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Academic literature on the topic 'Rondom 10 (Television program)'

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Published: 26 July 2024
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Journal articles on the topic "Rondom 10 (Television program)"

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Nafi, Anan Tawazzun, and Alamsyah Alamsyah. "Dinamika Program Siaran TVRI Tahun 1969-1989." Sabda: Jurnal Kajian Kebudayaan 18, no. 1 (June 25, 2023): 1–10. http://dx.doi.org/10.14710/sabda.18.1.1-10.

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During the New Order era, economic development policies were the focus of the Soeharto administration. To implement development, the country's socio-political conditions needed to be controlled. This control was done through the utilisation of television as a tool to spread development messages. This mass media is very effective and efficient in shaping people's mindset. In carrying out its duties, TVRI does so through its broadcast programmes. However, people do not like TVRI's lighting broadcasts, they prefer entertainment broadcasts. Therefore, development messages began to be inserted into TVRI's entertainment broadcasts. This effort intensified after advertising was banned on television. At that time, almost all TVRI broadcasts were aimed at supporting development policies. This situation lasted until the New Order government collapsed.
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Bernard-Bonnin, Anne-Claude, Elizabeth Rousseau, Pierre Masson, Sophie Gilbert, and Brigitte Maheux. "Television and the 3- to 10-Year-Old Child." Pediatrics 88, no. 1 (July 1, 1991): 48–54. http://dx.doi.org/10.1542/peds.88.1.48.

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A questionnaire on the use of television was administered to the parents of 387 children aged between 3 and 10 years. All families owned at least one television set and 57.6% of families owned two or more sets, with one in the child's bedroom in 10.6% of cases. Television was turned on all day in 16% of cases, mostly in families with low level of parental education (P < .01). Television was on at mealtime in 54.5% of cases; 45.2% of children were watching television for between 7 to 16 hours per week, and the heavy viewers belonged to families with low levels of maternal education (P < .05). About one third of children watched television without any interdiction set by their parents. According to age, from 28% to 40% of children watched violence on television. Parents believed that television facilitates learning (65.3%) but were concerned about violence (22.7%) and commercials (7.4%). Finally, 63.3% of parents reported that they would like to obtain more information about television use. According to this survey, many children are watching television without any limits being set by their parents and are witnessing violent scenes at an impressionable and vulnerable age. The pediatrician should include at routine office visits parental guidance on the mediation of television effects through coviewing, content discussion with children, and program selection.
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Morissan, Morissan. "The Influence of Politicians on Television Content in Post-Authoritarian Indonesia." Jurnal Ilmu Sosial dan Ilmu Politik 20, no. 3 (August 4, 2017): 204. http://dx.doi.org/10.22146/jsp.27205.

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The downfall of the last authoritarian ruler in May 1998 marked the beginning of the transition to democracy in Indonesia. Before 1998, the autocratic government firmly monitored media content for decades. With the current broadcast liberalization, Indonesian televisions can produce almost any kind of program contents. However, a question arises, who actually controls television content in the era of liberalization? How do political and economic factors influence television workers in shaping content? This empirical research intends to focus on the influence politicians have on television program content in four elections in post-authoritarian Indonesia. The research question is: how do politicians influence television workers in shaping their content? The question needs a qualitative descriptive answer from various sources, including interviews with around 100 television workers in the 10 largest TV stations, participant observations, documents, television reports, and other data sources. Research findings reveal that the relationship between politicians and television intensified ahead and during political campaigns. Most television stations had conducted a relatively fair and nonpartisan coverage of the 2004 and 2009 election, but unfair and partisan in the 1999 and 2014 elections.
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Musfira, Musfira. "Gangguan Emosional Anak Akibat Tayangan Misteri Televisi (Studi Kasus Pada Anak Usia 2-11 Tahun)." PEMBELAJAR: Jurnal Ilmu Pendidikan, Keguruan, dan Pembelajaran 2, no. 2 (October 29, 2018): 132. http://dx.doi.org/10.26858/pembelajar.v2i2.7164.

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This study aims to: (1) understand the emotional disturbance experienced by children aged 2-10 years old because they often watch a mystery program an television, (2) understand the physical problems experienced by children aged 2-10 years old as a result of emotional disturbance because the frequently watch mystery television program.This research is a qualitative research with case study method with three children with different age classifications as research subject. Two children are from pre-operational phase and a child from the concrete operational phase. The data collection techniques used in this research are observation, interview and documentation.The results provide conclusion that the emotional distress experienced by children (2-10 years old) is whyny, often delirious, coward and always felt overshadowed, not independent, and fear of certain animals and thus affects his physical with the chest thumping, trembling and cold sweat and stamina of his body became weak, so vulnerable to disease. Emotional disturbances experienced by each child depend on the intensity of children watching mystery program in the mystique level contained in those program
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Lokumannage, A. "A Study on the Effectiveness of Television Exam Hosting Programs in Sri Lanka." Vidyodaya Journal of Humanities and Social Sciences 06, no. 01 (2021): 58–70. http://dx.doi.org/10.31357/fhss/vjhss.v06i01.05.

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This research examines the effectiveness of television exam hosting programs in the Sri Lanka Rupavahini Cooperation’s “Jathika Pasala” Program. There were three objectives of this research. Those were: 1. To identify the percentage of Ordinary Level students and teachers watching the "Jathika Pasala" Exam Hosting Program. 2. To study the outcome of Ordinary Level Students through the "Jathika Pasala" Exam Hosting Program. 3. To analyse the outcome of teaching process of teachers through "Jathika Pasala" Examination Program. The research problems of this study were: 1. How many percentages of Ordinary Level students do watch “Jathika Pasala” Exam Hosting Program? 2. Does the “Jathika Pasala” Exam Hosting Program support the study of Ordinary Level students? and 3. Does the “Jathika Pasala” Exam Hosting Program support the teaching process of Ordinary Level teachers? A written questionnaire was selected under the survey methodology to study the effectiveness of the “Jathika Pasala” Exam Hosting Program. The researcher distributed the questionnaire in each school and completed the questionnaire. 100 students of grade 11 and 50 teachers were selected from 10 selected schools in the Colombo District. 55% of the sample stated that they watch the “Jathika Pasala” Program. Most of them are girls. 70% of teachers watch it. 55% of students said that program would improve their subject knowledge, while 45% said program was more comprehensive than classroom teaching.
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Stack, Lois Berg. "415 PB 086 EFFECTIVENESS OF INTERACTIVE TELEVISION IN TEACHING MASTER GARDENERS." HortScience 29, no. 5 (May 1994): 490d—490. http://dx.doi.org/10.21273/hortsci.29.5.490d.

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Master Gardener programs were conducted through 10 of Maine's 16 county offices in 1993. In an effort to reduce the number of identical presentations given by the limited number of instructors, 5 of the 10 sessions were conducted via interactive television (ITV), while the remaining 5 sessions were held locally. Participants (n=215) were surveyed about their learning experience in fall 1993. Data compare the local ITV audience vs. 7 distant audiences viewing sessions in real time vs. 2 audiences viewing taped sessions at a later date, on test scores of material presented, and on attitudes about the program. Data also summarize the types of projects on which Master Gardener volunteer hours were applied, and participants' attitudes about how volunteer programs could be made more effective.
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Risica, Patricia, Kim M. Gans, Shiriki Kumanyika, Usree Kirtania, and Thomas M. Lasater. "SisterTalk: final results of a culturally tailored cable television delivered weight control program for Black women." International Journal of Behavioral Nutrition and Physical Activity 10, no. 1 (2013): 141. http://dx.doi.org/10.1186/1479-5868-10-141.

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Young, Michael P. "Such Schadenfreude – Unpacking The Medley of Caustic Humor and Politics in Veep." AM Journal of Art and Media Studies, no. 20 (October 15, 2019): 61. http://dx.doi.org/10.25038/am.v0i20.327.

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This paper discusses the intersection of humor and politics from a media perspective, particularly through the lens of television aesthetics. As a growing branch of television studies, television aesthetics tends to refer to stylistic analysis but also, more rarely, to an interest in philosophical aesthetics as applied to television (Butler, 2010; Cardwell, 2013). I will focus on the genre of political satire and identify the critically acclaimed television series Veep (HBO, 2012 – present) as a program which exemplifies the expression and underlying values of a contemporary strain of aesthetic sensibility – schadenfreude – that runs through its axes of coarse disempowering humor and the portrayal of politics. Specifically, the paper explores how Veep’s affective reception results from humorously overlapping two of the more problematic aspects that persist in the political landscape, namely, self-interest and ineptitude.This paper begins by reflecting on the universal prevalence of schadenfreude. The first section briefly traces key historical instantiations of political satire, understood as a genre that humorously derides the shortcomings and dissonances of a prevailing political milieu. The second section conceptualizes schadenfreude in satirical terms and underlies its philosophical foundations. The third section elaborates on the novelty of Veep by highlighting its gendered position as the first comedic fictional television program of a female president and outlines how its satirical modality depends on its coarse writing style and depiction of antiheroinism to make the problematic political milieu pleasurable to viewers whose normative experience of politics is frequently negative. The final section considers the ‘real world’ implications of Veep as a social commentary on unsavory political personas and perspectives. Article received: May 10, 2019; Article accepted: July 6, 2019; Published online: October 15, 2019; Original scholarly articleHow to cite this articel: Young, Michael P. "Such Schadenfreude – Unpacking The Medley of Caustic Humor and Politics in Veep." AM Journal of Art and Media Studies 20 (2019): 61-69. doi: 10.25038/am.v0i20.327
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Herieningsih, Sri Widowati, and Tandyo Pradekso. "The Relationship of Perceived Reality of Sinetron Anak Jalanan and Anti Social Behavior." Humaniora 8, no. 1 (January 31, 2017): 1. http://dx.doi.org/10.21512/humaniora.v8i1.3691.

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The research was conducted to explain a potential link between antisocial behavior and how children made sense of television program, Anak Jalanan. A survey was conducted on 248 children from 10-12 years old in Semarang with a non-random sampling technique. Besides, a correlation technique was used to examine a relationship. The results confirm that perceived reality on the show is related to children’s anti-social behavior. The findings bring about a warning alert to families, communities, and organizations that have concerns about the impact of media on children. They should reunite their efforts to do a more massive movement to make the media content more children-friendly. Parents also need to employ parental mediation at home to reduce the negative impact of such television programs on their children.
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Huo, Shutong, Kai Wang, Zongchao Liu, Yuao Yang, Jia Yi Hee, Qiwei He, Rie Takesue, and Kun Tang. "Influence of Maternal Exposure to Mass Media on Growth Stunting Among Children Under Five: Mediation Analysis Through the Water, Sanitation, and Hygiene Program." JMIR Public Health and Surveillance 8, no. 4 (April 6, 2022): e33394. http://dx.doi.org/10.2196/33394.

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Background The issue of malnutrition in the Democratic Republic of Congo is severe. Meanwhile, the Water, Sanitation, and Hygiene program has been demonstrated to be effective in reducing the rates of growth stunting among children. Objective We aimed to explore the association between maternal exposure to mass media and stunting in children through water, sanitation, and hygiene behaviors. Methods Mediation analysis was conducted using data from the 2018 Multiple Indicators Cluster Surveys. Results Mothers’ exposures to television and the internet in the Democratic Republic of Congo significantly decreases the risk of stunting in children by 5% and 10%, respectively, mediated by household water, sanitation, and hygiene facilities and practices. Conclusions These findings could inform interventions and policies to reduce the rate of stunting rate children by promoting water, sanitation, and hygiene through mass media, especially through the internet and television.
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Dissertations / Theses on the topic "Rondom 10 (Television program)"

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Gee, Narelle. "Maintaining our rage: Inside Australia's longest-running music video program." Thesis, Queensland University of Technology, 2015. https://eprints.qut.edu.au/85665/10/Narelle_Gee_Thesis.pdf.

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This research presents an insider's account of rage, Australia's longest-running music video program. The research's significance is that there has been scarce scholarly analysis of this idiosyncratic ABC program, despite its longevity and uniqueness. The thesis takes a reflective and reflexive narrative journey across rage's decades, presenting the accounts of the program makers, aided by the perspective of an embedded researcher, the program's former Series Producer. This work addresses the rage research gap and contributes to the scholarly discussion on music video and its contexts, the ABC, public service broadcasting, creative labour, and the cultural sense-making of television producers.
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Books on the topic "Rondom 10 (Television program)"

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Grimbergen, Cees. Rondom 10, het boek: Spraakmakende tv in turbulente tijden. [Amsterdam]: Nieuw Amsterdam, 2011.

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Stall, Sam. The South Park episode guide: Seasons 6-10. Philadelphia, PA: Running Press Book Publishers, 2010.

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10 years of River city: Behind the scenes of Scotland's favourite TV drama. Edinburgh: Black & White Publishing, 2012.

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Cliver, Sean. Jackass: 10 years of stupid. New York: MTV Press, 2010.

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Granados, Janice. 10 bud p̊a livet: En psykoanalytisk gennemgang af Kieslowski's "Dekalog"-film. [København?]: Borgen, 1994.

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Chapoy, Pati. La indiscreta: [10 años de Ventaneando]. México, D.F: Grijalbo, 2007.

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Parinello, Anthony. 10 secrets I learned from The Apprentice: Unauthorized expert tips. New York, NY: Chamberlain Brothers, 2004.

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Wrońska, Marta. Opis-wyjaśnienie-norma-ocena: Analiza struktury treści i odbioru dwóch programów telewizyjnych. Rzeszów: Wydawn. Wyższej Szkoły Pedagogicznej, 1999.

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Groening, Matt. The Simpsons family history: A celebration of television's favorite family. New York, NY: Abrams, 2014.

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Elrod, Bruce C. Your hit parade: April 20, 1935 to June 7, 1958 : American top 10 hits, 1958-1984. 3rd ed. White Rock, S.C: B.C. Elrod, 1985.

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Book chapters on the topic "Rondom 10 (Television program)"

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Mickiewicz, Ellen. "Television in the Soviet Media System." In Split Signals, 3–30. Oxford University PressNew York, NY, 1990. http://dx.doi.org/10.1093/oso/9780195063196.003.0001.

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Abstract In 1940 there were only 400 television sets in the Soviet Union. By 1950 there were 10,000; a decade later, some 4.8 million. Then in the five years between 1965 and 1970 the availability of television sets more than doubled. With a crash program, the production of television sets had jumped in the 1970s, and by 1976 Soviet industry was producing seven million sets annually. The economic plan projects the production of television sets at between 10 and 11 million in 1990 and between 12.5 and13 million in the year 2000. In 1960 only 5 percent of the Soviet population could watch television,<sup but by 1986 fully 93 percent of the population were viewers, and they were living in areas comprising more than 86 percent of the territory of the U.S.S.R.
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Kirihara, Taiga, Kazuyuki Matsumoto, Minoru Yoshida, and Kenji Kita. "Keyword Extraction from TV Program Viewers’ Tweet Based on Neural Embedding Model." In Fuzzy Systems and Data Mining VI. IOS Press, 2020. http://dx.doi.org/10.3233/faia200714.

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In recent years, young people have not been watching television (TV) as much as they used to. This is mainly because a number of TV programs are very long and/or have limited viewing times. Recently, individuals have been actively posting live-action tweets on Twitter to comment on TV content while watching programs in real time. In this study, we propose a method for extracting key phrases related to the event scenes of TV programs using live tweets, and we propose a scene search system that aims at efficient TV program viewing. The experimental results indicated that the program contents were estimated with an error of approximately 5% to 10% with respect to the program time. In addition, the extracted key phrases were visualized for each event scene category using the t-SNE algorithm.
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Adger, David, and Coppe van Urk. "Three conlang projects at three educational levels." In Language Invention in Linguistics Pedagogy, 49–68. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198829874.003.0005.

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This chapter reports on three distinct implementations of conlang projects: one for elementary school children aged 5–10 that was developed with the Centre for Literacy in Primary Education, one as a one-week summer program for secondary students aged about 15, as part of Queen Mary University’s Widening Participation initiative, and one for university students at Queen Mary College that was based on Adger’s experience creating languages for a television series. For each project, the development process, learning outcomes, and project mechanics are described. The projects vary considerably in structure and focus, and are shown to benefit students at all educational levels.
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Patterson, James T. "Veterans, Ethnics, Blacks, Women." In Grand Expectations, 10–38. Oxford University PressNew York, NY, 1997. http://dx.doi.org/10.1093/oso/9780195117974.003.0002.

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Abstract Many things that middle-class Americans took for granted by the 1960s scarcely existed for the 139.9 million people who inhabited the forty-eight states in 1945 or for the 151. 7 million in 1950. Consider a few of these things: supermarkets, malls, fast-food chains, residential air-conditioning, ranch-style homes, freezers, dishwashers, and detergents. Also ballpoint pens, hi-fis, tape recorders, long-playing records, Polaroid cameras, computers, and transistors. And four-lane highways, automatic transmissions and direction signals, tubeless tires, and power steering. In 1945 only 46 percent of households had a telephone; to get long distance, people paid a good deal and asked for an operator. In 1950, 10 percent of families had television sets and 38 percent had never seen a TV program. Although 33 million of America’s roughly 38 million households in 1945 had radios, these were for the most part bulky things cased in wooden cabinets, and they took time to warm up. Some 52 percent of farm dwellings, inhabited by more than 25 million people, had no electricity in 1945.
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Ortega-Galarza, Máximo, Moisés Nikolay Trujillo Avilés, Kathrina Samira Ortega Coloma, Máximo Leonid Ortega Coloma, Hólguer Rodrigo Altamirano Pérez, and María Eugenia Tovar Pinzón. "Active and productive ageing of older adults, a look at its influencing factors." In Health of Tomorrow: Innovations and Academic Research. Seven Editora, 2024. http://dx.doi.org/10.56238/sevened2023.007-072.

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Active and productive aging is a continuous process of physical, biological, and social development of the human being, which is formed every day in order to achieve the well-being of the individual. The objective of this research is to identify the factors that influence active and productive aging of older adults, particularly in the communities of El Placer and Yamana of Lauro Guerrero parish, Paltas canton, Loja province. This was a cross-sectional, descriptive, mixed methods field study, considering the population registered in the Type A Lauro Guerrero Health Center. The participants in this study were older adults aged 65 years and over; the sample was based on inclusion criteria of 45 people. Analyses were performed by linear regression based on the Integral Geriatric Scale of the Department of Public Health and semi-structured interviews processed using the EViews 9 program. The results were as follows: 43% were women, 65% had no high school education and 81% lived with relatives with whom they had a good relationship. In terms of physical health 70% of the participants were able to perform basic daily activities independently, in terms of social well-being, 72% showed lower social risks due to active participation in society and family. 78% of the older adults in this study used the cell phone as a means of communication, 85% used television and 10% used the radio, then it is concluded that there is a correlation between physical, mental and social well-being and the use of social networks.
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Kasperson, Roger E., and Jeanne X. Kasperson. "Hidden Hazards." In Acceptable Evidence. Oxford University Press, 1994. http://dx.doi.org/10.1093/oso/9780195089295.003.0006.

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In this last decade of the twentieth century, hazards have become a part of everyday life as they have never been before. It is not that life, at least in advanced industrial societies, is more dangerous. Indeed, by any measure, the average person is safer and is likely to live longer and with greater leisure and well-being than at earlier times. Nevertheless, the external world seems replete with toxic wastes, building collapses, industrial accidents, groundwater contamination, and airplane crashes and near collisions. The newspapers and television news daily depict specific hazard events, and a parade of newly discovered or newly assessed threats—the "hazard-of-the-week" syndrome—occupies the attention of a host of congressional committees, federal regulatory agencies, and state and local governments. Seemingly any potential threat, however esoteric or remote, has its day in the sun. How is it, then, that certain hazards pass unnoticed or unattended, growing in size until they have taken a serious toll? How is it that asbestos pervaded the American workplace and schools when its respiratory dangers had been known for decades? How is it that after years of worry about nuclear war, the threat of a "nuclear winter" did not become apparent until the 1980s? How is it that the Sahel famine of 1983 to 1984 passed unnoticed in the hazard-filled newspapers of the world press, until we could no longer ignore the specter of millions starving? How is it that America "rediscovered" poverty only with Michael Harrington's vivid account of the "other Americans" and acknowledged the accumulating hazards of chemical pesticides only with Rachel Carson's Silent Spring1? How is it that during this century a society with a Delaney amendment and a $10 billion Superfund program has allowed smoking to become the killer of millions of Americans? And why is it that the potential long-term ecological catastrophes associated with burning coal command so much less concern than do the hazards of nuclear power? These oversights or neglects, it might be argued, are simply the random hazards or events that elude our alerting and monitoring systems. After all, each society has its "worry beads," particular hazards that we choose to rub and polish assiduously (Kates 1985).
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"conservatism 105; referendum 103, tactility 7, 40, 104, 121–22; haptic space 106; separation 99; sovereignty 49, 110–11; interactive 10; association 105–6; speech of de interface 8; telephasis 89, 94 Gaulle 100; see also gaps in television 2, 7, 41, 54, 56–7, 63, 67, historical experience 87, 92, 122; écriture télévisuelle 43; tv object 93; in France 45–7; signals racism 108–9 48; primal time 53; Société nationale Régie française de publicité (RFP) 46 de télévision de la première chaîne reification 112–15; and contemplative (TF1) 44; tele-vision 87 attitude 115 theatre 83, 120; electric 101 reversibility 94–5 transinteractivity 11–12 Rome 4, 13 translation 118–20; and table of conversions 25–6 tribalism 4, 19, 41, 102; Africa 93, 108; schizophrenia 49, 112; and Afro-Americans 108–9; as archaic postmodernity 65 thought 107; like the Beatles 5, 103; science fiction 79, 121 different 106; drum 107–8; ear 107; semioclasty 75 exotic 106–7; electric 116; French semiologue 75 Canadian 5, 92; good savage 110; semiotrophy 76 and hippies 100, 106; liberalism 103; semiurgy 8, 64, 69–73, 76, 81, 86; and Native Americans 108–9; New Age artistic strategy 36, 74; as 109; retribalize 4, 116; savages 100; manipulation of signs 66; and territorialization 105 massage 8, 64, 68–9, 72; and metallurgy 71; pan-sémie 73; radical 65–8; media 68; -urgies/-logies 74 University of Nottingham 40 silent majorities 3 University of Toronto 8, 16, 34; simulacra 67, 85, 99, 112; simulacrum McLuhan Program in Culture and 3, 91; hyperreality 67, 70, 100; Technology 9, 11 orders 90–1, 112–13, 115 Situationist 83, 114 Virtual Reality Artists’ Access Program space studies 110–11; acoustic space (VRAAP) 10 7, 40, 51 virtual technology 71; and tactility 11 spectacle 12, 83 structuralism 18–20, 22, 25–6, 31, 25, war 3–4, 16–17, 26, 101; speed and 75; McLuhan as amateur implosion 95–7 structuralist 22; poststructuralism 38, 48 style 22–5 x-ray 26; see also figure and ground surfing 9 surrealism 58 year 2000 99, 103; see also pataphysics symbolic exchange 78–80, 85–6, York University 40 109–10, 112." In McLuhan and Baudrillard, 150. Routledge, 2002. http://dx.doi.org/10.4324/9780203005217-20.

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"Max Ramsay is the cardboard cutout Ozzie clod who warns his son, Shane, against dating Daphne because she works as a stag-night stripper. His main fear seems to be the effect the newly arrived Daphne might have on the price of his property. (Smurthwaite 1986) As Grahame Griffin notes, “the closing credit sequence . . . is a series of static shots of suburban houses singled out for display in a manner reminiscent of real estate advertisements” (Griffin 1991: 175). Small business abounds in Neighbours: a bar, a boutique, an engineering company, with no corporate sector and no public servants or bureaucrats apart from a headmistress. 10 Writing skills must be acknowledged. It is very hard to make the mundane interesting, and indeed to score multiple short plot lines across a small number of characters (twelve to fifteen), as is appropriate to representing the local, the everyday, the suburban. As Moira Petty remarks, Neighbours is successful because “it’s very simple. The characters are two dimensional and the plots come thick and fast. The storylines don’t last long, so if you don’t like one, another will come along in a few days” (quoted by Harris 1988). These ten textual reasons doubtless contribute, differentially across different export markets, to Neighbours’s success in many countries of the world. Its wholesome neighborliness, its cosy everyday ethos would appear to be eminently exportable. However, lest it be imagined that Neighbours has universal popularity or even comprehensibility, there remain some 150 countries to which it has not been exported, and many in which its notions of kinship systems, gender relations, and cultural spaces would appear most odd. The non-universality of western kinship relations, for example, is clearly evidenced in Elihu Katz and Tamar Liebes’s comparison of Israeli and Arab readings of Dallas (Katz and Leibes 1986). And, indeed, there are two familiar territories to be considered later – the USA and France – in which it has been screened and failed. Significantly, the countries screening Neighbours are mostly anglophone and well familiar with British, if not also with Australian soaps. But why does Neighbours appeal so forcibly in the UK? In the UK market, I suggest, five institutional and cultural preconditions enabled Neighbours’s phenomenal success. Some of these considerations are, of course, the sine qua non of Neighbours even being seen on UK television. The first precondition was its price, reportedly A$54,000 per show for two screenings; with EastEnders costing A$80,000 per episode, Neighbours was well worth a gamble (Kingsley 1989: 241). Scheduling, too, was vital to Neighbours’s success. This has two dimensions. Neighbours was the first program on UK television ever to be stripped over five weekdays (Patterson 1992). BBC Daytime Television, taking off under Roger Loughton in 1986, while Michael Grade was Programme Controller, was so bold in this as to incur the chagrin of commercial." In To Be Continued..., 112. Routledge, 2002. http://dx.doi.org/10.4324/9780203131855-14.

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