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Books on the topic 'Roman Polanski'

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Author: Grafiati

Published: 4 June 2021

Last updated: 25 April 2022

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1

Avron, Dominique. Roman Polanski. Paris: Rivages, 1987.

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2

Roman Polanski. Rome: Gremese, 2006.

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3

Roman Polanski. Urbana, IL: University of Illinois Press, 2007.

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4

Cappabianca, Alessandro. Roman Polanski. Recco, Genova: Le mani, 1997.

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5

Avron, Dominique. Roman Polanski. Paris: Rivages, 1987.

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6

Wexman, Virginia Wright. Roman Polanski. London: Columbus, 1987.

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7

Roman Polanski. Boston: Twayne Publishers, 1985.

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8

Roman Polanski. Milano: Il castoro, 2002.

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9

Batkiewicz, Andrzej. Scigany Roman Polanski. Katowice: Wydawnictwo BZiW Bronislaw Spadek, 2006.

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10

Meikle, Denis. Roman Polanski: Odd man out. London: Reynolds & Hearn, 2006.

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11

Bird, Daniel. Roman Polanski: The pocket essential [guide]. Harpenden, Herts [U.K.]: Pocket Essentials, 2002.

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12

Ain-Krupa, Julia. Roman Polanski: A life in exile. Santa Barbara, Calif: Praeger, 2010.

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13

Ain-Krupa, Julia. Roman Polanski: A life in exile. Santa Barbara, Calif: Praeger, 2010.

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14

Roman Polanski: A life in exile. Santa Barbara, Calif: Praeger, 2010.

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15

Roman Polanski: Vie et destin de l'artiste. Paris: P. Rey, 2010.

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16

Centro mazziano di studi e ricerche., ed. Il fantasma e la fanciulla: Tre film di Roman Polanski. Caselle di Sommacampagna (VR): Cierre, 2001.

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17

author, Silver Lawrence, and Newman Judith author, eds. The girl: A life in the shadow of Roman Polanski. London: Simon & Schuster, 2013.

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18

Martin, C. Shakespeare's 'fiend-like queen': A study of the characterisation of Lady Macbeth in the films of Orson Welles, Akira Kurosawa and Roman Polanski. Birmingham: University of Birmingham, 1999.

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19

Roman Polański i jego filmy. Warszawa: Wydawn. Nauk. PWN, 1994.

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20

Edoardo, Bruno, ed. Roman Polanski. Roma: Gremese, 1993.

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21

Feeney, F. X. Roman Polanski. Taschen, 2006.

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22

Roman Polanski. Pocket Essentials, 2002.

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23

1953-, Jacobsen Wolfgang, ed. Roman Polanski. München: Hanser, 1986.

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24

Stefano, Francia di Celle, Polanski Roman, and Torino Film Festival (26th : 2007), eds. Roman Polanski. [Turin, Italy]: Torino Film Festival, 2008.

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25

Meikle, Denis. Roman Polanski. Reynolds & Hearn, 2006.

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26

Roman Polanski. Cahiers du cinema-Editions de l'Etoile, 2012.

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27

Roman, Polanski, and Cronin Paul, eds. Roman Polanski: Interviews. Jackson: University Press of Mississippi, 2005.

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28

(Editor), F. X. Feeney, and Paul Duncan (Editor), eds. Roman Polanski (Directors). Taschen, 2005.

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29

Polanski, Roman. Roman by Polanski. Ballantine Books, 1985.

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30

Roman, Polanski, and Cronin Paul, eds. Roman Polanski: Interviews. Jackson: University Press of Mississippi, 2005.

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31

Roman Polanski: A Retrospective. Harry N. Abrams, 2013.

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32

Publishing, RH Value. The Roman Polanski Story. Random House Value Publishing, 1988.

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33

Greenberg, James. Roman Polanski: Una Retrospectiva. Blume, 2014.

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34

Alexandre, Tylski, ed. Roman Polanski, l'art de l'adaptation. Paris, France: L'Harmattan, 2006.

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35

Morrison, James. Roman Polanski (Contemporary Film Directors). University of Illinois Press, 2007.

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36

Morrison, James. Roman Polanski (Contemporary Film Directors). University of Illinois Press, 2007.

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37

Sandford, Christopher. Polanski. Arrow, 2009.

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38

Cronin, Paul. Roman Polanski: Interviews (Conversations With Filmmakers Series). University Press of Mississippi, 2005.

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39

Cronin, Paul. Roman Polanski: Interviews (Conversations With Filmmakers Series). University Press of Mississippi, 2005.

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40

Polanski And Perception The Psychology Of Seeing And The Cinema Of Roman Polanski. Intellect (UK), 2012.

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41

Polanski: A Biography. Palgrave Macmillan, 2009.

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42

Roman Polanski: The Cinema of a Cultural Traveller. I. B. Tauris, 2007.

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43

Mazierska, Ewa. Roman Polanski: The Cinema of a Cultural Traveller. I. B. Tauris, 2007.

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44

1943-, Orr John, and Ostrowska Elżbieta 1961-, eds. The cinema of Roman Polanski: Dark spaces of the world. London: Wallflower, 2006.

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45

Editors, Charles River. Legends of Hollywood: The Life and Legacy of Roman Polanski. CreateSpace Independent Publishing Platform, 2018.

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46

author, Silver Lawrence, and Newman Judith author, eds. The girl: A life in the shadow of Roman Polanski. Atria Books, 2013.

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47

The Cinema of Roman Polanski: Dark Spaces of the World (Directors' Cuts). Wallflower Press, 2006.

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48

(Editor), John Orr, and Elzbieta Ostrowska (Editor), eds. The Cinema of Roman Polanski: Dark Spaces of the World (Directors' Cuts). Wallflower Press, 2006.

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49

Owens, Rebekah. Macbeth. Liverpool University Press, 2017. http://dx.doi.org/10.3828/liverpool/9781911325130.001.0001.

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Why write about Roman Polanski's Macbeth (1971) as part of a series of books dedicated to the classics of the horror movie genre? Because, this book argues, just as Banquo in Polanski's film holds up a series of mirrors that reflect images of his successors that trace back to his own son Fleance, so subsequent milestones in the genre show their lineage to this work, their originator. Polanski had previously made Repulsion (1965) and Rosemary's Baby (1968), so he was fully aware of the conventions of the horror genre and this film provides clues to his own horror lexicon. This book demonstrates how Macbeth can be read as part of the British Folk tradition, strengthening the reading of the film as a horror movie in its own right through its links to The Wicker Man (1973), Blood on Satan's Claw (1971) and Witchfinder General (1968) then argues the case for its recognition as a horror movie even further, by connecting it to the later American horror classics, such as Halloween (1978). It also explores the popular associations made between the film and Polanski's own life, arguing that they endorse the view of the film as a horror. The book represents the first serious attempt to regard Polanski's Macbeth as a horror film in its own right, and not exclusively as one of a multitude of ongoing Shakespeare film adaptations.

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50

Carr, Jeremy. Repulsion. Liverpool University Press, 2021. http://dx.doi.org/10.3828/liverpool/9781800859326.001.0001.

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Roman Polanski’s Repulsion (1965), starring Catherine Deneuve as a repressed and tormented manicurist, is a gripping, visually inventive descent into paranoia and self-destructive alienation. Emblematic of recurrent Polanski motifs, evinced in his student short films, in his striking debut feature, Knife in the Water (1962), and in subsequent features like Death and the Maiden (1994), Repulsion is a tour de force examination of crippling anxiety and the sinister potency of inanimate objects. Repulsion amplifies the realm of psychological horror by evoking the seething impact of increasing delusion, literal and figurative seclusion, and the consequences of one woman’s foreboding sensitivity to the unsettling world that surrounds her. This Devil’s Advocate considers Repulsion within the context of familiar horror tropes and the prevailing qualities of Polanski’s broader oeuvre. Drawing on the research of Sigmund Freud, Julia Kristeva, Barbara Creed and others, concerning issues of abjection, the ‘monstrous-feminine’, and the psychology of horror spectatorship, this text focuses on central themes of isolation, sexuality and setting. Bookended by introductory biographical details and concluding with a roundup of the film’s reception, Repulsion is situated within the horror genre at large as well as its various off-shoots, such as the rape/revenge subgenre. There is also an analysis of the film’s technical qualities, from its sound design to its brilliantly low-key special effects, all of which define the film as Polanski’s most audaciously stylish realisation of dread and unease.

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