Academic literature on the topic 'Roman Polanski'
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Journal articles on the topic "Roman Polanski"
Cejtlin, Michel. "Le pianistede roman Polanski." Les Temps Modernes 657, no. 1 (2010): 260. http://dx.doi.org/10.3917/ltm.657.0260.
Full textEtkind, Charlene. "Roman Polanski Interviews (review)." Film & History: An Interdisciplinary Journal of Film and Television Studies 37, no. 1 (2007): 101. http://dx.doi.org/10.1353/flm.2007.0012.
Full textBoccara, Paolo. "Roman Polanski: A Film Memoir." INTERAZIONI, no. 1 (September 2013): 127–29. http://dx.doi.org/10.3280/int2013-001010.
Full textSáez-González, Jesús Miguel. "The Ghost Writer (Roman Polanski)." Vivat Academia, no. 111 (June 15, 2010): 108. http://dx.doi.org/10.15178/va.2010.111.108-109.
Full textSáez-González, Jesús Miguel. "Un dios salvaje (Roman Polanski)." Vivat Academia, no. 117 (December 15, 2011): 160. http://dx.doi.org/10.15178/va.2011.117.160.
Full textHuvet, Chloé. "Le pianiste (2002) de Roman Polanski." Revue musicale OICRM 3, no. 2 (June 6, 2019): 135–56. http://dx.doi.org/10.7202/1060111ar.
Full textMisiak, Anna. "The Unstable Epistemological Territory of Roman Polanski's Cinema/Polanski and Perception: the Psychology of Seeing and the Cinema of Roman Polanski, by Davide Caputo." Studies in Eastern European Cinema 5, no. 2 (July 3, 2014): 211–13. http://dx.doi.org/10.1080/2040350x.2014.929315.
Full textSilva, Jonathan Raphael Bertassi da, and Lucília Maria Sousa Romão. "Procurado e desejado: olhares de/sobre Roman Polanski." C-Legenda - Revista do Programa de Pós-graduação em Cinema e Audiovisual, no. 26 (August 11, 2012): 202. http://dx.doi.org/10.22409/c-legenda.v0i26.26260.
Full textVidal-Hall, Judith. "Interview: Roman Polanski: A matter of perception." Index on Censorship 24, no. 6 (November 1995): 84–90. http://dx.doi.org/10.1080/03064229508535992.
Full textPieterse, Annel. "Polanski and perception: the psychology of seeing and the cinema of Roman Polanski." South African Theatre Journal 27, no. 2 (April 3, 2014): 151–55. http://dx.doi.org/10.1080/10137548.2014.901646.
Full textDissertations / Theses on the topic "Roman Polanski"
Caputo, Davide. "Polanski and perception." Thesis, University of Exeter, 2010. http://hdl.handle.net/10036/3183.
Full textGirling, Christine. "Auteurs of Macbeth : Akira Kurosawa, Orson Welles and Roman Polanski." Thesis, University of Birmingham, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.633098.
Full textTylski, Alexandre. "Les génériques d'ouverture au cinéma : les longs-métrages de Roman Polanski." Toulouse 2, 2007. http://www.theses.fr/2007TOU20099.
Full textCan opening title sequences (re)present the audiovisual and thematic identity of a film and of a film maker ? Can we study the work of a movie maker (Roman Polanski) through the opening credits of his film ? To answer these questions, the first part of this thesis is divided into two main chapters : one chapter synthesizes the evolutions of film credits through the history pictures, the other chapter condenses diverse writings and definitions on the roles of credits in terms of sound, image, word and strucure. In the second part, a desciption of the main corpus (the opening title sequences of R. Polanski's seventeen feature-length films) leads to a synthesis of the audiovisual devices used in these main titles to serve the style of each film (through sound, images and editing), as well as an analysis on the themes revealed by the study of these film credits
RIBEIRO, Douglas Deó. "Os sujeitos e o mundo: Notas sobre a encenação no cinema de Roman Polanski." Universidade Federal de Pernambuco, 2016. https://repositorio.ufpe.br/handle/123456789/18082.
Full textMade available in DSpace on 2016-12-15T14:37:08Z (GMT). No. of bitstreams: 2 license_rdf: 1232 bytes, checksum: 66e71c371cc565284e70f40736c94386 (MD5) dissertação catalogação 2.pdf: 5341781 bytes, checksum: f9713e9d6e453efce7ed74f5bd1492f1 (MD5) Previous issue date: 2016-06-30
Este trabalho realiza um estudo estilístico da obra do cineasta franco-polonês Roman Polanski a partir de recorrências encontradas na encenação – e entendendo-se a encenação como a relação estabelecida entre corpos e espaços nas imagens de um filme. Partindo-se de uma análise que identifica a penetração do real na cena ficcional polanskiana, o estudo atravessa as questões presentes no posicionamento dos corpos no espaço até alcançar a encenação do próprio corpo enquanto matéria expressiva.
This paper makes a stylistic study of the oeuvre of the French-Polish filmmaker Roman Polanski from recurrences founded in staging – and understanding the staging as the relation between bodies and spaces in the images of a film. Starting with an analysis that identifies the penetration of reality in the Polanski’s scene, the study permeates the questions presents in the placement of the bodies in the space to reach the staging of the own body as an expressive subject.
Spooner, Kristin. ""This is not Dickens" fidelity, nostalgia, and adaption /." Diss., Columbia, Mo. : University of Missouri-Columbia, 2006. http://hdl.handle.net/10355/4608.
Full textThe entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file viewed on (June 27, 2007) Includes bibliographical references.
Uutela, Robin. "”Alla dessa häxor” – En jämförande analys av Ira Levins Rosemarys Baby och Roman Polanskis filmatisering." Thesis, Örebro universitet, Institutionen för humaniora, utbildnings- och samhällsvetenskap, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:oru:diva-73014.
Full textWearne, Olivia, and oliviawearne@hotmail com. "Crater Lake: A Study of the Monster Within." RMIT University. Creative Media, 2008. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20081209.160136.
Full textLupo, Joshua Scott. "Can We Be Forgiven?: On "Impossible" and "Communal" Forgiveness in Contemporary Philosophy and Theology." Digital Archive @ GSU, 2010. http://digitalarchive.gsu.edu/rs_theses/27.
Full textBrassard, Félix. "Vers un cinéma de l'absurde : les films de Roman Polanski." Thèse, 2014. http://hdl.handle.net/1866/11580.
Full textThe idea of absurd has taken a huge amount of different meanings in thought and current speech. Some of these meanings may present important differences with others. There is at least two occurrences where the word “absurd” has been understood as a current: first, in the philosophie absurde, theorized by Albert Camus in 1942, and second, in the Theater of the Absurd (Beckett, Ionesco and others), who had his hours of glory during the 1950s. These two movements can be seen as two branches of a single current, the Absurd, who has its roots in Europe after World War II. The horrors of the conflict and the loss of faith in Christianity pushed the intellectuals and artists of this period to become very sensitive to ideas such as hostility (of men, of world...) and loneliness. Roman Polanski (1933-), film director well-known for the eclecticism of his work, showed very notable acquaintances with Absurd in many of his movies. The analysis of his art (and of the autobiographical elements that sometimes appear in it) proves a clear relation with important figures of the Absurd current, such as Camus, Kafka, Nietzsche, and European playwrights of the post-war era. This relation can be observed in themes as well as in the mise en scène of Polanski's films.
"Personalizing film adaptation: literature into cinema in the work of Roman Polanski." 2005. http://library.cuhk.edu.hk/record=b5892511.
Full textThesis (M.Phil.)--Chinese University of Hong Kong, 2005.
Includes bibliographical references (leaves 144-145).
Abstracts in English and Chinese.
Introduction --- p.1
Chapter 1 --- "The ""Polanskian"" Style as Established in Knife in the Water, Repulsion, Cul-de-sac and The Fearless Vampire Killers" --- p.10
Chapter (I) --- Knife in the Water and Cul-de-sac --- p.11
Chapter (II) --- Repulsion --- p.22
Chapter (III) --- The Fearless Vampire Killers --- p.26
Chapter 2 --- The Breakdown of Human Relationships --- p.32
Chapter (I) --- Friendlessness --- p.33
Chapter (II) --- Unfulfilled Marriages --- p.37
Chapter 3 --- The Extreme Sense of Superiority That Destroys Others --- p.67
Chapter (I) --- The Villains' Lust for Power --- p.69
Chapter (II) --- The Victims for the Villains --- p.78
Chapter (III) --- The Villains' Methods of Victimization --- p.84
Chapter 4 --- The Vulnerability of the Victims to Fight Against Evil --- p.90
Chapter (I) --- The Victims' Inability to Fight Back --- p.90
Chapter (II) --- Hallucinations as the Victims' Most Vulnerable Moments --- p.108
Chapter 5 --- The Extremely Pessimistic Endings --- p.119
Chapter (I) --- The Emphasis of the Evil's Ultimate Domination --- p.121
Chapter (II) --- The Recurrence of Events --- p.129
Conclusion --- p.139
Works Cited --- p.144
Books on the topic "Roman Polanski"
Avron, Dominique. Roman Polanski. Paris: Rivages, 1987.
Find full textRoman Polanski. Rome: Gremese, 2006.
Find full textRoman Polanski. Urbana, IL: University of Illinois Press, 2007.
Find full textCappabianca, Alessandro. Roman Polanski. Recco, Genova: Le mani, 1997.
Find full textAvron, Dominique. Roman Polanski. Paris: Rivages, 1987.
Find full textWexman, Virginia Wright. Roman Polanski. London: Columbus, 1987.
Find full textRoman Polanski. Boston: Twayne Publishers, 1985.
Find full textRoman Polanski. Milano: Il castoro, 2002.
Find full textBatkiewicz, Andrzej. Scigany Roman Polanski. Katowice: Wydawnictwo BZiW Bronislaw Spadek, 2006.
Find full textMeikle, Denis. Roman Polanski: Odd man out. London: Reynolds & Hearn, 2006.
Find full textBook chapters on the topic "Roman Polanski"
Rachman, Arnold Wm. "Celebrity privilege and sexual abuse: the case of Roman Polanski." In Psychoanalysis and Society's Neglect of the Sexual Abuse of Children, Youth and Adults, 237–43. London: Routledge, 2021. http://dx.doi.org/10.4324/9780429298431-26.
Full textRoyster, Francesca. "Riddling Whiteness, Riddling Certainty: Roman Polanski’s Macbeth." In Weyward Macbeth, 173–81. New York: Palgrave Macmillan US, 2010. http://dx.doi.org/10.1007/978-0-230-10216-3_20.
Full textSchneider, Gerhard. "»Der Mieter« – Roman Polanskis filmische Analyse eines psychotischen Universums." In Projektion und Wirklichkeit, 220–34. Göttingen: Vandenhoeck & Ruprecht, 2006. http://dx.doi.org/10.13109/9783666451799.220.
Full textNg, Andrew Hock Soon. "Housing Secret Selves: William Friedkin’s The Exorcist and Roman Polanski’s Repulsion." In Women and Domestic Space in Contemporary Gothic Narratives, 103–42. New York: Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137532916_4.
Full textKolitzus, H. "Roman Polanskis „Ekel“(1965) — Konglomerat von Horror und Sex — oder subtile Darstellung einer schizophrenen Psychose?" In Perspektiven des Videos in der klinischen Psychiatrie und Psychotherapie, 247–59. Berlin, Heidelberg: Springer Berlin Heidelberg, 1993. http://dx.doi.org/10.1007/978-3-642-77188-0_23.
Full text"Introduction : An Elusive Film Maker." In Roman Polanski. I.B.Tauris, 2007. http://dx.doi.org/10.5040/9780755695904.0005.
Full text"Conclusion : The Cinema of a Cultural Traveller." In Roman Polanski. I.B.Tauris, 2007. http://dx.doi.org/10.5040/9780755695904.0006.
Full text"Notes." In Roman Polanski. I.B.Tauris, 2007. http://dx.doi.org/10.5040/9780755695904.0008.
Full text"Bibliography." In Roman Polanski. I.B.Tauris, 2007. http://dx.doi.org/10.5040/9780755695904.0009.
Full text"The Autobiographical Effect in the Cinema of Polanski." In Roman Polanski. I.B.Tauris, 2007. http://dx.doi.org/10.5040/9780755695904.ch-001.
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