Relevant bibliographies by topics / Ronald John Criticism and interpretation

Academic literature on the topic 'Ronald John Criticism and interpretation'

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Published: 10 December 2022
Last updated: 29 January 2023

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Journal articles on the topic "Ronald John Criticism and interpretation"

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Drąg, Wojciech. "“I’m a I’m a Scholar at the Moment”: The Voice of the Literary Critic in the Works of American Scholar-Metafictionists." American, British and Canadian Studies Journal 26, no. 1 (June 1, 2016): 36–51. http://dx.doi.org/10.1515/abcsj-2016-0003.

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Abstract In her seminal book on metafiction, Patricia Waugh describes this practice as an obliteration of the distinction between “creation” and “criticism.” This article examines the interplay of the “creative” and the “critical” in five American metafictions from the late 1960s, whose authors were both fictional writers and scholars: Donald Barthelme’s Snow White, John Barth’s Lost in the Funhouse, William H. Gass’s Willie Masters’ Lonesome Wife, Robert Coover’s Pricksongs and Descants and Ronald Sukenick’s The Death of the Novel and Other Stories. The article considers the ways in which the voice of the literary critic is incorporated into each work in the form of a self-reflexive commentary. Although the ostensible principle of metafiction is to merge fiction and criticism, most of the self-conscious texts under discussion are shown to adopt a predominantly negative attitude towards the critical voices they embody – by making them sound pompous, pretentious or banal. The article concludes with a claim that the five works do not advocate a rejection of academic criticism but rather insist on its reform. Their dissatisfaction with the prescriptivism of most contemporary literary criticism is compared to Susan Sontag’s arguments in her essay “Against Interpretation.”
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Moberly, R. W. L. "Biblical Criticism and Religious Belief." Journal of Theological Interpretation 2, no. 1 (2008): 71–100. http://dx.doi.org/10.2307/26421447.

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Abstract Moberly discusses John Barton's Nature of Biblical Criticism and takes issue with Barton's portrayal of theological interpretation as hostile to the values of biblical criticism. After showing how Barton misrepresents theological interpretation, not least because of a failure to do justice to the changing frames of reference of critical scholarship, Moberly extends the discussion to include the preunderstandings that interpreters inevitably bring to the Bible in ways analogous to how one reads a classic; the way in which appreciation of deep literature relates to personal maturity; and the way in which theological dogma, rightly understood, can make truer one's perception of reality.
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Moberly, R. W. L. "Biblical Criticism and Religious Belief." Journal of Theological Interpretation 2, no. 1 (2008): 71–100. http://dx.doi.org/10.2307/jtheointe.2.1.0071.

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Abstract Moberly discusses John Barton's Nature of Biblical Criticism and takes issue with Barton's portrayal of theological interpretation as hostile to the values of biblical criticism. After showing how Barton misrepresents theological interpretation, not least because of a failure to do justice to the changing frames of reference of critical scholarship, Moberly extends the discussion to include the preunderstandings that interpreters inevitably bring to the Bible in ways analogous to how one reads a classic; the way in which appreciation of deep literature relates to personal maturity; and the way in which theological dogma, rightly understood, can make truer one's perception of reality.
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Houston, Walter J. "Prophecy and Religion Revisited: John Skinner and Evangelical Biblical Criticism." Religions 12, no. 11 (October 28, 2021): 935. http://dx.doi.org/10.3390/rel12110935.

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The paper is an essay in the history of interpretation. Its subject is John Skinner’s book on the life of Jeremiah, Prophecy and Religion (1922). The main aim is to place the work in its historical, theological and cultural context, to explain Skinner’s conviction that Jeremiah’s life marks the emergence of personal religion in Israel and points towards Christianity. Attempts at such contextualization by J. Henderson and M.C. Callaway are studied and shown to be inadequate. Skinner’s religious context and theological education are then reviewed and are shown to be sufficient to account for his belief in the pivotal role of Jeremiah in the evolution of ‘religion’. The paper finally addresses the present-day significance of Skinner’s work and concludes that while Prophecy and Religion is of limited value for the interpretation of Jeremiah, Skinner’s life and work as a whole as an evangelical believer engaged in radical biblical criticism is a valuable model neglected over the last 100 years.
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Lago, Pablo Antonio. "Interpretation and Legal Theory: as críticas de Andrei Marmor ao interpretativismo de Ronald Dworkin." Teoria Jurídica Contemporânea 2, no. 1 (November 7, 2017): 39. http://dx.doi.org/10.21875/tjc.v2i1.11883.

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<p><strong>RESUMO:</strong></p><p><span id="docs-internal-guid-decdab21-6e60-7f17-85b2-a2ed5562f90b"><span>O presente artigo tem por objeto as principais críticas que Andrei Marmor, em seu livro </span><span>Interpretation and Legal Theory</span><span>, apresenta à concepção de interpretação defendida por Ronald Dworkin. Em um primeiro momento, Marmor sugere que, para Dworkin, toda e qualquer conclusão sobre o Direito seria objeto de interpretação, o que não seria correto quando analisamos, por exemplo, o modo como seguimos certas regras e convenções. Em um segundo momento, Marmor argumenta que a perspectiva dworkiniana defende uma objetividade impossível de ser alcançada na interpretação: o fato de que compartilhamos valores de natureza incomensurável, por exemplo, implica na impossibilidade de se considerar que uma interpretação será, todas as coisas consideradas, melhor que outra. Analisando tais críticas à luz das respostas que Dworkin ofereceu ou poderia ter oferecido, conclui-se que a visão de Marmor sobre a concepção dworkiniana de interpretação é incorreta, na medida em que ignora distinções que lhe são centrais, como a diferença entre “conceitos criteriais” e “conceitos interpretativos”, e sobre a natureza integrada dos valores que compartilhamos socialmente. Ainda assim, o debate entre ambos os autores ressalta sua clara natureza metodológica, sendo importante para a compreensão do “estado da arte” da Teoria do Direito contemporânea de vertente analítica.</span></span></p><p><strong>ABSTRACT:</strong></p><p dir="ltr"><span>This paper focuses on the main criticisms presented in Andrei Marmor’s </span><span>Interpretation and Legal Theory</span><span> to Ronald Dworkin’s conception of interpretation. In the first criticism, Marmor suggests that in Dworkin’s theory each and every conclusion about what the law is in a given case is a result of interpretation, which cannot be correct when we think, for example, about the way we follow certain rules and conventions. In the second criticism, Marmor argues Dworkin supports an impossible objectivity view on interpretation: the fact that we share values of incommensurable nature, for example, implies that it is impossible to consider that one interpretation can be the best, all things considered. Considering both criticisms and the answers that Dworkin offered or could have offered to it, this paper concludes Marmor's view about Dworkin's concept of interpretation is incorrect, considering that Marmor ignores central distinctions of Dworkinian thought, such as the difference between "criterial” and “interpretive” concepts, and about the integrated nature of values we share on society. Nevertheless, the debate emphasizes its methodological nature, and is important to understand the state of art of the analytical contemporary legal theory.</span></p><div><span><br /></span></div>
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Spirova, Elvira. "Games of the Unconscious (through the Pages of Translations by V.V. Starovoitov)." Philosophical anthropology 8, no. 2 (2022): 167–82. http://dx.doi.org/10.21146/2414-3715-2022-8-2-167-182.

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In recent years, several significant translations have been published by Vladimir Vasilyevich Starovoitov, which undoubtedly expand the ideas of Russian specialists about classical psychoanalysis, its criticism and the subsequent development of Freudian ideas. The article analyzes the works of John D. Sutherland, Ronald W.F. Fairbairn, Sandor Ferenczi and Benjamin Kilborne. An idea is given about the dynamically complex and contradictory process of the formation of psychoanalytic schools and individual teachings. The problems of the theory of psychoanalysis and psychoanalytic technique are considered, the issues of applied and clinical psychoanalysis, the development of personality and the emotional world of a person are discussed.
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McNamara, Peter. "Revolutionary Values for a New Millennium: John Adams, Adam Smith, and Social Virtue. By John E. Hill. Lanham, Maryland: Lexington Books, 2000. 213p. $55.00." American Political Science Review 95, no. 1 (March 2001): 207. http://dx.doi.org/10.1017/s0003055401292016.

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No one will deny John E. Hill's claim that he has written an "unabashedly didactic" book (p. xi). This is not social science, or political theory, or history as it is usually understood by those disciplines. I do not mean that as a criticism, for there is great merit in writing as a concerned citizen-scholar. Hill puts his political cards on the table. He is a self-described "moderate liberal" (p. xi) who wants universal health insur- ance, public funding of elections, more restraints on the corporate sector, a more progressive tax system, more spend- ing on education, and community service programs. He also wants liberals to rethink their attitude toward morality: They need to be more forthright about the importance of morali- ty-social virtue-for the health of the Republic. In addition, Hill does not shy away from telling us that he does not like "individualistic excess" (p. ix), Alexander Hamilton, Ronald Reagan, or the religious Right.
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Parina, Elena. "Textual Criticism and Text Reconstruction: Approaches to Early Russian and Welsh Poetry." Studia Celto-Slavica 5 (2010): 149–58. http://dx.doi.org/10.54586/iumu8654.

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The Tale of Igor’s Campaign and The Gododdin, two poetic texts crucially important for the history of Early Russian and Welsh literature respectively, have a very dark history. Both are preserved in only one reliable source and are supposed to be composed about 600 years before this edition or manuscript was created. Anna Dybo and John Koch however propose an attempt of reconstruction for the Ur-Text of these poetic masterpieces. In this article we compare the framework within which these reconstructions were created. Whereas Anna Dybo relies mainly on contemporary texts, John Koch in the absence of such monuments has to rely more on historical interpretation.
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Turalely, Edward Jakson, Olivia Joan Wairisal, and Fiktor Fadirsair. "Menggugat Eksklusivisme Umat Pilihan Allah: Tafsir Ideologi terhadap Ulangan 7: 1-11 dan Yohanes 14: 6 dalam Konteks Kemajemukan Masyarakat." ARUMBAE: Jurnal Ilmiah Teologi dan Studi Agama 4, no. 1 (July 28, 2022): 19–40. http://dx.doi.org/10.37429/arumbae.v4i1.719.

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Violence and conflict in the name of religion have increased in Indonesia, including Maluku. Social strife in Maluku provides evidence of the reality of an objectionable and properly managed society. Conflict in the name of religion has contributed to legitimization with bible texts, including Deuteronomy 7: 1-11 and John 14: 6. Therefore, this article is the result of re-interpretation utilizing ideological criticism of these biblical texts. Through the interpretation, the authors found that the exclusive narrative of Deuteronomy 7: 1-11 and John 14: 6 was influenced by the social, political, and economic situation. Thus, both texts need to be reinterpreted contextually regarding the plurality of Indonesian society. In the end, this article emphasizes that the concept of God's people cannot be interpreted exclusively but refers to all humankind universally.
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Zafra, Juan Varo. "Jean Baruzi y el problema del símbolo sanjuanista." Revue Romane / Langue et littérature. International Journal of Romance Languages and Literatures 43, no. 1 (April 7, 2008): 136–50. http://dx.doi.org/10.1075/rro.43.1.11zaf.

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The article analyses and discusses the concepts of symbol and allegory in relation to Jean Baruzi’s classic study of the poetry of St. John of the Cross, Saint John of the Cross and the Problem of Mystical Experience. These concepts have been accepted to greater or lesser degree by the majority of St. John of the Cross criticism. My reading attempts to trace the historical circumstances that conditioned Baruzi’s approach and argues for the need to reassess the reach and the pertinence of applying these aesthetic categories in the interpretation of 16th century mystical poetry, taking the conditions and unique specifics determined by the epoch and the parameters of the tradition of Christian mysticism as interpretive horizon.
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Dissertations / Theses on the topic "Ronald John Criticism and interpretation"

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Hopkins-Utter, Shane. ""An echo of an echo" : J.R.R. Tolkien's Middle-earth as elegiac romance." Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=79947.

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Tolkien's aesthetic enjoyment of distance and antiquity in literature, his interest in the power of imagination, and his use of medieval romances and ancient fairy-tales as a means of rediscovering an enchanted vision of the world are analogous to the literary endeavours of the Romantics. Like them, he perceives that the real world is inherently different from how he imagines an ideal world. This thesis discovers that Tolkien's writings correspond in numerous ways to the modern form of elegiac romance, most notably because of their positive portrayals of mortality, and their depictions of intense yearning. The moral imperative to accept death, exemplified by the heroic ethos of Old English literature, clarifies why the effect of historicity is often noted in Tolkien's fictions: time is mimetic rather than mythological. Tolkien demonstrates that Fantasy is capable of reflecting the most sombre issues of the real world, particularly the inevitability of death.
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Skublics, Heather A. L. E. "Naming and vocation in the novels of J.R.R. Tolkien, Patricia Kennealy and Anne McCaffrey." Thesis, McGill University, 1994. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=68137.

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"Naming and Vocation in the Novels of J. R. R. Tolkien, Patricia Kennealy and Anne McCaffrey" discovers in recent works of fantasy and science fiction a pattern of authority which is rooted in the existence of namers and characters who are called to specific tasks. Each of these authors portrays individuals who are called to their own particular and unique roles by other figures whose knowledge of them is deeper than their own. The Biblical account of Samuel's life provides a paradigm for both namer and named that is informative in recognising this pattern in each of the works studied. The virtues essential to living out the call of a namer are faith and obedience; and personal fulfilment as well as heroic feats can only be achieved if those virtues are cultivated.
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Syme, Margaret Ruth. "Tolkien as gospel writer." Thesis, McGill University, 1988. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=43459.

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To the extent that Tolkien's fantasy meets his own criteria for faL. ie as the "eucatastrophic " tale which points toward "Evangelium," the eschaton when God's plan in creation will be fulfilled and the effects of the fall overcome, Tolkien may be described as a gospel writer. That he intended his work to be read as "gospel," "the good news of the Kingdom of God," is suggested by its allusions to biblical and classical mythology, its linear view of history, its presentation as a compilation of received tradition. collected and translated by many hands from a wide variety of sources, by the location of Middle Earth in the distant past of our own world and by the author's attempt to create a world which comforms to familiar patterns of evolution. Less successful is his effort to provide his tale with a consistent Christian point of view.
Dans la mesure, cette oeuvre d'imagination repond aux crit6res de f6erie de Tolkien en tant que conte "eucatastrophic" qui montre le chemin vers "I'Evangelium", cette eschatalogie qui se situe au moment o0 la volontê de Dieu est accomplie et les effets de la chute sont surmontes, Tolkien peut etre. considers comme un auteur biblique. Le fait qu'il est voulu que son oeuvre soit lue en tant qu'"&angile", "la bonne nouvelle du Royaunie de Dieu" est suggêre par diffèrentes choses: les allusions faites a la mythologie biblique et classique, la vision linêaire de l'histoire, la presentation du texte en tant que compilation d'une tradition provenant de sources diverses, transmise, recueillie et traduite par diffèrentes personnes, la situation geographique dans "Middle earth"(l'empire du Milieu) dans un passé lointain, le fait que l'auteur ait essay6 de crêer un monde conforme au processus connu de l'êvolution. 10anmoins l'auteur n'a pas rêussi dans ce conte a maintenir un point de vue chrêtien. fr
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Dudley, Cynthia. "Christian heroism in J.R.R. Tolkien's The Lord of the Rings." Thesis, McGill University, 1988. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=61875.

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Langwith, Mark J. "'A far green country' : an analysis of the presentation of nature in works of early mythopoeic fantasy fiction." Thesis, University of St Andrews, 2007. http://hdl.handle.net/10023/313.

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This study undertakes an examination of the representation of nature in works of literature that it regards as early British ‘mythopoeic fantasy’. By this term the thesis understands that fantasy fiction which is fundamentally concerned with myth or myth-making. It is the contention of the study that the connection of these works with myth or the idea of myth is integral to their presentation of nature. Specifically, this study identifies a connection between the idea of nature presented in these novels and the thought of the late-Victorian era regarding nature, primitivism, myth and the impulse behind mythopoesis. It is argued that this conceptual background is responsible for the notion of nature as a virtuous force of spiritual redemption in opposition to modernity and in particular to the dominant modern ideological model of scientific materialism. The thesis begins by examining late-Victorian sensibilities regarding myth and nature, before exposing correlative ideas in selected case studies of authors whose work it posits to be primarily mythopoeic in intent. The first of these studies considers the work of Henry Rider Haggard, the second examines Scottish writer David Lindsay, and the third looks at the mythopoeic endeavours of J. R. R. Tolkien, the latter standing alone among the authors considered in these central case studies in producing fiction under a fully developed theory of mythopoesis. The perspective is then widened in the final chapter, allowing consideration of authors such as William Morris and H. G. Wells. The study attempts to demonstrate the prevalence of an identifiable conceptual model of nature in the period it considers to constitute the age of early mythopoeic fantasy fiction, which it conceives to date from the late-Victorian era to the apotheosis of Tolkien’s work.
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Lauro, Reno E. "Beyond the colonization of human imagining and everyday life : crafting mythopoeic lifeworlds as a theological response to hyperreality." Thesis, University of St Andrews, 2012. http://hdl.handle.net/10023/3207.

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This work takes up urban historian Lewis Mumford's concern for the phenomena of planned and imposed ordering of human life and societies. Mumford (and others) suggests the problem consists in the use of external plans, technologies (and media) to manipulate, dominate, and even coerce forms of life. It is seen at its worst in war, and even forced systems like Nazism and Stalinism. But these phenomena also take more attractive and seemingly enriching forms. We will focus (along with Daniel Boorstin and Umberto Eco in their own way) on forms which have massively developed in 20th and 21st century society: market and consumer saturation, shaped by dominating mass electronic media. This situation is developed imaginatively, and inventively, yet problematically, in Jean Baudrillard's theory of Hyperreality –a critique of the Western hyper-consumer and media saturated world. But his methods and pictures are not followed here. We take up a very different approach and diagnosis; This approach has become increasingly multidisciplinary: phenomenological, praxeological, anthropological, and philological. We build it up in a reading of human lifeworlds in philosophers Martin Heidegger and Ludwig Wittgenstein, and anthropologist Tim Ingold. This work does not go in for a picture of language (and cinema) as a system of signification, but as Ludwig Wittgenstein describes it, as tools always already involved in forms of life. We also offer a unique characterization of corporeal imagining and the imaginative creation of lifeworlds, paving the way for what is described as philological resistance: this resistance is seen in the development of a certain praxeological philology and fully realized in the 20th century author J. R. R. Tolkien's mythopoeic concerns. We focus particularly on what we call the double- transfer: the cyclic structure between human artistry and life-world building, each shaped by the other. We endeavor, along with Mumford and others, to counter colonization and find various less manipulated and un-coerced forms of life, and their informal organizing structures. We examine in detail Tolkien's literary and philological project; and the 20th and 21st century's first art form –cinema. Through the philosophical exploration of cinematic craft in Gilles Deleuze, and in the craft of Terrence Malick we see, and are taken up in, the inextricable relationship between how we make, what we make and how we live everyday life.
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Graham, Catherine (Catherine Elizabeth). "Standpoints : the dramaturgy of Margaretta D'Arcy and John Arden." Thesis, McGill University, 1991. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=60621.

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The political popular theatre which has developed in the West since the 1960s challenges the current hegemony in Western cultures by attacking its basic models of knowledge, yet little critical attention has been paid to the dramaturgies particular to this form. An application of the Possible Worlds theory, the concept of ludic framing, and feminist "standpoint" theory to the Irish stage plays written by Margaretta D'Arcy and John Arden after they left the "legitimate" stage, shows how the dramaturgy of this theater is a critical part of its strategic challenge to the status quo. This analysis shows how D'Arcy and Arden foreground the encompassing Theatre Possible World, within which the performance takes place, in order to cast doubt on the natural character of generally accepted meanings, and to induce the audience to consciously choose the frames within which it makes sense of action.
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Holmes, Michael M. (Michael Morgan). "John Donne's Apocalypse." Thesis, McGill University, 1991. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=60624.

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This thesis explores John Donne's vision of the Apocalypse as revealed by his religious poetry and prose. Donne believed himself to be alive in the last age of the world; however, he rejected historicist interpretations of the Apocalypse. Instead, he located the conflict with sin and death within the individual soul. Donne was concerned to create an image of the sinful soul restored to unity with the divine through its own exertions and by God's grace, free from social and political constraints. The Apocalypse presented Donne with a paradigm of unity which he appropriated in order to represent the interconnexion of God and humankind, as well as to situate himself within a present unfolding of ultimate conformity. Knowledge of the role of the Apocalypse in Donne's self-presentation, provides an awareness of the extent to which Donne understood himself to be an active participant in the fulfilment of the Providential design.
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Grodd, Elizabeth Stafford. "The Love Poems of John Clare and John Keats: A Comparative Study." PDXScholar, 1995. https://pdxscholar.library.pdx.edu/open_access_etds/4907.

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This study addresses lesser known works of romantic poets John Clare and John Keats--Clare's Child Harold and Keats's poems to Fanny Brawne--which I refer to as their love poems because the works are informed by intense feelings the poets had for women they loved. Although these works have been the brunt of negative criticism because Clare was considered insane at the time of the composition of Child Harold and Keats was accused of using the poems to give vent to his personal sufferings, nonetheless I argue that the love poems are significant for several reasons. They are a reflection of the poets' personal experiences and also demonstrate their remarkable and surprisingly similar creative abilities in the way they use poetry as a means of devising new strategies for dealing with the painful realities of their disturbing lives. And because I feel it is important to understand Clare's and Keats's feelings for the women they love in order to understand their poetry (since the poetry is, after all, based on real life experiences), I provide chapters describing the poets's lives and loves, as well as their poetic processes, to serve as a framework for examining the poems. In the remaining chapters, I show how the poets incorporate highly sophisticated metaphor in attempting to reconcile the apparent conflicts the speakers in their poems are experiencing between their subjective responses to, and their rational assessment of human existence. In the process, the speakers experience various states of emotional upheaval ranging from what I refer to as periods of limbo, purgatory, and paradise, and they create personal thresholds and undergo differing states of self-awareness. In the final chapter I provide a summary of how these different emotional states are metaphorically effected, and then attempt to explain the value of Clare's and Keats's poetic achievements in the poems from a current perspective.
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McIlroy, Brian. "Scientific art : the tetralogy of John Banville." Thesis, University of British Columbia, 1991. http://hdl.handle.net/2429/31040.

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The main thesis of this study is that John Banville's fictional scientific tetralogy makes an aesthetically challenging attempt to fuse renewed popular notions of science and scientific figures with renewed artistic forms. Banville is most interested in the creative mind of the scientist, astronomer, or mathematician, his life and times in Doctor Copernicus (1976) and Kepler (1981), and his modern day influence in The Newton Letter (1982) and Mefisto (1986). The novelist's writing is a movement of the subjective into what has normally been regarded as the objective domain of science. Chapter one gives a critical overview of the present state of Banville scholarship. It reveals that despite his focus on scientists, the novelist rarely invites more than narrow literary approaches. Chapter two discusses the cultural context of relations between science and literature. The theories of Gerald Holton on scientific history, of Arthur Koestler on creativity, and of Thomas Kuhn on paradigm change are shown to be germane to Banville's tetralogy. These theories support the general methodology throughout the dissertation. Chapter three examines the creation of the scientific genius Doctor Copernicus. In particular, the following areas are examined: the scientist's boyhood; the influences of his family, friends and colleagues; the link between science and public policy; the scientist's living and working conditions; and the scientist's thematic presuppositions. Chapter four continues the exploration of the social and artistic process of science with regard to the astronomer Kepler. This chapter's discussion of the brotherhood of science, astrology, physicalization, religion and dreams inevitably raises questions about the role of the scientist in society and how his ideas are developed. Chapter five reveals the importance of the extra—scientific factors that go into the composition of any purportedly objective science. In The Newton Letter, both the great English scientist and his Irish biographer seem to suffer from similar paradigm shifts. Chapter six on Mefisto argues that recent scientific theory, including the science of chaos, informs the work, particularly with regard to the notions of symmetry and asymmetry. Chapter seven concludes by advancing the argument that Banville's work is a much needed contribution to Irish culture, which has tended to ignore the social potential of science.
Arts, Faculty of
English, Department of
Graduate
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Books on the topic "Ronald John Criticism and interpretation"

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Dwa bieguny mitopoetyki: Archetypowe narracje w twórczości Johna Ronalda Reuela Tolkiena i Stanisława Lema = Two poles of mythopoiesis : archetypal narratives in John Ronald Reuel Tolkien's and Stanislav Lem's writings. Bydgoszcz: Oficyna Wydawnicza "Epigram", 2012.

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Harold, Bloom, ed. J.R.R. Tolkien. New York: Bloom's Literary Criticism, 2008.

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There and back again: J R R Tolkien and the origins of the Hobbit. London: I.B. Tauris, 2012.

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Tolkien and the study of his sources: Critical essays. Jefferson, N.C: McFarland & Co., 2011.

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The Hobbit and Tolkien's mythology: Essays on revisions and influences. Jefferson, North Carolina: McFarland & Company, Inc., Publishers, 2014.

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Christina, Scull, ed. J.R.R. Tolkien: Artist & illustrator. Boston: Houghton Mifflin Co., 1995.

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Rosebury, Brian. Tolkien: A critical assessment. Houndmills, Basingstoke, Hampshire: Macmillan, 1992.

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1961-, Pearce Joseph, ed. Tolkien--a celebration: Collected writings on a literary legacy. San Francisco: Ignatius Press, 2001.

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1961-, Pearce Joseph, ed. Tolkien: A celebration : collected writings on a literary legacy. London: Fount, 1999.

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Tolkien: A cultural phenomenon. 2nd ed. New York: Palgrave Macmillan, 2003.

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Book chapters on the topic "Ronald John Criticism and interpretation"

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Förster, Hans. "9. Textual Criticism and the Interpretation of Texts: The Example of the Gospel of John." In Early Readers, Scholars and Editors of the New Testament, edited by Thomas O’Loughlin, Hans Förster, Ulrike Swoboda, Satoshi Toda, Rebekka Schirner, Oliver Norris, Rosalind MacLachlan, Matthew Steinfeld, Amy Anderson, and Simon Crisp, 163–88. Piscataway, NJ, USA: Gorgias Press, 2014. http://dx.doi.org/10.31826/9781463236496-012.

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"Narrative Criticism Applied to John 4:43-54." In Text and Interpretation, 101–28. BRILL, 1991. http://dx.doi.org/10.1163/9789004379855_007.

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"Rhetorical Criticism and its Theory in Culture-Critical Perspective: The Narrative Rhetoric of John 11." In Text and Interpretation, 171–85. BRILL, 1991. http://dx.doi.org/10.1163/9789004379855_010.

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Dubey, Madhu. "Freedom Now." In Black Cultural Production after Civil Rights, 29–50. University of Illinois Press, 2019. http://dx.doi.org/10.5622/illinois/9780252042775.003.0002.

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This essay examines representations of slavery produced during the peak of the Black Power movement, across a range of fields, including historiography, psychology, political analysis, theater, fiction, popular film, and literary and cultural criticism. Focusing on a cohesive body of work informed by the Black Arts Movement (by writers such as Amiri Baraka, Ronald Fair, Blyden Jackson, John Oliver Killens, Loften Mitchell, Joseph Walker, and John A. Williams) that is largely missing from the canon of post-civil rights literature about slavery, the essay argues that the formal innovations of these literary texts, such as speculative devices of temporal simultaneity and depersonalized modes of characterization, were directly sparked by Black Power discourses of psychological, political, and historical transformation.
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O’Halloran, Meiko. "Keats at Burns’s Grave." In John Keats and Romantic Scotland, 105–21. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780198858577.003.0007.

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Burns’s tomb became the focus of Keats’s concerns about poetic fame and the complex relationship between poets and their audiences. This essay presents a new interpretation of his sonnet ‘On Visiting the Tomb of Burns’ by demonstrating how Keats’s response is inflected by several intricately connected frames of reference. Keats considers Burns’s suffering with an awareness of his poetry, the public judgement that had determined his cultural afterlife, and the poet’s two graves—the mausoleum and the obscure grave in which Burns was originally buried. These associations lead him to draw on Dante’s representation of Minos as an infernal judge. Comparing Keats’s response in 1818 with those of William and Dorothy Wordsworth, who visited Burns’s grave in 1803, I demonstrate that Keats’s ideas in the sonnet are bound up with Wordsworth’s fear of public judgement in A Letter to a Friend of Robert Burns (1816) and Hazlitt’s criticism of Wordsworth.
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