Academic literature on the topic 'Romance'
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Journal articles on the topic "Romance"
Jędrzejewski, Tomasz. "Ballads and Romances or Ballads-Romances? On the romance in Mickiewicz’s poetic cycle." Tekstualia 3, no. 66 (October 31, 2021): 19–32. http://dx.doi.org/10.5604/01.3001.0015.4558.
Full textGomes, Gislaine, and Gilmei Francisco Fleck. "IMPERATRIZ NO FIM DO MUNDO: MEMÓRIAS DÚBIAS DE AMÉLIA DE LEUCHTEMBERG (1992), DE IVANIR CALADO – A MEDIAÇÃO ENTRE O TRADICIONALISMO E O DESCONTRUCIONISMO NUM ROMANCE HISTÓRICO CONTEMPORÂNEO DE MEDIAÇÃO." REVISTA DE LETRAS - JUÇARA 2, no. 2 (December 27, 2018): 140–58. http://dx.doi.org/10.18817/rlj.v2i2.1769.
Full textAparecido dos Santos, Donizeth. "O TEMPO E O VENTO: ROMANCE HISTÓRICO E ROMANCE POLÍTICO." Cadernos do IL, no. 39 (January 10, 2012): 96–104. http://dx.doi.org/10.22456/2236-6385.25205.
Full textDoll, Jessica L., and Patrick J. Rosopa. "Workplace romances: examining attitudes experience, conscientiousness, and policies." Journal of Managerial Psychology 30, no. 4 (May 11, 2015): 439–53. http://dx.doi.org/10.1108/jmp-11-2012-0368.
Full textTarulli, Laurel. "Readers' Advisory: Bad Boy Romances: Biker Boys and Mobster Royalty." Reference & User Services Quarterly 56, no. 4 (June 21, 2017): 245. http://dx.doi.org/10.5860/rusq.56.4.245.
Full textTurner, Ellen, and Cecilia Wadsö Lecaros. "desert-governess romance: Regency England meets exotic Arabia." Lund Journal of English Studies 4 (December 19, 2022): 1–24. http://dx.doi.org/10.48148/ljes.v4i.24863.
Full textBelot, Sophie, and Ralf Junkerjürgen. "Romance (Catherine Breillat, 1999)." apropos [Perspektiven auf die Romania], no. 8 (July 26, 2022): 229–44. http://dx.doi.org/10.15460/apropos.8.1934.
Full textFuente Fernández, Francisco Javier. "Poética de los romances de ciego." Estudios Humanísticos. Filología, no. 14 (December 1, 1992): 171. http://dx.doi.org/10.18002/ehf.v0i14.4269.
Full textHansen, William. "Folktales and Romantic Novels." Classica - Revista Brasileira de Estudos Clássicos 17, no. 17/18 (December 2, 2005): 281–91. http://dx.doi.org/10.24277/classica.v17i17/18.399.
Full textDonoso, Isaac. "«Cabayong tabla: estudi i traducció d'un romanç filipí del regne de València (II)»." Revista de Literatura Medieval 29 (December 21, 2018): 13–40. http://dx.doi.org/10.37536/rpm.2017.29.0.69405.
Full textDissertations / Theses on the topic "Romance"
Hansson, Heidi. "Romance revived : postmodern romances and the tradition." Doctoral thesis, Umeå : Umeå university, 1998. http://catalogue.bnf.fr/ark:/12148/cb40245742q.
Full textConrado, Iris Selene [UNESP]. "O romance e o romance de José Saramago." Universidade Estadual Paulista (UNESP), 2011. http://hdl.handle.net/11449/103653.
Full textCoordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
Esta tese desenvolve um estudo da trajetória do escritor português contemporâneo José Saramago (1922-2010) no seu trabalho com o gênero romanesco. Desse modo, procura-se reconstituir o percurso do autor pelo gênero, por meio da análise interpretativa de três de seus romances, nos quais se pode perceber a influência de diferentes orientações estéticas ao longo dos anos. Para isso, apresenta-se uma breve descrição de cunho histórico do percurso da própria formação do gênero romanesco, no âmbito geral da cultura ocidental, e também, especificamente, no cenário da literatura portuguesa. Essa recuperação histórica é feita com base nos estudos de teóricos da forma romance, como Auerbach, Watt, Lukács, Bakhtin, Rosenfeld, Jozef e Hutcheon, entre outros e, no que diz respeito ao romance português, com base em autores como Simões, Saraiva e Lopes, Reis, Mendonça, Seixo, Flory, entre outros pesquisadores. Com o intuito de perceber as diferentes fases pelas quais o romance de Saramago passa, apresenta-se, ainda, um encadeamento cronológico de enredos de toda a produção romanesca do autor, pautado em parte de sua fortuna crítica, a fim de embasar a análise dos romances selecionados como corpus deste trabalho, a saber: Manual de pintura e caligrafia (1977), Memorial do convento (1982) e As intermitências da morte (2005). Tentando evidenciar uma correspondência no desenvolvimento do gênero romanesco no século XX e o caminho literário percorrido por Saramago em sua produção de romances, observou-se que as três obras escolhidas representam, de fato...
This thesis aims to develop a study of the trajectory of the Portuguese contemporary writer José Saramago (1922-2010) in his novels. Thus, we try to reconstruct the author's journey through the formal structure of the novel, by interpretive analysis of three of his novels, in which we can see the influence of different artistic aesthetic orientations over the years. For this, we present a brief description in a historical point-of-view of the course of formation of the novelistic genre inside the general framework of Western culture, and also specifically in the setting of Portuguese literature. This historical recovery is based on studies of researches of the novel form, as Auerbach, Watt, Lukács, Bakhtin, Rosenfeld, Jozef and Hutcheon, among others, and, regarding the Portuguese novel, we based on authors such as Simões, Saraiva e Lopes, Reis, Mendonça, Seixo, Flory, among other researchers. In order to understand the different phases through which passes Saramago's novel, we also presents a brief timely recovery on all his novelistic production, based on part of his critics, in order to base the analysis of some selected novels which are the corpus of this work: Manual de pintura e caligrafia (1977), Memorial do convento (1982) e As intermitências da morte (2005). Trying to show a correspondence in the development of the novelistic genre in the 20th century and the path passed by Saramago on the literary production of his novels, we observed that the three novels analyzed represent, in fact, three stages of diverse aesthetic attitudes of the author, with characteristic elements of different... (Complete abstract click electronic access below)
Conrado, Iris Selene. "O romance e o romance de José Saramago /." Assis : [s.n.], 2011. http://hdl.handle.net/11449/103653.
Full textBanca: Clarice Zamonaro Cortez
Banca: Nelyse Aparecida Melro Salzedas
Banca: Sandra Aparecida Ferreira
Banca: Rubens Pereira dos Santos
Resumo: Esta tese desenvolve um estudo da trajetória do escritor português contemporâneo José Saramago (1922-2010) no seu trabalho com o gênero romanesco. Desse modo, procura-se reconstituir o percurso do autor pelo gênero, por meio da análise interpretativa de três de seus romances, nos quais se pode perceber a influência de diferentes orientações estéticas ao longo dos anos. Para isso, apresenta-se uma breve descrição de cunho histórico do percurso da própria formação do gênero romanesco, no âmbito geral da cultura ocidental, e também, especificamente, no cenário da literatura portuguesa. Essa recuperação histórica é feita com base nos estudos de teóricos da forma romance, como Auerbach, Watt, Lukács, Bakhtin, Rosenfeld, Jozef e Hutcheon, entre outros e, no que diz respeito ao romance português, com base em autores como Simões, Saraiva e Lopes, Reis, Mendonça, Seixo, Flory, entre outros pesquisadores. Com o intuito de perceber as diferentes fases pelas quais o romance de Saramago passa, apresenta-se, ainda, um encadeamento cronológico de enredos de toda a produção romanesca do autor, pautado em parte de sua fortuna crítica, a fim de embasar a análise dos romances selecionados como corpus deste trabalho, a saber: Manual de pintura e caligrafia (1977), Memorial do convento (1982) e As intermitências da morte (2005). Tentando evidenciar uma correspondência no desenvolvimento do gênero romanesco no século XX e o caminho literário percorrido por Saramago em sua produção de romances, observou-se que as três obras escolhidas representam, de fato... (Resumo completo, clicar acesso eletrônico abaixo)
Abstract: This thesis aims to develop a study of the trajectory of the Portuguese contemporary writer José Saramago (1922-2010) in his novels. Thus, we try to reconstruct the author's journey through the formal structure of the novel, by interpretive analysis of three of his novels, in which we can see the influence of different artistic aesthetic orientations over the years. For this, we present a brief description in a historical point-of-view of the course of formation of the novelistic genre inside the general framework of Western culture, and also specifically in the setting of Portuguese literature. This historical recovery is based on studies of researches of the novel form, as Auerbach, Watt, Lukács, Bakhtin, Rosenfeld, Jozef and Hutcheon, among others, and, regarding the Portuguese novel, we based on authors such as Simões, Saraiva e Lopes, Reis, Mendonça, Seixo, Flory, among other researchers. In order to understand the different phases through which passes Saramago's novel, we also presents a brief timely recovery on all his novelistic production, based on part of his critics, in order to base the analysis of some selected novels which are the corpus of this work: Manual de pintura e caligrafia (1977), Memorial do convento (1982) e As intermitências da morte (2005). Trying to show a correspondence in the development of the novelistic genre in the 20th century and the path passed by Saramago on the literary production of his novels, we observed that the three novels analyzed represent, in fact, three stages of diverse aesthetic attitudes of the author, with characteristic elements of different... (Complete abstract click electronic access below)
Doutor
Wellinger, Chad Edward. "Bad Romance." Digital Commons at Loyola Marymount University and Loyola Law School, 2015. https://digitalcommons.lmu.edu/etd/156.
Full textPessoa, Rosane Rocha. "O romance de mistério e o mistério do romance." Universidade Federal de Goiás, 1989. http://repositorio.bc.ufg.br/tede/handle/tede/9046.
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES
This study aims to decipher the formal and thematic "mysteries" of five Brazilian narratives which deal with crime. Be ggining with the structure of trivial narratives ~ characteristic of the classical police stories ~, it is verified how the crimina l intrigue is presented in the five narratives. nesides deviating from the scheme, they question the involving criminal reality. It is, in my view, the "humanization" of a trivial theme because they elaborate on contradiction as its fundamental structure . This dialetic elaboration answers for the amplification of the criminal matter, permitting the approach of philosophycal, social, economic, mystic and moral themes. Under this scope, the five place themselves in opposition narra tives to the rheification and alienation imposed by the cultural industry.
Este estudo objetiva desvendar os "mistérios" formais e temáticos de cinco narrativas brasileiras que tratam de crime. Partindo da estrutura da narrativa trivial~ característica do romance policial clássico~, verificamos como a trama criminal se estabelece nas cinco narrativas. Constatamos que, além de não seguirem as regras próprias do gênero policial, elas se propõem como questionadoras da realidade criminosa que nos envolve . Trata-se, a nosso ver , da "humanização" trivializada , pelo fato de de uma temática elaborarem a contradição como sua estrutura fundamental . Esta elaboração dialética , e que responde pela ampliação da questão ~riminal, permitindo a abordagem de temas filosóficos, sociais, econômicos, místicos e morais, que dela decorrem naturalmente . Sob esta Ótica, as cinco narrativas apresentam- se em oposição à reificação e a' alienação impostas pela indústria cultural.
Oliveira, Iara de. "Ditadura e romance." Florianópolis, SC, 2004. http://repositorio.ufsc.br/xmlui/handle/123456789/87734.
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O trabalho Ditadura e romance: As vozes submersas de uma história sem fim traz uma análise dos romances A voz submersa, de Salim Miguel e El fin de la historia, de Liliana Heker, pautada na História Contemporânea de Brasil e Argentina e nas teorias de Mikhail Bakhtin. Cruzando a História de Brasil e Argentina, principalmente no que tange à última Ditadura Militar pela qual ambos passaram e, ao mesmo tempo, fazendo-a ponto de partida para a leitura dos romances, evidencia-se, nestes dois universos ficcionais, diversas vozes que, dialogando com o seu contexto, unem-se para mostrar um período contraditório, tenebroso e cruel. Nas duas obras percebem-se ideologias conflitantes, que representam uma nação fragmentada, individualizada, caótica, encoberta por uma máscara de ordem e união. Tal máscara é imposta, como se evidencia nos textos ficcionais trabalhados, através da violência e da força, empregadas pelos regimes militares ditatoriais, seguidores das regras da Doutrina de Segurança Nacional. Dessa forma, Salim Miguel e Liliana Heker ao utilizarem a ditadura como cenário e alvo de suas produções literárias, permitem entrever um emaranhado de vozes submersas em uma história que ainda não teve fim.
Henrique, Lauro Luis Souza de. "Romance policial contemporâneo." reponame:Repositório Institucional da UFSC, 2016. https://repositorio.ufsc.br/xmlui/handle/123456789/167852.
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A presente dissertação pretende discutir sobre diferentes elementos presentes no romance policial, enfatizando a construção do personagem de ficção (detetive) e sua importância dentro da narrativa. Como cada ser na história é fruto de criação ficcional, seu impacto nos leitores, suas adaptações, reflexos sociais, tudo isso é, até certo ponto, interligado com seu processo de caracterização arquitetado no texto pelo autor, sendo um dos objetivos deste trabalho explorar como ele acontece. Com forte influência na diversidade de romances policiais estrangeiros, aqui o escopo foi estudar os brasileiros, enfatizando um autor que ganhou destaque e premiações, mostrando-se uma profícua fonte de estudo: Garcia-Roza e seu delegado Espinosa. Como proposta bibliográfica, buscou-se trabalhar com autores como Albuquerque (1979) e Benjamin (1994), que colaboraram para construir a história e as origens do romance policial, juntamente com Candido (2012), Lukács (2009) e Forster (1998), os quais auxiliaram para levantar os elementos de caracterização do personagem. Exemplo disso é a importância de tais elementos em relação ao enredo, história, trama, a presença do personagem complexo que cria um tipo de vínculo com o leitor, colocando, deste modo, uma crítica pertinente ao estudo para chegar a um resultado: a construção do personagem Espinosa e a importância do gênero policial e seu impacto social.
Abstract : This work aims to discuss about different elements shown in crime fiction, emphasizing the construction of fictional character (detective) and their importance for the narrative. As every being in the story is the result of a fictional creation, its impact on the readers, its adaptations, social reflexes, everything is, up to a point, linked to its characterization process built in the text by the author, being one of the goals of this work to explore how it works. With a strong influence on the diversity of foreign crime fiction novels, our goal was to study the Brazilian ones emphasizing an author who has been prominent and received several prizes, being a great source of studies: Garcia-Roza and his police chief Espinosa. As a bibliographical purpose we based our work on authors such Albuquerque (1979) and Benjamin (1994), who have contributed to build the history and the origins of crime fiction with Candido (2012), Lukács (2009) and Forster (1998), who have helped to carry out the elements of the characterization. One example is the importance of the elements related to the plot, the story, the presence of a complex character that creates a type of link with the reader, questioning the study and resulting: the construction of the character Espinosa and his importance to the crime fiction genre and its social impact.
Raffy, Clementine. "Letting in Romance." Electronic Thesis or Diss., Paris 8, 2021. http://www.theses.fr/2021PA080070.
Full textThe aim of this thesis is to try to propose a new solution to an old problem: what does it mean to 'let something happen'? It can be understood either as the granting of permission or as the absence of intervention. But how do we know which of these two readings we are dealing with? In order to answer this question, I use the French verb laisser and the Spanish verb dejar as examples, since each of these two verbs can give rise to two distinct causative syntactic constructions, one monoclausal and the other biclausal (although the two biclausal constructions differ from one language to the other). The idea is therefore to understand (i) whether these different degrees of syntactic complexity are reflected at any level in the interpretation of these causative constructions, and (ii) whether they differ from one language to another, since the constructions also differ. In order to understand the relationship between morphosyntax and conceptual representation(s), I present the three experiments I conducted in order to test the mapping from syntactic structure and interpretation. These experiments show that morphosyntax is not the primary factor in the interpretation of laisser- and dejar-causative; on the contrary, other factors, such as the notion of authority as well as the causal concept of prevention, seem to be more relevant for the choice of one reading over another. Finally, I show, thanks to causal models, that although these relations are expressed through causative constructions, they are in fact the representation of unrealized properties rather than the expression of any actual causal relation
Choi, Yoonjoung. "Real romance came out of dreamland into life : H.G. Wells as a romancer." Thesis, Durham University, 2007. http://etheses.dur.ac.uk/2496/.
Full textCardús, Juvé Roger. "Romance de amor e loucura seguido de Diário de um romance." Pontifícia Universidade Católica do Rio Grande do Sul, 2010. http://hdl.handle.net/10923/4255.
Full textRomance de amor e loucura és una novel·la d‟autoficció, escrita en primera persona, que té com a temes principals i entrelligats l‟amor, específicament, l‟amor-passió, la “bogeria” o malaltia mental i la memòria i la seva recuperació. Diário de um romance permet seguir el procés de creació: les lectures fetes per preparar la novel·la, la cerca de solucions per a obstacles literaris i emocionals, les reflexions sobre el treball creatiu en el seu dia a dia. fre
Romance de amor e loucura é um romance de autoficção, escrito em primeira pessoa, que tem como temas principais e entrelaçados o amor, especificamente, o amor-paixão, a “loucura” ou doença mental e a memória e sua recuperação. Diário de um romance permite acompanhar o processo de criação: as leituras realizadas para a preparação do romance, a procura de soluções para obstáculos literários e emocionais, as reflexões sobre o trabalho criativo no seu dia-a-dia.
Books on the topic "Romance"
Alexander, Ronald. Romance romanze: Two novellas. Venice, California: Hollyridge Press, 2009.
Find full textFolsom, Heather. Romance of romance. San Francisco, CA: Cadmus Editions, 2008.
Find full textBodden, Valerie. Romance. Mankato, MN: Creative Education, 2012.
Find full textAlbright, William. Romance. New York: Henmar Press, 1987.
Find full textSansom, Ann. Romance. Newcastle upon Tyne: Bloodaxe Books, 1994.
Find full textPereira, Helder Moura. Romance. Porto: Edições do Litoral, 1987.
Find full textRiley, Joan. Romance. London: The Women's Press, 1988.
Find full textFuchs, Barbara. Romance. New York: Routledge, 2004.
Find full textFigueira, Fabiano. Romance. Rio de Janeiro, RJ: Sette Letras, 1996.
Find full textAnonyma. Romance. Saint-Romuald, QC: Productions d'Oz, 2003.
Find full textBook chapters on the topic "Romance"
Potter, Lois. "Romance." In Twelfth Night, 52–62. London: Macmillan Education UK, 1985. http://dx.doi.org/10.1007/978-1-349-06462-5_8.
Full textMoore, Helen. "Romance." In A Companion to English Renaissance Literature and Culture, 317–26. Malden, MA, USA: Blackwell Publishers Ltd, 2007. http://dx.doi.org/10.1002/9780470998731.ch29.
Full textRobinson, Benedict S. "Romance." In A Handbook of English Renaissance Literary Studies, 235–48. Chichester, UK: John Wiley & Sons, Ltd, 2017. http://dx.doi.org/10.1002/9781118458747.ch16.
Full textGill, Richard. "Romance." In Mastering, 267–71. London: Macmillan Education UK, 2006. http://dx.doi.org/10.1007/978-0-230-20852-0_25.
Full textLangbauer, Laurie. "Romance." In A Companion to the English Novel, 103–16. Chichester, UK: John Wiley & Sons, Ltd, 2015. http://dx.doi.org/10.1002/9781118607251.ch7.
Full textSaunders, Corinne. "Romance." In The History of British Women’s Writing, 700–1500, 85–94. London: Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9780230360020_7.
Full textMoore, Helen. "Romance." In A New Companion to English Renaissance Literature and Culture, 238–48. Oxford, UK: Wiley-Blackwell, 2010. http://dx.doi.org/10.1002/9781444319019.ch57.
Full textDunak, Karen. "Romance." In The Routledge History of American Sexuality, 314–25. New York, NY : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9781315637259-29.
Full textKennedy. "Romance." In Never Threaten to Eat Your Co-Workers: Best of Blogs, 37. Berkeley, CA: Apress, 2004. http://dx.doi.org/10.1007/978-1-4302-0678-1_11.
Full textCollins, Marsha S. "Romance." In The Palgrave Handbook of Philosophy and Literature, 263–91. London: Palgrave Macmillan UK, 2018. http://dx.doi.org/10.1057/978-1-137-54794-1_13.
Full textConference papers on the topic "Romance"
Sebag, Annabel. "Screen romance." In SA '17: SIGGRAPH Asia 2017. New York, NY, USA: ACM, 2017. http://dx.doi.org/10.1145/3145631.3145679.
Full textPukema, Bruce. "Ronin romance classics." In ACM SIGGRAPH 99 Electronic art and animation catalog. New York, New York, USA: ACM Press, 1999. http://dx.doi.org/10.1145/312379.313066.
Full textDinu, Liviu P., and Denis Enăchescu. "On clustering Romance languages." In Recent Advances in Stochastic Modeling and Data Analysis. WORLD SCIENTIFIC, 2007. http://dx.doi.org/10.1142/9789812709691_0061.
Full textGaillard-Corvaglia, Antonella, Jean-Léo Leonard, and Pierre Darlu. "Testing cladistics on dialect networks and phyla (gallo-romance and southern italo-romance)." In Ninth Meeting of the ACL Special Interest Group in Computational Morphology and Phonology. Morristown, NJ, USA: Association for Computational Linguistics, 2007. http://dx.doi.org/10.3115/1626516.1626520.
Full textParker, Andrea. "Session details: Relationships and Romance." In CSCW '16: Computer Supported Cooperative Work and Social Computing. New York, NY, USA: ACM, 2016. http://dx.doi.org/10.1145/3260453.
Full textLiu, Yuxin. "French Romance in Late Medieval Poetry." In 2022 3rd International Conference on Language, Art and Cultural Exchange(ICLACE 2022). Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220706.083.
Full textMouri, Masako. "Romance Scam and Legal Interpreting/Translation." In The IAFOR International Conference on Arts & Humanities – Hawaii 2024. The International Academic Forum(IAFOR), 2024. http://dx.doi.org/10.22492/issn.2432-4604.2024.41.
Full textMustofa, Ali. "Boys’ Love Romance in the Realm of Popular Literature: Genre, Motif, and the Future of Romance." In Proceedings of the 10th UNNES Virtual International Conference on English Language Teaching, Literature, and Translation, ELTLT 2021, 14-15 August 2021, Semarang, Indonesia. EAI, 2022. http://dx.doi.org/10.4108/eai.14-8-2021.2317615.
Full textMartin, Philippe. "Remanence of sentence prosody in Romance languages." In 7th Tutorial and Research Workshop on Experimental Linguistics. ExLing Society, 2019. http://dx.doi.org/10.36505/exling-2016/07/0001/000260.
Full textThomas, John. "Session details: Computer mediated intimacy and romance." In CHI '14: CHI Conference on Human Factors in Computing Systems. New York, NY, USA: ACM, 2014. http://dx.doi.org/10.1145/3250986.
Full textReports on the topic "Romance"
Yamashige, Sarah. Bustled Romance. Ames: Iowa State University, Digital Repository, 2014. http://dx.doi.org/10.31274/itaa_proceedings-180814-1086.
Full textLeigh, Megan. A Wind River Romance. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.394.
Full textRing, Kimberly. Lace Romance: Engineered Jacquard Wovens. Ames: Iowa State University, Digital Repository, 2014. http://dx.doi.org/10.31274/itaa_proceedings-180814-1070.
Full textOSETROVA, O., A. STOKOLYAS, and D. KHUSAINOVA. CHARACTERISTIC ASPECTS OF TRANSLATING ROMANCE NOVELS. Science and Innovation Center Publishing House, 2021. http://dx.doi.org/10.12731/2077-1770-2021-13-4-2-94-103.
Full textUhrich, Sebastian, and Kim Uhlendorf. Can sports innovate without losing the romance? Edited by Reece Hooker. Monash University, January 2023. http://dx.doi.org/10.54377/0e86-09ba.
Full textBottino, Mattia. ECMI Minorities Blog. Francophone, Francophile, and Gallo-Romance peripheries in Piedmont and the Aosta Valley. European Centre for Minority Issues, November 2023. http://dx.doi.org/10.53779/alpj4698.
Full textFisher, Linda, G. Oscar Anderson, Matrika Chapagain, Xenia Mentenegro, James Smoot, and Amishi Takalkar. Sex, Romance, and Relationships: AARP Survey of Midlife and Older Adults. AARP Research, May 2010. http://dx.doi.org/10.26419/res.00063.001.
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