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Books on the topic 'Romancho'

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Author: Grafiati
Published: 26 July 2024
Last updated: 27 July 2024

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1

Carlos, Clavería Laguardia, ed. Romancero castellano: (Cancionero de romances, Amberes: 1550). Madrid: Fundación José Antonio de Castro, 2004.

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2

M, Elazar Samuel, ed. El romancero judeo-español: Romances y otras poesías. Sarajevo: Svjetlost, OOUR Izdavača djelatnost, 1987.

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3

Parlons romanche: La quatrième langue officielle de la Suisse : le romanche grison et les variétés romanches. Paris: L'Harmattan, 2007.

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4

Mario, Hernández, ed. Primer romancero gitano (1924-1927): Otros romances del teatro (1924-1935). Madrid: Alianza, 1998.

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5

Dumanoir, Virginie. Le romancero courtois: Jeux et enjeux poétiques des vieux romances castillans, 1421-1547. Rennes: Presses universitaires de Rennes, 2003.

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6

García, Víctor Tenorio. Romances de Imilla: Romances. [Perú]: V. Tenorio García, 2000.

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7

Paloma, Díaz Más, and Armistead Samuel G. 1927-, eds. Romancero. Barcelona: Crítica, 1994.

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8

Luis de Góngora y Argote. Romances. Barcelona: Quaderns Crema, 1998.

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9

Luis de Góngora y Argote. Romances. Barcelona: Quaderns Crema, 1998.

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10

David, Guirao, and Pérez Lasheras Antonio, eds. Romances. Zaragoza [Spain]: Prensas Universitarias de Zaragoza, 2003.

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11

Luis de Góngora y Argote. Romances. Barcelona: Quaderns Crema, 1998.

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12

Shakespeare, William. Romances. London, England: Everyman's Library, 1996.

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13

Luis de Góngora y Argote. Romances. Barcelona: Quaderns Crema, 1998.

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14

Madrigal, Pancho. Romancero. Zapopan, Jalisco: Colegio de Jalisco, 1997.

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15

Luis de Góngora y Argote. Romances. Barcelona: Quaderns Crema, 1998.

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16

Amelia, García-Valdecasas Jiménez, ed. Romancero. [Esplugues, Barcelona]: Plaza & Janés, 1986.

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17

Guillermo, Prieto. Romances. México, D.F: Consejo Nacional para la Cultura y las Artes, 1995.

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18

1921-, Di Stefano Giuseppe, ed. Romancero. Madrid: Taurus, 1993.

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19

Carmen, Bravo-Villasante, ed. Romancero. [Madrid]: Montena, 1989.

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20

Shakespeare, William. Romances. Edited by Tanner Tony and Barnet Sylvan. New York: Knopf, 1996.

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21

Luis de Góngora y Argote. Romances. Barcelona: Quaderns Crema, 1998.

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22

Stefano, Giuseppe Di. Romancero. Madrid: Editorial Castalia, 2010.

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23

Julio, Rodríguez-Puértolas, ed. Romancero. Madrid, España: Akal, 1992.

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24

SHAH, Natvar. Lilicham juvanino romanch. Bombay: Suman, 1986.

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25

Chrétien. Arthurian romances. Mineola, NY: Dover Publications, 2006.

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26

Lorca, Federico García. Romancero gitano. New York, N.Y: Penguin Books, 1996.

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27

Voltaire. Voltaire's romances. New York: P. Eckler, 1986.

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28

Benarós, León. Romancero criollo. Ciudad de Buenos Aires, Buenos Aires, Argentina: Margus, 2003.

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29

Caballero, Manuel Morillo. Romancero viejo. Madrid: Isla del gallo, 2005.

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30

Amaral, Fernanda Teixeira G. do. Três romances. [Brazil: s.n., 1987.

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31

Thorne, Alison, ed. Shakespeare’s Romances. London: Macmillan Education UK, 2003. http://dx.doi.org/10.1007/978-0-230-57100-6.

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32

Samuelian, Kristin Flieger. Royal Romances. New York: Palgrave Macmillan US, 2010. http://dx.doi.org/10.1057/9780230117488.

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33

Fermin, Luis Antonio Garcia. Historias de un Borracho Enamorado: The Romancho. Independently Published, 2019.

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34

Lopez, Gemma Gorga. El Romancero/ Romances (Clasicos Edebe / Edebe Classics). 3rd ed. Edebe, 2000.

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35

editor, Hernández Mario 1945, and García Lorca Federico 1898-1936, eds. Primer romancero gitano (1924-1927): Romances del teatro (1924-1935). Alianza, 2012.

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36

Primer Romancero Gitano (1924-1927) Otros Romances Del Teatro (1924-1935). Distribooks, 2004.

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37

McDonald, Nicola. The Wonder of Middle English Romance. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198795148.003.0002.

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Marvels and the marvellous are synonymous with medieval romance. Yet scholars often express disappointment at the wonders they find in Middle English romance. This chapter asks a simple question: how does Middle English romance understand wonder? and how, in turn, does our understanding of wonder in Middle English romance help us better comprehend the genre and what it can achieve? The chapter is made up of two parts. The first seeks to articulate a theory of wonder specific to English romance. Its focus is lexical, attentive to what the sources themselves identify as a wonder or as productive of wonderment; and its remit is wide, drawing evidence from across the whole genre. The second turns to a single romance, Octovian Imperator, in order to demonstrate how wonder puts into question the very certainties that Octovian and romances like it are conventionally understood to instantiate. Wonder has been credited as the beginning of philosophy, not something we normally associate with Middle English romance. This chapter argues, however, that what the particularity of wonder in the English romances highlights is the genre’s fundamentally interrogative mode.
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38

Tasker Grimbert, Joan, and Carol Chase, trans. Chrétien de Troyes in Prose. Boydell and Brewer Limited, 2011. http://dx.doi.org/10.1017/9781846156854.

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39

Otter, Monika. Music by Tristan. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198795148.003.0010.

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This chapter considers the interplay between medieval Tristan romances and Tristan songs, music closely associated with the romances and indeed attributed to the character Tristan himself. In particular, the chapter looks at Marie de France’s lai ‘Chevrefoil’, and the anonymous thirteenth-century lai ‘Kievrefuel’, which is quite distinct from Marie’s narrative poem but evokes it in some particulars. The multiple relationships between different Tristan poems and Tristan tunes, intertwined and mutually evoking each other, allows us to ‘think [of] Romance’ as a larger, modular experience, a cultural game that can transcend an individual text and generate potentially limitless further texts. It also suggests a twelfth-century way of ‘thinking [with] Romance’ in a playful, creative way that both erases and accentuates the fictionality of the romance world and its characters.
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40

Little, Katherine C., and Nicola McDonald, eds. Thinking Medieval Romance. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198795148.001.0001.

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This volume consists of eleven essays on medieval romance. It argues as a whole that the romance genre is one of the most important sites for medieval thinking about topics that were elsewhere unthinkable, including things taken for granted, threatening to the status quo, and actively repressed. The essays focus mainly on Old French, Anglo-Norman, and Middle English romances, and they are organized to highlight: the nature of romance thinking, through wonders and ‘unthinking’; what romance thinks, whether kinship or crusades; romance’s relationship with other genres and forms, including historiography, biblical exegesis, and music; and the usefulness of the generic term romance.
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41

various. El romancero / The Collection of Spanish Romances (Biblioteca Didactica Anaya / Anaya Didactic Library). Continental Book Company, 1985.

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42

Le romancero courtois: Jeux et enjeux poétiques des vieux romances castillans (1421-1547). Rennes: Presses universitaires de Rennes, 2003.

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43

Timoneda, Juan De. Romancero Castellano: Ó Colección de Antiguos Romances Populares de Los Españoles; Volume 3. Creative Media Partners, LLC, 2023.

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44

Timoneda, Juan De. Romancero Castellano: Ó Colección de Antiguos Romances Populares de Los Españoles; Volume 3. Creative Media Partners, LLC, 2023.

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45

Jean Joseph Stanislas Albe Damas-Hinard. Romancero Général: Ou, Recueil des Chants Populaires de l'espagne; Romances Historiques, Chevaleresques, et Moresques. Creative Media Partners, LLC, 2018.

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46

Jean Joseph Stanislas Albe Damas-Hinard. Romancero Général: Ou, Recueil des Chants Populaires de l'espagne; Romances Historiques, Chevaleresques, et Moresques. Creative Media Partners, LLC, 2018.

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47

Publicover, Laurence. Romancing the Mediterranean. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198806813.003.0002.

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This chapter examines the ways in which romance literature presents geographical space. To provide a foundation for the chapters that follow, it focuses on a number of classical, medieval, and early modern romances and romance-inflected texts that present the Mediterranean, asking how romance as a mode of writing interacts with the historical realities of the Mediterranean world. In exploring different forms of romance geography, the chapter proffers a distinction between the ‘Hellenistic’ mode, which stresses the Mediterranean’s status as a site of productive interaction between overlapping cultures, and the ‘chivalric’ mode, which presents it as a site of conflict; additionally, the chapter discusses the ways in which romance literature constructs a dynamic between the inner worlds of its protagonists and the outer worlds through which they travel.
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48

Romanche: Facts & Figures. Chur, CH: Lia Rumantscha, 2004.

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49

Romancio: Facts & Figures. Chur, CH: Lia Rumantscha, 2004.

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50

Anonyma. Romancero. Linkgua S.L., 2007.

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