the 1840s, they were presented as a ‘world text’: a collection of flora from all over the world, with the spectacular tropical (read: colonial) specimens taking centre stage as indexes of Britain’s imperial supremacy. However, the one exotic plant species that preoccupied the British cultural imagination more than any other remained conspicuously absent from the collection: the banyan tree, whose non-transferability left a significant gap in the ‘text’ of the garden, thereby effectively puncturing the illusion of comprehensive global command that underpins the biopolitical designs of what Richard Grove has aptly dubbed ‘green imperialism’. This article demonstrates how, in the 19th and early 20th centuries, the banyan tree became an object of fascination and admiration for British scientists, painters, writers and photographers precisely because of its obstinate non-availability to colonial control and visual or even conceptual representability.
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38

Corrente, Michael, and Daniel Ortega. "Roots to Routes: Digital Las Vegas—Trails Resource Database." International Journal of Sustainability Education 9, no. 1 (2013): 1–5. http://dx.doi.org/10.18848/2325-1212/cgp/v09i01/55286.

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39

Kedward, H. R. "Mapping the Resistance: An Essay on Roots and Routes." Modern & Contemporary France 20, no. 4 (November 2012): 491–503. http://dx.doi.org/10.1080/09639489.2012.720436.

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40

Fryszberg, Isabel. "Roots of Community and Routes to Healing with Art." Canadian Art Therapy Association Journal 14, no. 1 (March 2000): 20–26. http://dx.doi.org/10.1080/08322473.2000.11432245.

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41

Dyen, Doris J. "Routes to Roots : Searching for the Streetlife of Memory." Journal of American Folklore 119, no. 471 (2006): 19–29. http://dx.doi.org/10.1353/jaf.2006.0005.

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42

Iqani, Mehita, and Bridget Kenny. "Critical consumption studies in South Africa: roots and routes." Critical Arts 29, no. 2 (March 4, 2015): 95–106. http://dx.doi.org/10.1080/02560046.2015.1039198.

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43

Orlando, Ludovic. "Back to the roots and routes of dromedary domestication." Proceedings of the National Academy of Sciences 113, no. 24 (May 25, 2016): 6588–90. http://dx.doi.org/10.1073/pnas.1606340113.

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44

Muponde, Robert. "Roots/Routes: Place, Bodies and Sexuality in Yvonne Vera's." Matatu 29-30, no. 1 (June 1, 2005): 15–30. http://dx.doi.org/10.1163/18757421-029030003.

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45

Wesolowski, Katya. "Imagining Brazil in Africa: Capoeira's Transatlantic Roots and Routes." Journal of Latin American and Caribbean Anthropology 25, no. 3 (September 2020): 453–72. http://dx.doi.org/10.1111/jlca.12477.

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46

Mountcastle, Amy. "Roots and Routes: Ethnicity and Migration in Global Perspective." American Ethnologist 28, no. 2 (May 2001): 497–98. http://dx.doi.org/10.1525/ae.2001.28.2.497.

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47

FAIRHURST, U. J. "ROUTES AND ROOTS OF GEOGRAPHICAL REALITIES: IDENTITY AS CATALYST." South African Geographical Journal 81, no. 1 (April 1999): 1–4. http://dx.doi.org/10.1080/03736245.1999.9713655.

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48

Semley, Lorelle, Teresa Barnes, Bayo Holsey, and Egodi Uchendu. "Editors’ Introduction: African History’s Interdisciplinary Roots, Ruts, and Routes." History in Africa 49 (June 2022): 1–8. http://dx.doi.org/10.1017/hia.2022.17.

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49

Martin, Sylvia J. "The Roots and Routes of Michael Jackson’s Global Identity." Society 49, no. 3 (March 29, 2012): 284–90. http://dx.doi.org/10.1007/s12115-012-9550-z.

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50

Alleyne, Osei. "Dancehall Diaspora: Roots, Routes & Reggae Music in Ghana." Proceedings of the African Futures Conference 2, no. 1 (June 2018): 162. http://dx.doi.org/10.1002/j.2573-508x.2018.tb000033.x.

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