Relevant bibliographies by topics / Romance

Academic literature on the topic 'Romance'

Author: Grafiati
Published: 4 June 2021
Last updated: 31 July 2024

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Journal articles on the topic "Romance"

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Jędrzejewski, Tomasz. "Ballads and Romances or Ballads-Romances? On the romance in Mickiewicz’s poetic cycle." Tekstualia 3, no. 66 (October 31, 2021): 19–32. http://dx.doi.org/10.5604/01.3001.0015.4558.

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The article discusses the problem of the romance as a genre in Adam Mickiewicz’s poetic cycle Ballady i romanse (Ballads and Romances). So far scholars have paid attention mainly to Mickiewicz’s ballads and his innovative use of this genre, treating the romance as a ballad-like genre, without its own specifi city and rather marginal in the context of the developing romantic aesthetics. However, a closer analysis of the poems Kurhanek Maryli and Dudarz shows their distinctiveness within Mickiewicz’s poetic volume. The poet’s romance turns out to be a weak ballad of sorts, only stressing the potentiality of fantastic events. This genre can also be described as a contamination of the idyllic convention with elements of a horror ballad.
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Gomes, Gislaine, and Gilmei Francisco Fleck. "IMPERATRIZ NO FIM DO MUNDO: MEMÓRIAS DÚBIAS DE AMÉLIA DE LEUCHTEMBERG (1992), DE IVANIR CALADO – A MEDIAÇÃO ENTRE O TRADICIONALISMO E O DESCONTRUCIONISMO NUM ROMANCE HISTÓRICO CONTEMPORÂNEO DE MEDIAÇÃO." REVISTA DE LETRAS - JUÇARA 2, no. 2 (December 27, 2018): 140–58. http://dx.doi.org/10.18817/rlj.v2i2.1769.

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As várias manifestações da escrita híbrida de história e ficção têm composto um leque de romances que evidenciam a constante evolução do gênero romance histórico. Mais recentemente, o gênero passou a apresentar romances com novas características, romances estes que, a partir dos estudos de Fleck (2017), puderam encontrar espaço próprio entre as classificações e passaram a ser classificados dentro da fase mediadora do romance histórico e da modalidade do romance histórico contemporâneo de mediação. Dentre os romances estudados pelas teorias do romance histórico, encontramos a obra de Calado (1992) Imperatriz no fim do mundo: memórias dúbias de Amélia de Leuchtemberg que se enquadra no que os estudos de Fleck (2007; 2017) apontam como características de um romance histórico da mais recente modalidade do gênero. Com base na trajetória dos romances híbridos de historia e ficção, e nas teorias de Hutcheon (1992), Menton (1993), Mata Induráin (1995), Fleck (2007; 2017), dentre outros, buscamos por meio deste artigo apontar reflexões que classifiquem o romance de Calado como mais um dos romances históricos contemporâneos de mediação.
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Aparecido dos Santos, Donizeth. "O TEMPO E O VENTO: ROMANCE HISTÓRICO E ROMANCE POLÍTICO." Cadernos do IL, no. 39 (January 10, 2012): 96–104. http://dx.doi.org/10.22456/2236-6385.25205.

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O artigo apresenta uma análise da especificidade da trilogia “O tempo e o vento”, de Erico Veríssimo, formada pelos romances “O continente” (1949), “O retrato” (1951) e “O arquipélago” (1962), em razão de que muitos críticos literários consideram apenas o primeiro romance como histórico e não a trilogia como um todo. Partindo dessa problemática, reflete-se sobre a especificidade de “O retrato” e “O arquipélago”, concluindo-se que os dois romances quando analisados em separado de “O continente” perdem a condição de romance histórico e se tornam romances políticos devido à contemporaneidade e à predominância das ideias políticas em suas páginas, mas, quando analisados juntos, verifica-se que a trilogia possui todas as principais características do romance histórico e, por isso, deve ser considerada como tal.
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Doll, Jessica L., and Patrick J. Rosopa. "Workplace romances: examining attitudes experience, conscientiousness, and policies." Journal of Managerial Psychology 30, no. 4 (May 11, 2015): 439–53. http://dx.doi.org/10.1108/jmp-11-2012-0368.

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Purpose – The purpose of this paper is to empirically investigate whether employee attitudes, prior engagement in workplace romances, conscientiousness, and organizational policies predicted the willingness to engage in workplace romances. Design/methodology/approach – In total, 148 full-time employees completed an online survey measuring antecedents of workplace romances. Participants were also randomly assigned to read vignettes that varied the strictness of organizational workplace romance policies. Then, participants completed measures of their willingness to engage in a workplace romance. Findings – Favorable attitudes about, and prior engagement in, workplace romances were positively related to the willingness to engage in a workplace romance. Prior engagement in workplace romances and conscientiousness were both related to attitudes about workplace romances. Additionally, the interaction between conscientiousness and organizational workplace romance policies significantly predicted the willingness to engage in a workplace romance. Research limitations/implications – The current study used hypothetical scenarios and a convenience sample to collect data, which may affect the study’s external validity. Practical implications – Organizations grappling with the issue of workplace romances should consider how employee characteristics may interact with policies regulating workplace romances. Originality/value – This study is the first to examine the links between both prior engagement in workplace romances and personality variables (i.e. conscientiousness) and their relation to the willingness to engage in workplace romances. In addition, this is the first experimental study to examine the interaction between personality (i.e. conscientiousness) and organizational policy in predicting the willingness to engage workplace romances.
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Tarulli, Laurel. "Readers' Advisory: Bad Boy Romances: Biker Boys and Mobster Royalty." Reference & User Services Quarterly 56, no. 4 (June 21, 2017): 245. http://dx.doi.org/10.5860/rusq.56.4.245.

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There is no question that the romance genre continues to grow in popularity. In part, this is because romance writers have been quick to explore new avenues for their stories. Here, column editor Laurel Tarulli takes a look at one of the newest trends in romance fiction: bad boy romances. While there have always been some dodgy romance heroes, Tarulli notes the rapid rise of bikers and Mafiosi as romance leads. Tarulli discusses the elements of this increasingly popular subgenre of romance and offers the readers’ advisor some sound advice on working with romance readers.—Barry Trott, RUSQ editor
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Turner, Ellen, and Cecilia Wadsö Lecaros. "desert-governess romance: Regency England meets exotic Arabia." Lund Journal of English Studies 4 (December 19, 2022): 1–24. http://dx.doi.org/10.48148/ljes.v4i.24863.

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In this article we discuss how two types of popular romances – the desert romance and the governess romance – have blended into what we refer to as the desert-governess romance. In the world of romance, the governess and the sheikh may be an odd couple but they do make good bedfellows. Etymologically speaking, the governess (“A woman who holds or exercises authority” (OED)) is the perfect love match for the tribal governor who rules with steely resolve. In this paper we direct our attention to genre blending in order to explore the binary of captivity and escape. We look at a number of texts identified as archetypical desert-governess romances. What emerges from this analysis is that the initially disparate genres of the governess romance and the desert romance share surprising commonalities, not least with regard to the dual forms of escape offered by the fusion of the historical backdrop (typically Regency) and the geographical space of the desert.
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Belot, Sophie, and Ralf Junkerjürgen. "Romance (Catherine Breillat, 1999)." apropos [Perspektiven auf die Romania], no. 8 (July 26, 2022): 229–44. http://dx.doi.org/10.15460/apropos.8.1934.

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Der vorliegende Beitrag analysiert die Entwicklung der Figur Marie in Catherine Breillats Film Romance (1999), die sowohl aus einer kulturellen (Romanze und Pornografie), als auch einer sozialen Perspektive (männliche Dominanz) dargestellt wird. Breillats Film wird oft von (Nicht-)Feministinnen kritisiert. Die vorliegende Untersuchung möchte dieser Kritik entgegenwirken und aufzeigen, dass Romance ein System permanenter und gewalttätiger Gegensätze angreift, um die Frau von unterwürfigen und feindlichen Darstellungen (wie Pornografie und Romanze) zu befreien, die ein entfremdetes Bild von ihr entwerfen. Es soll gezeigt werden, dass Breillat mit Romance die männliche Dominanz über die Frau anprangert. Dabei, so die Argumentation, konzentriert sich die Filmemacherin auf die Darstellung der Jungfräulichkeit oder Reinheit der weiblichen Figur, um weibliche Sexualität als ein tabuisiertes Thema zu entlarven. Aus dem Französichen von Ralf Junkerjürgen
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Fuente Fernández, Francisco Javier. "Poética de los romances de ciego." Estudios Humanísticos. Filología, no. 14 (December 1, 1992): 171. http://dx.doi.org/10.18002/ehf.v0i14.4269.

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Dos romances de ciego del siglo XVIII, considerados hasta ahora como desconocidos', nos servirán de base para realizar un estudio de la poética creativa de este tipo de obras literarias en el dieciocho, con el fin de aportar datos concretos que nos permitan, al final, establecer unas conclusines provisionales sobre la naturaleza literaria de los romances de ciego, a la espera de que se realice el estudio de conjunto. Los romances a que nos referimos son los que hemos titulado Romance de la Virgen del Henar y Romance del testamento incumplido, cuyos versos iniciales y finales son, en el primero, "En el nombre de Jesús/ y de la Virgen Sagrada... para poder alcanzar/ la Gloria tan deseada", y en el segundo, "¡O luz de toda Gloria/ gran Señor del universo... que le perdonen las faltas/ que en este romance ha puesto".
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Hansen, William. "Folktales and Romantic Novels." Classica - Revista Brasileira de Estudos Clássicos 17, no. 17/18 (December 2, 2005): 281–91. http://dx.doi.org/10.24277/classica.v17i17/18.399.

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As lendas são consideradas os romances do povo e, inversamente, os romances populares seriam as lendas dos leitores comuns. Partindo de estudos formais dos contos orais e de romances populares modernos e ampliando o campo para incluir o romance antigo, este ensaio examina precisamente a concordância e a divergência entre lenda e romance. O estudo mostra que os contos de fada e os romances populares compartilham de algumas características, bem como divergem de modo particular. Finalmente questiona se os dois estilos característicos - o tipológico e o sensato - são absolutos ou representam apenas tendências manifestadas por cada gênero.
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Donoso, Isaac. "«Cabayong tabla: estudi i traducció d'un romanç filipí del regne de València (II)»." Revista de Literatura Medieval 29 (December 21, 2018): 13–40. http://dx.doi.org/10.37536/rpm.2017.29.0.69405.

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Resumen: Introducció a la conformació del romacer de tradició hispànica a les illes Filipines i la presència del Regne de València com espai literari en una literatura asiàtica. Al treball acompanya la descripció i traducció directa des del bicolà al valencià d’un dels principals romanços filipins que tracten del Regne de Valencia: Cabayong Tabla. Buhay ni Principe don Juan Asin ni Princesa Dña. Maria Sa Cahadean nin Valencia asin Asturias –«Cavall de Taula»–, text per primera vegada traduït a qualsevol llengua. Així mateix, analitzem les fonts i descrivim la història argumental i la presència de València al Romancer filipí con a treball comparatista que puga donar llum a la formalització del classicisme en les Lletres Filipines des de la literatura medieval de tradició hispànica.Palabras clave: Romancer hispànic, awit i corrido, Filipines, Regne de València, literatura hispànica, bicolà.Abstract: The paper introduces the development of the Philippine metrical romances from the Hispanic tradition and the presence of the Kingdom of Valencia as Asian literary topic. It is supplied with the first translation ever done from the original Bicolano into Catalan of one of the most relevant romances dealing with the Valencian topic: Cabayong Tabla. Buhay ni Principe don Juan Asin ni Princesa Dña. Maria Sa Cahadean nin Valencia asin Asturias –«Wooden Horse». We analyse the sources and the plot of the romance in order to compare and enlight the genesis of Philippine Classical Literature with the Medieval Hispanic Romancero.Keywords: Hispanic Romancero, Philippine Metrical Romances, awit and corridor, Philippines, Kingdom of Valencia, Bicolano.
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Dissertations / Theses on the topic "Romance"

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Hansson, Heidi. "Romance revived : postmodern romances and the tradition." Doctoral thesis, Umeå : Umeå university, 1998. http://catalogue.bnf.fr/ark:/12148/cb40245742q.

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Conrado, Iris Selene [UNESP]. "O romance e o romance de José Saramago." Universidade Estadual Paulista (UNESP), 2011. http://hdl.handle.net/11449/103653.

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Esta tese desenvolve um estudo da trajetória do escritor português contemporâneo José Saramago (1922-2010) no seu trabalho com o gênero romanesco. Desse modo, procura-se reconstituir o percurso do autor pelo gênero, por meio da análise interpretativa de três de seus romances, nos quais se pode perceber a influência de diferentes orientações estéticas ao longo dos anos. Para isso, apresenta-se uma breve descrição de cunho histórico do percurso da própria formação do gênero romanesco, no âmbito geral da cultura ocidental, e também, especificamente, no cenário da literatura portuguesa. Essa recuperação histórica é feita com base nos estudos de teóricos da forma romance, como Auerbach, Watt, Lukács, Bakhtin, Rosenfeld, Jozef e Hutcheon, entre outros e, no que diz respeito ao romance português, com base em autores como Simões, Saraiva e Lopes, Reis, Mendonça, Seixo, Flory, entre outros pesquisadores. Com o intuito de perceber as diferentes fases pelas quais o romance de Saramago passa, apresenta-se, ainda, um encadeamento cronológico de enredos de toda a produção romanesca do autor, pautado em parte de sua fortuna crítica, a fim de embasar a análise dos romances selecionados como corpus deste trabalho, a saber: Manual de pintura e caligrafia (1977), Memorial do convento (1982) e As intermitências da morte (2005). Tentando evidenciar uma correspondência no desenvolvimento do gênero romanesco no século XX e o caminho literário percorrido por Saramago em sua produção de romances, observou-se que as três obras escolhidas representam, de fato...
This thesis aims to develop a study of the trajectory of the Portuguese contemporary writer José Saramago (1922-2010) in his novels. Thus, we try to reconstruct the author's journey through the formal structure of the novel, by interpretive analysis of three of his novels, in which we can see the influence of different artistic aesthetic orientations over the years. For this, we present a brief description in a historical point-of-view of the course of formation of the novelistic genre inside the general framework of Western culture, and also specifically in the setting of Portuguese literature. This historical recovery is based on studies of researches of the novel form, as Auerbach, Watt, Lukács, Bakhtin, Rosenfeld, Jozef and Hutcheon, among others, and, regarding the Portuguese novel, we based on authors such as Simões, Saraiva e Lopes, Reis, Mendonça, Seixo, Flory, among other researchers. In order to understand the different phases through which passes Saramago's novel, we also presents a brief timely recovery on all his novelistic production, based on part of his critics, in order to base the analysis of some selected novels which are the corpus of this work: Manual de pintura e caligrafia (1977), Memorial do convento (1982) e As intermitências da morte (2005). Trying to show a correspondence in the development of the novelistic genre in the 20th century and the path passed by Saramago on the literary production of his novels, we observed that the three novels analyzed represent, in fact, three stages of diverse aesthetic attitudes of the author, with characteristic elements of different... (Complete abstract click electronic access below)
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Conrado, Iris Selene. "O romance e o romance de José Saramago /." Assis : [s.n.], 2011. http://hdl.handle.net/11449/103653.

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Orientador: Odil José de Oliveira Filho
Banca: Clarice Zamonaro Cortez
Banca: Nelyse Aparecida Melro Salzedas
Banca: Sandra Aparecida Ferreira
Banca: Rubens Pereira dos Santos
Resumo: Esta tese desenvolve um estudo da trajetória do escritor português contemporâneo José Saramago (1922-2010) no seu trabalho com o gênero romanesco. Desse modo, procura-se reconstituir o percurso do autor pelo gênero, por meio da análise interpretativa de três de seus romances, nos quais se pode perceber a influência de diferentes orientações estéticas ao longo dos anos. Para isso, apresenta-se uma breve descrição de cunho histórico do percurso da própria formação do gênero romanesco, no âmbito geral da cultura ocidental, e também, especificamente, no cenário da literatura portuguesa. Essa recuperação histórica é feita com base nos estudos de teóricos da forma romance, como Auerbach, Watt, Lukács, Bakhtin, Rosenfeld, Jozef e Hutcheon, entre outros e, no que diz respeito ao romance português, com base em autores como Simões, Saraiva e Lopes, Reis, Mendonça, Seixo, Flory, entre outros pesquisadores. Com o intuito de perceber as diferentes fases pelas quais o romance de Saramago passa, apresenta-se, ainda, um encadeamento cronológico de enredos de toda a produção romanesca do autor, pautado em parte de sua fortuna crítica, a fim de embasar a análise dos romances selecionados como corpus deste trabalho, a saber: Manual de pintura e caligrafia (1977), Memorial do convento (1982) e As intermitências da morte (2005). Tentando evidenciar uma correspondência no desenvolvimento do gênero romanesco no século XX e o caminho literário percorrido por Saramago em sua produção de romances, observou-se que as três obras escolhidas representam, de fato... (Resumo completo, clicar acesso eletrônico abaixo)
Abstract: This thesis aims to develop a study of the trajectory of the Portuguese contemporary writer José Saramago (1922-2010) in his novels. Thus, we try to reconstruct the author's journey through the formal structure of the novel, by interpretive analysis of three of his novels, in which we can see the influence of different artistic aesthetic orientations over the years. For this, we present a brief description in a historical point-of-view of the course of formation of the novelistic genre inside the general framework of Western culture, and also specifically in the setting of Portuguese literature. This historical recovery is based on studies of researches of the novel form, as Auerbach, Watt, Lukács, Bakhtin, Rosenfeld, Jozef and Hutcheon, among others, and, regarding the Portuguese novel, we based on authors such as Simões, Saraiva e Lopes, Reis, Mendonça, Seixo, Flory, among other researchers. In order to understand the different phases through which passes Saramago's novel, we also presents a brief timely recovery on all his novelistic production, based on part of his critics, in order to base the analysis of some selected novels which are the corpus of this work: Manual de pintura e caligrafia (1977), Memorial do convento (1982) e As intermitências da morte (2005). Trying to show a correspondence in the development of the novelistic genre in the 20th century and the path passed by Saramago on the literary production of his novels, we observed that the three novels analyzed represent, in fact, three stages of diverse aesthetic attitudes of the author, with characteristic elements of different... (Complete abstract click electronic access below)
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Wellinger, Chad Edward. "Bad Romance." Digital Commons at Loyola Marymount University and Loyola Law School, 2015. https://digitalcommons.lmu.edu/etd/156.

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Pessoa, Rosane Rocha. "O romance de mistério e o mistério do romance." Universidade Federal de Goiás, 1989. http://repositorio.bc.ufg.br/tede/handle/tede/9046.

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This study aims to decipher the formal and thematic "mysteries" of five Brazilian narratives which deal with crime. Be ggining with the structure of trivial narratives ~ characteristic of the classical police stories ~, it is verified how the crimina l intrigue is presented in the five narratives. nesides deviating from the scheme, they question the involving criminal reality. It is, in my view, the "humanization" of a trivial theme because they elaborate on contradiction as its fundamental structure . This dialetic elaboration answers for the amplification of the criminal matter, permitting the approach of philosophycal, social, economic, mystic and moral themes. Under this scope, the five place themselves in opposition narra tives to the rheification and alienation imposed by the cultural industry.
Este estudo objetiva desvendar os "mistérios" formais e temáticos de cinco narrativas brasileiras que tratam de crime. Partindo da estrutura da narrativa trivial~ característica do romance policial clássico~, verificamos como a trama criminal se estabelece nas cinco narrativas. Constatamos que, além de não seguirem as regras próprias do gênero policial, elas se propõem como questionadoras da realidade criminosa que nos envolve . Trata-se, a nosso ver , da "humanização" trivializada , pelo fato de de uma temática elaborarem a contradição como sua estrutura fundamental . Esta elaboração dialética , e que responde pela ampliação da questão ~riminal, permitindo a abordagem de temas filosóficos, sociais, econômicos, místicos e morais, que dela decorrem naturalmente . Sob esta Ótica, as cinco narrativas apresentam- se em oposição à reificação e a' alienação impostas pela indústria cultural.
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Oliveira, Iara de. "Ditadura e romance." Florianópolis, SC, 2004. http://repositorio.ufsc.br/xmlui/handle/123456789/87734.

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Tese (doutorado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão. Programa de Pós-Graduação em Literatura
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O trabalho Ditadura e romance: As vozes submersas de uma história sem fim traz uma análise dos romances A voz submersa, de Salim Miguel e El fin de la historia, de Liliana Heker, pautada na História Contemporânea de Brasil e Argentina e nas teorias de Mikhail Bakhtin. Cruzando a História de Brasil e Argentina, principalmente no que tange à última Ditadura Militar pela qual ambos passaram e, ao mesmo tempo, fazendo-a ponto de partida para a leitura dos romances, evidencia-se, nestes dois universos ficcionais, diversas vozes que, dialogando com o seu contexto, unem-se para mostrar um período contraditório, tenebroso e cruel. Nas duas obras percebem-se ideologias conflitantes, que representam uma nação fragmentada, individualizada, caótica, encoberta por uma máscara de ordem e união. Tal máscara é imposta, como se evidencia nos textos ficcionais trabalhados, através da violência e da força, empregadas pelos regimes militares ditatoriais, seguidores das regras da Doutrina de Segurança Nacional. Dessa forma, Salim Miguel e Liliana Heker ao utilizarem a ditadura como cenário e alvo de suas produções literárias, permitem entrever um emaranhado de vozes submersas em uma história que ainda não teve fim.
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Henrique, Lauro Luis Souza de. "Romance policial contemporâneo." reponame:Repositório Institucional da UFSC, 2016. https://repositorio.ufsc.br/xmlui/handle/123456789/167852.

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Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Literatura, Florianópolis, 2016
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A presente dissertação pretende discutir sobre diferentes elementos presentes no romance policial, enfatizando a construção do personagem de ficção (detetive) e sua importância dentro da narrativa. Como cada ser na história é fruto de criação ficcional, seu impacto nos leitores, suas adaptações, reflexos sociais, tudo isso é, até certo ponto, interligado com seu processo de caracterização arquitetado no texto pelo autor, sendo um dos objetivos deste trabalho explorar como ele acontece. Com forte influência na diversidade de romances policiais estrangeiros, aqui o escopo foi estudar os brasileiros, enfatizando um autor que ganhou destaque e premiações, mostrando-se uma profícua fonte de estudo: Garcia-Roza e seu delegado Espinosa. Como proposta bibliográfica, buscou-se trabalhar com autores como Albuquerque (1979) e Benjamin (1994), que colaboraram para construir a história e as origens do romance policial, juntamente com Candido (2012), Lukács (2009) e Forster (1998), os quais auxiliaram para levantar os elementos de caracterização do personagem. Exemplo disso é a importância de tais elementos em relação ao enredo, história, trama, a presença do personagem complexo que cria um tipo de vínculo com o leitor, colocando, deste modo, uma crítica pertinente ao estudo para chegar a um resultado: a construção do personagem Espinosa e a importância do gênero policial e seu impacto social.

Abstract : This work aims to discuss about different elements shown in crime fiction, emphasizing the construction of fictional character (detective) and their importance for the narrative. As every being in the story is the result of a fictional creation, its impact on the readers, its adaptations, social reflexes, everything is, up to a point, linked to its characterization process built in the text by the author, being one of the goals of this work to explore how it works. With a strong influence on the diversity of foreign crime fiction novels, our goal was to study the Brazilian ones emphasizing an author who has been prominent and received several prizes, being a great source of studies: Garcia-Roza and his police chief Espinosa. As a bibliographical purpose we based our work on authors such Albuquerque (1979) and Benjamin (1994), who have contributed to build the history and the origins of crime fiction with Candido (2012), Lukács (2009) and Forster (1998), who have helped to carry out the elements of the characterization. One example is the importance of the elements related to the plot, the story, the presence of a complex character that creates a type of link with the reader, questioning the study and resulting: the construction of the character Espinosa and his importance to the crime fiction genre and its social impact.
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Raffy, Clementine. "Letting in Romance." Electronic Thesis or Diss., Paris 8, 2021. http://www.theses.fr/2021PA080070.

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L'objectif de cette thèse est de proposer une nouvelle solution à un vieux problème : qu’est-ce que cela signifie de "laisser quelque chose se produire" ? Cela peut être compris comme l'octroi d'une permission ou comme l'absence d'une intervention. Mais comment savoir à laquelle de ces deux lectures nous avons affaire ? Afin de répondre à cette question, j'utilise comme exemples le verbe français laisser et le verbe espagnol dejar, puisque chacun de ces deux verbes peut donner lieu à deux constructions syntaxiques causatives distinctes, l’une monoclausale et l’autre biclausale. L’idée est donc de comprendre (i) si ces différents degrés de complexité syntaxiques se reflètent à un quelconque niveau dans l’interprétation de ces constructions causatives, et (ii) si elles diffèrent d’une langue à l’autre, puisque les constructions diffèrent également. Afin de comprendre la relation entre morphosyntaxe et représentation(s) conceptuelle(s), je présente les trois expériences que j’ai menées visant à tester la correspondance entre la structure syntaxique et l'interprétation. Ces expériences montrent que la morphosyntaxe n'est pas le facteur principal dans l'interprétation de ces constructions causatives ; au contraire, d'autres facteurs, tels que la notion d'autorité ainsi que le concept causal de prévention, semblent être plus pertinents pour le choix d'une lecture plutôt qu'une autre. Enfin, je montre, grâce aux modèles causaux, que bien que ces relations soient exprimées au travers de constructions causatives, elles sont en réalité la représentation de propriétés non-réalisés plutôt que l’expression d’une quelconque relation causale
The aim of this thesis is to try to propose a new solution to an old problem: what does it mean to 'let something happen'? It can be understood either as the granting of permission or as the absence of intervention. But how do we know which of these two readings we are dealing with? In order to answer this question, I use the French verb laisser and the Spanish verb dejar as examples, since each of these two verbs can give rise to two distinct causative syntactic constructions, one monoclausal and the other biclausal (although the two biclausal constructions differ from one language to the other). The idea is therefore to understand (i) whether these different degrees of syntactic complexity are reflected at any level in the interpretation of these causative constructions, and (ii) whether they differ from one language to another, since the constructions also differ. In order to understand the relationship between morphosyntax and conceptual representation(s), I present the three experiments I conducted in order to test the mapping from syntactic structure and interpretation. These experiments show that morphosyntax is not the primary factor in the interpretation of laisser- and dejar-causative; on the contrary, other factors, such as the notion of authority as well as the causal concept of prevention, seem to be more relevant for the choice of one reading over another. Finally, I show, thanks to causal models, that although these relations are expressed through causative constructions, they are in fact the representation of unrealized properties rather than the expression of any actual causal relation
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Choi, Yoonjoung. "Real romance came out of dreamland into life : H.G. Wells as a romancer." Thesis, Durham University, 2007. http://etheses.dur.ac.uk/2496/.

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The aim of this study is to demonstrate that Wells's early works are the supreme fruits of his ambiguous and complicated reaction against, and interaction with, romance and realism in fiction. Wells's efforts concentrate on combating against and, at the same time, capitalising on the popular narratives that flooded the expanding fin-de-siècle mass market and the powerful influence of the continental and American Realists. In so doing, Wells eventually purports to revive and modify the English novel tradition from Chaucer to Scott and Dickens, and the romantic transformation of everyday life without losing a sense of reality. By reading Wells's fictional and non-fictional works published between the 1890s and the 1900s, this thesis maintains that Wells is a novelist who could exploit romance contingencies in his fiction Wells's early literary criticism demonstrates that his theory of the novel is preoccupied with the potential of the romance rather than with the strict realistic representation of everyday life advocated by Naturalists and Realists. His non-scientific romances reveal Wells's instinctive grasp of the romance potential Wells's major scientific romances confirm his effort in writing within the established romance grammar and deconstruct the forms and themes of fìn-de-siècle popular romances. Mikhail Bakhtin's theory of carnivalism and Foucaulťs theory of power are also applied to Wells's texts. This study contends that Wells's major scientific romances not only differentiate themselves from other popular narratives but also create a new genre: the carnivalesque romance. Wells's early twentieth century Utopian projects continue the carnival theme, and develop the carnivalised narrative space in which the sociologist's logical speculation is mixed with the romancer’s dream. Reading Wells's Edwardian novels, Tono-Bungay and The History of Mr Polly as marking a turning point in his literary career, the thesis advocates that when Wells ceased to be a romancer, his creative energy began to wane.
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Cardús, Juvé Roger. "Romance de amor e loucura seguido de Diário de um romance." Pontifícia Universidade Católica do Rio Grande do Sul, 2010. http://hdl.handle.net/10923/4255.

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Romance de amor e loucura és una novel·la d‟autoficció, escrita en primera persona, que té com a temes principals i entrelligats l‟amor, específicament, l‟amor-passió, la “bogeria” o malaltia mental i la memòria i la seva recuperació. Diário de um romance permet seguir el procés de creació: les lectures fetes per preparar la novel·la, la cerca de solucions per a obstacles literaris i emocionals, les reflexions sobre el treball creatiu en el seu dia a dia. fre
Romance de amor e loucura é um romance de autoficção, escrito em primeira pessoa, que tem como temas principais e entrelaçados o amor, especificamente, o amor-paixão, a “loucura” ou doença mental e a memória e sua recuperação. Diário de um romance permite acompanhar o processo de criação: as leituras realizadas para a preparação do romance, a procura de soluções para obstáculos literários e emocionais, as reflexões sobre o trabalho criativo no seu dia-a-dia.
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Books on the topic "Romance"

1

Alexander, Ronald. Romance romanze: Two novellas. Venice, California: Hollyridge Press, 2009.

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Folsom, Heather. Romance of romance. San Francisco, CA: Cadmus Editions, 2008.

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Bodden, Valerie. Romance. Mankato, MN: Creative Education, 2012.

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Albright, William. Romance. New York: Henmar Press, 1987.

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Sansom, Ann. Romance. Newcastle upon Tyne: Bloodaxe Books, 1994.

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Pereira, Helder Moura. Romance. Porto: Edições do Litoral, 1987.

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Riley, Joan. Romance. London: The Women's Press, 1988.

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Fuchs, Barbara. Romance. New York: Routledge, 2004.

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Figueira, Fabiano. Romance. Rio de Janeiro, RJ: Sette Letras, 1996.

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Anonyma. Romance. Saint-Romuald, QC: Productions d'Oz, 2003.

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Book chapters on the topic "Romance"

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Potter, Lois. "Romance." In Twelfth Night, 52–62. London: Macmillan Education UK, 1985. http://dx.doi.org/10.1007/978-1-349-06462-5_8.

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Moore, Helen. "Romance." In A Companion to English Renaissance Literature and Culture, 317–26. Malden, MA, USA: Blackwell Publishers Ltd, 2007. http://dx.doi.org/10.1002/9780470998731.ch29.

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Robinson, Benedict S. "Romance." In A Handbook of English Renaissance Literary Studies, 235–48. Chichester, UK: John Wiley & Sons, Ltd, 2017. http://dx.doi.org/10.1002/9781118458747.ch16.

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Gill, Richard. "Romance." In Mastering, 267–71. London: Macmillan Education UK, 2006. http://dx.doi.org/10.1007/978-0-230-20852-0_25.

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Langbauer, Laurie. "Romance." In A Companion to the English Novel, 103–16. Chichester, UK: John Wiley & Sons, Ltd, 2015. http://dx.doi.org/10.1002/9781118607251.ch7.

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Saunders, Corinne. "Romance." In The History of British Women’s Writing, 700–1500, 85–94. London: Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9780230360020_7.

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Moore, Helen. "Romance." In A New Companion to English Renaissance Literature and Culture, 238–48. Oxford, UK: Wiley-Blackwell, 2010. http://dx.doi.org/10.1002/9781444319019.ch57.

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Dunak, Karen. "Romance." In The Routledge History of American Sexuality, 314–25. New York, NY : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9781315637259-29.

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Kennedy. "Romance." In Never Threaten to Eat Your Co-Workers: Best of Blogs, 37. Berkeley, CA: Apress, 2004. http://dx.doi.org/10.1007/978-1-4302-0678-1_11.

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Collins, Marsha S. "Romance." In The Palgrave Handbook of Philosophy and Literature, 263–91. London: Palgrave Macmillan UK, 2018. http://dx.doi.org/10.1057/978-1-137-54794-1_13.

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Conference papers on the topic "Romance"

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Sebag, Annabel. "Screen romance." In SA '17: SIGGRAPH Asia 2017. New York, NY, USA: ACM, 2017. http://dx.doi.org/10.1145/3145631.3145679.

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Pukema, Bruce. "Ronin romance classics." In ACM SIGGRAPH 99 Electronic art and animation catalog. New York, New York, USA: ACM Press, 1999. http://dx.doi.org/10.1145/312379.313066.

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Dinu, Liviu P., and Denis Enăchescu. "On clustering Romance languages." In Recent Advances in Stochastic Modeling and Data Analysis. WORLD SCIENTIFIC, 2007. http://dx.doi.org/10.1142/9789812709691_0061.

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Gaillard-Corvaglia, Antonella, Jean-Léo Leonard, and Pierre Darlu. "Testing cladistics on dialect networks and phyla (gallo-romance and southern italo-romance)." In Ninth Meeting of the ACL Special Interest Group in Computational Morphology and Phonology. Morristown, NJ, USA: Association for Computational Linguistics, 2007. http://dx.doi.org/10.3115/1626516.1626520.

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Parker, Andrea. "Session details: Relationships and Romance." In CSCW '16: Computer Supported Cooperative Work and Social Computing. New York, NY, USA: ACM, 2016. http://dx.doi.org/10.1145/3260453.

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Liu, Yuxin. "French Romance in Late Medieval Poetry." In 2022 3rd International Conference on Language, Art and Cultural Exchange（ICLACE 2022). Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220706.083.

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Mouri, Masako. "Romance Scam and Legal Interpreting/Translation." In The IAFOR International Conference on Arts & Humanities – Hawaii 2024. The International Academic Forum(IAFOR), 2024. http://dx.doi.org/10.22492/issn.2432-4604.2024.41.

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Mustofa, Ali. "Boys’ Love Romance in the Realm of Popular Literature: Genre, Motif, and the Future of Romance." In Proceedings of the 10th UNNES Virtual International Conference on English Language Teaching, Literature, and Translation, ELTLT 2021, 14-15 August 2021, Semarang, Indonesia. EAI, 2022. http://dx.doi.org/10.4108/eai.14-8-2021.2317615.

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Martin, Philippe. "Remanence of sentence prosody in Romance languages." In 7th Tutorial and Research Workshop on Experimental Linguistics. ExLing Society, 2019. http://dx.doi.org/10.36505/exling-2016/07/0001/000260.

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Thomas, John. "Session details: Computer mediated intimacy and romance." In CHI '14: CHI Conference on Human Factors in Computing Systems. New York, NY, USA: ACM, 2014. http://dx.doi.org/10.1145/3250986.

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Reports on the topic "Romance"

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Yamashige, Sarah. Bustled Romance. Ames: Iowa State University, Digital Repository, 2014. http://dx.doi.org/10.31274/itaa_proceedings-180814-1086.

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Leigh, Megan. A Wind River Romance. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.394.

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Ring, Kimberly. Lace Romance: Engineered Jacquard Wovens. Ames: Iowa State University, Digital Repository, 2014. http://dx.doi.org/10.31274/itaa_proceedings-180814-1070.

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OSETROVA, O., A. STOKOLYAS, and D. KHUSAINOVA. CHARACTERISTIC ASPECTS OF TRANSLATING ROMANCE NOVELS. Science and Innovation Center Publishing House, 2021. http://dx.doi.org/10.12731/2077-1770-2021-13-4-2-94-103.

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Peculiarities of translating romance novels are considered in the article. Examples from the novel by Kristan Higgins “Too good to be true” are given in order corresponding to their manifestation in the book. Special attention is given to the translation of realities. The main translation techniques used are transliteration and transcription, calquing, and combinations (concerning onomastic realities), descriptive translation and approximation (concerning everyday realities and associations). Besides, it is mentioned, that gender dimension is extremely pragmatically valid in the context of other stylistic and grammatical aspects of the text. The authors make a conclusion of dynamic changes in speech stereotypes towards blurring gender lines between masculine and feminine speech behavior. It is important to consider this fact when translating romance novels.
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Uhrich, Sebastian, and Kim Uhlendorf. Can sports innovate without losing the romance? Edited by Reece Hooker. Monash University, January 2023. http://dx.doi.org/10.54377/0e86-09ba.

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Bottino, Mattia. ECMI Minorities Blog. Francophone, Francophile, and Gallo-Romance peripheries in Piedmont and the Aosta Valley. European Centre for Minority Issues, November 2023. http://dx.doi.org/10.53779/alpj4698.

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The blog post discusses the linguistic and cultural peculiarities of Piedmont and the Aosta Valley, two regions that have historically straddled France and Italy. It provides a brief historical linguistic overview of the development of Gallo-Romance languages (French, Franco-Provençal, and Occitan) in these regions. The piece describes the Francophile and Francophone orientation of Piedmont throughout its history, as well as the belated introduction of Tuscan (Italian). It stresses the singularity of Piedmontese, and its close linguistic relation to neighbouring Gallo-Romance languages. Against this background, the text assesses the current state and vitality of Franco- and Gallo-Romance peripheries within the borders of Italy, and explains how such identities have evolved, been reshaped or become politicized. Primordialist and constructivist perspectives on national (and minority) identities are combined to better understand the development, decay, and reconfiguration of linguistic and cultural identities in Piedmont and the Aosta Valley.
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Fisher, Linda, G. Oscar Anderson, Matrika Chapagain, Xenia Mentenegro, James Smoot, and Amishi Takalkar. Sex, Romance, and Relationships: AARP Survey of Midlife and Older Adults. AARP Research, May 2010. http://dx.doi.org/10.26419/res.00063.001.

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Hoinkes, Ulrich. Indexicality and Enregisterment as Theoretical Approaches to the Sociolinguistic Analysis of Romance Languages. Universitatsbibliothek Kiel, November 2019. http://dx.doi.org/10.21941/hoinkesindexenregromlang.

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Social indexicality and enregisterment are basic notions of a theoretical model elaborated in the United States, the aim of which is to describe the relationship between the use of language variation and patterns of social behavior at the level of formal classification. This analytical approach is characterized by focusing on the interrelation of social performance and language awareness. In my contribution, I want to show how this modern methodology can give new impetus to the study of today’s problem areas in Europe, such as migration and language or urban life and language use. In particular, I am interested in the case of Catalan, which has been studied for some time by proponents of the North American enregisterment theory. This leads me to indicate that explicit forms of social conduct, such as language shift or the emblematic use of linguistic forms, can be interpreted with regard to the social indexicality of Catalan. I thus analyze them in a way which shows that authenticity and integration in Catalan society can be achieved to a considerable extent by practicing forms of linguistic enregisterment.
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Bronson, Niko S. Romance With America: Americanization in the Bluest Eye and The House on Mango Street. Fort Belvoir, VA: Defense Technical Information Center, January 2000. http://dx.doi.org/10.21236/ada387234.

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Peacock, Nora. The Redemptive Role of Chivalry in Old French Arthurian Romance (12th and 13th Centuries). Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.7183.

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