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Books on the topic 'Rolling sounds'

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Author: Grafiati

Published: 14 March 2023

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1

Thacher, James R. Before and after: Sounds of wheels rolling ; poetry. Place of publication not identified]: CreateSpace Independent Publishing Platform, 2013.

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2

Kallen, Stuart A. Renaissance of rock: The sixties-sounds of America. Bloomington, Minn: Abdo & Daughters, 1989.

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3

The Rolling stone jazz record guide. New York: Rolling Stone, 1985.

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4

Tape's rolling, take one!: The recording life of Adrian Kerridge. Hertford]: M-Y Books, 2016.

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5

John, Swenson, ed. The Rolling Stone jazz & blues album guide / edited by John Swenson. New York: Random House, 1999.

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6

Greg, Kot, ed. The Beatles vs. the Rolling Stones: Sound opinions on the great rock 'n' roll rivalry. Minneapolis: Voyageur Press, 2010.

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7

Williams, Bruce. Rollin' with Dre. New York: Random House Publishing Group, 2008.

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8

Exile on Main Street: A season in hell with the Rolling Stones. Cambridge, Mass: Da Capo Press, 2006.

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9

DeRogatis, Jim. The Beatles vs. the Rolling Stones: Sound opinions on the great rock 'n' roll rivalry. Minneapolis: Voyageur Press, 2010.

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10

Linnemann, Martina. Pop-Art auf Plattencovern: Andy Warhol, Peter Blake, und Richard Hamilton gestalten Plattenhüllen für Velvet Underground, die Beatles, und die Rollings Stones. Saarbrücken: Verlag Dr. Müller, 2008.

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11

Pop-Art auf Plattencovern: Andy Warhol, Peter Blake, und Richard Hamilton gestalten Plattenhüllen für Velvet Underground, die Beatles, und die Rollings Stones. Saarbrücken: Verlag Dr. Müller, 2008.

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12

Williams, Bruce. Rollin' with Dre: The unauthorized account : an insider's tale of the rise, fall, and rebirth of West Coast hip hop. New York: One World, 2008.

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13

Simon, Dudfield, and Ross Ron, eds. Stoned: A memoir of London in the 1960's. New York: St. Martin's, 2001.

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14

Oldham, Andrew Loog. Stoned. London: Secker & Warburg, 2000.

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15

Barbara A. Schmidt and others Donna Alvermann Connie A. Bridge. Come Back Here, Crocodile Unit 1 Teacher's Edition (Rolling Along and Sounds Fishy). D.C. Heath and Company, 1993.

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16

McCreary, David. Rolling Around Puget Sound. Paper Frog Productions, 1998.

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17

Swenson, John. The Rolling Stone Jazz and Blues Album Guide. Random House, 1999.

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18

Goodman, Fred. Allen Klein: The Man Who Bailed Out the Beatles, Made the Stones, and Transformed Rock and Roll. Houghton Mifflin Harcourt Publishing Company, 2016.

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19

Goodman, Fred. Allen Klein: The Man Who Bailed Out the Beatles, Made the Stones, and Transformed Rock and Roll. Houghton Mifflin Harcourt Publishing Company, 2015.

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20

Allen Klein: The man who bailed out the Beatles, made the Stones, and transformed rock & roll. 2015.

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21

van Delden, Ate. Adrian Rollini. University Press of Mississippi, 2019. http://dx.doi.org/10.14325/mississippi/9781496825155.001.0001.

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Adrian Rollini (1904-1956)was as a child prodigy, playing piano when he was four. This book describes how job opportunities came to him easily at first and that his versatility helped him when they became rare.At the age of 16 he became a professional musician and, in New York, recorded piano rolls. In 1922, at the start of the jazz age, he joined the California Ramblers. He moved to the bass saxophone and gave it its definite place in early jazz. He had no serious competition and was highly appreciated by his colleagues. His style became the instrument's standard and his new sound was one reason why the band became a success. At the top of his fame Rollini became leader of his own band, with a.o. Bix Beiderbecke, Frank Trumbauer, Eddie Lang, and Joe Venuti. It was star-studded but short-lived. In late 1927, he moved to London to join Fred Eizalde's progressive dance band. A year later he became the band's practical leader. Back in the USA in 1930, Rollini joined Bert Lown's hotel band, but the bass saxophone was phasing out, so he moved to the vibraphone. Bands such as Lown's and, later, Richard Himber's did not satisfy him, and he decided to start a club, Adrian's Tap Room, as well as an instrument shop. He was one of the first to go for a jazz trio, consisting of himself,a guitarist, and a bass player. During the 40s, Rollini added another venture, a fishing lodge in Florida.

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22

1968-, Brackett Nathan, and Hoard Christian, eds. The new Rolling Stone album guide. 4th ed. New York: Simon & Schuster, 2004.

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23

The New Rolling Stone Album Guide. Simon & Schuster, 2008.

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24

Are We Still Rolling Studios Drugs And Rock N Roll One Mans Journey Recording Classic Albums. Tape Op, 2011.

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25

Counting down the Rolling Stones: Their 100 finest songs. 2016.

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26

Beviglia, Jim. Counting Down The Rolling Stones: Their 100 Finest Songs. Rowman & Littlefield Publishers, Incorporated, 2015.

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27

author, Guesdon Jean-Michel, and Elliott Richard George translator, eds. The Rolling Stones: All the songs : the story behind every track. 2016.

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28

Greenfield, Robert. Exile on Main Street: A Season in Hell with the Rolling Stones. Da Capo Press, Incorporated, 2008.

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29

Goss, Benjamin. DIY Portable Sound Walls for Cheap $$: How to Make Your Own CHEAP Rolling Vocal Booth. Independently Published, 2020.

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30

Anthony, DeCurtis, Henke James, and George-Warren Holly, eds. The Rolling stone album guide: Completely new reviews : every essential album, every essential artist. 3rd ed. New York: Random House, 1992.

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31

Brackett, Nathan, and Christian Hoard. The New Rolling Stone Album Guide: Completely Revised and Updated 4th Edition. 4th ed. Fireside, 2004.

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32

McCreary, David. Rolling around Puget Sound: 36 paved places you can in-line skate in Snohomish, King and Pierce counties. McCreary Direct Marketing, 1994.

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33

Sticky fingers: The life and times of Jann Wenner and Rolling stone magazine. Knopf, 2017.

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34

Rollin' with Dre: The Unauthorized Account: An Insider's Tale of the Rise, Fall, and Rebirth of West Coast Hip Hop. One World/Ballantine, 2008.

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35

Abbott, Helen. Baudelaire in Song. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198794691.001.0001.

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Exploring the work of the major nineteenth-century French poet Charles Baudelaire (1821–67), this book examines how and why Baudelaire’s poetry has inspired so many composers to set it to music in different ways. The author proposes a new model for analysing song, through an ‘assemblage’ approach, which examines the complex relationships formed between common features of poetry and music, including metre/prosody, form/structure, sound properties/repetition, and semantics. The model also factors in the realities of song as a live performance genre, revealing which parameters of song emerge as standard for French text-setting and where composers diverge in their approach. The specific case studies that make up the second half of the book focus on Baudelaire song sets produced by European composers between 1880 and 1930, specifically Maurice Rollinat, Gustave Charpentier, Alexander Gretchaninov, Louis Vierne, and Alban Berg. Using this corpus, the assemblage model is tested to uncover new findings about what happens to Baudelaire’s poetry when it is set to music. Analysing Baudelaire’s poetry within song settings uncovers richer features of the texts that we might otherwise not see or hear. Examining each song setting in close detail confirms that there are no overt resonances between the types of poems selected for musical interpretation, just as there is no single, perfect ‘ideal’ setting of Baudelaire.

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36

Oldham, Andrew Loog. Stoned. Vintage Books, 2004.

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37

Oldham, Andrew Loog. Stoned. Vintage Books, 2004.

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38

Stoned : A Memoir of London in the 1960s. St. Martin's Griffin, 2002.

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39

Oldham, Andrew Loog, and Simon Dudfield. Stoned : A Memoir of London in the 1960s. St. Martin's Press, 2001.

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40

Oldham, Andrew Loog. Stoned. Penguin Random House, 2010.

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