Academic literature on the topic 'Romancho'
Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles
Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Romancho.'
Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.
You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.
Journal articles on the topic "Romancho"
Donoso, Isaac. "«Cabayong tabla: estudi i traducció d'un romanç filipí del regne de València (II)»." Revista de Literatura Medieval 29 (December 21, 2018): 13–40. http://dx.doi.org/10.37536/rpm.2017.29.0.69405.
Full textGERGINOVA, Zlatka. "THE FOURTH OFFICIAL LANGUAGE IN SWITZERLAND - PAST AND PRESENT." Ezikov Svyat volume 22 issue 2, ezs.swu.v22i2 (May 30, 2024): 7–14. http://dx.doi.org/10.37708/ezs.swu.bg.v22i2.1.
Full textSalido, José Vicente. "El mundo infantil en el romancero hispánico barroco: educación, juegos y folclore." Ocnos: Revista de estudios sobre lectura, no. 11 (May 30, 2014): 141–68. http://dx.doi.org/10.18239/ocnos_2014.11.08.
Full textGomes, Gislaine, and Gilmei Francisco Fleck. "IMPERATRIZ NO FIM DO MUNDO: MEMÓRIAS DÚBIAS DE AMÉLIA DE LEUCHTEMBERG (1992), DE IVANIR CALADO – A MEDIAÇÃO ENTRE O TRADICIONALISMO E O DESCONTRUCIONISMO NUM ROMANCE HISTÓRICO CONTEMPORÂNEO DE MEDIAÇÃO." REVISTA DE LETRAS - JUÇARA 2, no. 2 (December 27, 2018): 140–58. http://dx.doi.org/10.18817/rlj.v2i2.1769.
Full textDoll, Jessica L., and Patrick J. Rosopa. "Workplace romances: examining attitudes experience, conscientiousness, and policies." Journal of Managerial Psychology 30, no. 4 (May 11, 2015): 439–53. http://dx.doi.org/10.1108/jmp-11-2012-0368.
Full textPolilova, Vera. "Spanish Romancero in Russian and the semantization of verse form." Studia Metrica et Poetica 5, no. 2 (January 28, 2019): 77–108. http://dx.doi.org/10.12697/smp.2018.5.2.04.
Full textHansen, William. "Folktales and Romantic Novels." Classica - Revista Brasileira de Estudos Clássicos 17, no. 17/18 (December 2, 2005): 281–91. http://dx.doi.org/10.24277/classica.v17i17/18.399.
Full textAparecido dos Santos, Donizeth. "O TEMPO E O VENTO: ROMANCE HISTÓRICO E ROMANCE POLÍTICO." Cadernos do IL, no. 39 (January 10, 2012): 96–104. http://dx.doi.org/10.22456/2236-6385.25205.
Full textMartin Rodriguez, Mariano. "Fantasías de la <em>Roma aeterna</em>. Tratamientos heterocrónicos de la herencia latina en dos narraciones romanches entre la celebración nacionalista y su deconstrucción." Florentia Iliberritana 33 (October 19, 2023): 221–46. http://dx.doi.org/10.30827/floril.v33i.26156.
Full textAquati, Cláudio. "Eumolpo, Gitão e Encólpio." Classica - Revista Brasileira de Estudos Clássicos 35, no. 2 (August 5, 2022): 1–32. http://dx.doi.org/10.24277/classicaj.35.2022.1014.
Full textDissertations / Theses on the topic "Romancho"
Hansson, Heidi. "Romance revived : postmodern romances and the tradition." Doctoral thesis, Umeå : Umeå university, 1998. http://catalogue.bnf.fr/ark:/12148/cb40245742q.
Full textViaro, Mario Eduardo. "A construção verbo + advérbio de lugar no romanche: herança latina ou decalque germânico?" Universidade de São Paulo, 2001. http://www.teses.usp.br/teses/disponiveis/8/8143/tde-02022018-120013/.
Full textRomansh is a set of languages spoken in Switzerland that is part of the Rhaeto-Romance group, to which two other sets of languages spoken in Italy, namely the Dolomite Ladin and the Friulian, also belong. This work presents a panoramic and diachronic view of the Romansh in its unity, as well as the detailing of its diversity in its five Romansh languages (Surselvan, Sutsilvan, Surmiran, Valader and Puter) and its documented extinct variants, and aims to study its verb + adverb of place phrases. It will be used as corpus all the occurrences of this construction collected in the fifteen volumes of the Rhätoromanische Chrestomatie, compiled by Decurtins (1983-1985). In view of the writing diversity, reference will be made to each specific construction by the use of the supraregional variant called Rumantsch Grischun.
Dumanoir, Virginie. "Le romancero courtois : jeux et enjeux poétique des vieux romances castillans, 1421-1547 /." Rennes : Presses universitaires de Rennes, 2003. http://catalogue.bnf.fr/ark:/12148/cb389869238.
Full textChoi, Yoonjoung. "Real romance came out of dreamland into life : H.G. Wells as a romancer." Thesis, Durham University, 2007. http://etheses.dur.ac.uk/2496/.
Full textGiesemann, Gerhard. "Die Strukturierung der russischen literarischen Romanze im 18. Jahrhundert." Köln : Böhlau, 1985. http://catalog.hathitrust.org/api/volumes/oclc/13554819.html.
Full textRoberts, Helen A. "Romance idealism and insular realities : Chretien de Troyes, the Middle Welsh 'romances' and the English tradition." Thesis, University of Reading, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.408879.
Full textBARROS, Deusa Castro. "Memória e história na ficção de Carlos Heitor Cony: um estudo dos romances Pessach: a travessia e Romance sem Palavras." Universidade Federal de Goiás, 2003. http://repositorio.bc.ufg.br/tede/handle/tde/2443.
Full textThis work proposes to analyze the literary creation by Carlos Heitor Cony, about the novels Pessach: a travessia (1967) and Romance sem Palavras (1999), bringing into relation with History and Literature in the analyzed works, according Hayden White (1992; 1994) about History/Literature relation, and Gilberto Velho (1988; 1994), about memory and retrospective, and Stuart Hall (1982; 2002) about post-modern identity. The research concerning Cony s literature focalizes relation beside two novels and the lived facts for Brazilian society while the Military Dictatorship post-64, observing like the author recuperates the individual and collective memory for comprehension of present time by your characters. We find in Pessach a mixture between History and fiction that has knowledge of citations and situations from epoch, yonder various characters recognizable easily in Brazil History. Cony, in Pessach, making description of opposition factions to the dictatorship and epoch government, says about a big Brazilian group that in the military political system hesitates between plans and memory that should form your identity. Romance sem palavras also doesn t addict neither historical nor memorialistical. His characters never being, they are fictitious, and the their relation too. However isn t contestable that novel has historical episodes of the Brazil post-1964. So Romance sem Palavras and Pessach: a travessia bring the History and overcoat they permit the facts analyze as well as comportments, and your consequences to lived reality in this beginning century 21st. Certainly the contributions of those novels reaffirm the merit of the literary creation by Carlos Heitor Cony and they permit new horizons to the studies modern History of Brazil e to the practice to tell plots
O presente trabalho se propõe a analisar a produção literária de Carlos Heitor Cony, mais especificamente os romances Pessach: a travessia (1967) e Romance sem Palavras (1999), considerando a inter-relação entre história e literatura nas obras analisadas, fundamentando-se nos estudos de Hyden White (1992; 1994) sobre a relação história/literatura, na noção de memória e retrospectiva encontrada em Gilberto Velho (1988; 1994), e nas reflexões sobre a construção da identidade pós-moderna apresentada por Stuart Hall (1982; 2002). A investigação na literatura de Cony enfoca a relação entre os dois romances e os fatos vividos pela sociedade brasileira durante a Ditadura Militar pós-64, observando com o autor recupera a memória individual e coletiva para a compreensão do tempo presente de seus personagens. Em Pessach encontramos uma mescla da história e da ficção, o que se pode perceber pelas diversas citações e situações da época, além de vários personagens facilmente reconhecíveis na história do Brasil. Nele Cony, ao descrever as facções de resistência à ditadura e ao governo da época, trata verdadeiramente de uma imensa quantidade de brasileiros que durante o regime militar flutuaram entre projetos e memória que constituiriam sua identidade. Também Romance sem palavras não abre mão nem do histórico nem do memorialístico. Seus personagens nunca existiram, são ficcionais, como também é ficcional o relacionamento entre eles. Entretanto é incontestável a inserção dos episódios por eles vividos num período histórico explicitamente citado e caracterizado no Brasil dos anos sessenta e setenta do século XX, fazendo novamente uso das relações entre ficção, história e memória. Assim, tanto Romance sem Palavras quanto Pessach: a travessia, ao discutirem a realidade vivida pelos personagens durante e após a Ditadura Militar no Brasil, recuperam a história e, sobretudo, possibilitam a análise de fatos, comportamentos e suas conseqüências para a realidade vivida neste início de século. Certamente as contribuições dessas obras tanto para a história quanto para a literatura reafirmam a importância da produção literária de Carlos Heitor Cony e abrem novas perspectivas para os estudos da história recente do Brasil e para o exercício de historicizar as narrativas literárias
Pinheiro, Maxmiliano Martins. "Romance Moderno: um estudo da protagonista feminina nos romances Middlemarch, de George Eliot, e The Portrait of a Lady, de Henry James." Universidade do Estado do Rio de Janeiro, 2006. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=441.
Full textAnalysis of the female characters design in George Eliots Middlemarch (1871-72) and Henry Jamess The Portrait of a Lady (1881) regarding the exploration of the female protagonists subjectivity along their trajectories interfere with plot and the conception of the novels. The final aim is to discuss how these novelists contribute to the beginning of the modern novel
Azevedo, Guilherme Zubaran de. "O espaço do feminino no romance de introspecção brasileiro: a presença da mulher e do patriarcalismo em três romances de Cornélio Penna." Pontifícia Universidade Católica do Rio Grande do Sul, 2011. http://hdl.handle.net/10923/4055.
Full textThis paper intends to analyze the figurations of women in Cornélio Penna’s three first novels - Fronteira (1935), Dois romances de Nico Horta (1939) e Repouso (1948). Having this in mind, the research begins by verifying in what manner subjectivity was assimilated by the Western novels. As a result of new narrative techniques, such as inner monologue and flow of consciousness, the Romanesque prose formulates the representation of masculine consciousness in modern society. In Brazil, during the 1930s, the group of catholic authors, working on introspection narratives, starts dedicating a definite space for the representation of femininity. As a part of this literary system, Cornélio Penna’s works represent the situation of women within the Brazilian patriarchal family. Thus, on the one hand, the analysis will focus on the spatiality of home and the culture of Minas Gerais, constitutive of feminine subjectivity, but on the other hand, it will consider the roles taken by women within the family circle, and their subjection to the power of the pater familias.
O presente trabalho pretende analisar a figuração da mulher nos três primeiros romances de Cornélio Penna – Fronteira (1935), Dois romances de Nico Horta (1939) e Repouso (1948). Dessa forma, inicia-se o estudo verificando a maneira pela qual o romance ocidental passou a incorporar a subjetividade humana. Por meio de novas técnicas narrativas, tais como o monólogo interior e o fluxo de consciência, a prosa romanesca passa a representar a consciência do homem na modernidade. No Brasil, durante a década de 1930, o grupo de escritores católicos, construindo narrativas de introspecção, passa a figurar novos espaços destinados para o feminino. Inserido dentro deste sistema literário, as obras de Cornélio Penna representam a condição da mulher no interior da família patriarcal brasileira. Nesse sentido, o foco da análise concentra-se, de um lado, na espacialidade mineira e da casa, formadoras da subjetividade feminina; de outro lado, pretende-se analisar as funções exercidas pela mulher, dentro do grupo familiar, e sua sujeição ao poder do pater familias.
Conrado, Iris Selene [UNESP]. "O romance e o romance de José Saramago." Universidade Estadual Paulista (UNESP), 2011. http://hdl.handle.net/11449/103653.
Full textCoordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
Esta tese desenvolve um estudo da trajetória do escritor português contemporâneo José Saramago (1922-2010) no seu trabalho com o gênero romanesco. Desse modo, procura-se reconstituir o percurso do autor pelo gênero, por meio da análise interpretativa de três de seus romances, nos quais se pode perceber a influência de diferentes orientações estéticas ao longo dos anos. Para isso, apresenta-se uma breve descrição de cunho histórico do percurso da própria formação do gênero romanesco, no âmbito geral da cultura ocidental, e também, especificamente, no cenário da literatura portuguesa. Essa recuperação histórica é feita com base nos estudos de teóricos da forma romance, como Auerbach, Watt, Lukács, Bakhtin, Rosenfeld, Jozef e Hutcheon, entre outros e, no que diz respeito ao romance português, com base em autores como Simões, Saraiva e Lopes, Reis, Mendonça, Seixo, Flory, entre outros pesquisadores. Com o intuito de perceber as diferentes fases pelas quais o romance de Saramago passa, apresenta-se, ainda, um encadeamento cronológico de enredos de toda a produção romanesca do autor, pautado em parte de sua fortuna crítica, a fim de embasar a análise dos romances selecionados como corpus deste trabalho, a saber: Manual de pintura e caligrafia (1977), Memorial do convento (1982) e As intermitências da morte (2005). Tentando evidenciar uma correspondência no desenvolvimento do gênero romanesco no século XX e o caminho literário percorrido por Saramago em sua produção de romances, observou-se que as três obras escolhidas representam, de fato...
This thesis aims to develop a study of the trajectory of the Portuguese contemporary writer José Saramago (1922-2010) in his novels. Thus, we try to reconstruct the author's journey through the formal structure of the novel, by interpretive analysis of three of his novels, in which we can see the influence of different artistic aesthetic orientations over the years. For this, we present a brief description in a historical point-of-view of the course of formation of the novelistic genre inside the general framework of Western culture, and also specifically in the setting of Portuguese literature. This historical recovery is based on studies of researches of the novel form, as Auerbach, Watt, Lukács, Bakhtin, Rosenfeld, Jozef and Hutcheon, among others, and, regarding the Portuguese novel, we based on authors such as Simões, Saraiva e Lopes, Reis, Mendonça, Seixo, Flory, among other researchers. In order to understand the different phases through which passes Saramago's novel, we also presents a brief timely recovery on all his novelistic production, based on part of his critics, in order to base the analysis of some selected novels which are the corpus of this work: Manual de pintura e caligrafia (1977), Memorial do convento (1982) e As intermitências da morte (2005). Trying to show a correspondence in the development of the novelistic genre in the 20th century and the path passed by Saramago on the literary production of his novels, we observed that the three novels analyzed represent, in fact, three stages of diverse aesthetic attitudes of the author, with characteristic elements of different... (Complete abstract click electronic access below)
Books on the topic "Romancho"
Carlos, Clavería Laguardia, ed. Romancero castellano: (Cancionero de romances, Amberes: 1550). Madrid: Fundación José Antonio de Castro, 2004.
Find full textM, Elazar Samuel, ed. El romancero judeo-español: Romances y otras poesías. Sarajevo: Svjetlost, OOUR Izdavača djelatnost, 1987.
Find full textParlons romanche: La quatrième langue officielle de la Suisse : le romanche grison et les variétés romanches. Paris: L'Harmattan, 2007.
Find full textMario, Hernández, ed. Primer romancero gitano (1924-1927): Otros romances del teatro (1924-1935). Madrid: Alianza, 1998.
Find full textDumanoir, Virginie. Le romancero courtois: Jeux et enjeux poétiques des vieux romances castillans, 1421-1547. Rennes: Presses universitaires de Rennes, 2003.
Find full textGarcía, Víctor Tenorio. Romances de Imilla: Romances. [Perú]: V. Tenorio García, 2000.
Find full textPaloma, Díaz Más, and Armistead Samuel G. 1927-, eds. Romancero. Barcelona: Crítica, 1994.
Find full textLuis de Góngora y Argote. Romances. Barcelona: Quaderns Crema, 1998.
Find full textLuis de Góngora y Argote. Romances. Barcelona: Quaderns Crema, 1998.
Find full textDavid, Guirao, and Pérez Lasheras Antonio, eds. Romances. Zaragoza [Spain]: Prensas Universitarias de Zaragoza, 2003.
Find full textBook chapters on the topic "Romancho"
Tahmasebian, Kayvan, and Rebecca Ruth Gould. "8. The Translatability of Love." In Prismatic Jane Eyre, 420–55. Cambridge, UK: Open Book Publishers, 2023. http://dx.doi.org/10.11647/obp.0319.12.
Full textBriesemeister, Dietrich. "Romancero." In Kindlers Literatur Lexikon (KLL), 1–3. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_22811-1.
Full textDavenport, W. A. "Romances." In Chaucer and his English Contemporaries, 92–132. London: Macmillan Education UK, 1998. http://dx.doi.org/10.1007/978-1-349-26738-5_4.
Full textPotter, Lois. "Romance." In Twelfth Night, 52–62. London: Macmillan Education UK, 1985. http://dx.doi.org/10.1007/978-1-349-06462-5_8.
Full textMoore, Helen. "Romance." In A Companion to English Renaissance Literature and Culture, 317–26. Malden, MA, USA: Blackwell Publishers Ltd, 2007. http://dx.doi.org/10.1002/9780470998731.ch29.
Full textRobinson, Benedict S. "Romance." In A Handbook of English Renaissance Literary Studies, 235–48. Chichester, UK: John Wiley & Sons, Ltd, 2017. http://dx.doi.org/10.1002/9781118458747.ch16.
Full textGill, Richard. "Romance." In Mastering, 267–71. London: Macmillan Education UK, 2006. http://dx.doi.org/10.1007/978-0-230-20852-0_25.
Full textLangbauer, Laurie. "Romance." In A Companion to the English Novel, 103–16. Chichester, UK: John Wiley & Sons, Ltd, 2015. http://dx.doi.org/10.1002/9781118607251.ch7.
Full textSaunders, Corinne. "Romance." In The History of British Women’s Writing, 700–1500, 85–94. London: Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9780230360020_7.
Full textMoore, Helen. "Romance." In A New Companion to English Renaissance Literature and Culture, 238–48. Oxford, UK: Wiley-Blackwell, 2010. http://dx.doi.org/10.1002/9781444319019.ch57.
Full textConference papers on the topic "Romancho"
Rahmonov, T., and S. Ermakov. "VARIETY OF LANGUAGES IN SWITZERLAND." In Manager of the Year. FSBE Institution of Higher Education Voronezh State University of Forestry and Technologies named after G.F. Morozov, 2022. http://dx.doi.org/10.34220/my2021_258-261.
Full textRomanca, Mihai. "Mihai Romanca." In 2008 11th International Conference on Optimization of Electrical and Electronic Equipment (OPTIM). IEEE, 2008. http://dx.doi.org/10.1109/optim.2008.4602314.
Full textSebag, Annabel. "Screen romance." In SA '17: SIGGRAPH Asia 2017. New York, NY, USA: ACM, 2017. http://dx.doi.org/10.1145/3145631.3145679.
Full textPark, Nohhyun, Irfan Ahmad, and David J. Lilja. "Romano." In the Third ACM Symposium. New York, New York, USA: ACM Press, 2012. http://dx.doi.org/10.1145/2391229.2391250.
Full textPukema, Bruce. "Ronin romance classics." In ACM SIGGRAPH 99 Electronic art and animation catalog. New York, New York, USA: ACM Press, 1999. http://dx.doi.org/10.1145/312379.313066.
Full textFreitas Silva de Araújo, Janaina, Gabriela Maria Cavalcanti Ferreira Lessa Santos, and Danielly Amatte Lopes. "Adaptação de romances investigativos." In AVIA! SEMANA DE DESIGN. Maceió - Alagoas, Brasil: Galoa, 2018. http://dx.doi.org/10.17648/avia-2018-89892.
Full textDinu, Liviu P., and Denis Enăchescu. "On clustering Romance languages." In Recent Advances in Stochastic Modeling and Data Analysis. WORLD SCIENTIFIC, 2007. http://dx.doi.org/10.1142/9789812709691_0061.
Full textBELO, GEOVANE SILVA, LUIZ JOSE NUNES DE AMORIM JUNIOR, LILIANE AFONSO DE OLIVEIRA, THAÍS FERNANDES DE AMORIM, and WANÚBYA DO NASCIMENTO MORAES CAMPELO MOREIRA. "A REPRESENTAÇÃO DA CRIMINALIDADE NA NARRATIVA DE PSSICA, DE EDYR AUGUSTO." In Anais VIII CONEDU. Recife, Brasil: Even3, 2022. http://dx.doi.org/10.29327/1403422.8-1.
Full textBianchi, Alessandro, and Teresa Saeli. "Codice Romano Carratelli." In FORTMED2015 - International Conference on Modern Age Fortifications of the Western Mediterranean coast. Editorial Universitat Politècnica de València, 2015. http://dx.doi.org/10.4995/fortmed2015.2015.1662.
Full textCarneiro, Samara Vieira. "O IMPERIALISMO ROMANO." In IV Congresso Brasileiro de Educação a Distância On-line. Revista Multidisciplinar de Educação e Meio Ambiente, 2024. http://dx.doi.org/10.51189/conbraed2024/32008.
Full textReports on the topic "Romancho"
Yamashige, Sarah. Bustled Romance. Ames: Iowa State University, Digital Repository, 2014. http://dx.doi.org/10.31274/itaa_proceedings-180814-1086.
Full textLeigh, Megan. A Wind River Romance. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.394.
Full textRing, Kimberly. Lace Romance: Engineered Jacquard Wovens. Ames: Iowa State University, Digital Repository, 2014. http://dx.doi.org/10.31274/itaa_proceedings-180814-1070.
Full textBottino, Mattia. ECMI Minorities Blog. Francophone, Francophile, and Gallo-Romance peripheries in Piedmont and the Aosta Valley. European Centre for Minority Issues, November 2023. http://dx.doi.org/10.53779/alpj4698.
Full textOSETROVA, O., A. STOKOLYAS, and D. KHUSAINOVA. CHARACTERISTIC ASPECTS OF TRANSLATING ROMANCE NOVELS. Science and Innovation Center Publishing House, 2021. http://dx.doi.org/10.12731/2077-1770-2021-13-4-2-94-103.
Full textUhrich, Sebastian, and Kim Uhlendorf. Can sports innovate without losing the romance? Edited by Reece Hooker. Monash University, January 2023. http://dx.doi.org/10.54377/0e86-09ba.
Full textFisher, Linda, G. Oscar Anderson, Matrika Chapagain, Xenia Mentenegro, James Smoot, and Amishi Takalkar. Sex, Romance, and Relationships: AARP Survey of Midlife and Older Adults. AARP Research, May 2010. http://dx.doi.org/10.26419/res.00063.001.
Full textHoinkes, Ulrich. Indexicality and Enregisterment as Theoretical Approaches to the Sociolinguistic Analysis of Romance Languages. Universitatsbibliothek Kiel, November 2019. http://dx.doi.org/10.21941/hoinkesindexenregromlang.
Full textBronson, Niko S. Romance With America: Americanization in the Bluest Eye and The House on Mango Street. Fort Belvoir, VA: Defense Technical Information Center, January 2000. http://dx.doi.org/10.21236/ada387234.
Full textPeacock, Nora. The Redemptive Role of Chivalry in Old French Arthurian Romance (12th and 13th Centuries). Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.7183.
Full text