Relevant bibliographies by topics / Roland

Academic literature on the topic 'Roland'

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Published: 4 June 2021
Last updated: 30 July 2024

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Journal articles on the topic "Roland"

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Maxim, Sebastian. "Frédéric Boyer , Rappeler Roland , Rappeler Roland, Chanson de Roland, Cahier Roland . POL, 2013, 397 pages, 20 €." Études Tome 419, no. 7 (July 1, 2013): IV. http://dx.doi.org/10.3917/etu.4191.0117d.

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Herschberg Pierrot, Anne. "Manuscrits de Roland Barthes par Roland Barthes." Genesis 19, no. 1 (2002): 13–50. http://dx.doi.org/10.3406/item.2002.1227.

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Bolle, Louis. "ROLAND BARTHES par Roland Barthes ou l'Autonymie." Les Lettres Romanes 39, no. 1-2 (February 1985): 9–16. http://dx.doi.org/10.1484/j.llr.5.111629.

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HAFSI, Taïeb. "Roland Calori : Adieu l'Ami! / Roland Calori: Good-bye Friend! / Roland Calori: Adiós, amigo!" Management international 7, no. 1 (2002): 7–8. http://dx.doi.org/10.59876/a-cg4v-5vd4.

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Polan, Dana, and Jean-Louis Calvet. "Roland Barthes." SubStance 21, no. 1 (1992): 130. http://dx.doi.org/10.2307/3685352.

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Bougnoux, Daniel, Françoise Gaillard, and Louise Merzeau. "Roland Barthes." Médium 18, no. 1 (2009): 2. http://dx.doi.org/10.3917/mediu.018.0002.

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Wood, By James B., and Jennifer Mather. "Remembering Roland." American Malacological Bulletin 32, no. 2 (September 2014): 323. http://dx.doi.org/10.4003/006.032.0220.

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Lelu, Alain. "Roland Moreno." Hermès 64, no. 3 (2012): 199. http://dx.doi.org/10.4267/2042/48423.

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Lequenne, Michel. "Madame Roland." Cahiers du féminisme 52, no. 1 (1990): 38–40. http://dx.doi.org/10.3406/cafem.1990.3921.

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Stanton, Timothy. "Roland Hall." Locke Studies 18 (October 22, 2018): 1–9. http://dx.doi.org/10.5206/ls.2018.5769.

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Dissertations / Theses on the topic "Roland"

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Coste, Claude. "Roland Barthes moraliste /." Villeneuve d'Ascq, France : Presses universitaires du Septentrion, 1998. http://www.uqtr.ca/biblio/notice/tablemat/03-2233516TM.html.

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Pereira, José Cezar. "Roland Ristow :." Florianópolis, SC, 1999. http://repositorio.ufsc.br/xmlui/handle/123456789/81035.

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Geck, Martin. "Roland Barthes: »Rasch«." Bärenreiter Verlag, 2012. https://slub.qucosa.de/id/qucosa%3A71887.

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Karjalainen, Helena Pirkk. "Madame Roland écrivain." Université Stendhal (Grenoble ; 1970-2015), 1994. http://www.theses.fr/1994GRE39018.

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Le but de cette these est d'etudier madame roland comme femmeauteur. Elle comprend d'abord une etude sur la formation intellectuelle et morale qui consiste en une education religieuse et philosophique. Elle est suivie d'une analyse des formes de la creation litteraire presentant cinq aspects differents : les oeuvres de loisir et reflexions diverses (oeuvres de jeunesse) ; laz forme epistolaire ; les recits de voyage ; "l'ecriture journalistique" et les memoires. Cette oeuvre reflete enfin son temps par son caractere historique decrivant les societe francaise pendant la vie de l'ecrivain, et aussi par le langage qui vit au fil des changements sociaux. L'oeuvre de madame roland montre une sensibilite rousseauiste avec une conception "romantique" et idealiste de la vie
The aim of this thesis is the study of madame roland as a writer. The first part of this thesis describes her intellectual and moral education which includes religious and philosophic studies. Then, an analysis of her literary work creation is exposed presenting five different aspects of writing : les oeuvres de loisir et reflexions diverses (the works written during the youth of the writer) ; the epistolary form of the writings ; the journey accounts ; the "journalistic writing" and the memoirs. This work bears witness of the days in which madame roland lived by its historical aspects, describing the french society and also through its language which moves with social changes. Finally this work shows a "rousseauistic" sensibility tainted with a "romantic" and idealistic conception of life
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Montambeault, Shelley. "Approche ontologique du désir dans "Le temps de l'opaque" de Roland Giguère, suivi de, "Le mécanicien de train" /." Trois-Rivières : Université du Québec à Trois-Rivières, 2004. http://www.uqtr.ca/biblio/notice/tablemat/18430535TM.pdf.

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Lapointe, Mélissa. "Roland, chevalier du Christ : herméneutique chrétienne dans La chanson de Roland /." Thèse, Chicoutimi : Université du Québec à Chicoutimi, 2004. http://theses.uqac.ca.

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Opfer, Roland [Verfasser]. "Multiscale Kernels / Roland Opfer." Aachen : Shaker, 2004. http://d-nb.info/1186575158/34.

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Rafik, Fatima. "L'esthetique de roland barthes." Paris 8, 1987. http://www.theses.fr/1987PA080188.

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D'un bout a l'autre de son oeuvre, barthes privilegie la pratique d'une grande tolerance critique a l'egard des productions litteraires et artistiques. C'est a partir de la que s'elabore sa conception pluridimentionnelle de l'esthetique qu'il applique, avec une egale souplesse, a l'ecriture, au theatre, a la critique litteraire et a la peinture. Pour lui, l'esthetique de toute oeuvre produite gagne a approcher celle-ci dans une coherence formelle qui l'eloigne aussi bien des recours reducteurs a des elements biographiques de l'auteur que des obediences rigides a des theories prefabriquees. Il s'agit donc, dans un tel contexte, de liberer l'oeuvre de toutes ces menaces afin qu'elle livre ses richesses intrinseques. La critique esthetique signale les richesses semantiques plurielles de l'oeuvre beaucoup plus qu'elle ne les "decouvre". Les richesses de l'oeuvre lui sont inherentes et c'est a travers un veritable voyage amoureux en elle qu'elle peut consentir a en reveler quelques elements. C'est pour cela, rappelle barthes, que la critique, tant litteraire qu'esthetique, consiste essentiellement a "couvrir l'oeuvre de son propre langage", a "tisser une couronne de langage" autour d'elle. Or, d'apres lui, un tel travail d'approche, s'il vient forcement apres les oeuvres produites, est deja contenu et suppose par elles. L'esthetique barthesienne suppose donc, a tout moment, une "ergographie", c'est-a-dire l'ecoute des differents travaux sur le sens qu'opere les oeuvres litteraires et artistiques chacune a sa maniere propre. C'est pour cela que d'un bout a l'autre de ses ecrits, barthes privilegie sans hesitation, en matiere de critique, la notion de validite a celle, plus pompeuse, de verite
Throughout his work, barthes favors the practice of a great critical tolerance toward literary and artistic outputs. It is at this point that his multi-dimensional conception of aesthetic, which he applies with an equal suppleness to writing, to reading, to the theater, to painting, and to literary criticism, is worked out. For him, the aesthetics of every produced work gains in approaching this one in a formal coherence wich removes it from remedies that reduce to biographical elements of the author as well as from rigid obediences to prefabricated theories. In such a context, the question is then to set the work free from all these threats so that it can give up its intrinsic wealth. Aesthetical criticism points out the plural semantic riches of the work more than it "lays them bare". The riches of the work are inherent in it, ant it is through a loving and genuine journey in it that it can agree to reveal some of its elements. It is for this reason, barthes reminds us, that literary as well as aesthetical criticism concerns itself mainly with "covering the work with its oun language" and "weaving a croun of language" around it. Now according to him, such an approach, if it comes necessarily after the produced works, is abready guessed and contained by them. Barthesian aesthetics then supposes, at every moment, an "ergography", i. E. The listening of different works on the meaning that each literary and artistic production performs in its oun way. This is the reason why barthes, throughout his writing, prefers without hesitation, in criticism, the notion of validity to that, more pompous, of truth
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Biet, Clemens Verfasser], Roland [Akademischer Betreuer] [Baar, Roland [Gutachter] Baar, and Hubert [Gutachter] Schwarze. "Akustik wälzgelagerter Abgasturbolader / Clemens Biet ; Gutachter: Roland Baar, Hubert Schwarze ; Betreuer: Roland Baar." Berlin : Technische Universität Berlin, 2017. http://d-nb.info/1156181720/34.

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Biet, Clemens [Verfasser], Roland [Akademischer Betreuer] Baar, Roland [Gutachter] Baar, and Hubert [Gutachter] Schwarze. "Akustik wälzgelagerter Abgasturbolader / Clemens Biet ; Gutachter: Roland Baar, Hubert Schwarze ; Betreuer: Roland Baar." Berlin : Technische Universität Berlin, 2017. http://d-nb.info/1156181720/34.

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Books on the topic "Roland"

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Stéphane, Nelly. Roland. New York: Enchanted Lion Books, 2016.

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Cat, Roland. Roland Cat: Peintures = Roland Cat : paintings. [Cebazat, France]: Editions Natiris, 1985.

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Gane, Mike, and Nicholas Gane. Roland Barthes. 1 Oliver's Yard, 55 City Road, London EC1Y 1SP United Kingdom: SAGE Publications Ltd, 2004. http://dx.doi.org/10.4135/9781446263280.

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Moriarty, Michael. Roland Barthes. Stanford,CA: Stanford U.P., 1991.

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McQuillan, Martin. Roland Barthes. London: Macmillan Education UK, 2011. http://dx.doi.org/10.1007/978-0-230-34389-4.

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Kolesch, Doris. Roland Barthes. Frankfurt/Main: Campus, 1997.

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Mauriès, Patrick. Roland Barthes. Paris: Le Promeneur, 1992.

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Philippe, Gilles. Roland Barthes. Roma: Memini, 1996.

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editor, Noorbergen Christian, ed. Roland Cat. Paris]: Lelivredart, 2015.

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Éric, Tenet, ed. Roland Barthes. Paris: Bertrand-Lacoste, 1994.

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Book chapters on the topic "Roland"

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Schiwy, Günther. "Barthes, Roland: Roland Barthes par Roland Barthes." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_2628-1.

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Shattock, Joanne, Elisabeth Jay, and Valerie Sanders. "Roland." In The Selected Works of Margaret Oliphant, Part V Volume 20, 154–58. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003554141-22.

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Detken, Anke. "Schimmelpfennig, Roland." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_21357-1.

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Wild, Gerhard. "Barthes, Roland." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_2625-1.

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Haefeli, Anton. "Moser, Roland." In Metzler Komponisten Lexikon, 511–12. Stuttgart: J.B. Metzler, 1992. http://dx.doi.org/10.1007/978-3-476-03421-2_199.

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König, Traugott. "Barthes, Roland." In Metzler Philosophen Lexikon, 79–82. Stuttgart: J.B. Metzler, 1995. http://dx.doi.org/10.1007/978-3-476-03642-1_31.

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Walter, Scott A., Philippe Nabonnand, Ralf Krömer, and Martina Schiavon. "Roland Bonaparte." In La correspondance entre Henri Poincaré, les astronomes, et les géodésiens, 15–17. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-7643-8293-3_5.

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Teichert, Dieter. "Barthes, Roland." In Lexikon der Geisteswissenschaften, 1145–47. Wien: Böhlau Verlag, 2011. http://dx.doi.org/10.7767/boehlau.9783205790099.1145.

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Emerling, Jae. "Roland Barthes." In Theory for Art History, 83–90. Second edition. | London; New York: Routledge, 2019.: Routledge, 2019. http://dx.doi.org/10.4324/9780203113899-11.

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Ulmer, Roland. "Roland Ulmer." In Verleger • Humanist Homme de Lettres, 21–23. Berlin, Heidelberg: Springer Berlin Heidelberg, 2001. http://dx.doi.org/10.1007/978-3-662-38087-1_3.

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Conference papers on the topic "Roland"

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Laurent, Maxime. "Orphée – Loti – Roland B." In Roland Barthes, contemporanéités intempestives. Fabula, 2018. http://dx.doi.org/10.58282/colloques.5770.

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Wiser, Antonin. "Roland Barthes, contemporanéités intempestives. Présentation." In Roland Barthes, contemporanéités intempestives. Fabula, 2018. http://dx.doi.org/10.58282/colloques.5760.

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Christen, Noémie. "Palinodie mon amour. À propos du second séminaire sur le discours amoureux (1975-1976)." In Roland Barthes, contemporanéités intempestives. Fabula, 2018. http://dx.doi.org/10.58282/colloques.5772.

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Turin, Gaspard. "“J’aime, je n’aime pas”. Connivence entre Perec et Barthes." In Roland Barthes, contemporanéités intempestives. Fabula, 2018. http://dx.doi.org/10.58282/colloques.5769.

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Wiser, Antonin. "Constellations marginales : Roland Barthes avec Walter Benjamin." In Roland Barthes, contemporanéités intempestives. Fabula, 2018. http://dx.doi.org/10.58282/colloques.5767.

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Schwerzmann, Katia. "Point de contact : pour une esthétique de la rencontre." In Roland Barthes, contemporanéités intempestives. Fabula, 2018. http://dx.doi.org/10.58282/colloques.5761.

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Marty, Éric. "Roland Barthes, le grand malentendu." In Actualité de Roland Barthes (2000). Fabula, 2022. http://dx.doi.org/10.58282/colloques.7633.

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Laouyen, Mounir. "Le Livre brisé de Roland Barthes." In Actualité de Roland Barthes (2000). Fabula, 2022. http://dx.doi.org/10.58282/colloques.7634.

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Brunn, Alain. "Ce que Barthes fait de La Rochefoucauld : le critique & son image ?" In Actualité de Roland Barthes (2000). Fabula, 2022. http://dx.doi.org/10.58282/colloques.7613.

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Gefen, Alexandre. "Le Jardin d’Hiver (les « biographèmes » de Roland Barthes)." In Actualité de Roland Barthes (2000). Fabula, 2022. http://dx.doi.org/10.58282/colloques.7624.

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Reports on the topic "Roland"

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Tegtmeier, Eric, and Erik Luther. Characterization of foils rolled for TUM: One. Office of Scientific and Technical Information (OSTI), May 2021. http://dx.doi.org/10.2172/1783481.

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Groeneveld. L51676 Evaluation of Modern X70 and X80 Line Pipe Steels. Chantilly, Virginia: Pipeline Research Council International, Inc. (PRCI), April 1992. http://dx.doi.org/10.55274/r0010158.

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Nine sections of advanced high strength line pipes, Grades X70 and X80 have been evaluated during this study. Six of those pipes were Grade X70 and three were Grade X80. Four of the X70 pipes were fabricated from microalloyed steels that were controlled rolled; the other two X70 pipes were controlled rolled plus accelerated cooled. Two of the controlled-rolled X70 pipes were produced from plates from the same slab of continuously cast steel; one was fabricated by the pyramid-rolling process and the other was fabricated by the U-O-E process. Two of the Grade X80 steels were produced from plate that was controlled rolled; one of those was accelerated cooled after controlled rolling. The third X80 pipe was produced from a microalloyed steel plate that was fabricated into pipe, ERW welded, and then heat treated by austenitizing, spray quenching, and tempering. The information obtained from the evaluations of these pipes is summarized in the following sections.
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Pacheco, Robin Montoya, David John Alexander, Rodney James Mccabe, Kester Diederik Clarke, Jeffrey E. Scott, Joel Dwayne Montalvo, Pallas Papin, and George S. Ansell. Annealing of (DU-10Mo)-Zr Co-Rolled Foils. Office of Scientific and Technical Information (OSTI), January 2017. http://dx.doi.org/10.2172/1340958.

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Schulthess, Jason. Elevated Temperature Tensile Tests on DU–10Mo Rolled Foils. Office of Scientific and Technical Information (OSTI), September 2014. http://dx.doi.org/10.2172/1183495.

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Schulthess, Jason. Elevated temperature tensile tests on DU-10Mo rolled foils. Office of Scientific and Technical Information (OSTI), May 2018. http://dx.doi.org/10.2172/1466662.

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Sands, M. Single Pass Collider Memo: Betatron Oscillations and Rolled Achromats. Office of Scientific and Technical Information (OSTI), February 1987. http://dx.doi.org/10.2172/1340164.

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Prifti, Joseph, Michael Castro, Richard Squillacioti, and Raymond Cellitti. Improved Rolled Homogeneous Armor (IRHA) Steel Through Higher Hardness. Fort Belvoir, VA: Defense Technical Information Center, April 1997. http://dx.doi.org/10.21236/ada329222.

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Hammon, Duncan, David John Alexander, Kester Diederik Clarke, and Amy Jean Clarke. Metallography of High Carbon Content Cold-rolled U-10Mo -LEU. Office of Scientific and Technical Information (OSTI), October 2016. http://dx.doi.org/10.2172/1329696.

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Semiatin, Sheldon L., G. S. Dyakonov, S. Mironov, S. V. Zherebtsov, G. A. Salishchev, S. P. Malysheva, and A. A. Salem. Grain-Structure Development in Heavily Cold-Rolled Alpha-Titanium (Postprint). Fort Belvoir, VA: Defense Technical Information Center, April 2014. http://dx.doi.org/10.21236/ada606584.

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Fieguth, T., S. Kheifets, and J. J. Murray. Dispersive effects of transverse magnet displacements in rolled arc achromats. Office of Scientific and Technical Information (OSTI), September 1986. http://dx.doi.org/10.2172/5224984.

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