Dissertations / Theses on the topic 'Role of music in worship'
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Detwiler, David Franklin. "The role of music in worship according to Paul an exegetical inquiry /." Theological Research Exchange Network (TREN), 1997. http://www.tren.com.
Full textKeith, Shannon D. "The Perceived Role of Music in the Pentecostal and Charismatic Worship Experience." Thesis, University of Louisiana at Lafayette, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=1553877.
Full textTwo churches were studied through observations and interviews to examine the role of music in their worship services. One of the churches was a Pentecostal church that was predominantly Caucasian and the other was a nondenominational church that was predominantly African-American. The interviews determined that despite cultural differences, including musical style, the perceived role of the music was basically the same in both churches. The role of the music is to create an environment that encourages and enhances high levels of praise. Both churches were consistent in the belief that God is actually present in some form if there are high levels of praise.
Moss, Phyllis Anita. "The role of the praise and worship leader: a model for preparing the singer for leadership in contemporary worship." DigitalCommons@Robert W. Woodruff Library, Atlanta University Center, 2001. http://digitalcommons.auctr.edu/dissertations/AAIDP14652.
Full textAbdalah, Gregory John. "The role of youth choirs in the Orthodox Church." Theological Research Exchange Network (TREN), 2008. http://www.tren.com/search.cfm?p015-0477.
Full textMayden, Brandon. "The role of the Restoration Movement editors concerning the use of instrumental music in worship 1866-1906 /." Theological Research Exchange Network (TREN), 2007. http://www.tren.com/search.cfm?p031-0172.
Full textFriedmann, Jonathan Lawrence. "A musical people : the role of music in Biblical life / by Jonathan L. Friedmann." Thesis, North-West University, 2011. http://hdl.handle.net/10394/8006.
Full textThesis (PhD (Old Testament))--North-West University, Potchefstroom Campus, 2012.
Rees, Robin Lodowick Douglas. "The role of music and musicians in current English parish church worship : the attitudes of clergy and organists." Thesis, University of Sheffield, 1990. http://etheses.whiterose.ac.uk/1808/.
Full textKoonce, James D. "Development of the worship leader role of the Celebration Choir at Shirley Hills Baptist Church through an intentional process of reflection, study and choral community interaction." Theological Research Exchange Network (TREN) Theological Research Exchange Network (TREN) Access this title online, 2006. http://www.tren.com.
Full textSaint, L. "Choral music in Canterbury Cathedral, 1873-1988 : the role of service settings and anthems in the regeneration, preservation and sustenance of cathedral worship." Thesis, Canterbury Christ Church University, 2011. http://create.canterbury.ac.uk/10812/.
Full textMoore, Laurence James, and res cand@acu edu au. "Sing to the Lord a New Song: a Study of changing musical practices in the Presbyterian Church of Victoria, 1861-1901." Australian Catholic University. School of Arts and Sciences, 2004. http://dlibrary.acu.edu.au/digitaltheses/public/adt-acuvp49.29082005.
Full textWhitener, Russell E. "The worship reformation examining trends in worship, worship music, and possible revival implications /." Online full text .pdf document, available to Fuller patrons only, 2004. http://www.tren.com.
Full textAustell, Robert M. "Biblical worship through music." Theological Research Exchange Network (TREN) Access this title online Theological Research Exchange Network (TREN), 2008. http://www.tren.com.
Full textKasper, Matthew J. "Schleiermacher's influence on contemporary worship music." Online full text .pdf document, available to Fuller patrons only, 2002. http://www.tren.com.
Full textBaker, Wesley L. "Worship, contemporary Christian music, and Generation 'Y'." Online full text .pdf document, available to Fuller patrons only, 2000. http://www.tren.com.
Full textAmusan, Samuel. "Music and spirit possession in Yorùbá worship." Thesis, University of Manchester, 2018. https://www.research.manchester.ac.uk/portal/en/theses/music-and-spirit-possession-in-yoraba-worship(a1241239-d079-4b2c-aac5-15889fc2a11a).html.
Full textChan, Philip Hong. "Music and worship: a textbook for music and worship (B40-01 0-1) offered by the Hong Kong Baptist Theological Seminary." Theological Research Exchange Network (TREN), access this title online, 2005. http://www.tren.com/search.cfm?p089-0077.
Full textJohnson, Terri Lynne. "Worship Styles, Music, and Social Identity: A Communication Study." Cleveland, Ohio : Cleveland State University, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=csu1209671319.
Full textKim, Baeksok. "A survey of Korean pastors' awareness of worship music /." Free full text is available to ORU patrons only; click to view:, 2006. http://proquest.umi.com/pqdweb?did=1268599541&sid=1&Fmt=2&clientId=456&RQT=309&VName=PQD.
Full textIncludes abstract and vita. Translated from Korean. Includes bibliographical references (leaves 195-198).
Seda, Jonathan P. "Presbyterian worship and the Mexican context." Theological Research Exchange Network (TREN), 2002. http://www.tren.com.
Full textLauterbach, W. Grant. "Study of worship styles in the Mid-Maryland Baptist Association." Online full text .pdf document, available to Fuller patrons only, 2002. http://www.tren.com.
Full textBeesley, David. "Worship style preferences comparison of younger and older Canadian Pentecostals /." Theological Research Exchange Network (TREN), 1999. http://www.tren.com.
Full textPorter, Mark James. "That's not my music : experiences of contemporary worship music in relation to extraecclesiastical musical attachments." Thesis, City University London, 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.665452.
Full textBruneel, Benjamin. "Art and worship in Zwinglian theology." Theological Research Exchange Network (TREN), 2007. http://www.tren.com/search.cfm?p001-1141.
Full textTrull, Gregory V. "The role of the Psalms of ascents in the worship of Israel." Theological Research Exchange Network (TREN), 1993. http://www.tren.com.
Full textFultz, Daniel D. "Style Matters: Worship Preferences of University Students Regarding the use of Music and Technology." Bowling Green State University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1282329069.
Full textJohnson, Clare Veronica. "Music, ritual and the therapeutic exploring the therapeutic potential of liturgical music in Roman Catholic worship /." Theological Research Exchange Network (TREN), 1998. http://www.tren.com.
Full textAllder, Bruce George, and n/a. "Preaching in Context: The Role of Preaching in Nazarene Worship." Griffith University. School of Vocational, Technology and Arts Education, 2006. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20060914.114727.
Full textMager, Sibylle. "The debate over the revival of ancient church music in Victorian England." Thesis, University of Cambridge, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.368613.
Full textGillis, Leslie Myers. "Contemporary practices in Southern Baptist Church music: a collective case study of worship, ministry design and music education." Thesis, Boston University, 2013. https://hdl.handle.net/2144/11001.
Full textThe widespread popular music-based modem worship movement begun in the 1960's brought the styles and sounds of popular music into worship as churches sought to increase cultural connection in their worship. The worship transformation brought significant challenges. Church musicians trained in traditional skills had to adapt and incorporate skills associated with popular musics. Music ministers had to train themselves and ministry musicians. The worship transformation altered the design of many music ministries, changing personnel, practices, repertoire, and ensembles. The purpose of this study was to explore the worship transition experience and how it impacted the musical processes and training within seven Baptist churches in Hartford County, Georgia. Using a qualitative collective case study design, I explored three primary areas: 1). the worship style implementation; 2). the structure and activities of the music ministry leadership and program; and 3). how the skills necessary for nontraditional music ministry have been developed. Within the primary focus, I also investigated the transferability of school music education training into current music ministries, examining if and how school-trained musicians can engage within nontraditional music ministries. The research highlights commonalities existing between school and church music, and parallels training challenges shared by church and school music educators. This additional inquiry stems from the call of music education experts for classroom learning to be expanded in content, encourage lifelong engagement, and connect with community life. Data was collected through in-depth interviews, pre-interview profiles, ministry documents and materials, and field observations. Results provided nuance for prior survey-based research. Data revealed that worship style interpretation is diverse in implementation. Worship changes have altered the structure of church leadership roles and job descriptions. Ministry programs have changed, but traditional ensembles maintain significance. Data revealed challenges in skill development, requiring retraining for music ministers and ministry musicians, usually achieved through independent learning. Results showed that school-based training does transfer into current ministries. Church music ministries have expanded their musical practices in a manner that parallels the challenge given to music education. Data from the music minister's experiences transfers in applicability to school music educators who are also challenged by expanding practices.
Schultz, Randy P. "An evaluation of praise music as a genre for incorporation into Lutheran worship." Online full text .pdf document, available to Fuller patrons only, 1999. http://www.tren.com.
Full textGalbraith, Douglas. "Aspects of Koinonia : developing an ecclesiological approach to music in contemporary Christian worship." Thesis, Bangor University, 2010. https://research.bangor.ac.uk/portal/en/theses/aspects-of-koinonia-developing-an-ecclesiological-approach-to-music-in-contemporary-christian-worship(83fd935b-3b9c-4afe-8c0b-b7da1421a8dd).html.
Full textNoland, Thomas E. "Developing a strategy to strengthen the adult choir and orchestra of the Eastern Shore Baptist Church, Daphne, Alabama, as biblical lead worshipers." Theological Research Exchange Network (TREN), 2006. http://www.tren.com/search.cfm?p053-0304.
Full textNoland, Thomas E. "Developing a strategy to strengthen the adult choir and orchestra of the Eastern Shore Baptist Church, Daphine, Alabama, as biblical lead worshipers." Theological Research Exchange Network (TREN), access this title online, 2006. http://dx.doi.org/10.2986/tren.053-0304.
Full textPark, Young Jun. "In the Presbyterian worship a case study on Presbyterian Church of Korea (TongHap) /." Theological Research Exchange Network (TREN), 1998. http://www.tren.com.
Full textMuller, B. A. "The role of worship and ethics on the road towards reconciliation." AOSIS OpenJournal, 2009. http://hdl.handle.net/10019.1/21415.
Full textReconciliation in a divided society, like the South African one, is in dire need of a new moral discourse and praxis. This article argues that this moral discourse must also be conducted on an often forgotten level, namely in the worshipping praxis of the Church. The article describes the renewed interest of ethicists and liturgists in the relationship between liturgy and ethics and especially the role of rituals. The article then focuses on the renewal of basic Christian rituals like preaching and sacraments, prayer and praise to serve this much needed moral discourse.
Publishers' Version
Noden, Shelagh. "The revival of music in the worship of the Catholic Church in Scotland, 1789-1829." Thesis, University of Aberdeen, 2014. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=211007.
Full textHandman, Deborah Fleenor. "Healing songs understanding and creating powerful music for the American church /." Online full text .pdf document, available to Fuller patrons only, 2001. http://www.tren.com.
Full textSmoak, Alfred M. "Identifying contemporary praise & worship songs for use during the church year at Trinity Baptist Church, Livermore, California." Theological Research Exchange Network (TREN), 2002. http://www.tren.com.
Full textPrest, Vallen L. "Developing worship leaders as servant artists at Woodside Bible Church, Troy, Michigan." Theological Research Exchange Network (TREN), 2007. http://www.tren.com/search.cfm?p089-0141.
Full textHunt, Richard T. "Recovering the role of the congregation in Sunday worship a curriculum for adult members of Central Baptist Church in Jonesboro, Arkansas /." Online full text .pdf document, available to Fuller patrons only, 2003. http://www.tren.com.
Full textPedraza, Jennifer. "WHAT IS THEATRE'S ROLE AS A WORSHIP TOOL IN A MESSIANIC SYNAGOGUE?" Master's thesis, University of Central Florida, 2007. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/4041.
Full textM.F.A.
Department of Theatre
Arts and Humanities
Theatre MFA
Schill, Harold Gus. "The minister's role in leading Presbyterian worship a practical and pastoral guide /." Online full text .pdf document, available to Fuller patrons only, 2003. http://www.tren.com.
Full textTonsing, Johanna Gertrud. "Searching for the "Good Song" - Determining the quality of Christian songs within the polarities of worship." Thesis, University of Pretoria, 2013. http://hdl.handle.net/2263/40212.
Full textThesis (PhD)--University of Pretoria, 2013.
gm2014
Practical Theology
unrestricted
Aguillard, Ronald W. "Training the worship leaders and adult members of the First Baptist Church, Raceland, Louisiana, to assume their role and responsibility in corporate worship." Theological Research Exchange Network (TREN), 1991. http://www.tren.com.
Full textLattimer, Paul. "Sacred Metalcore: A worship, culture, and missiology study of the Christian metal scene." Ashland University Honors Theses / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=auhonors1366039234.
Full textWright, Andrew J. O. "The pastor as change agent a study of role, character, and personality /." Theological Research Exchange Network (TREN), 2006. http://www.tren.com/search.cfm?p028-0243.
Full textStevenson, Bruce Alan. "God is our refuge and strength." Theological Research Exchange Network (TREN), 1990. http://www.tren.com.
Full textWiederkehr, George A. "The role of music theory in music production and engineering." Thesis, University of Oregon, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=1602500.
Full textDue to technological advancements, the role of the musician has changed dramatically in the 20th and 21st centuries. For the composer or songwriter especially, it is becoming increasingly expected for them to have some familiarity with music production and engineering, so that they are able to provide a finished product to employers, clients, or listeners. One goal of a successful production or engineered recording is to most effectively portray the recorded material. Music theory, and specifically analysis, has the ability to reveal important or expressive characteristics in a musical work. The relationship between musical analysis and production is explored to discover how music analysis can provide a more effective and informed musical production or recording and how a consideration of music production elements, notably timbre and instrumentation, can help to better inform a musical analysis. Two supplemental MP3 files are included with this thesis to demonstrate proposed mixing guidelines derived from the analysis.
Wiederkehr, George. "The Role of Music Theory in Music Production and Engineering." Thesis, University of Oregon, 2016. http://hdl.handle.net/1794/19679.
Full textRitchie, Martin Scott. "'Dour-mongers all?' : the experience of worship in the Early Reformed Kirk, 1559-1617." Thesis, University of Edinburgh, 2017. http://hdl.handle.net/1842/25907.
Full text