Relevant bibliographies by topics / Romantic writing

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Romantic writing'

Author: Grafiati
Published: 4 June 2021
Last updated: 11 February 2022

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Journal articles on the topic "Romantic writing"

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Mcisaac, Peter M. "Embodying the Romantic Collector in Post-Romantic Writing." Seminar: A Journal of Germanic Studies 50, no. 3 (September 2014): 314–31. http://dx.doi.org/10.3138/sem.50.3.314.

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Rudd, Andrew. "Romantic Period Writing and India." Literature Compass 1, no. 1 (January 2004): **. http://dx.doi.org/10.1111/j.1741-4113.2004.00077.x.

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O'Connor, Maura, and Robin Jarvis. "Romantic Writing and Pedestrian Travel." Albion: A Quarterly Journal Concerned with British Studies 30, no. 3 (1998): 527. http://dx.doi.org/10.2307/4053332.

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Porter, Laurence M. "Writing Romantic Epiphany:Atala, Séraphîta, Aurélia, Dieu." Romance Quarterly 34, no. 4 (November 1987): 435–42. http://dx.doi.org/10.1080/08831157.1987.11000484.

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Harper, Graeme. "The romantic ethic and creative writing." New Writing 17, no. 1 (January 2, 2020): 1–2. http://dx.doi.org/10.1080/14790726.2020.1715586.

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Budge, Gavin. "“Art’s Neurosis”: Medicine, Mass Culture and the Romantic Artist in William Hazlitt." Articles, no. 49 (April 9, 2008): 0. http://dx.doi.org/10.7202/017856ar.

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AbstractAlthough criticism has traditionally focussed on the Romantic celebration of artistic genius, there is also an emphasis on artistic abjection in Romantic writing. This essay argues that the Romantic theme of abjection is linked to the claims of early nineteenth-century Brunonian medicine that conditions of nervous over- and understimulation are the cause of diseases such as consumption and hypochondria, a case which is made with particular reference to the writings of William Hazlitt. Brunonian medical theory also informs Romantic period analyses of a newly emergent mass culture, enabling Romantic depictions of artistic abjection to be understood as a denial of the Romantic artist's involvement in a mediatization of experience which potentially distances the audience from the intuition of reality to which Romanticism ultimately appeals. This ambivalence about the position of the Romantic artist is reflected in the Romantic period debate surrounding the aesthetic category of the picturesque, which is shown to draw on Brunonian ideas about nervous stimulation in a way which makes it exemplary of conflicted Romantic attitudes towards the effects of mediatization.
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Priestman, Martin. "Temples and Mysteries in Romantic Infidel Writing." Romanticism on the Net, no. 25 (June 11, 2009): 0. http://dx.doi.org/10.7202/006010ar.

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Abstract Not all apparently religious imagery in Romantic Period writing is in fact religious. Temples—particularly when presided over by a priestess and linked with the ideas of reason or nature—often denote active hostility to Christianity if not to all religion. Examples from the Temple of Reason in revolutionary Paris to Shelley are considered, as well as references to Eleusinian and other Greek Mystery cults, seen as revealing hidden truths to an elite while concealing them from the masses. For Coleridge, these truths were quasi-Christian; for many others, they were materialistic and religiously subversive, but suppressed for political reasons. Hints of the latter position are briefly examined in Godwin, Richard Payne Knight, and Blake, as are some parallels in Freemasonry. Perhaps the fullest poetic use of temple and Mystery imagery is in The Temple of Nature (1803) by Erasmus Darwin, grandfather of Charles, whose evolutionary theory it anticipates. Despite a brief deistic identification of God as First Cause, its opening uses an exciting technique of imagistic montage to overthrow the story of Adam and Eve as a vulgar myth, to be replaced by an Eleusinian-style initiation of the few into the truths of the materialist self-sufficiency of nature. Its elaboration of these images makes it a crucial reference-point for their use in religiously unorthodox Romantic period literature.
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Kean, Hilda, and Christine Kenyon-Jones. "Kindred Brutes: Animals in Romantic-Period Writing." Albion: A Quarterly Journal Concerned with British Studies 34, no. 4 (2002): 664. http://dx.doi.org/10.2307/4054700.

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Barbeau, Jeffrey W. "Romantic Religion, Life Writing, and Conversion Narratives." Wordsworth Circle 47, no. 1 (January 2016): 32–39. http://dx.doi.org/10.1086/twc47010032.

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Guyon, L. P. "French Romantic Travel Writing: Chateaubriand to Nerval." French Studies 67, no. 2 (March 29, 2013): 260. http://dx.doi.org/10.1093/fs/knt020.

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Dissertations / Theses on the topic "Romantic writing"

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Chambless, Cathleen F. "Nec(Romantic)." FIU Digital Commons, 2015. http://digitalcommons.fiu.edu/etd/1933.

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NEC(ROMANTIC) is a poetry collection thematically linked through images of insects, celestial bodies, bones, and other elements of the supernatural. These images are indicative of spells, but the parenthesis around romantic in the collection’s title also implies idealism. The poems explore the author’s experiences with death, grief, love, oppression, and addiction. NEC(ROMANTIC) employs the use of traditional forms such as the villanelle, sestina, and haiku to organize these experiences. Prose poetry and a peca kucha ground the center of NEC(ROMANTIC) which alternates between lyrical and narrative gestures. NEC(ROMANTIC) is influenced by Sylvia Plath. The author uses Plath’s methods of compression, sound, and rhythm to create a swift, child-like tone when examining emotionally laden topics. Ilya Kaminsky influences lyrical elements of the poems, including surrealism. Spencer Reese’s combination of the natural and personal world is also paramount to this book. Adrienne Rich and Audre Lorde influence NEC(ROMANTIC)’s political poetry.
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George, Laura Joan. "Romantic reading and feminist writing : political tropology /." The Ohio State University, 1992. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487778663284657.

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Treadwell, James. "Transcendence and irony in prose autobiographical writing 1817-1834." Thesis, University of Oxford, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.240280.

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Altrows, Kim Jessica. "Structured journal writing for recovery from romantic relationship loss." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/MQ58525.pdf.

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Cherry, Thomas Hamilton. "Variation Within Uniformity: The English Romantic Sonnet." TopSCHOLAR®, 2014. http://digitalcommons.wku.edu/theses/1396.

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The English Romantic poets of the early nineteenth century wrote numerous poems from genres and styles all across the poetic spectrum. From the epics of ancient origin concerning kings and fanciful settings to the political odes on fallen leaders and even the anthropological histories of what it meant to live in their time, these poets stretched their stylistic legs in many ways. One of the most interesting is their use of the short and rule-bound sonnet form that enjoyed a reemergence during their time. Though stylized throughout its existence, the sonnet most often falls into a specific form with guidelines and rule. What makes the Romantic interest in this form noteworthy is that like the other forms, they found new ways to use the sonnet as a means of poetic experimentation and creative expression. Exploring the various internal and external variations, those changes that took place within the lines and phrases of the sonnet and those that form the organizing and rhyming portions of the poem, this study seeks to establish the ways the Romantics took the uniform techniques of the sonnet and stretched its bounds to find new means of creativity. Close reading of the poems of William Wordsworth, John Keats, and Percy Bysshe Shelley reveals the variant use of caesura, creative dissonance, as well as original organization and rhyme scheme to accomplish purely Romantic goals within the uniformity of the sonnet form.
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Chen, Hsiu-Yu. "Romantic dialogues : writing the self in De Quincey and Woolf." Thesis, Durham University, 2013. http://etheses.dur.ac.uk/7362/.

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Virginia Woolf has been recognised as a pioneering modernist writer creating a new literary voice. It is not unusual to discover in Woolf’s writings the aesthetic and literary traces of those past traditions and influences which have been woven into her modern narratives. One significant, but often overlooked, influence comes from the Romantic period and the essayist, Thomas De Quincey. De Quincey’s stylish essays inspire Woolf’s art. Both writers’ fascination with representing the self (and their devotion to creating a literary thinking about, and narrative of, the subject) indicates a shared affinity between these two writers in spite of important cultural, historical, and social differences between them. My treatment of the self in De Quincey and Woolf is aware of the aesthetic and literary affinities between them and those cultural and historical differences that divide them. Tracing important connections between these two important writers sheds light on the larger concerns and patterns of both the literary scenes of Romanticism and Modernism. Six chapters in three sections focus on three main aspects of the self central to De Quincey and Woolf—the art of literature, the representation of time and the question of autobiographical writing. Chapter One and Two investigate De Quincey’s literature of power and Woolf’s art of fiction to examine the relationship between literary representation and the self. Chapter Three and Four discuss issues of time and self in De Quincey and Woolf. The final two chapters contend that De Quincey’s and Woolf’s reflections on literary representation, and time as a philosophical problem are embodied in their writings of the self across their respective literary careers. A project of this kind is alert to and enriches a recent burgeoning critical interest from Romanticists and Modernists alike in the exchanges, interchanges, bequests, and legacies of Romanticism to Modernism.
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Jones, Andrew Cessna. "Exposing romantic folly comic performance in Mark Twain's foreign travel writing /." Lynchburg, Va. : Liberty University, 2009. http://digitalcommons.liberty.edu.

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Beattie-Smith, Gillian L. "Romantic subjectivity : women's identity in their nineteenth-century travel writing about Scotland." Thesis, University of the Highlands and Islands, 2017. https://pure.uhi.ac.uk/portal/en/studentthesis/romantic-subjectivity(349c0dbd-3b37-4b79-b18d-623aa76f421e).html.

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Women's identities are created and performed relational to the contexts in which they live and by which they are bound. Identities are performed within and against those contexts. Romantic subjectivity: women's identity in their nineteenth-century travel writing about Scotland, is concerned with the location of women and their creation and construction of relational identity in their personal narratives of the nineteenth century. The texts taken for study are travel journals, memoirs, and diaries, each of which narrates times and journeys in Scotland. The subjects of study are three women writers whose identities have been located relational to their husband, brother, or father. They are Sarah Stoddart Hazlitt, whose work was located with her husband's, William Hazlitt; Dorothy Wordsworth, whose work was located relational to her brother's, William Wordsworth; and Elizabeth Grant, whose identity was located with that of her father and his Highland estate. The texts considered are Journal of My Trip to Scotland, written by Sarah Stoddart Hazlitt in 1803; Recollections of a Tour made in Scotland, 1803 and Journal of my second tour in Scotland, 1822, written by Dorothy Wordsworth; and Memoirs of a Highland Lady, written by Elizabeth Grant about her life before 1830. The focus of study is Romantic subjectivity in the texts of the three women writers. Women's relational performativity to the prevailing social and cultural norms is examined and considered in the context of women writers; women's travel writing; and ideologies of women's place in the nineteenth century.
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March, Rosemary. "Lady Caroline Lamb and 'the page affair' : literary life and romantic writing." Thesis, University of Oxford, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.440434.

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Zampa, Dawn-Marie. "The word and the womb, women writing the maternal in the Romantic period." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0017/MQ52684.pdf.

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Books on the topic "Romantic writing"

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Clair, Daphne. Writing romantic fiction. London: A&C Black, 1999.

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Romantic writing and pedestrian travel. Houndmills, Basingstoke, Hampshire: Macmillan Press, 1997.

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Mad women in romantic writing. Sussex [England]: Harvester Press, 1987.

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Martin, Philip W. Mad women in romantic writing. Brighton: Harvester, 1987.

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Jarvis, Robin. Romantic Writing and Pedestrian Travel. London: Palgrave Macmillan UK, 1997. http://dx.doi.org/10.1057/9780230371361.

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Writing a romantic novel, and getting published. Lincolnwood, Chicago, Ill., U.S.A: NTC Pub. Group, 1998.

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Kindred brutes: Animals in Romantic period writing. Aldershot, England: Ashgate, 2001.

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Behrendt, Stephen C. British women poets and the romantic writing community. Baltimore: Johns Hopkins University Press, 2008.

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Wibberley, Mary. To writers with love: On writing romantic novels. London: Buchan & Enright, 1985.

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Christensen, Jerome. Lord Byron's strength: Romantic writing and commercial society. Baltimore: Johns Hopkins University Press, 1993.

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Book chapters on the topic "Romantic writing"

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Labbe, Jacqueline M. "Modeling the Romantic Poet." In Writing Romanticism, 106–45. London: Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230306141_5.

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Richardson, Alan. "Slavery and Romantic Writing." In A Companion to Romanticism, 499–508. Oxford, UK: Blackwell Publishing Ltd, 2017. http://dx.doi.org/10.1002/9781405165396.ch46.

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Turner, Beatrice. "Hartley Coleridge’s ‘Little Art of Numbers’: Writing the Child." In Romantic Childhood, Romantic Heirs, 55–93. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-64970-2_3.

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O’Flinn, Paul. "Writing an Essay." In How to Study Romantic Poetry, 135–42. London: Macmillan Education UK, 2001. http://dx.doi.org/10.1007/978-1-137-11799-1_8.

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O’Flinn, Paul. "Writing an essay." In How to Study Romantic Poetry, 118–26. London: Macmillan Education UK, 1988. http://dx.doi.org/10.1007/978-1-349-09127-0_7.

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Rostek, Joanna. "Women and writing." In Women’s Economic Thought in the Romantic Age, 64–81. 1 Edition. | New York : Routledge, 2020. | Series: Routledge IAFFE advances in feminist economics: Routledge, 2020. http://dx.doi.org/10.4324/9780429020681-5.

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O’Connell, Mary. "Romantic Letter Writing and the Publisher." In Romanticism and the Letter, 15–27. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-29310-9_2.

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Jarvis, Robin. "Walking and Talking: Late-Romantic Voices." In Romantic Writing and Pedestrian Travel, 192–215. London: Palgrave Macmillan UK, 1997. http://dx.doi.org/10.1057/9780230371361_7.

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Wolfreys, Julian. "‘Half lost in night’: envisioning London or, Romantic poetry’s Capital snapshots." In writing London, 61–93. London: Palgrave Macmillan UK, 1998. http://dx.doi.org/10.1057/9780230372177_3.

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Jarvis, Robin. "The Rise of Pedestrianism." In Romantic Writing and Pedestrian Travel, 1–28. London: Palgrave Macmillan UK, 1997. http://dx.doi.org/10.1057/9780230371361_1.

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Conference papers on the topic "Romantic writing"

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Bacali, Mihaela Dumitru. "“Feminine Writing” in the Past and Present in Romania." In WLC 2016 World LUMEN Congress. Logos Universality Mentality Education. Cognitive-crcs, 2016. http://dx.doi.org/10.15405/epsbs.2016.09.11.

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